Date: 1792 - YCBA Collections Search Search Results

301. Flying News; Or, Seringapatam taken by Stratagem...

Creator:: William Dent, active 1784–1793
Date:: 1792
Materials & Techniques:: Etching with watercolor on laid paper
Dimensions:: Sheet: 9 3/4 x 13 3/4in. (24.8 x 34.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art

302. The Imperial Quixote and Generalissimo Sancho's Grand, Joyfull and Triumphant return to Germany after the Conquest of France

Creator:: Print made by William Dent, active 1784–1793
Date:: 1792
Materials & Techniques:: Etching with watercolor on laid paper
Dimensions:: Sheet: 8 1/2 x 15in. (21.6 x 38.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art

303. The Swallow Packet, Or, A Belly full of good News, piping hot from Bristol, in spite of contrary Winds

Creator:: Print made by William Dent, active 1784–1793
Date:: 1792
Materials & Techniques:: Etching with watercolor on laid paper
Dimensions:: Sheet: 7 7/8 x 10 3/4in. (20 x 27.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art

304. Beauties of a Gracious Speech, Or, Nuptial Introduction to John Bull, Or coming York over us.

Creator:: Print made by William Dent, active 1784–1793
Date:: 1792
Materials & Techniques:: Etching with watercolor on laid paper
Dimensions:: Sheet: 9 7/8 x 13 9/16in. (25.1 x 34.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art

305. Spirit of Aristocracy enforcing Reform, Or, The Rights of Kings maintained

Creator:: Print made by William Dent, active 1784–1793
Date:: 1792
Materials & Techniques:: Etching with watercolor on laid paper
Dimensions:: Sheet: 10 1/8 x 16 1/2in. (25.7 x 41.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art

306. The Terrifying Comet Or Modern Planetary System

Creator:: William Dent, active 1784–1793
Date:: 1792
Materials & Techniques:: Aquatint with colored impression
Dimensions:: Sheet: 9 3/4 x 13 3/4in. (24.8 x 34.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art

307. No Swallow without an Opening

Creator:: Richard Newton, 1777–1798
Date:: 1792
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 12 1/4 x 19 1/2in. (31.1 x 49.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art

308. A Blow-up at Breakfast

Creator:: Richard Newton, 1777–1798
Date:: 1792
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 16 1/4 x 10 7/8in. (41.3 x 27.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art

309. A Bugaboo!!!

Creator:: Richard Newton, 1777–1798
Date:: 1792
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 13 5/8 x 17 5/8in. (34.6 x 44.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art

310. A Proclamation in Lilliput

Creator:: Richard Newton, 1777–1798
Date:: 1792
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 12 x 17 3/8in. (30.5 x 44.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art

311. Psalm Singing at the Chapel XXXXX (Royal)

Creator:: Richard Newton, 1777–1798
Date:: 1792
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 1/8 x 12 7/8in. (20.6 x 32.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art

312. The False Alarm

Creator:: Richard Newton, 1777–1798
Date:: 1792
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 10 1/8 x 15in. (25.7 x 38.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art

313. The Windsor Milkman or, Anything to turn a Penny

Creator:: Richard Newton, 1777–1798
Date:: 1792
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 13 1/2 x 9 7/8in. (34.3 x 25.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art

314. A Batch of Peers

Creator:: unknown artist
Date:: 1792
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 10 3/4 x 15 3/4in. (27.3 x 40cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

315. Content and Discontent

Creator:: unknown artist
Date:: 1792
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 16 3/4 x 12 3/4in. (42.5 x 32.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

316. Liberty and Equality

Creator:: unknown artist
Date:: 1792
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 16 1/4 x 13 3/8in. (41.3 x 34cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

317. The Thieves detected at Last, or - a Wonderful Discovery at Windsor Farm

Creator:: Richard Newton, 1777–1798
Date:: 1792
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 3/4 x 12 7/8in. (22.2 x 32.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art

318. Political Boxing; or an Attack, at the Woolsack

Creator:: Richard Newton, 1777–1798
Date:: 1792
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 10 3/8 x 15 1/2in. (26.4 x 39.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art

319. A Revolution General in Full Dress

Creator:: unknown artist
Date:: 1792
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 9 1/2 x 6 3/4in. (24.1 x 17.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

320. Contributing to the Sinking Fund

Creator:: Richard Newton, 1777–1798
Date:: 1792
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 11 7/8 x 16 3/4in. (30.2 x 42.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art

321. Prussian Bobadils, Returning to Berlin!!!!!!!

Creator:: Richard Newton, 1777–1798
Date:: 1792
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 10 5/8 x 16 7/8in. (27 x 42.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art

322. Arming in the Defence of the French Princes or the Parting of Hector and Andromache

Creator:: Richard Newton, 1777–1798
Date:: 1792
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 13 x 14 1/2in. (33 x 36.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art

323. Louis Dethron'd; or Hell Broke Loose in Paris

Creator:: Richard Newton, 1777–1798
Date:: 1792
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 9 1/2 x 13 3/4in. (24.1 x 34.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art

324. The Libertine Reclaim'd or John Bull Bullied

Creator:: Richard Newton, 1777–1798
Date:: 1792
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 10 x 14in. (25.4 x 35.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art

325. The Argus of the Constitution

Creator:: unknown artist
Date:: 1792
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 10 3/4 x 6 3/4in. (27.3 x 17.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

326. The Duke of Brunswick Attacking the Rear of the Sans Culottes

Creator:: Richard Newton, 1777–1798
Date:: 1792
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 10 1/2 x 17in. (26.7 x 43.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art

327. The Grand Review on Sydenham Common

Creator:: Isaac Cruikshank, 1764–1811
Date:: 1792
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 11 3/8 x 17 3/4in. (28.9 x 45.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art

328. Resignation the Greatest of all Virtues

Creator:: Print made by Isaac Cruikshank, 1764–1811
Date:: 1792
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 15/16 x 13 1/8in. (22.7 x 33.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art

329. The Rape of Helen

Creator:: Isaac Cruikshank, 1764–1811
Date:: 1792
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 9 5/8 x 14 1/8in. (24.4 x 35.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art

330. The New Prussian Exercise, Or - The Allied Armies Distressed in their Rears with a Hint at the Convenience of Sans Culottes

Creator:: Print made by Isaac Cruikshank, 1764–1811
Date:: 1792
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 7/16 x 15 1/4in. (21.4 x 38.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art

331. Worcester

Creator:: William Walker, 1791–1867
Date:: 1792
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

332. Worcester

Creator:: John Walker, active 1792–1803
Date:: 1792
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

333. Taking Physick; - or - The News of Shooting the King of Sweden!

Creator:: James Gillray, 1756–1815
Date:: 1792
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 9 3/4 x 13in. (24.8 x 33cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

334. The Dagger Scene: - or - The Plot Discover'd

Creator:: James Gillray, 1756–1815
Date:: 1792
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 13 5/8 x 11 5/16in. (34.6 x 28.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

335. The Bishop of a Tun's Breeches; - or - The Flaming Eveque, Purifying the House of Office

Creator:: James Gillray, 1756–1815
Date:: 1792
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 9 3/4 x 13 1/2in. (24.8 x 34.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

336. Lyme Regis, Dorset

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1797
Materials & Techniques:: Watercolor and graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 8 11/16 x 17 1/16 inches (22.1 x 43.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

337. Teneriffe, to the East of Santa Cruz, 22 October

Creator:: Henry William Parish, active 1792
Date:: 1792
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 4 1/8 × 10 7/16 inches (10.5 × 26.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

338. Island of Mayo, Cape de Verde, 2 November

Creator:: Henry William Parish, active 1792
Date:: 1792
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 4 1/8 × 10 7/16 inches (10.5 × 26.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

339. St. Jago, Cape de Verde, 3 November

Creator:: Henry William Parish, active 1792
Date:: 1792
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 4 1/8 × 10 7/16 inches (10.5 × 26.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

340. Marine sketch

Creator:: Henry William Parish, active 1792
Date:: 1792
Materials & Techniques:: Watercolor, graphite, and pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 3 11/16 × 9 3/16 inches (9.3 × 23.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

341. Off Rio de Janeiro

Creator:: Henry William Parish, active 1792
Date:: 1792
Materials & Techniques:: Watercolor on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 3 3/4 × 9 3/16 inches (9.5 × 23.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

342. Fort Santa Cruz, Rio de Janeiro

Creator:: Henry William Parish, active 1792
Date:: 1792
Materials & Techniques:: Watercolor, graphite, and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 3 11/16 × 9 3/16 inches (9.3 × 23.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

343. St. Alban's Cathedral, Hertfordshire

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1797
Materials & Techniques:: Graphite on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 14 3/8 x 10 1/4 inches (36.5 x 26 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

344. Portrait of a Man with Hat

Creator:: Print made by John James Chalon, 1778–1854
Date:: 1792
Materials & Techniques:: Etching on medium, slightly textured, gray laid paper
Dimensions:: Sheet: 5 9/16 × 4 15/16 inches (14.2 × 12.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of David Bindman in memory of Richard Godfrey

345. Findlater Castle, Banff

Creator:: Thomas Girtin, 1775–1802
Date:: between 1792 and 1793
Materials & Techniques:: Watercolor and scratching out over graphite on medium, slightly textured, cream wove paper, pasted on moderately thick, slightly textured, beige wove paper
Dimensions:: Mount: 9 3/4 x 11 11/16 inches (24.8 x 29.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

346. Christ Church, Blackfriars, London

Creator:: Thomas Girtin, 1775–1802
Date:: between 1792 and 1794
Materials & Techniques:: Graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 9 5/8 x 13 3/16 inches (24.4 x 33.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

347. Cottage near Newcastle, Northumberland

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1797
Materials & Techniques:: Watercolor, pen and brown ink and graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 4 5/8 × 8 1/8 inches (11.7 × 20.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

348. Sharpham, near Totnes, Devon

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1797
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/8 x 7 3/4 inches (13 x 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

349. View of Kingswear, from Dartmouth, Devon

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1797
Materials & Techniques:: Graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 9 3/4 x 16 1/8 inches (24.8 x 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

350. St. Mary Redcliff, Bristol

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1797
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 3 1/2 × 6 1/8 inches (8.9 × 15.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

351. St. Alban's Cathedral, Hertfordshire

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1797
Materials & Techniques:: Watercolor with pen and brown ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 12 9/16 x 9 11/16 inches (31.9 x 24.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

352. Bristol: Sketch of Boats and Buildings

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1797
Materials & Techniques:: Graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 3 × 6 5/8 inches (7.6 × 16.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

353. London from Highgate Hill

Creator:: Thomas Girtin, 1775–1802
Date:: 1792
Materials & Techniques:: Watercolor with pen and black ink over graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 13 3/8 x 19 1/4 inches (34 x 48.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

354. Country House

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1797
Materials & Techniques:: Watercolor with pen in brown ink over graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 8 x 13 inches (20.3 x 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

355. Kingswear Seen from Dartmouth, Devon

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1797
Materials & Techniques:: Watercolor with pen in brown ink over graphite on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 7 5/8 x 12 13/16 inches (19.4 x 32.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

356. An Admiralty Yacht Running Inshore at Tenby

Creator:: Nicholas Pocock, 1740–1821
Date:: 1792
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/2 x 16 1/2 in. (29.2 x 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The U Collection. In appreciation of Choh Shiu and Man Foo U, loving parents, and Dorothea and Frank Cockett, dear friends

357. The Benevolent Effects of Abolishing Slavery, or the Planter instructing his Negro

Creator:: Print made by W. Pyott, active late 18th century
Date:: 1792
Materials & Techniques:: Mezzotint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 19 1/4 x 14 3/4 inches (48.9 x 37.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

358. Vices overlook'd in the New Proclamation

Creator:: James Gillray, 1756–1815
Date:: 1792
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 3/4 x 13 3/8in. (22.2 x 34cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

359. Sin, Death, and the Devil

Creator:: James Gillray, 1756–1815
Date:: 1792
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 11 5/8 x 15 1/4in. (29.5 x 38.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

360. John Bull Bother'd; - or - The Geese Alarming the Capitol

Creator:: James Gillray, 1756–1815
Date:: 1792
Materials & Techniques:: Etching and aquatint, hand-colored
Dimensions:: Sheet: 11 5/8 x 14 3/4in. (29.5 x 37.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

361. Un Petit Souper, a La Parisienne; - or - A Family of Sans-Culotts Refreshing, After the Fatigues of the Day

Creator:: James Gillray, 1756–1815
Date:: 1792
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 10 x 14in. (25.4 x 35.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

362. French Liberty - British Slavery

Creator:: James Gillray, 1756–1815
Date:: 1792
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 10 x 14in. (25.4 x 35.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

363. Design for the New Gallery of Busts and Pictures

Creator:: James Gillray, 1756–1815
Date:: 1792
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 9 5/8 x 12 5/16in. (24.4 x 31.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

364. The Bottomless-Pitt

Creator:: James Gillray, 1756–1815
Date:: 1792
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 9 3/4 x 8 3/4in. (24.8 x 22.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

365. Anti-Sacharrites, - or - John Bull and His Family Leaving off the Use of Sugar

Creator:: James Gillray, 1756–1815
Date:: 1792
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 12 3/8 x 15 5/8in. (31.4 x 39.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

366. The Power of Beauty; - St. Cecillia Charming the Brute; - or - The Seduction of the Welch-Ambassador (from: Caricature, vol. 2)

Creator:: James Gillray, 1756–1815
Date:: 1792
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 9 7/8 x 13 7/8in. (25.1 x 35.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

367. A Duet. - Turn Fair Clora, Turn Ah Cruel, Turn Again

Creator:: James Gillray, 1756–1815
Date:: 1792
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 11 1/2 x 8 1/4in. (29.2 x 21cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

368. Wha Wants Me?

Creator:: James Gillray, 1756–1815
Date:: 1792
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 9 x 7 1/2in. (22.9 x 19.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

369. A Sphere, Projecting against a Plane ---

Creator:: James Gillray, 1756–1815
Date:: 1792
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 9 3/8 x 8 3/8in. (23.8 x 21.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

370. The National Assembly Petrified / The National Assembly Revivified

Creator:: James Gillray, 1756–1815
Date:: 1792
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 16 1/8 x 11 1/2in. (41 x 29.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

371. The Sportsman's Return

Creator:: William Ward, 1766–1826
Date:: 1792 (re-issue of 1791)
Materials & Techniques:: Mezzotint, printed in color and hand colored
Dimensions:: Sheet: 19 1/2 x 24 1/2in. (49.5 x 62.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

372. Shooting [a pair]: 1. Morning

Creator:: Print made by George Morland, 1763–1804
Date:: 1792
Materials & Techniques:: Aquatint, hand-colored, title in wash border
Dimensions:: Sheet: 17 7/8 x 22 3/8in. (45.4 x 56.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

373. 1. ... The Men Methods & Machines chiefly employed for the Reformation & Improvement of Farriery & the / treatment of Cattle in General ...

Creator:: Charles Loraine Smith, 1751–1835
Date:: 1792
Materials & Techniques:: Hand colored engraving
Dimensions:: Sheet: 8 1/4 x 10 3/8in. (21 x 26.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

374. Anticipation - Ways & Means - or - Buonaparte Really Taken!!

Creator:: Print made by Charles Williams, active 1796–1830
Date:: 1792
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 10 5/8 x 15in. (27 x 38.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

375. A Necessary War or Quixotism Revived, or The Knight of the Little House

Creator:: Isaac Cruikshank, 1764–1811
Date:: 1792
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 1/2 x 13 1/8in. (21.6 x 33.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

376. The World As It Goes

Creator:: Print made by Richard Newton, 1777–1798
Date:: 1792
Materials & Techniques:: Etching with hand coloring in watercolor on medium, slightly textured, cream laid paper
Dimensions:: Frame: 26 1/2 × 63 × 1 inches (67.3 × 160 × 2.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of William S. Konecky

377. Palace Ruins, Pillar and Temple Gateway, Madurai, Tamil Nadu

Creator:: Thomas Daniell, 1749–1840
Date:: July 1792
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 7/8 x 25 inches (40.3 x 63.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Paul F. Walter

378. Tremal Naig's Choultry, Madura

Creator:: Thomas Daniell, 1749–1840
Date:: 1792
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Mount: 19 3/8 × 25 15/16 inches (49.2 × 65.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Paul F. Walter

379. Resignation the Greatest of all Virtues

Creator:: Isaac Cruikshank, 1764–1811
Date:: 1792
Materials & Techniques:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

380. The Maid of Bath or Mac in her Teens

Creator:: Isaac Cruikshank, 1764–1811
Date:: 1792
Materials & Techniques:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

381. Action off Cape St. Vicent, 14 February 1797

Creator:: Robert Dodd, 1748–1816
Date:: ca. 1797
Dimensions:: Sheet: 19 1/2 x 29in. (49.5 x 73.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

382. Sir Joshua Reynolds

Creator:: William Ridley, 1764–1838
Date:: 1792
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

383. North View of the Jerusalem Chamber, Taken from the West Porch of Westminster Abbey

Creator:: Attributed to John Carter, 1748–1817
Date:: 1792
Materials & Techniques:: Graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/8 × 10 3/4 inches (21.3 × 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

384. The Elopement

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1792
Materials & Techniques:: Watercolor with pen and gray and black ink, over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 13/16 x 8 inches (27.5 x 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

385. Gateshead Abbey

Creator:: James Moore, 1762–1799
Date:: 1792
Materials & Techniques:: Graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 7 1/8 × 9 inches (18.1 × 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

386. The Abbey of St. Mary, Yorkshire, England

Creator:: James Moore, 1762–1799
Date:: 1792
Materials & Techniques:: Graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 7 1/8 × 8 15/16 inches (18.1 × 22.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

387. East End of Tynemouth Priory

Creator:: James Moore, 1762–1799
Date:: 1792
Materials & Techniques:: Graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 7 1/8 × 9 inches (18.1 × 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

388. Lindisfarne Priory, Holy Island, Northumberland

Creator:: James Moore, 1762–1799
Date:: 1792
Materials & Techniques:: Graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 7 1/16 × 9 inches (17.9 × 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

389. Ouse Bridge, York

Creator:: James Moore, 1762–1799
Date:: 1792
Materials & Techniques:: Graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 7 1/8 × 8 15/16 inches (18.1 × 22.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

390. Coupland Castle, Northumberland

Creator:: James Moore, 1762–1799
Date:: 1792
Materials & Techniques:: Graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 7 1/16 × 9 inches (17.9 × 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

391. Warkworth Castle, Northumberland

Creator:: James Moore, 1762–1799
Date:: 1792
Materials & Techniques:: Graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 7 1/8 × 8 15/16 inches (18.1 × 22.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

392. Bamburgh Castle, Northumberland

Creator:: James Moore, 1762–1799
Date:: 1792
Materials & Techniques:: Graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 7 1/16 × 8 15/16 inches (17.9 × 22.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

393. Bothal Castle, Northumberland

Creator:: James Moore, 1762–1799
Date:: 1792
Materials & Techniques:: Graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 7 1/8 × 9 inches (18.1 × 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

394. Jedburgh Abbey, Scotland

Creator:: James Moore, 1762–1799
Date:: 1792
Materials & Techniques:: Graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 7 1/8 × 9 inches (18.1 × 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

395. Kelso Abbey, Scotland

Creator:: James Moore, 1762–1799
Date:: 1792
Materials & Techniques:: Graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 7 1/16 × 9 inches (17.9 × 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

396. Stirling Castle, Scotland

Creator:: James Moore, 1762–1799
Date:: 1792
Materials & Techniques:: Graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 7 1/16 × 9 inches (17.9 × 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

397. Roslin Castle, Midlothian, Scotland

Creator:: James Moore, 1762–1799
Date:: 1792
Materials & Techniques:: Graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 9 × 7 1/8 inches (22.9 × 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

398. Edinburgh Castle, Scotland

Creator:: James Moore, 1762–1799
Date:: 1792
Materials & Techniques:: Graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 7 1/8 × 9 inches (18.1 × 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

399. Craigmillar Castle, Edinburgh, Scotland

Creator:: James Moore, 1762–1799
Date:: 1792
Materials & Techniques:: Graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 7 1/8 × 9 inches (18.1 × 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

400. Linlithgow Palace, West Lothian, Scotland

Creator:: James Moore, 1762–1799
Date:: 1792
Materials & Techniques:: Graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 7 1/8 × 9 inches (18.1 × 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Date 1792

Search Results

301. Flying News; Or, Seringapatam taken by Stratagem...

302. The Imperial Quixote and Generalissimo Sancho's Grand, Joyfull and Triumphant return to Germany after the Conquest of France

303. The Swallow Packet, Or, A Belly full of good News, piping hot from Bristol, in spite of contrary Winds

304. Beauties of a Gracious Speech, Or, Nuptial Introduction to John Bull, Or coming York over us.

305. Spirit of Aristocracy enforcing Reform, Or, The Rights of Kings maintained

306. The Terrifying Comet Or Modern Planetary System

307. No Swallow without an Opening

308. A Blow-up at Breakfast

309. A Bugaboo!!!

310. A Proclamation in Lilliput

311. Psalm Singing at the Chapel XXXXX (Royal)

312. The False Alarm

313. The Windsor Milkman or, Anything to turn a Penny

314. A Batch of Peers

315. Content and Discontent

316. Liberty and Equality

317. The Thieves detected at Last, or - a Wonderful Discovery at Windsor Farm

318. Political Boxing; or an Attack, at the Woolsack

319. A Revolution General in Full Dress

320. Contributing to the Sinking Fund

321. Prussian Bobadils, Returning to Berlin!!!!!!!

322. Arming in the Defence of the French Princes or the Parting of Hector and Andromache

323. Louis Dethron'd; or Hell Broke Loose in Paris

324. The Libertine Reclaim'd or John Bull Bullied

325. The Argus of the Constitution

326. The Duke of Brunswick Attacking the Rear of the Sans Culottes

327. The Grand Review on Sydenham Common

328. Resignation the Greatest of all Virtues

329. The Rape of Helen

330. The New Prussian Exercise, Or - The Allied Armies Distressed in their Rears with a Hint at the Convenience of Sans Culottes

331. Worcester

332. Worcester

333. Taking Physick; - or - The News of Shooting the King of Sweden!

334. The Dagger Scene: - or - The Plot Discover'd

335. The Bishop of a Tun's Breeches; - or - The Flaming Eveque, Purifying the House of Office

336. Lyme Regis, Dorset

337. Teneriffe, to the East of Santa Cruz, 22 October

338. Island of Mayo, Cape de Verde, 2 November

339. St. Jago, Cape de Verde, 3 November

340. Marine sketch

341. Off Rio de Janeiro

342. Fort Santa Cruz, Rio de Janeiro

343. St. Alban's Cathedral, Hertfordshire

344. Portrait of a Man with Hat

345. Findlater Castle, Banff

346. Christ Church, Blackfriars, London

347. Cottage near Newcastle, Northumberland

348. Sharpham, near Totnes, Devon

349. View of Kingswear, from Dartmouth, Devon

350. St. Mary Redcliff, Bristol

351. St. Alban's Cathedral, Hertfordshire

352. Bristol: Sketch of Boats and Buildings

353. London from Highgate Hill

354. Country House

355. Kingswear Seen from Dartmouth, Devon

356. An Admiralty Yacht Running Inshore at Tenby

357. The Benevolent Effects of Abolishing Slavery, or the Planter instructing his Negro

358. Vices overlook'd in the New Proclamation

359. Sin, Death, and the Devil

360. John Bull Bother'd; - or - The Geese Alarming the Capitol

361. Un Petit Souper, a La Parisienne; - or - A Family of Sans-Culotts Refreshing, After the Fatigues of the Day

362. French Liberty - British Slavery

363. Design for the New Gallery of Busts and Pictures

364. The Bottomless-Pitt

365. Anti-Sacharrites, - or - John Bull and His Family Leaving off the Use of Sugar

366. The Power of Beauty; - St. Cecillia Charming the Brute; - or - The Seduction of the Welch-Ambassador (from: Caricature, vol. 2)

367. A Duet. - Turn Fair Clora, Turn Ah Cruel, Turn Again

368. Wha Wants Me?

369. A Sphere, Projecting against a Plane ---

370. The National Assembly Petrified / The National Assembly Revivified

371. The Sportsman's Return

372. Shooting [a pair]: 1. Morning

373. 1. ... The Men Methods & Machines chiefly employed for the Reformation & Improvement of Farriery & the / treatment of Cattle in General ...

374. Anticipation - Ways & Means - or - Buonaparte Really Taken!!

375. A Necessary War or Quixotism Revived, or The Knight of the Little House