Date: 1793 / Period: 18th century / Work Type: drawing - YCBA Collections Search Search Results

1. Clare Hall and King’s College Chapel, Cambridge, from the Banks of the River Cam

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: 1793
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 7/8 x 10 7/8 inches (20 x 27.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. Windsor

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1798
Materials & Techniques:: Watercolor, graphite and scratching out on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 20 × 28 inches (50.8 × 71.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

3. Christ Church Gate, Canterbury

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: 1793 to 1794
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 7/8 x 10 3/4 inches (22.5 x 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. Figure Composition Study 48

Creator:: George Romney, 1734–1802
Date:: 1793
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 1/2 x 5 inches (16.5 x 12.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

5. Devils for the Temptation of Christ

Creator:: George Romney, 1734–1802
Date:: 1793
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/2 x 6 3/4 inches (14 x 17.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

6. Wolgemuth Rescuing the Shipwrecked off the Cape of Good Hope

Creator:: George Romney, 1734–1802
Date:: 1793
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/2 x 8 3/4 inches (14 x 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

7. Figure Composition Study 4

Creator:: George Romney, 1734–1802
Date:: 1793
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 1/2 x 6 3/4 inches (11.4 x 17.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

8. America. A Prophecy, Plate 12, "Thus Wept the Angel Voice...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Relief etching printed in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. America. A Prophecy, Plate 13, "Fiery the Angels Rose...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Color-printed relief etching in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. America. A Prophecy, Plate 1, Frontispiece

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Color-printed relief etching in brown ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. America. A Prophecy, Plate 10, "The Terror Answered...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Color-printed relief etching in green-black ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. America. A Prophecy, Plate 14, "So Cried He...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Color-printed relief etching in green-black ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. America. A Prophecy, Plate 15, "What Time the Thirteen Governors...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Relief etching printed in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. America. A Prophecy, Plate 16, "In the Flames Stood...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Color-printed relief etching in green-black ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. America. A Prophecy, Plate 17, "On Albions Angels...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Relief etching printed in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. America. A Prophecy, Plate 18, "Over the Hills...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Relief etching printed in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. America. A Prophecy, Plate 2, Title Page

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Color-printed relief etching in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. America. A Prophecy, Plate 11, "Sound! Sound! My Loud War-Trumpets...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Color-printed relief etching in green-black ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. America. A Prophecy, Plate 3, "Preludium | The shadowy daughter...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Color-printed relief etching in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. America. A Prophecy, Plate 4, "Silent as despairing love...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Relief etching printed in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. America. A Prophecy, Plate 5, "A | Prophecy | The Guardian Prince of Albion...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Relief etching printed in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. Visions of the Daughters of Albion, Plate 6, "And none but Bromian . . . . "

Creator:: William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Relief etching printed in green ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 5/8 x 9 3/4 inches (34.6 x 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. Visions of the Daughters of Albion, Plate 2, Title Page

Creator:: William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Relief etching printed in green ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 5/8 x 9 3/4 inches (34.6 x 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. Visions of the Daughters of Albion, Plate 10, "In happy copulation . . . . "

Creator:: William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Relief etching printed in green ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 5/8 x 9 3/4 inches (34.6 x 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. Visions of the Daughters of Albion, Plate 1, Frontispiece

Creator:: William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Relief etching printed in green ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 5/8 x 9 3/4 inches (34.6 x 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. America. A Prophecy, Plate 6, "Appear to the Americans...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Relief etching printed in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. America. A Prophecy, Plate 7, "Albions Angel stood...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Relief etching printed in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. America. A Prophecy, Plate 9, "In Thunders Ends the Voice...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Color-printed relief etching in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. America. A Prophecy, Plate 8, "The Morning Comes...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Color-printed relief etching in green-black ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. Gateway of an Old Fort, Benares

Creator:: Lt. John Ritso, 1772–1866
Date:: 1793 or 179(8)
Materials & Techniques:: Watercolor, brown ink and black ink on medium, slightly textured, cream laid paper mounted to medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 5/8 × 21 inches (37.1 × 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. Wooded Landscape with Figures Round a Cooking Pot

Creator:: Thomas Hand, died 1804
Date:: 1793
Materials & Techniques:: Watercolor, pen and black ink and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 7/8 × 9 5/8 inches (17.5 × 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. Ruins du Château du Heidelberg

Creator:: Charles Gore, 1729–1807
Date:: 1793
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 14 7/8 × 21 3/4 inches (37.8 × 55.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. A Park Landscape with Shepherd and Sheep

Creator:: Samuel Howitt, 1756–1822
Date:: 1793
Materials & Techniques:: Watercolor and pen and black ink over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 5/8 × 8 1/4 inches (14.3 × 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. Two Men on a Country Road

Creator:: George Morland, 1763–1804
Date:: 1793
Materials & Techniques:: Graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 17 7/16 x 12 9/16in. (44.3 x 31.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. Study for Captain William George Fairfax for the Painting "The Victory of Lord Duncan"

Creator:: John Singleton Copley, 1738–1815
Date:: ca. 1798
Materials & Techniques:: Black chalk, white chalk, and red chalk, squared for transfer on moderately thick, moderately textured, blue wove paper
Dimensions:: Sheet: 12 3/8 x 7 1/4 inches (31.4 x 18.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. Landscape with Cottage and Figures on Horseback

Creator:: George Morland, 1763–1804
Date:: 1793
Materials & Techniques:: Graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 15 1/2 x 20 9/16 inches (39.4 x 52.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. Outside View of Biskurma ka Joompree (Vishvakarma)

Creator:: Gangaram Chintaman Tambat, active 1790s
Date:: 1793
Materials & Techniques:: Gray wash and graphite with pen and black ink; squared and numbered in graphite for transfer on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 7/8 × 19 1/8 inches (30.2 × 48.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. View of a Rock-Carved Temple, Ellora

Creator:: Gangaram Chintaman Tambat, active 1790s
Date:: 1793 or 1795
Materials & Techniques:: Gray wash and graphite with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 × 19 1/8 inches (30.5 × 48.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. Inside View of Indur Subba

Creator:: Gangaram Chintaman Tambat, active 1790s
Date:: between 1793 and 1795
Materials & Techniques:: Pen and black ink and gray wash on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 12 × 19 1/8 inches (30.5 × 48.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. Island of St. Pauls

Creator:: Henry William Parish, active 1792
Date:: 1793
Materials & Techniques:: Watercolor on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 3 11/16 × 9 inches (9.4 × 22.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. Tristan d' Acunha, January

Creator:: Henry William Parish, active 1792
Date:: 1793
Materials & Techniques:: Watercolor on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 3 3/4 × 9 1/8 inches (9.5 × 23.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. Island of St. Pauls

Creator:: Henry William Parish, active 1792
Date:: 1793
Materials & Techniques:: Watercolor on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 3 11/16 × 9 inches (9.4 × 22.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. Straits of Sunda

Creator:: Henry William Parish, active 1792
Date:: 1793
Materials & Techniques:: Watercolor and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 4 1/8 × 10 7/16 inches (10.5 × 26.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. Figure Costume Study: French Lady of Quality in 1501

Creator:: Thomas Girtin, 1775–1802
Date:: between 1793 and 1795
Materials & Techniques:: Graphite, gray wash and violet chalk on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 4 1/2 x 2 7/8 inches (11.4 x 7.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. The New Walk, York

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1798
Materials & Techniques:: Watercolor with pen and black ink and brown ink over graphite with gouache on thick, moderately textured, cream laid paper
Dimensions:: Sheet: 12 5/16 x 21 13/16 inches (31.3 x 55.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. View of the Convent of the Clarisses at Valenciennes after the Seige

Creator:: Joseph Farington, 1747–1821
Date:: 1793
Materials & Techniques:: Pen and black ink, gray ink , black wash, gray wash and graphite on medium, slightly textured, cream wove paper
Dimensions:: Mount: 16 1/8 × 22 3/4 inches (41 × 57.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. Barn Elmes

Creator:: Edward Edwards, 1738–1806
Date:: 1793
Materials & Techniques:: Watercolor, gray wash, pen, gray ink, and graphite on medium, slightly textured, cream wove paper mounted on thick, moderately textured, cream laid paper (contemporary mount)
Dimensions:: Sheet: 9 3/8 × 11 3/4 inches (23.8 × 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. View of St. Nicholas Church at Valenciennes after the Siege

Creator:: Joseph Farington, 1747–1821
Date:: 1793
Materials & Techniques:: Pen and black ink, gray ink, gray wash, black wash and graphite on medium, slightly textured, beige wove paper
Dimensions:: Mount: 19 × 26 13/16 inches (48.3 × 68.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. View of Some-Cheon on French Island

Creator:: Thomas Daniell, 1749–1840
Date:: between 1793 and 1794
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream laid paper mounted on canvas
Dimensions:: Sheet: 21 1/4 x 29 5/8 inches (54 x 75.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. The Peasant's Dream, Paradise Lost, Book 1, 781-8

Creator:: Henry Fuseli, 1741–1825
Date:: 1793 to 1800
Materials & Techniques:: Graphite, black chalk, white chalk and white gouache on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 3/8 x 20 3/8 inches (31.4 x 51.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. North Side, Painted Chamber

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1793 and 1799
Materials & Techniques:: Graphite and pen and black ink on medium, slightly textured, white wove paper
Dimensions:: Sheet: 9 × 14 3/8 inches (22.9 × 36.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. East End, Painted Chamber

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1793 and 1799
Materials & Techniques:: Graphite and pen and black ink on medium, slightly textured, white laid paper
Dimensions:: Sheet: 8 3/8 × 13 1/4 inches (21.3 × 33.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. Door on South Side of Painted Chamber

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1793 and 1799
Materials & Techniques:: Graphite and pen and black ink on medium, slightly textured, white wove paper
Dimensions:: Sheet: 9 3/4 × 6 5/8 inches (24.8 × 16.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. South East View of Fort George, Madras

Creator:: Thomas Daniell, 1749–1840
Date:: January 1793
Materials & Techniques:: Graphite on thin, slightly textured, beige laid paper
Dimensions:: Mount: 14 7/16 × 22 5/8 inches (36.7 × 57.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Paul F. Walter

55. A Young Boy with Dogs

Creator:: James Ward, 1769–1859
Date:: ca. 1798
Materials & Techniques:: Black and red chalk on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 12 x 19 7/8 inches (30.5 x 50.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. Bay with Sailing Ships

Creator:: Thomas Daniell, 1749–1840
Date:: 1793
Materials & Techniques:: Graphite on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 3 13/16 × 6 1/2 inches (9.7 × 16.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Paul F. Walter

57. Plan of Painted Chamber

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1793 and 1799
Materials & Techniques:: Graphite and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 1/4 × 5 9/16 inches (15.9 × 14.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. Side Window, North, Painted Chamber

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1793 and 1799
Materials & Techniques:: Graphite and pen and ink on medium, slightly textured, white laid paper
Dimensions:: Sheet: 6 7/8 × 7 3/4 inches (17.5 × 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. East Front of Painted Chamber

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1793 and 1799
Materials & Techniques:: Graphite and pen and black ink on medium, slightly textured, white laid paper
Dimensions:: Sheet: 12 1/2 × 13 1/2 inches (31.8 × 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. Continuation of East Line of Ancient Buildings on the Left of East End of Painted Chamber

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1793 and 1799
Materials & Techniques:: Graphite and pen and black ink on medium, slightly textured, white laid paper
Dimensions:: Sheet: 5 5/8 × 7 7/8 inches (14.3 × 20 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. Wall Paintings

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1793 and 1799
Materials & Techniques:: Graphite on medium, slightly textured, white laid paper
Dimensions:: Sheet: 7 5/8 × 12 1/4 inches (19.4 × 31.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. Enlarged Detail of Figures from Painting Shown in Previous Sketch

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1793 and 1799
Materials & Techniques:: Graphite on medium, slightly textured, white laid paper
Dimensions:: Sheet: 9 5/8 × 5 inches (24.4 × 12.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. Continuation of the Preceeding Ornaments

Creator:: Attributed to John Carter, 1748–1817
Date:: 1793
Materials & Techniques:: Graphite and pen and black ink on slightly textured, medium, white laid paper
Dimensions:: Sheet: 6 3/4 × 9 3/8 inches (17.1 × 23.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. Details of Capitals and Arches, Painted Chamber

Creator:: unknown artist
Date:: between 1793 and 1799
Materials & Techniques:: Graphite on medium, slightly textured, white laid paper
Dimensions:: Sheet: 5 3/4 × 5 1/16 inches (14.6 × 12.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. Paintings on the Wall by H in Plan

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1793 and 1799
Materials & Techniques:: Pen and black ink and graphite on medium, slightly textured, white laid paper
Dimensions:: Sheet: 7 5/8 × 12 1/2 inches (19.4 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. Reclining Female Nude

Creator:: John Opie, 1761–1807
Date:: 1793
Materials & Techniques:: Black chalk and white chalk on medium, moderately textured, blue laid paper
Dimensions:: Sheet: 11 5/8 x 16 3/4in. (29.5 x 42.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Robert B. Simon

67. A Devonshire Farm

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1798
Materials & Techniques:: Watercolor, graphite and gouache on medium, slightly textured, cream laid paper, mounted on moderately thick, moderately textured, brown wove paper
Dimensions:: Sheet: 7 3/4 × 11 5/8 inches (19.7 × 29.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. Flint Castle

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1798
Materials & Techniques:: Pen and brown ink on thin, smooth, cream wove paper
Dimensions:: Sheet: 5 3/8 x 8 1/8 inches (13.7 x 20.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. Trees and Pond near Bromley, Kent

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1798
Materials & Techniques:: Watercolor and gouache over graphite; verso: graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 8 3/16 x 12 5/16 inches (20.8 x 31.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. Warkworth Castle, Northumberland

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1798
Materials & Techniques:: Watercolor, gum, touched with gouache over graphite on thick, moderately textured, beige wove paper
Dimensions:: Sheet: 16 3/8 x 21 3/4 inches (41.6 x 55.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. Bishop Thomas Percy, Bishop of Dromore

Creator:: Thomas Langdon, active 1800
Date:: 1793
Materials & Techniques:: Watercolor, gouache and gum arabic on ivory in rose gold locket with hanger
Dimensions:: Image: 3 3/8 × 2 3/4 inches (8.5 × 7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Ann and Kenneth Rapoport

72. Anne Goodriche, Wife of Thomas Percy, Bishop of Dromore

Creator:: Thomas Langdon, active 1800
Date:: 1793
Materials & Techniques:: Watercolor, gouache and gum arabic on ivory in rose gold locket with hanger
Dimensions:: Image: 3 3/8 × 2 3/4 inches (8.5 × 7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Ann and Kenneth Rapoport

73. Gentleman from a Pair of Miniatures, Possibly Husband and Wife

Creator:: George Francis Joseph, 1764–1846
Date:: ca. 1798
Materials & Techniques:: Watercolor and gum arabic with scratching out on ivory set in rose gold locket
Dimensions:: Frame: 3 × 2 3/8 × 1/8 inches (7.6 × 6 × 0.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Ann and Kenneth Rapoport

74. The Mangosteen Fruit, Malacca

Creator:: Samuel Davis, 1760–1819
Date:: 1793
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 × 10 1/4 inches (17.8 × 26 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. Fort Opposite the Factory, Canton

Creator:: William Alexander, 1767–1816
Date:: 1793
Materials & Techniques:: Watercolor. pen and gray ink over graphite on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 4 1/2 × 6 inches (11.4 × 15.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. East View of the Forts Jellali and Merani, Muskat

Creator:: Thomas Daniell, 1749–1840
Date:: 1793
Materials & Techniques:: Watercolor, brown ink, black ink, and graphite on thick, moderately textured, light blue laid paper
Dimensions:: Sheet: 14 x 18 1/4 inches (35.6 x 46.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. The Dent de Lion, Margate, Kent

Creator:: William Alexander, 1767–1816
Date:: ca. 1798
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 5/8 × 8 3/8 inches (24.4 × 21.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. Fisherpeople on a Junk

Creator:: William Alexander, 1767–1816
Date:: 1793
Materials & Techniques:: Watercolor and pen and black ink over graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 5 7/8 × 8 inches (14.9 × 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. Hafod: Upper Part of Cascade

Creator:: John Warwick Smith, 1749–1831
Date:: 1793
Materials & Techniques:: Watercolor over graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 13 5/8 x 20 1/8 inches (34.6 x 51.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. Sirree

Creator:: Samuel Davis, 1760–1819
Date:: July 1793
Materials & Techniques:: Watercolor and pen and brown ink, pen and black ink and graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 7 1/8 × 9 7/8 inches (18.1 × 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. View in the Province of Kiang-nan, China, Taken from Nature

Creator:: William Alexander, 1767–1816
Date:: 1793
Materials & Techniques:: Watercolor, pen and black ink, and graphite on medium, slightly textured, cream wove paper mounted on thick, slightly textured, beige wove paper
Dimensions:: Mount: 7 9/16 x 9 11/16 inches (19.2 x 24.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. Figure Costume Study of Henry VIII

Creator:: Thomas Girtin, 1775–1802
Date:: between 1793 and 1795
Materials & Techniques:: Graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 4 1/4 x 2 7/8 inches (10.8 x 7.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. Figure Costume Study: Noble Virgin of Bologna

Creator:: Thomas Girtin, 1775–1802
Date:: between 1793 and 1795
Materials & Techniques:: Graphite with brown wash on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 4 3/8 × 3 inches (11.1 × 7.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. Figure Costume Study of Edward VI in 1550

Creator:: Thomas Girtin, 1775–1802
Date:: between 1793 and 1795
Materials & Techniques:: Graphite and gray wash on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 4 × 2 3/4 inches (10.2 × 7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. Harewood House, Yorkshire

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1798
Materials & Techniques:: Graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 7 7/16 x 14 1/4 inches (18.9 x 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. A Temple in Harewood Park

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1798
Materials & Techniques:: Watercolor, gouache, black chalk and graphite on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 8 3/8 × 7 inches (21.3 × 17.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. Figure Costume Study: Persian Lady in 1568

Creator:: Thomas Girtin, 1775–1802
Date:: between 1793 and 1795
Materials & Techniques:: Graphite and gray wash on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 4 1/2 × 3 inches (11.4 × 7.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. Figure Costume Study: English Nobleman

Creator:: Thomas Girtin, 1775–1802
Date:: between 1793 and 1795
Materials & Techniques:: Graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 4 1/4 x 3 1/4 inches (10.8 x 8.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. Brighthelmstone, England

Creator:: James Moore, 1762–1799
Date:: 1793
Materials & Techniques:: Graphite and watercolor on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 7 1/16 × 9 inches (17.9 × 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. Medmenham, England

Creator:: James Moore, 1762–1799
Date:: 1793
Materials & Techniques:: Graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 7 1/16 × 9 inches (17.9 × 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. Church of St. Nicholas, Thames Ditton, Surrey, England

Creator:: James Moore, 1762–1799
Date:: 1793
Materials & Techniques:: Pen and black ink, gray ink, graphite, gray wash and blue wash on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 7 × 9 inches (17.8 × 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. Duff House, Scotland

Creator:: James Moore, 1762–1799
Date:: 1793
Materials & Techniques:: Graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 7 1/16 × 9 inches (17.9 × 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. Holy Trinity Parish Church, Cookham, England

Creator:: James Moore, 1762–1799
Date:: 1793
Materials & Techniques:: Graphite and gray wash on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 6 15/16 × 9 inches (17.6 × 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. Unidentified Church

Creator:: James Moore, 1762–1799
Date:: 1793
Materials & Techniques:: Graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 7 1/16 × 8 15/16 inches (17.9 × 22.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

95. Uckfield Holy Cross Church, East Sussex, England

Creator:: James Moore, 1762–1799
Date:: 1793
Materials & Techniques:: Graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 7 1/16 × 9 inches (17.9 × 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

96. Church of St. Mary the Virgin, Hurley, Berkshire, England

Creator:: James Moore, 1762–1799
Date:: 1793
Materials & Techniques:: Pen and gray iink, black ink, graphite, gray wash and blue wash on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 7 × 9 inches (17.8 × 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

97. Tonbridge Castle, Kent, England

Creator:: James Moore, 1762–1799
Date:: 1793
Materials & Techniques:: Graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 8 15/16 × 7 1/16 inches (22.7 × 17.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

98. Brighton, England

Creator:: James Moore, 1762–1799
Date:: 1793
Materials & Techniques:: Graphite on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 4 1/16 × 6 3/16 inches (10.3 × 15.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. Duff House, Scotland

Creator:: James Moore, 1762–1799
Date:: 1793
Materials & Techniques:: Graphite on medium, moderately textured, beige wove paper
Dimensions:: Sheet: 7 1/16 × 9 inches (17.9 × 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

100. The Hindostan at Anchor in the Strait of Mi-a-tau of the City of Ten-choo-fou at the Entrance to the Gulf of Pekin

Creator:: William Alexander, 1767–1816
Date:: 1793
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 1/8 x 15 1/16 inches (20.6 x 38.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Date 1793

Period 18th century

Work Type drawing

Search Results

1. Clare Hall and King’s College Chapel, Cambridge, from the Banks of the River Cam

2. Windsor

3. Christ Church Gate, Canterbury

4. Figure Composition Study 48

5. Devils for the Temptation of Christ

6. Wolgemuth Rescuing the Shipwrecked off the Cape of Good Hope

7. Figure Composition Study 4

8. America. A Prophecy, Plate 12, "Thus Wept the Angel Voice...."

9. America. A Prophecy, Plate 13, "Fiery the Angels Rose...."

10. America. A Prophecy, Plate 1, Frontispiece

11. America. A Prophecy, Plate 10, "The Terror Answered...."

12. America. A Prophecy, Plate 14, "So Cried He...."

13. America. A Prophecy, Plate 15, "What Time the Thirteen Governors...."

14. America. A Prophecy, Plate 16, "In the Flames Stood...."

15. America. A Prophecy, Plate 17, "On Albions Angels...."

16. America. A Prophecy, Plate 18, "Over the Hills...."

17. America. A Prophecy, Plate 2, Title Page

18. America. A Prophecy, Plate 11, "Sound! Sound! My Loud War-Trumpets...."

19. America. A Prophecy, Plate 3, "Preludium | The shadowy daughter...."

20. America. A Prophecy, Plate 4, "Silent as despairing love...."

21. America. A Prophecy, Plate 5, "A | Prophecy | The Guardian Prince of Albion...."

22. Visions of the Daughters of Albion, Plate 6, "And none but Bromian . . . . "

23. Visions of the Daughters of Albion, Plate 2, Title Page

24. Visions of the Daughters of Albion, Plate 10, "In happy copulation . . . . "

25. Visions of the Daughters of Albion, Plate 1, Frontispiece

26. America. A Prophecy, Plate 6, "Appear to the Americans...."

27. America. A Prophecy, Plate 7, "Albions Angel stood...."

28. America. A Prophecy, Plate 9, "In Thunders Ends the Voice...."

29. America. A Prophecy, Plate 8, "The Morning Comes...."

30. Gateway of an Old Fort, Benares

31. Wooded Landscape with Figures Round a Cooking Pot

32. Ruins du Château du Heidelberg

33. A Park Landscape with Shepherd and Sheep

34. Two Men on a Country Road

35. Study for Captain William George Fairfax for the Painting "The Victory of Lord Duncan"

36. Landscape with Cottage and Figures on Horseback

37. Outside View of Biskurma ka Joompree (Vishvakarma)

38. View of a Rock-Carved Temple, Ellora

39. Inside View of Indur Subba

40. Island of St. Pauls

41. Tristan d' Acunha, January

42. Island of St. Pauls

43. Straits of Sunda

44. Figure Costume Study: French Lady of Quality in 1501

45. The New Walk, York

46. View of the Convent of the Clarisses at Valenciennes after the Seige

47. Barn Elmes

48. View of St. Nicholas Church at Valenciennes after the Siege

49. View of Some-Cheon on French Island

50. The Peasant's Dream, Paradise Lost, Book 1, 781-8

51. North Side, Painted Chamber

52. East End, Painted Chamber

53. Door on South Side of Painted Chamber

54. South East View of Fort George, Madras

55. A Young Boy with Dogs

56. Bay with Sailing Ships

57. Plan of Painted Chamber

58. Side Window, North, Painted Chamber

59. East Front of Painted Chamber

60. Continuation of East Line of Ancient Buildings on the Left of East End of Painted Chamber

61. Wall Paintings

62. Enlarged Detail of Figures from Painting Shown in Previous Sketch

63. Continuation of the Preceeding Ornaments

64. Details of Capitals and Arches, Painted Chamber

65. Paintings on the Wall by H in Plan

66. Reclining Female Nude

67. A Devonshire Farm

68. Flint Castle

69. Trees and Pond near Bromley, Kent

70. Warkworth Castle, Northumberland

71. Bishop Thomas Percy, Bishop of Dromore

72. Anne Goodriche, Wife of Thomas Percy, Bishop of Dromore

73. Gentleman from a Pair of Miniatures, Possibly Husband and Wife