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Date 1794

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301. Major General Sir Barry Close

Major General Sir Barry Close
Creator:
John Smart, 1741–1811
Date:
1794
Materials & Techniques:
Gouache and watercolor on ivory
Dimensions:
Image: 3 1/8 x 2 1/2 inches (7.9 x 6.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

302. Woman on a Horse with Two Standing Women Overlooking a Landscape

Woman on a Horse with Two Standing Women Overlooking a Landscape
Creator:
Sir Augustus Wall Callcott, 1779–1844
Date:
undated
Materials & Techniques:
Pen and black ink and black chalk on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 7 x 9 7/8 inches (17.8 x 25.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

303. Landscape with Horses, Farmer and Dog

Landscape with Horses, Farmer and Dog
Creator:
George Morland, 1763–1804
Date:
1794
Materials & Techniques:
Watercolor and graphite on thick, slightly textured, beige wove paper
Dimensions:
Contemporary drawn border: 15 3/8 x 18 5/16 inches (39.1 x 46.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

304. Kenilworth Castle

Kenilworth Castle
Creator:
Print made by Letitia Byrne, 1779–1849
Date:
1794-1837
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 13 7/8 x 17 3/8 inches (35.2 x 44.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Edward Porter Street, Jr. Yale BE 1945W, and John Charles Street, Yale BA 1951, MA 1952, PhD 1955 in memory of our fathers Edward Porter Street, Yale 1920, and Charles Larrabee Street, Yale 1914

305. Farm Scene

Farm Scene
Creator:
Print made by Letitia Byrne, 1779–1849
Date:
undated
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 5/8 x 13 1/2 inches (21.9 x 34.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Edward Porter Street, Jr. Yale BE 1945W, and John Charles Street, Yale BA 1951, MA 1952, PhD 1955 in memory of our fathers Edward Porter Street, Yale 1920, and Charles Larrabee Street, Yale 1914

306. Oxford

Oxford
Creator:
Print made by Letitia Byrne, 1779–1849
Date:
undated
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 7/8 x 13 1/2 inches (25.1 x 34.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Edward Porter Street, Jr. Yale BE 1945W, and John Charles Street, Yale BA 1951, MA 1952, PhD 1955 in memory of our fathers Edward Porter Street, Yale 1920, and Charles Larrabee Street, Yale 1914

307. View of Montmedy

View of Montmedy
Creator:
Print made by unknown artist
Date:
1794
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

308. View of St. Malo in Britanny

View of St. Malo in Britanny
Creator:
Published by John Sewell, active 1735–1802
Date:
1794
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

309. Maria Theresa Charlotte, Daughter of Louis the Sixteenth

Maria Theresa Charlotte, Daughter of Louis the Sixteenth
Creator:
Print made by John Jones, ca. 1745–1797
Date:
1794
Materials & Techniques:
Stipple engraving, aquatint and etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

310. Arms of the Dutchess of Kendal

Arms of the Dutchess of Kendal
Creator:
Print made by A. M. Ireland, active before 1801
Date:
1794
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

311. A Third Modern Military Punishment

A Third Modern Military Punishment
Creator:
Print made by Samuel Ireland, 1744–1800
Date:
1794
Materials & Techniques:
Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

312. A Third Modern Military Punishment

A Third Modern Military Punishment
Creator:
Print made by Samuel Ireland, 1744–1800
Date:
1794
Materials & Techniques:
Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

313. A Third Modern Military Punishment

A Third Modern Military Punishment
Creator:
Print made by Samuel Ireland, 1744–1800
Date:
1794
Materials & Techniques:
Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

314. A Third Modern Military Punishment

A Third Modern Military Punishment
Creator:
Print made by Samuel Ireland, 1744–1800
Date:
1794
Materials & Techniques:
Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

315. A Third Modern Military Punishment

A Third Modern Military Punishment
Creator:
Print made by Samuel Ireland, 1744–1800
Date:
1794
Materials & Techniques:
Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

316. A Third Modern Military Punishment

A Third Modern Military Punishment
Creator:
Print made by Samuel Ireland, 1744–1800
Date:
1794
Materials & Techniques:
Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

317. Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat

Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat
Creator:
Print made by A. M. Ireland, active before 1801
Date:
1794
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

318. Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat

Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat
Creator:
Print made by A. M. Ireland, active before 1801
Date:
1794
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

319. A Third Modern Military Punishment

A Third Modern Military Punishment
Creator:
Print made by Samuel Ireland, 1744–1800
Date:
1794
Materials & Techniques:
Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

320. Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat

Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat
Creator:
Print made by A. M. Ireland, active before 1801
Date:
1794
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

321. Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat

Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat
Creator:
Print made by A. M. Ireland, active before 1801
Date:
1794
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

322. Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat

Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat
Creator:
Print made by A. M. Ireland, active before 1801
Date:
1794
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

323. Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat

Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat
Creator:
Print made by A. M. Ireland, active before 1801
Date:
1794
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

324. Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat

Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat
Creator:
Print made by A. M. Ireland, active before 1801
Date:
1794
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

325. Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat

Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat
Creator:
Print made by A. M. Ireland, active before 1801
Date:
1794
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

326. Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat

Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat
Creator:
Print made by A. M. Ireland, active before 1801
Date:
1794
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

327. Plate 3, Banishment, Plate 4, Degrading Punishments, and Plate 5, Freemen Degraded and Sold into Slavery

Plate 3, Banishment, Plate 4, Degrading Punishments, and Plate 5, Freemen Degraded and Sold into Slavery
Creator:
Print made by A. M. Ireland, active before 1801
Date:
1794
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

328. Plate 3, Banishment, Plate 4, Degrading Punishments, and Plate 5, Freemen Degraded and Sold into Slavery

Plate 3, Banishment, Plate 4, Degrading Punishments, and Plate 5, Freemen Degraded and Sold into Slavery
Creator:
Print made by A. M. Ireland, active before 1801
Date:
1794
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

329. Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat

Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat
Creator:
Print made by A. M. Ireland, active before 1801
Date:
1794
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

330. Plate 3, Banishment, Plate 4, Degrading Punishments, and Plate 5, Freemen Degraded and Sold into Slavery

Plate 3, Banishment, Plate 4, Degrading Punishments, and Plate 5, Freemen Degraded and Sold into Slavery
Creator:
Print made by A. M. Ireland, active before 1801
Date:
1794
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

331. Plate 3, Banishment, Plate 4, Degrading Punishments, and Plate 5, Freemen Degraded and Sold into Slavery

Plate 3, Banishment, Plate 4, Degrading Punishments, and Plate 5, Freemen Degraded and Sold into Slavery
Creator:
Print made by A. M. Ireland, active before 1801
Date:
1794
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

332. Plate 3, Banishment, Plate 4, Degrading Punishments, and Plate 5, Freemen Degraded and Sold into Slavery

Plate 3, Banishment, Plate 4, Degrading Punishments, and Plate 5, Freemen Degraded and Sold into Slavery
Creator:
Print made by A. M. Ireland, active before 1801
Date:
1794
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

333. Plate 3, Banishment, Plate 4, Degrading Punishments, and Plate 5, Freemen Degraded and Sold into Slavery

Plate 3, Banishment, Plate 4, Degrading Punishments, and Plate 5, Freemen Degraded and Sold into Slavery
Creator:
Print made by A. M. Ireland, active before 1801
Date:
1794
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

334. Plate 3, Banishment, Plate 4, Degrading Punishments, and Plate 5, Freemen Degraded and Sold into Slavery

Plate 3, Banishment, Plate 4, Degrading Punishments, and Plate 5, Freemen Degraded and Sold into Slavery
Creator:
Print made by A. M. Ireland, active before 1801
Date:
1794
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

335. Plate 3, Banishment, Plate 4, Degrading Punishments, and Plate 5, Freemen Degraded and Sold into Slavery

Plate 3, Banishment, Plate 4, Degrading Punishments, and Plate 5, Freemen Degraded and Sold into Slavery
Creator:
Print made by A. M. Ireland, active before 1801
Date:
1794
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

336. Plate 3, Banishment, Plate 4, Degrading Punishments, and Plate 5, Freemen Degraded and Sold into Slavery

Plate 3, Banishment, Plate 4, Degrading Punishments, and Plate 5, Freemen Degraded and Sold into Slavery
Creator:
Print made by A. M. Ireland, active before 1801
Date:
1794
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

337. False Perspective Exemplified

False Perspective Exemplified
Creator:
Print made by Samuel Ireland, 1744–1800
Date:
1794
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

338. False Perspective Exemplified

False Perspective Exemplified
Creator:
Print made by Samuel Ireland, 1744–1800
Date:
1794
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

339. Turris Magna or Tourmagne

Turris Magna or Tourmagne
Creator:
Print made by Cornelis Apostool, 1762–1844
Date:
1794
Materials & Techniques:
Etching and aquatint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

340. Maria Cecilia Louisa Cosway

Maria Cecilia Louisa Cosway
Creator:
Printed by Luigi Schiavonetti, 1765–1810
Date:
1794
Materials & Techniques:
Stipple engraving, hand-colored
Dimensions:
Sheet: 8 1/4 x 5 1/4in. (21 x 13.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Mrs. Anitha E. Deitch

341. An Irish Attack on an English Surloin

An Irish Attack on an English Surloin
Creator:
William O'Keefe, active 1794–1807
Date:
1794
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 7 3/8 x 13 1/8in. (18.7 x 33.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

342. The States of the Bowels; or a Fashionable Disorder!

The States of the Bowels; or a Fashionable Disorder!
Creator:
John Cawse, 1779–1862
Date:
1794
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 5 3/4 x 18 1/4in. (14.6 x 46.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

343. The Faith of Treaties Exemplified, or John Bulls last effort to Oblige his False Friends

The Faith of Treaties Exemplified, or John Bulls last effort to Oblige his False Friends
Creator:
Print made by Isaac Cruikshank, 1764–1811
Date:
1794
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 9 x 15 5/16in. (22.9 x 38.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

344. A Court Calender for the Year 1803!!!

A Court Calender for the Year 1803!!!
Creator:
unknown artist
Date:
1794
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 11 5/8 x 17 1/2in. (29.5 x 44.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

345. Friar Bacon and His Brazen Head

Friar Bacon and His Brazen Head
Creator:
Richard Newton, 1777–1798
Date:
1794
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 10 3/4 x 9 7/8in. (27.3 x 25.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

346. The Fall of Phaeton - The Blow Up of the Whig Club - or the Majesty of the People (from: Caricature, vol. 7)

The Fall of Phaeton - The Blow Up of the Whig Club - or the Majesty of the People (from: Caricature, vol. 7)
Creator:
unknown artist
Date:
1794
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 12 5/8 x 15 1/2in. (32.1 x 39.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

347. Opening the Sluices, Or, - Hollands Last Shift

Opening the Sluices, Or, - Hollands Last Shift
Creator:
Isaac Cruikshank, 1764–1811
Date:
1794
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 8 13/16 x 13 1/4in. (22.4 x 33.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

348. Essex-Calve-Lry for Internal Defence

Essex-Calve-Lry for Internal Defence
Creator:
unknown artist
Date:
1794
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 9 5/16 x 13 7/16in. (23.7 x 34.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

349. The Noble Sans - Culotte

The Noble Sans - Culotte
Creator:
James Gillray, 1756–1815
Date:
1794
Materials & Techniques:
Etching and aquatint, hand-colored
Dimensions:
Sheet: 7 x 9 1/8in. (17.8 x 23.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

350. Pantagruel's Victorious Return to the Court of Gargantua, (After Extirpating the Soup-Meagres of Bouille Land.) (from: Caricature, vol. 2)

Pantagruel's Victorious Return to the Court of Gargantua, (After Extirpating the Soup-Meagres of Bouille Land.) (from: Caricature, vol. 2)
Creator:
James Gillray, 1756–1815
Date:
1794
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 11 5/8 x 14in. (29.5 x 35.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

351. The Eruption of the Mountain - or - The Horrors of the Bocca Del Inforno----With the Head of the Protector Saint Januarius Carried in Processions by the Cardinal Archeveque of the Lazaroni

The Eruption of the Mountain - or - The Horrors of the Bocca Del Inforno----With the Head of the Protector Saint Januarius Carried in Processions by the Cardinal Archeveque of the Lazaroni
Creator:
James Gillray, 1756–1815
Date:
1794
Materials & Techniques:
Etching and aquatint, hand-colored
Dimensions:
Sheet: 12 x 14 1/2in. (30.5 x 36.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

352. Lichfield Cathedral, Staffordshire

Lichfield Cathedral, Staffordshire
Creator:
Thomas Girtin, 1775–1802
Date:
1794
Materials & Techniques:
Watercolor with pen in gray ink over graphite on moderately thick, moderatetly textured, brown wove paper
Dimensions:
Sheet: 15 1/16 x 11 3/8 inches (38.3 x 28.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

353. Winchester Cathedral, Hampshire, from the North-East

Winchester Cathedral, Hampshire, from the North-East
Creator:
Thomas Girtin, 1775–1802
Date:
after 1794
Materials & Techniques:
Graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 9 3/8 x 12 11/16 inches (23.8 x 32.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

354. Valle Crucis Abbey, Denbighshire

Valle Crucis Abbey, Denbighshire
Creator:
Thomas Girtin, 1775–1802
Date:
ca. 1799
Materials & Techniques:
Watercolor and graphite with pen and brown ink on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 9 3/4 x 12 1/4 inches (24.8 x 31.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

355. Chapel Church, Surrey

Chapel Church, Surrey
Creator:
Thomas Girtin, 1775–1802
Date:
ca. 1799
Materials & Techniques:
Watercolor, gouache and scraping over graphite on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 12 1/4 x 16 inches (31.1 x 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

356. Turver's Farm, Wimbish, Essex

Turver's Farm, Wimbish, Essex
Creator:
Thomas Girtin, 1775–1802
Date:
ca. 1799
Materials & Techniques:
Watercolor with pen and brown ink and gouache over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 11 7/8 x 16 3/8 inches (30.2 x 41.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

357. Boat Building

Boat Building
Creator:
Thomas Girtin, 1775–1802
Date:
ca. 1799
Materials & Techniques:
Graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 5 5/16 x 8 1/4 inches (13.5 x 21 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

358. Glasgow Cathedral

Glasgow Cathedral
Creator:
Thomas Girtin, 1775–1802
Date:
between 1794 and 1795
Materials & Techniques:
Watercolor, pen in brown and black ink and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 8 5/8 x 6 9/16 inches (21.9 x 16.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

359. The Archangel Gabriel Awaiting Night

The Archangel Gabriel Awaiting Night
Creator:
Thomas Girtin, 1775–1802
Date:
ca. 1799
Materials & Techniques:
Watercolor and brown wash over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 12 1/16 x 9 7/8 inches (30.6 x 25.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

360. Miss, I Have a Monstrous Crow to Pluck with You!

Miss, I Have a Monstrous Crow to Pluck with You!
Creator:
James Gillray, 1756–1815
Date:
1794
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 7 7/8 x 10in. (20 x 25.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

361. [Animals] Seven studies on hound on one sheet. 'Jno. Harris' on collar of hound at lower left

[Animals] Seven studies on hound on one sheet. 'Jno. Harris' on collar of hound at lower left
Creator:
George Morland, 1763–1804
Date:
1794
Materials & Techniques:
Hand colored soft-ground etching
Dimensions:
Sheet: 16 x 20 3/4in. (40.6 x 52.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

362. 'Anvil'

'Anvil'
Creator:
George Townly Stubbs, 1748–1815
Date:
1794
Materials & Techniques:
Stipple engraving printed in colors with some hand tinting
Dimensions:
Plate: 16 x 20in. (40.6 x 50.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

363. A Drawing of a Part for the Map of the Moon

A Drawing of a Part for the Map of the Moon
Creator:
John Russell, 1745–1806
Date:
1794
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 x 6 1/8 inches (20.3 x 15.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

364. Sweet China Oranges, Sweet China!

Sweet China Oranges, Sweet China!
Creator:
Luigi Schiavonetti, 1765–1810
Date:
1794
Materials & Techniques:
Etching and aquatint; proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 17 1/8 x 13 1/2 inches (43.5 x 34.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

365. Do you want any Matches?

Do you want any Matches?
Creator:
Anthony Cardon, 1772–1813
Date:
1794
Materials & Techniques:
Etching and aquatint; proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 17 x 13 3/8 inches (43.2 x 34 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

366. Embarkation at Southampton, June 20th 1794 (Version A)

Embarkation at Southampton, June 20th 1794 (Version A)
Creator:
Thomas Rowlandson, 1756–1827
Date:
1794
Materials & Techniques:
Pen and brown ink, gray ink, gray wash, and graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 8 9/16 x 11 3/16 inches (21.7 x 28.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

367. A Military Escapade

A Military Escapade
Creator:
Thomas Rowlandson, 1756–1827
Date:
between 1794 and 1800
Materials & Techniques:
Watercolor with pen and black and gray ink over graphite; verso: watercolor splotches on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 1/4 x 10 13/16 inches (38.7 x 27.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

368. Barnard's Inn

Barnard's Inn
Creator:
Samuel Ireland, 1744–1800
Date:
between 1794 and 1800
Materials & Techniques:
Watercolor, graphite, and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 7/8 × 6 3/4 inches (12.4 × 17.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

369. Hunting, Shooting, etc. [set of six]: 4. "Into the perilous flood"

Hunting, Shooting, etc. [set of six]: 4. "Into the perilous flood"
Creator:
Samuel Howitt, 1756–1822
Date:
1794
Materials & Techniques:
Aquatint
Dimensions:
Sheet: 9 3/4 x 12 1/4in. (24.8 x 31.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

370. Hunting, Shooting, etc. [set of six]: 2. "Him from his craggy winding haunts unearth'd"

Hunting, Shooting, etc. [set of six]: 2. "Him from his craggy winding haunts unearth'd"
Creator:
Samuel Howitt, 1756–1822
Date:
1794
Materials & Techniques:
Aquatint
Dimensions:
Sheet: 9 3/4 x 12 1/4in. (24.8 x 31.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

371. Hunting, Shooting, etc. [set of six]: 5. "And o'er the lawn"

Hunting, Shooting, etc. [set of six]: 5. "And o'er the lawn"
Creator:
Samuel Howitt, 1756–1822
Date:
1794
Materials & Techniques:
Aquatint
Dimensions:
Sheet: 9 3/4 x 12 1/4in. (24.8 x 31.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

372. Hunting, Shooting, etc. [set of six]: 6. "For happy he who tops the wheeling chace"

Hunting, Shooting, etc. [set of six]: 6. "For happy he who tops the wheeling chace"
Creator:
Samuel Howitt, 1756–1822
Date:
1794
Materials & Techniques:
Aquatint
Dimensions:
Sheet: 9 3/4 x 12 1/4in. (24.8 x 31.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

373. Hunting, Shooting, etc. [set of six]: 3. "Throw the board ditch behind you"

Hunting, Shooting, etc. [set of six]: 3. "Throw the board ditch behind you"
Creator:
Samuel Howitt, 1756–1822
Date:
1794
Materials & Techniques:
Aquatint, hand-coloreds with aquatinted border
Dimensions:
Sheet: 9 3/4 x 12 1/4in. (24.8 x 31.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

374. Hunting, Shooting, etc. [set of six]: 6. "For happy he who tops the wheeling chace"

Hunting, Shooting, etc. [set of six]: 6. "For happy he who tops the wheeling chace"
Creator:
Samuel Howitt, 1756–1822
Date:
1794
Materials & Techniques:
Aquatint, hand-coloreds with aquatinted borders
Dimensions:
Sheet: 9 3/4 x 12 1/4in. (24.8 x 31.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

375. Hunting, Shooting, etc. [set of six]: 4. "Into the perilous flood"

Hunting, Shooting, etc. [set of six]: 4. "Into the perilous flood"
Creator:
Samuel Howitt, 1756–1822
Date:
1794
Materials & Techniques:
Aquatint, hand-coloreds with aquatinted border
Dimensions:
Sheet: 9 3/4 x 12 1/4in. (24.8 x 31.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

376. Hunting, Shooting, etc. [set of six]: 5. "And o'er the lawn"

Hunting, Shooting, etc. [set of six]: 5. "And o'er the lawn"
Creator:
Samuel Howitt, 1756–1822
Date:
1794
Materials & Techniques:
Aquatint, hand-coloreds with aquatinted borders
Dimensions:
Sheet: 9 3/4 x 12 1/4in. (24.8 x 31.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

377. Hunting, Shooting, etc. [set of six]: 2. "Him from his craggy winding haunts unearth'd"

Hunting, Shooting, etc. [set of six]: 2. "Him from his craggy winding haunts unearth'd"
Creator:
Samuel Howitt, 1756–1822
Date:
1794
Materials & Techniques:
Aquatint, hand-coloreds with aquatinted border
Dimensions:
Sheet: 9 3/4 x 12 1/4in. (24.8 x 31.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

378. Hunting, Shooting, etc. [set of six]: "3. Throw the broad ditch behind you"

Hunting, Shooting, etc. [set of six]: "3. Throw the broad ditch behind you"
Creator:
Samuel Howitt, 1756–1822
Date:
1794
Materials & Techniques:
Aquatint
Dimensions:
Sheet: 9 3/4 x 12 1/4in. (24.8 x 31.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

379. The Inner Temple

The Inner Temple
Creator:
Samuel Ireland, 1744–1800
Date:
between 1794 and 1800
Materials & Techniques:
Watercolor, graphite, and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/8 x 6 7/8in. (13 x 17.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

380. Lincoln's Inn Hall and Chapel

Lincoln's Inn Hall and Chapel
Creator:
Samuel Ireland, 1744–1800
Date:
between 1794 and 1800
Materials & Techniques:
Watercolor, graphite, and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 × 7 1/8 inches (12.7 × 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

381. Temple Church

Temple Church
Creator:
Samuel Ireland, 1744–1800
Date:
between 1794 and 1800
Materials & Techniques:
Watercolor and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/2 × 6 7/8 inches (14 × 17.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

382. Staple Inn

Staple Inn
Creator:
Samuel Ireland, 1744–1800
Date:
between 1794 and 1800
Materials & Techniques:
Watercolor and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 × 6 5/8 inches (12.7 × 16.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

383. Clifford's Inn

Clifford's Inn
Creator:
Samuel Ireland, 1744–1800
Date:
between 1794 and 1800
Materials & Techniques:
Watercolor and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 × 6 5/8 inches (12.7 × 16.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

384. Guildhall

Guildhall
Creator:
Samuel Ireland, 1744–1800
Date:
between 1794 and 1800
Materials & Techniques:
Watercolor and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 x 6 3/4in. (12.7 x 17.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

385. Painter's Hall

Painter's Hall
Creator:
Samuel Ireland, 1744–1800
Date:
between 1794 and 1800
Materials & Techniques:
Watercolor and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 x 7in. (12.7 x 17.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

386. Clement's Inn

Clement's Inn
Creator:
Samuel Ireland, 1744–1800
Date:
between 1794 and 1800
Materials & Techniques:
Watercolor, graphite, and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/8 × 7 inches (13 × 17.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

387. Blacksmith's Hall

Blacksmith's Hall
Creator:
Samuel Ireland, 1744–1800
Date:
between 1794 and 1800
Materials & Techniques:
Watercolor, graphite, and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 × 6 7/8 inches (12.7 × 17.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

388. Currier's Hall

Currier's Hall
Creator:
Samuel Ireland, 1744–1800
Date:
between 1794 and 1800
Materials & Techniques:
Watercolor and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 × 7 inches (12.7 × 17.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

389. Southwest View of Middle Temple

Southwest View of Middle Temple
Creator:
Samuel Ireland, 1744–1800
Date:
between 1794 and 1800
Materials & Techniques:
Watercolor, graphite, and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 × 7 inches (12.7 × 17.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

390. Sergeant's Inn

Sergeant's Inn
Creator:
Samuel Ireland, 1744–1800
Date:
between 1794 and 1800
Materials & Techniques:
Watercolor, graphite, and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 × 6 1/2 inches (12.7 × 16.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

391. Gray's Inn

Gray's Inn
Creator:
Samuel Ireland, 1744–1800
Date:
between 1794 and 1800
Materials & Techniques:
Watercolor, graphite, and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/8 × 7 inches (13 × 17.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

392. Middle Temple Gate

Middle Temple Gate
Creator:
Samuel Ireland, 1744–1800
Date:
between 1794 and 1800
Materials & Techniques:
Watercolor, graphite, and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 x 6 1/4in. (12.7 x 15.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

393. Barber's Hall

Barber's Hall
Creator:
Samuel Ireland, 1744–1800
Date:
between 1794 and 1800
Materials & Techniques:
Watercolor, graphite, and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/4 × 7 1/8 inches (13.3 × 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

394. Garden Front of Stationer's Hall

Garden Front of Stationer's Hall
Creator:
Samuel Ireland, 1744–1800
Date:
between 1794 and 1800
Materials & Techniques:
Watercolor, graphite, and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 x 7in. (12.7 x 17.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

395. Lion's Inn

Lion's Inn
Creator:
Samuel Ireland, 1744–1800
Date:
between 1794 and 1800
Materials & Techniques:
Watercolor, graphite, and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 7/8 x 6 5/8in. (12.4 x 16.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

396. Furnival's Inn

Furnival's Inn
Creator:
Samuel Ireland, 1744–1800
Date:
between 1794 and 1800
Materials & Techniques:
Watercolor, graphite, and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 7/8 × 6 1/2 inches (12.4 × 16.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

397. New Inn

New Inn
Creator:
Samuel Ireland, 1744–1800
Date:
between 1794 and 1800
Materials & Techniques:
Watercolor, graphite, and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 1/2 × 6 1/2 inches (11.4 × 16.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

398. Lincoln's Inn Gate

Lincoln's Inn Gate
Creator:
Samuel Ireland, 1744–1800
Date:
between 1794 and 1800
Materials & Techniques:
Watercolor, graphite, and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 3/4 x 6 7/8in. (12.1 x 17.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

399. Brewer's Hall

Brewer's Hall
Creator:
Samuel Ireland, 1744–1800
Date:
between 1794 and 1800
Materials & Techniques:
Watercolor, graphite, and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 × 7 inches (12.7 × 17.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

400. Garden Front of Weaver's Hall

Garden Front of Weaver's Hall
Creator:
Samuel Ireland, 1744–1800
Date:
between 1794 and 1800
Materials & Techniques:
Watercolor, graphite, and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/8 × 7 1/4 inches (13 × 18.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection