Date: 1791 - YCBA Collections Search Search Results

101. A Curious Pump

Creator:: unknown artist
Date:: 1791
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

102. North End, Hampstead

Creator:: Francis Jukes, 1747–1812
Date:: 1791
Materials & Techniques:: Aquatint
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

103. Hornsey

Creator:: William Ellis, 1747–1810
Date:: 1791
Materials & Techniques:: Aquatint
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

104. Hackney

Creator:: William Ellis, 1747–1810
Date:: 1791
Materials & Techniques:: Aquatint
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

105. Painting on the South Side Severts Tomb

Creator:: Jacob C. Schnebbelie, 1760–1792
Date:: 1791
Materials & Techniques:: Hand colored engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

106. Speed's Monument in the Chancel of St. Giles, Cripplegate

Creator:: unknown artist
Date:: 1791
Materials & Techniques:: Engraving
Dimensions:: Sheet: 8 7/8 x 6 7/8in. (22.5 x 17.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

107. Pye Corner, Smithfield

Creator:: unknown artist
Date:: 1791
Materials & Techniques:: Aquatint
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

108. The Roguish Boy

Creator:: Print made by John Jones, ca. 1745–1797
Date:: 1791
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 15 5/16 × 10 13/16 inches (38.9 × 27.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

109. Admiral Edward Vernon

Creator:: John Jones, ca. 1745–1797
Date:: 1791
Materials & Techniques:: Mezzotint
Dimensions:: Sheet: 17 x 26 1/2in. (43.2 x 67.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Mr. and Mrs. J. Richardson Dilworth

110. Rear Admiral Sir Charles Douglas

Creator:: John Jones, ca. 1745–1797
Date:: 1791
Materials & Techniques:: Mezzotint
Dimensions:: Sheet: 14 7/8 x 24in. (37.8 x 61cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Mr. and Mrs. J. Richardson Dilworth

111. Taming...Act III, Scene I

Creator:: Page, fl. 1784–1803
Date:: 1791
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

112. The Father of the Turf. Tregonwell Frampton, Esquire of Moreton in Dorsetshire - Keeper of Running Horses at Newmarket, to their Majesties William the Third, Queen Anne, George the First & George the Second. ...

The Father of the Turf. Tregonwell Frampton, Esquire of Moreton in Dorsetshire - Keeper of Running Horses at Newmarket, to their Majesties William the Third, Queen Anne, George the First & George the Second. ...

Creator:: John Jones, ca. 1745–1797
Date:: 1791
Materials & Techniques:: Hand colored mezzotint
Dimensions:: Sheet: 21 1/2 x 13 7/8in. (54.6 x 35.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

113. Warren Hastings on his Arabian Horse

Creator:: George Townly Stubbs, 1748–1815
Date:: ca. 1796
Materials & Techniques:: Graphite and watercolor; extensive retouching of design on moderately thick, slightly textured, cream wove paper; previously all over mounted to canvas and wood strainer with black and gold residual accretion around edges from eglomise glass
Dimensions:: Sheet: 24 x 19 1/4 inches (61 x 48.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

114. Set of Five: Eight studies: Woman with Basket, Blinkered Cart Horse, etc.

Creator:: George Morland, 1763–1804
Date:: 1791-1795
Materials & Techniques:: Hand colored soft-ground etching
Dimensions:: Sheet: 15 1/2 x 20 1/4in. (39.4 x 51.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

115. Set of Five: Studies of Children, a Dog, a Cat, etc.

Creator:: George Morland, 1763–1804
Date:: 1791-1795
Materials & Techniques:: Hand colored soft-ground etching
Dimensions:: Sheet: 15 1/2 x 20 1/4in. (39.4 x 51.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

116. Set of Five: Five studies of Peddlers

Creator:: George Morland, 1763–1804
Date:: 1791-1795
Materials & Techniques:: Hand colored soft-ground etching
Dimensions:: Sheet: 15 1/2 x 20 1/4in. (39.4 x 51.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

117. Set of Five: Studies of Girls, one Playing with Hoop, one Picking Berries, Man and Horse, etc.

Creator:: George Morland, 1763–1804
Date:: 1791-1795
Materials & Techniques:: Hand colored soft-ground etching
Dimensions:: Sheet: 15 1/2 x 20 1/4in. (39.4 x 51.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

118. Set of Five: Studies of Laborers

Creator:: George Morland, 1763–1804
Date:: 1791-1795
Materials & Techniques:: Hand colored soft-ground etching
Dimensions:: Sheet: 15 1/2 x 20 1/4in. (39.4 x 51.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

119. Mary Isabella, Duchess of Rutland

Creator:: Print made by John Keyse Sherwin, c.1751–1790
Date:: 1791
Materials & Techniques:: Line engraving (only state) on thick, rough, cream laid paper
Dimensions:: Sheet: 23 3/4 × 17 1/2 inches (60.3 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

120. Madona col Bambino

Creator:: Print made by John Raphael Smith, 1752–1812
Date:: 1791
Materials & Techniques:: Mezzotint (Ham.II) on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 20 1/4 × 14 3/8 inches (51.4 × 36.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

121. William, Earl of Craven

Creator:: unknown artist
Date:: 1791
Materials & Techniques:: Engraving on slightly textured, medium, cream wove paper
Dimensions:: Sheet: 12 1/4 x 7 15/16in. (31.1 x 20.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

122. Black-George

Creator:: John Chapman, active ca. 1792–1823
Date:: 1791
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale University Art Gallery Collection

123. Evening at Rest

Creator:: Philip Dawe, ca.1750–ca.1790
Date:: 1791
Materials & Techniques:: Mezzotint, hand colored
Dimensions:: Sheet: 17 3/8 x 21 3/8in. (44.1 x 54.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

124. Romeo and Juliet: Act IV, Scene III (A Monument Belonging to the Capulets)

Creator:: Print made by Peter Simon, 1750–1810
Date:: 1791
Materials & Techniques:: Stipple engraving, etching, and aquatint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 20 1/8 × 29 3/8 inches (51.1 × 74.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

125. King Henry VI, Part III: Act V, Scene VII (Queen Bess Presenting King Edward . . . with Their Infant Son)

Creator:: Print made by Jean B. Michel, active 1803
Date:: 1791
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 29 1/2 × 19 3/4 inches (74.9 × 50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

126. Good News from Madras

Creator:: Published by William Holland, 1757–1815
Date:: 1791
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 13 1/4 x 12 1/8in. (33.7 x 30.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

127. Weird Sisters; Ministers of Darkness; Minions of the Moon (Thurlow, Pitt, and Dundas)

Creator:: James Gillray, 1756–1815
Date:: 1791
Materials & Techniques:: Etching and aquatint, hand-colored on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 13/16 × 13 3/4 inches (24.9 × 35 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

128. Betty Canning (Gunning) Revived, or a Peep at the Conjuration of Mary Squires and the Gipsy Family

Creator:: James Gillray, 1756–1815
Date:: 1791
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 9 x 13 1/4in. (22.9 x 33.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

129. Taming of the Shrew. Katharine and Petruchio - The Modern Quixotte, or, What You Will

Creator:: Print made by James Gillray, 1756–1815
Date:: 1791
Materials & Techniques:: Etching with hand coloring on medium, slightly textured, cream laid paper
Dimensions:: Mount: 9 x 15 3/4 inches (22.9 x 40 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

130. The Impeachment, - or - "The Father of the Gang, Turn'd Kings-Evidence"

Creator:: James Gillray, 1756–1815
Date:: 1791
Materials & Techniques:: Etching with hand coloring in watercolor
Dimensions:: Sheet: 12 x 15in. (30.5 x 38.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

131. A Dutch Packet in a Rising Breeze

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1791
Materials & Techniques:: Watercolor with pen and gray ink over graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 7 3/4 x 10 13/16 inches (19.7 x 27.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

132. Sion Lodge

Creator:: unknown artist
Date:: 1791
Materials & Techniques:: Aquatint
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

133. Rehearsal: The Vision of Nantes or the Patriotick Attack of the Troops National

Creator:: Isaac Cruikshank, 1764–1811
Date:: 1791
Materials & Techniques:: Etching, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

134. Getting the Length of the Duchess's Foot

Creator:: Isaac Cruikshank, 1764–1811
Date:: 1791
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 10 3/8 x 15 13/16in. (26.4 x 40.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

135. A Uniform Whig ---

Creator:: James Gillray, 1756–1815
Date:: 1791
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 10 1/2 x 6 7/8in. (26.7 x 17.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

136. The Seige of Blenheim, - or - The New System of Gunning, Discovered -- Vide - A Bold Stroke for a Husband-Dedicated to the Duke of A.-.

Creator:: James Gillray, 1756–1815
Date:: 1791
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 9 3/4 x 13 5/8in. (24.8 x 34.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

137. Plate I: View taken near Scarva in the County of Downe, representing Ploughing, Sowing the Flax Seed and Harrowing

Creator:: William Hincks, 1752–1797
Date:: 1791
Materials & Techniques:: Stipple engraving with etching, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 14 3/16 x 17 1/2 inches (36 x 44.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

138. The Coming-On, of the Monsoons; or - The Retreat from Seringapatam

Creator:: Print made by James Gillray, 1756–1815
Date:: 1791
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 1/4 x 10 3/4in. (21 x 27.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

139. Pheasant Shooting

Creator:: Robert Dighton, 1752–1814
Date:: before 1801
Materials & Techniques:: Watercolor, pen and black ink, gray ink, graphite and gouache on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 10 1/16 × 14 1/2 inches (25.6 × 36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

140. Miss Gunning

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: ca. 1796
Materials & Techniques:: Stipple engraving on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 8 5/16 × 6 1/8 inches (21.1 × 15.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

141. Lady Sinclair

Creator:: Print made by Marino Bovi, Italian, 1758–ca.1805
Date:: 1791
Materials & Techniques:: Stipple engraving on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 12 7/16 x 9 1/16 inches (31.6 x 23 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

142. Concert Ticket: Grand Professional Concert

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1791
Materials & Techniques:: Stipple engraving and line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 3 3/4 × 4 1/4 inches (9.5 × 10.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

143. The Aristocratic Crusade, or Chilvalry Revived by Don Quixote de St. Omer and His Friend Sancho

Creator:: Isaac Cruikshank, 1764–1811
Date:: 1791
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 9 3/8 x 15 1/2in. (23.8 x 39.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

144. Pershore Abbey, Worcestershire

Creator:: Capt. Francis Grose, 1731–1791
Date:: 1791
Materials & Techniques:: Pen and black ink, gray wash, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 x 13 3/4in. (25.4 x 34.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Paul Mellon in memory of Dudley Snelgrove

145. The Pleasure of Being Kick'd Out of Company

Creator:: Isaac Cruikshank, 1764–1811
Date:: 1791
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 9 1/4 x 13 7/8in. (23.5 x 35.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

146. Mrs. Pickles Mistake or the New Papa Disappointed with Justice Shallows Attempt to Charm the Brutes

Creator:: Print made by Isaac Cruikshank, 1764–1811
Date:: 1791
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 12 1/2 x 9 1/8in. (31.8 x 23.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

147. Bachelor's Hall

Creator:: Isaac Cruikshank, 1764–1811
Date:: 1791
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 6 13/16 x 9 1/16in. (17.3 x 23cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

148. The Fruition of Nantes or the Vision Interpreted

Creator:: Isaac Cruikshank, 1764–1811
Date:: 1791
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 1/2 x 15 1/8in. (21.6 x 38.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

149. Malbrouke

Creator:: Print made by unknown artist
Date:: 1791
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 3/8 x 13in. (21.3 x 33cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

150. The Pot calling the Kettle Black A - Or Two of a Trade can never Agree

Creator:: Isaac Cruikshank, 1764–1811
Date:: 1791
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 7/8 x 14 5/8in. (22.5 x 37.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

151. The Quornites Disturb'd or Startling the Game

Creator:: Isaac Cruikshank, 1764–1811
Date:: 1791
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 14 3/8 x 18 7/8in. (36.5 x 47.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

152. The Triumphal Entry of 100.000 (Crown)'s or a Luck Hit for E-O T-O P-O HO, and A'll the Rest of the O's (from: Caricature, vol. 4)

Creator:: Isaac Cruikshank, 1764–1811
Date:: 1791
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 7 1/4 x 22 9/16in. (18.4 x 57.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

153. A Royal Salute

Creator:: Isaac Cruikshank, 1764–1811
Date:: 1791
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 10 5/8 x 19 5/8in. (27 x 49.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

154. The Monster Broke Loose - or - A Peep into the Shakespeare - Gallery

Creator:: James Gillray, 1756–1815
Date:: 1791
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 12 x 9in. (30.5 x 22.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

155. The Balance of Power, - or - The Posterity of the Immortal Chatham, Turn'd Posture Master

Creator:: James Gillray, 1756–1815
Date:: 1791
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 13 x 9 3/4in. (33 x 24.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

156. Patience on a Monument

Creator:: James Gillray, 1756–1815
Date:: 1791
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 12 x 8in. (30.5 x 20.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

157. A Witch, Upon a Mount's Edge - Vide: Fuzelli

Creator:: James Gillray, 1756–1815
Date:: 1791
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 10 5/8 x 7 1/4in. (27 x 18.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

158. A Natural Crop; - Alias - A Norfolk Dumpling

Creator:: James Gillray, 1756–1815
Date:: 1791
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 7 1/8 x 5 5/8in. (18.1 x 14.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

159. Margarets Ghost. What's the Matter Auntee-Peg, What Makes You Put on Such a Long Face?

Creator:: James Gillray, 1756–1815
Date:: 1791
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 7 1/2 x 10 1/4in. (19.1 x 26cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

160. The Slave Trade

Creator:: Print made by John Raphael Smith, 1752–1812
Date:: 1791
Materials & Techniques:: Mezzotint, printed in color, published state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 22 × 29 1/2 inches (55.9 × 74.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

161. Bardolph Badger'd Or the Portland Hunt

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1791
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 10 x 16 1/4in. (25.4 x 41.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

162. The Volcano of Opposition

Creator:: Print made by Frederick George Byron, 1764–1794
Date:: 1791
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 10 1/4 x 13 1/4in. (26 x 33.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

163. (The) A Grand Battle between the Famous English Cock and Russian Hen!

Creator:: Attributed to Thomas Rowlandson, 1756–1827
Date:: 1791
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 10 7/8 x 15in. (27.6 x 38.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

164. African Hospitality

Creator:: Print made by John Raphael Smith, 1752–1812
Date:: 1791
Materials & Techniques:: Mezzotint, printed in color, published state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 22 1/4 x 29 1/4in. (56.5 x 74.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

165. French Barracks

Creator:: Etched by Thomas Rowlandson, 1756–1827
Date:: 1791
Materials & Techniques:: Hand colored etching and aquatint on thick, slightly textured, beige wove paper
Dimensions:: Sheet: 16 1/2 × 21 5/16 inches (41.9 × 54.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

166. English Barracks

Creator:: Etched by Thomas Rowlandson, 1756–1827
Date:: 1791
Materials & Techniques:: Hand colored etching and aquatint on thick, slightly textured, beige wove paper
Dimensions:: Sheet: 17 × 22 1/8 inches (43.2 × 56.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

167. A View of Albion Mill on Fire

Creator:: John William Edy, 1760–1820
Date:: 1791
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

168. London Stone in Cannon Street

Creator:: unknown artist
Date:: 1791
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

169. A Basso Relievo of a Gardiner. Against Mr. Holylands stables Gardiners Lane, the corner of High Timber Street, is this Sculpture: but why put up, cannot learn. Tradition says the site was once Gardens.

A Basso Relievo of a Gardiner. Against Mr. Holylands stables Gardiners Lane, the corner of High Timber Street, is this Sculpture: but why put up, cannot learn. Tradition says the site was once Gardens.

Creator:: unknown artist
Date:: 1791
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

170. London Stone in Cannon Street

Creator:: unknown artist
Date:: 1791
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

171. Contemplation

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1791
Materials & Techniques:: Stipple engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

172. Hebe

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1791
Materials & Techniques:: Stipple engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

173. George, Prince of Wales

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1791
Materials & Techniques:: Stipple engraving and line engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

174. Vignette: Four Putti, Two Holding Hands

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1791
Materials & Techniques:: Stipple engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

175. Stad en Revier Van Rochester. Chatham (The Dutch Fleet in Medway) 12-23 June 1667

Creator:: Bastiaen Stopendael, 1636/7–c.1708
Date:: Published 1791
Materials & Techniques:: Engraving
Dimensions:: Sheet: 9 7/16 x 13 3/8in. (24 x 34cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

176. William Augustus Bowles, Chief of the Embassy from the Creeke & Cherokee Nations

Creator:: Joseph Grozer, ca. 1755–1798
Date:: 1791
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 16 3/4 × 11 7/16 inches (42.5 × 29 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Transfer from the Yale University Library and the Yale University Art Gallery

177. St. Paul

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1791
Materials & Techniques:: Line engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

178. The Departure of Hagar

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1791
Materials & Techniques:: Line engraving and stipple engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

179. Pye Corner, Smithfield

Creator:: unknown artist
Date:: 1791
Materials & Techniques:: Aquatint
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

180. Monmouth House, Soho Square

Creator:: unknown artist
Date:: 1791
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

181. A Specimen of Ancient Building (Old houses in King Street)

Creator:: unknown artist
Date:: 1791
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

182. A Curious House at Stepney

Creator:: unknown artist
Date:: 1791
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

183. Samuel Cooper's Monument in St. Pancras Church

Creator:: unknown artist
Date:: 1791
Materials & Techniques:: Engraving
Dimensions:: Sheet: 9 x 6 7/8in. (22.9 x 17.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

184. Guy, Earl of Warwick, From a Basso Relievio in Warwick Lane

Creator:: unknown artist
Date:: 1791
Materials & Techniques:: Aquatint
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

185. Domestic Architecture - N. E. View of an Old House lately Standing in Sweedon's Passage, Grub Street

Creator:: John Thomas Smith, 1766–1833
Date:: 1791
Materials & Techniques:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

186. Vignette: Four Putti, Two Holding Hands

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1791
Materials & Techniques:: Stipple engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

187. A Sacrifice To Diana The Goddess Of Hunting

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1791
Materials & Techniques:: Line engraving and stipple engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

188. Gateway of the Old Palace at Richmond

Creator:: George Isham Parkyns, 1749/50–c.1820
Date:: 1791
Materials & Techniques:: Aquatint
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

189. Rosamond's Pond

Creator:: unknown artist
Date:: 1791
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

190. A View of Westminster Bridge, the Abbey and Church

Creator:: John William Edy, 1760–1820
Date:: 1791
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

191. Portrait of Joseph Haydn

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1791
Materials & Techniques:: Stipple engraving and etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 11 9/16 x 8 5/8 inches (29.4 x 21.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Bequest of Ralph Kirkpatrick, Yale MA (HON.) 1965

192. Rosebud, or the Judgment of Paris

Creator:: Richard Westall, 1765–1836
Date:: 1791
Materials & Techniques:: Watercolor and gouache over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 5/8 × 15 inches (32.1 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

193. The Misses Van and Lady Salisbury

Creator:: Lady Salesbury, active 1791
Date:: 1791
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 1/2 x 8 1/4 inches (16.5 x 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

194. Rough Sketch of African Woman with Baskets

Creator:: Robert Mabon, died 1798
Date:: undated
Materials & Techniques:: Gray wash and graphite with pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 1/8 × 3 5/8 inches (15.6 × 9.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

195. African Woman Sitting on a Chair

Creator:: Robert Mabon, died 1798
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 1/8 × 5 1/8 inches (20.6 × 13 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

196. A Native of Madagascar

Creator:: Robert Mabon, died 1798
Date:: undated
Materials & Techniques:: Watercolor and graphite with pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 × 5 1/8 inches (20.3 × 13 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

197. Flamingo

Creator:: Robert Mabon, died 1798
Date:: undated
Materials & Techniques:: Watercolor and graphite with pen and black ink on medium, slightly textured, beige wove paper
Dimensions:: Mount: 4 3/4 × 8 1/2 inches (12.1 × 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

198. Great Indian Bustard

Creator:: James Wales, 1746 or 1747–1795
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 1/2 × 8 5/8 inches (26.7 × 21.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

199. A Species of Wild Duck

Creator:: Robert Mabon, died 1798
Date:: undated
Materials & Techniques:: Watercolor and graphite with pen and black ink on medium, slightly textured, beige wove paper
Dimensions:: Mount: 6 1/8 × 7 1/4 inches (15.6 × 18.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

200. African Woman

Creator:: Robert Mabon, died 1798
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 5 1/2 × 4 7/8 inches (14 × 12.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Date 1791

Search Results

101. A Curious Pump

102. North End, Hampstead

103. Hornsey

104. Hackney

105. Painting on the South Side Severts Tomb

106. Speed's Monument in the Chancel of St. Giles, Cripplegate

107. Pye Corner, Smithfield

108. The Roguish Boy

109. Admiral Edward Vernon

110. Rear Admiral Sir Charles Douglas

111. Taming...Act III, Scene I

112. The Father of the Turf. Tregonwell Frampton, Esquire of Moreton in Dorsetshire - Keeper of Running Horses at Newmarket, to their Majesties William the Third, Queen Anne, George the First & George the Second. ...

113. Warren Hastings on his Arabian Horse

114. Set of Five: Eight studies: Woman with Basket, Blinkered Cart Horse, etc.

115. Set of Five: Studies of Children, a Dog, a Cat, etc.

116. Set of Five: Five studies of Peddlers

117. Set of Five: Studies of Girls, one Playing with Hoop, one Picking Berries, Man and Horse, etc.

118. Set of Five: Studies of Laborers

119. Mary Isabella, Duchess of Rutland

120. Madona col Bambino

121. William, Earl of Craven

122. Black-George

123. Evening at Rest

124. Romeo and Juliet: Act IV, Scene III (A Monument Belonging to the Capulets)

125. King Henry VI, Part III: Act V, Scene VII (Queen Bess Presenting King Edward . . . with Their Infant Son)

126. Good News from Madras

127. Weird Sisters; Ministers of Darkness; Minions of the Moon (Thurlow, Pitt, and Dundas)

128. Betty Canning (Gunning) Revived, or a Peep at the Conjuration of Mary Squires and the Gipsy Family

129. Taming of the Shrew. Katharine and Petruchio - The Modern Quixotte, or, What You Will

130. The Impeachment, - or - "The Father of the Gang, Turn'd Kings-Evidence"

131. A Dutch Packet in a Rising Breeze

132. Sion Lodge

133. Rehearsal: The Vision of Nantes or the Patriotick Attack of the Troops National

134. Getting the Length of the Duchess's Foot

135. A Uniform Whig ---

136. The Seige of Blenheim, - or - The New System of Gunning, Discovered -- Vide - A Bold Stroke for a Husband-Dedicated to the Duke of A.-.

137. Plate I: View taken near Scarva in the County of Downe, representing Ploughing, Sowing the Flax Seed and Harrowing

138. The Coming-On, of the Monsoons; or - The Retreat from Seringapatam

139. Pheasant Shooting

140. Miss Gunning

141. Lady Sinclair

142. Concert Ticket: Grand Professional Concert

143. The Aristocratic Crusade, or Chilvalry Revived by Don Quixote de St. Omer and His Friend Sancho

144. Pershore Abbey, Worcestershire

145. The Pleasure of Being Kick'd Out of Company

146. Mrs. Pickles Mistake or the New Papa Disappointed with Justice Shallows Attempt to Charm the Brutes

147. Bachelor's Hall

148. The Fruition of Nantes or the Vision Interpreted

149. Malbrouke

150. The Pot calling the Kettle Black A - Or Two of a Trade can never Agree

151. The Quornites Disturb'd or Startling the Game

152. The Triumphal Entry of 100.000 (Crown)'s or a Luck Hit for E-O T-O P-O HO, and A'll the Rest of the O's (from: Caricature, vol. 4)

153. A Royal Salute

154. The Monster Broke Loose - or - A Peep into the Shakespeare - Gallery

155. The Balance of Power, - or - The Posterity of the Immortal Chatham, Turn'd Posture Master

156. Patience on a Monument

157. A Witch, Upon a Mount's Edge - Vide: Fuzelli

158. A Natural Crop; - Alias - A Norfolk Dumpling

159. Margarets Ghost. What's the Matter Auntee-Peg, What Makes You Put on Such a Long Face?

160. The Slave Trade

161. Bardolph Badger'd Or the Portland Hunt

162. The Volcano of Opposition

163. (The) A Grand Battle between the Famous English Cock and Russian Hen!

164. African Hospitality

165. French Barracks

166. English Barracks

167. A View of Albion Mill on Fire

168. London Stone in Cannon Street

169. A Basso Relievo of a Gardiner. Against Mr. Holylands stables Gardiners Lane, the corner of High Timber Street, is this Sculpture: but why put up, cannot learn. Tradition says the site was once Gardens.

170. London Stone in Cannon Street

171. Contemplation

172. Hebe

173. George, Prince of Wales

174. Vignette: Four Putti, Two Holding Hands

175. Stad en Revier Van Rochester. Chatham (The Dutch Fleet in Medway) 12-23 June 1667