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Date 1795

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Period 18th century

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101. Plate VIII: St Stephen's Chapel

Plate VIII: St Stephen's Chapel
Creator:
Print made by James Basire, 1730–1802
Date:
1795
Materials & Techniques:
Line engraving on slightly textured, moderately thick, cream wove paper
Dimensions:
Sheet: 15 3/8 × 22 1/16 inches (39.1 × 56 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

102. Plate X: St Stephen's Chapel

Plate X: St Stephen's Chapel
Creator:
Print made by James Basire, 1730–1802
Date:
1795
Materials & Techniques:
Line engraving on slightly textured, moderately thick, white wove paper
Dimensions:
Sheet: 15 5/8 × 22 5/8 inches (39.7 × 57.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

103. Plate XIII: St Stephen's Chapel

Plate XIII: St Stephen's Chapel
Creator:
Print made by James Basire, 1730–1802
Date:
1795
Materials & Techniques:
Line engraving on slightly textured, moderately thick, white wove paper
Dimensions:
Sheet: 16 × 22 1/8 inches (40.6 × 56.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

104. A Laudable Partnership or Souls and Bodies cured without lots of Time

A Laudable Partnership or Souls and Bodies cured without lots of Time
Creator:
unknown artist
Date:
1795
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

105. Officers of the Hopeton fincible Regim't

Officers of the Hopeton fincible Regim't
Creator:
John Kay, 1742–1826
Date:
1795
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

106. Fools Eloquence

Fools Eloquence
Creator:
unknown artist
Date:
1795
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

107. A Worthy Alderman and his Friends Canvasing or Strong Recommendations for the mem'br of Parl'ament

A Worthy Alderman and his Friends Canvasing or Strong Recommendations for the mem'br of Parl'ament
Creator:
Isaac Cruikshank, 1764–1811
Date:
1795
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

108. Light Expelling Darkness

Light Expelling Darkness
Creator:
James Gillray, 1756–1815
Date:
1795
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

109. A Laudable Partnership or Souls and Bodies cured without lots of Time

A Laudable Partnership or Souls and Bodies cured without lots of Time
Creator:
unknown artist
Date:
1795
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

110. Bodmin Cornwall: The Arrival of the Stage-Coach

Bodmin Cornwall: The Arrival of the Stage-Coach
Creator:
Thomas Rowlandson, 1756–1827
Date:
1795
Materials & Techniques:
Watercolor with pen and gray and black ink over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/4 x 15 inches (23.5 x 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

111. Concert Ticket For The Benefit of Madame Banti

Concert Ticket For The Benefit of Madame Banti
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1795
Materials & Techniques:
Line engraving and stipple engraving on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 5 x 6 1/4 inches (12.7 x 15.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

112. Views of St. Mary's Church, Lambeth, Surrey

Views of St. Mary's Church, Lambeth, Surrey
Creator:
unknown artist
Date:
1795
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

113. Favorite Guinea Pigs Going to Market

Favorite Guinea Pigs Going to Market
Creator:
Isaac Cruikshank, 1764–1811
Date:
1795
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 8 3/8 x 12 3/4in. (21.3 x 32.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

114. Washing the Blackamoor

Washing the Blackamoor
Creator:
Isaac Cruikshank, 1764–1811
Date:
1795
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 8 1/2 x 12 7/8in. (21.6 x 32.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

115. Howe's Victory off Ushant

Howe's Victory off Ushant
Creator:
Robert Dodd, 1748–1816
Date:
1795
Materials & Techniques:
Aquatint with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 20 7/8 × 30 inches (53 × 76.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

116. Small Blunders or Irish Bulls

Small Blunders or Irish Bulls
Creator:
unknown artist
Date:
1795
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

117. A Laudable Partnership or Souls and Bodies cured without lots of Time

A Laudable Partnership or Souls and Bodies cured without lots of Time
Creator:
unknown artist
Date:
1795
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

118. Plate XII: St Stephen's Chapel

Plate XII: St Stephen's Chapel
Creator:
Print made by James Basire, 1730–1802
Date:
1795
Materials & Techniques:
Line engraving on slightly textured, moderately thick, cream wove paper
Dimensions:
Sheet: 16 × 22 inches (40.6 × 55.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

119. Pershore, Worcestershire

Pershore, Worcestershire
Creator:
Print made by Samuel Ireland, active 1760–died 1800
Date:
1795
Materials & Techniques:
Aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

120. Valenciennes

Valenciennes
Creator:
Print made by unknown artist
Date:
1795
Materials & Techniques:
Etching and aquatint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

121. A Spy!!! Or the Blessings of a Convention Bill

A Spy!!! Or the Blessings of a Convention Bill
Creator:
Print made by Isaac Cruikshank, 1764–1811
Date:
1795
Materials & Techniques:
Etching on medium, slightly textured, cream laid paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

122. Sigismonda

Sigismonda
Creator:
Print made by Benjamin Smith, 1775–1833
Date:
1795
Materials & Techniques:
Etching with aquatint
Dimensions:
Sheet: 19 × 25 inches (48.3 × 63.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art,Gift of Suzanne and William H. Speaker

123. View of the Isle of Wight: Landscape with Figures

View of the Isle of Wight: Landscape with Figures
Creator:
Master of the Wire Line, 18th century
Date:
ca. 1800
Materials & Techniques:
Watercolor and pen and black ink on thick, moderately textured, cream laid paper
Dimensions:
Sheet: 9 1/8 × 13 1/8 inches (23.2 × 33.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

124. Bitford, Warwickshire

Bitford, Warwickshire
Creator:
Print made by Samuel Ireland, active 1760–died 1800
Date:
1795
Materials & Techniques:
Aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

125. William Chiffinch

William Chiffinch
Creator:
Print made by R. Clamp, fl.1789–1798
Date:
1795
Materials & Techniques:
Stipple engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

126. National Assembly, Paris

National Assembly, Paris
Creator:
Print made by unknown artist
Date:
1795
Materials & Techniques:
Aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 × 9 inches (15.2 × 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

127. Bodmin Cornwall: French Prisoners on Parole

Bodmin Cornwall: French Prisoners on Parole
Creator:
Thomas Rowlandson, 1756–1827
Date:
1795
Materials & Techniques:
Watercolor with pen and gray and black ink over graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 9 3/8 x 15 1/8 inches (23.8 x 38.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

128. Gerard's Hall in Basing Lane, Bread Street, Cheapside

Gerard's Hall in Basing Lane, Bread Street, Cheapside
Creator:
unknown artist
Date:
1795
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

129. Ahijah, Foretelling To the Wife of Jeroboam, Of The Death Of Their Son, Abijah

Ahijah, Foretelling To the Wife of Jeroboam, Of The Death Of Their Son, Abijah
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1795
Materials & Techniques:
Line engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

130. William Woollet

William Woollet
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
1795
Materials & Techniques:
Line engraving and stipple engraving on thick, moderately textured, beige wove paper
Dimensions:
Sheet: 9 5/8 x 6 inches (24.4 x 15.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

131. Portrait in Profile of Leonardo da Vinci

Portrait in Profile of Leonardo da Vinci
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1795
Materials & Techniques:
Stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

132. Sheet of Anatomical Studies of Postcranial Bones

Sheet of Anatomical Studies of Postcranial Bones
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1795
Materials & Techniques:
Line engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

133. This View of Fish Street Hill from Grace Church Street Representing the Monument

This View of Fish Street Hill from Grace Church Street Representing the Monument
Creator:
Thomas Morris, born 1771
Date:
1795
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

134. Rectorial House, Newington Butts

Rectorial House, Newington Butts
Creator:
unknown artist
Date:
1795
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

135. The Adelphi Terrace

The Adelphi Terrace
Creator:
unknown artist
Date:
1795
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

136. The Deserted Village

The Deserted Village
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1795
Materials & Techniques:
Stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

137. The Triumph of Virtue

The Triumph of Virtue
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1795
Materials & Techniques:
Stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

138. Bridgenorth

Bridgenorth
Creator:
Print made by James Walker, 1748–1808
Date:
1795
Materials & Techniques:
Etching and line engraving, with letterpress on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 17 1/2 × 11 7/8 inches (44.5 × 30.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

139. Birmingham

Birmingham
Creator:
Print made by James S. Storer, 1771–1853
Date:
1795
Materials & Techniques:
Etching and line engraving, with letterpress on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 17 5/8 × 11 1/4 inches (44.8 × 28.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

140. Front of the Pantheon, Oxford Street

Front of the Pantheon, Oxford Street
Creator:
unknown artist
Date:
1795
Materials & Techniques:
Hand colored engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

141. Royal Exchange

Royal Exchange
Creator:
unknown artist
Date:
1795
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

142. John Street, Adelphi

John Street, Adelphi
Creator:
unknown artist
Date:
1795
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

143. View of Somerset Place, the Adelphi, and Church from the Temple-garden

View of Somerset Place, the Adelphi, and Church from the Temple-garden
Creator:
Joseph Constantine Stadler, active 1780–1812
Date:
1795
Materials & Techniques:
Aquatint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

144. Matlock

Matlock
Creator:
Print made by J. Widnell, Active 1795
Date:
1795
Materials & Techniques:
Etching and line engraving, with letterpress on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 17 1/8 × 11 3/8 inches (43.5 × 28.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

145. Knight's Hill, Surrey

Knight's Hill, Surrey
Creator:
James Walker, 1748–1808
Date:
1795
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

146. A View of London from Blackfriars Bridge

A View of London from Blackfriars Bridge
Creator:
John William Edy, 1760–1820
Date:
1795
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

147. The Tower

The Tower
Creator:
Joseph Constantine Stadler, active 1780–1812
Date:
1795
Materials & Techniques:
Aquatint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

148. Twickenham Park House in Middlesex

Twickenham Park House in Middlesex
Creator:
William Angus, 1752–1821
Date:
1795
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

149. Hanworth

Hanworth
Creator:
George Isham Parkyns, 1749/50–c.1820
Date:
1795
Materials & Techniques:
Aquatint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

150. Lord Camden

Lord Camden
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1795
Materials & Techniques:
Stipple and line engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

151. His Royal Highness, The Prince Of Wales

His Royal Highness, The Prince Of Wales
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1795
Materials & Techniques:
Stipple engraving and line engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

152. Strawberrys, Scarlet Strawberries.

Strawberrys, Scarlet Strawberries.
Creator:
Print made by Giovanni Vendramini, 1769–1839
Date:
1795
Materials & Techniques:
Color printed etching, aquatint, and stipple engraving with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 17 1/4 × 13 1/2 inches (43.8 × 34.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

153. Old Chairs to Mend

Old Chairs to Mend
Creator:
Print made by Giovanni Vendramini, 1769–1839
Date:
1795
Materials & Techniques:
Color printed etching, aquatint, and stipple engraving with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 17 1/4 × 13 3/8 inches (43.8 × 34 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

154. The Celebrated Victory ... on the Glorious First of June 1794

The Celebrated Victory ... on the Glorious First of June 1794
Creator:
Print made by Daniel Orme, 1766–1837
Date:
1795
Materials & Techniques:
Color-printed stipple engraving and etching with hand coloring in watercolor on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 19 7/8 × 23 1/4 inches (50.5 × 59.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

155. The Right Honorable Lord Viscount Milton

The Right Honorable Lord Viscount Milton
Creator:
Print made by John Jones, ca. 1745–1797
Date:
1795
Materials & Techniques:
Mezzotint (second state) on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 20 × 14 inches (50.8 × 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

156. The Nosegay Girl

The Nosegay Girl
Creator:
Print made by unknown artist
Date:
1795
Materials & Techniques:
Mezzotint on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 16 3/8 × 11 inches (41.6 × 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

157. Captain John Harvey

Captain John Harvey
Creator:
John Murphy, ca. 1748–1820
Date:
1795
Materials & Techniques:
Mezzotint
Dimensions:
Sheet: 13 7/8 x 19 5/8in. (35.2 x 49.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Mr. and Mrs. J. Richardson Dilworth

158. Sir Thomas Pasley

Sir Thomas Pasley
Creator:
Charles Townley, 1746–c.1800
Date:
1795
Materials & Techniques:
Mezzotint
Dimensions:
Sheet: 14 x 19 7/8in. (35.6 x 50.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Mr. and Mrs. J. Richardson Dilworth

159. Round & Sound, Five Pence a Pound, Duke Cherries

Round & Sound, Five Pence a Pound, Duke Cherries
Creator:
Print made by Anthony Cardon, 1772–1813
Date:
1795
Materials & Techniques:
Color printed etching, aquatint, and stipple engraving with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 17 1/8 × 13 3/8 inches (43.5 × 34 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

160. Knives, Scissars, and Razors to Grind

Knives, Scissars, and Razors to Grind
Creator:
Print made by Giovanni Vendramini, 1769–1839
Date:
1795
Materials & Techniques:
Color printed etching, aquatint, and stipple engraving with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 17 × 13 1/2 inches (43.2 × 34.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

161. Captain John Harvey

Captain John Harvey
Creator:
John Murphy, ca. 1748–1820
Date:
1795
Materials & Techniques:
Mezzotint
Dimensions:
Sheet: 13 7/8 x 19 5/8in. (35.2 x 49.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Mr. and Mrs. J. Richardson Dilworth

162. Sir Thomas Pasley

Sir Thomas Pasley
Creator:
Charles Townley, 1746–c.1800
Date:
1795
Materials & Techniques:
Mezzotint
Dimensions:
Sheet: 14 x 9 3/4in. (35.6 x 24.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Mr. and Mrs. J. Richardson Dilworth

163. New Mackrel, New Mackrel

New Mackrel, New Mackrel
Creator:
Print made by Niccoló Schiavonetti, 1771–1813
Date:
1795
Materials & Techniques:
Color printed etching, aquatint, and stipple engraving with handcoloring in water color on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 17 1/8 × 13 1/2 inches (43.5 × 34.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

164. Fresh Gathered Peas, Young Hastings

Fresh Gathered Peas, Young Hastings
Creator:
Print made by Giovanni Vendramini, 1769–1839
Date:
1795
Materials & Techniques:
Color printed etching, aquatint, and stipple engraving with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 17 × 13 7/8 inches (43.2 × 35.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

165. Here Nature List'ning Stood

Here Nature List'ning Stood
Creator:
Print made by Cornelis Apostool, 1762–1844
Date:
1795
Materials & Techniques:
Aquatint and etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 × 5 15/16 inches (22.8 × 15.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

166. Alleyne Fitzherbert, 1st Baron St. Helens

Alleyne Fitzherbert, 1st Baron St. Helens
Creator:
William Ward, 1766–1826
Date:
1795
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 18 1/4 × 14 3/16 inches (46.4 × 36 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

167. Washing the Blackamoor

Washing the Blackamoor
Creator:
Print made by Isaac Cruikshank, 1764–1811
Date:
1795
Materials & Techniques:
Etching and stipple engraving, hand-colored on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 10 3/4 x 15 inches (27.3 x 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

168. Dick the Butcher and Smith the Weaver seizing the Clerk - "Henry VI," Part II, Act I, Scene II

Dick the Butcher and Smith the Weaver seizing the Clerk - "Henry VI," Part II, Act I, Scene II
Creator:
unknown artist
Date:
1795
Materials & Techniques:
Engraving and stipple engraving
Dimensions:
Sheet: 16 1/4 x 18 3/4in. (41.3 x 47.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

169. Jacques discovered by the Duke- "As You Like It," Act II, Scene I

Jacques discovered by the Duke- "As You Like It," Act II, Scene I
Creator:
John Chapman, active ca. 1792–1823
Date:
1795
Materials & Techniques:
Engraving and stipple engraving
Dimensions:
Sheet: 16 1/2 x 18 3/4in. (41.9 x 47.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

170. Mr. H. E. Johnston in the Character of Hamlet

Mr. H. E. Johnston in the Character of Hamlet
Creator:
John Kay, 1742–1826
Date:
1795
Materials & Techniques:
Etching
Dimensions:
Sheet: 8 1/4 x 6 3/4in. (21 x 17.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

171. Taming Of The Shrew, Act III, Scene II

Taming Of The Shrew, Act III, Scene II
Creator:
Peter Simon, 1750–1810
Date:
1795
Materials & Techniques:
Line engraving and stipple engraving on thick, moderately textured, beige wove paper
Dimensions:
Sheet: 22 7/8 × 28 13/16 inches (58.1 × 73.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

172. View of Niagara Falls with Two Figures Sitting on a Rock Center Foreground

View of Niagara Falls with Two Figures Sitting on a Rock Center Foreground
Creator:
Isaac Weld, 1774–1856
Date:
between 1795 and 1797
Materials & Techniques:
Pen and black ink, gray wash, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Mount: 8 3/8 × 11 1/8 inches (21.3 × 28.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

173. Canadian Calash or Marche-Donc

Canadian Calash or Marche-Donc
Creator:
Isaac Weld, 1774–1856
Date:
between 1795 and 1797
Materials & Techniques:
Pen and black ink, gray wash, and graphite on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 6 1/2 x 9in. (16.5 x 22.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

174. View of the Falls of Niagara

View of the Falls of Niagara
Creator:
Isaac Weld, 1774–1856
Date:
between 1795 and 1797
Materials & Techniques:
Pen, and black ink, gray ink, gray wash and graphite on medium, slightly textured, cream wove paper
Dimensions:
Mount: 10 11/16 × 13 3/16 inches (27.1 × 33.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

175. View of Niagara Falls with Two Figures on Rock in Right Foreground

View of Niagara Falls with Two Figures on Rock in Right Foreground
Creator:
Isaac Weld, 1774–1856
Date:
between 1795 and 1797
Materials & Techniques:
Watercolor and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 3 15/16 × 5 1/16 inches (10 × 12.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

176. View of Niagara Falls with the Falls in the Background, Right, and Landscape with Houses in the Foreground

View of Niagara Falls with the Falls in the Background, Right, and Landscape with Houses in the Foreground
Creator:
Isaac Weld, 1774–1856
Date:
between 1795 and 1797
Materials & Techniques:
Brown wash over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 25 5/8 × 21 1/8 inches (65.1 × 53.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

177. Duchess of York

Duchess of York
Creator:
Print made by William Dickinson, 1746–1823
Date:
1795
Materials & Techniques:
Mezzotint (only state) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 27 × 19 3/4 inches (68.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

178. Caroline Princess of Wales

Caroline Princess of Wales
Creator:
Print made by John Murphy, ca. 1748–1820
Date:
1795
Materials & Techniques:
Mezzotint on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 22 3/16 × 15 5/16 inches (56.4 × 38.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

179. An English Sloop Engaging a Dutch Man of War

An English Sloop Engaging a Dutch Man of War
Creator:
Print made by unknown artist
Date:
1795
Materials & Techniques:
Mezzotint and etching on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 3/8 × 7 inches (26.4 × 17.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

180. The Moralist

The Moralist
Creator:
Print made by unknown artist
Date:
1795
Materials & Techniques:
Mezzotint on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 7/8 × 10 3/8 inches (40.3 × 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

181. Jacques discovered by the Duke

Jacques discovered by the Duke
Creator:
John Chapman, active ca. 1792–1823
Date:
1795
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale University Art Gallery Collection

182. View of Parbati, a Hill near Poona Occupied by the Temples at which the Peshwa frequently Worships

View of Parbati, a Hill near Poona Occupied by the Temples at which the Peshwa frequently Worships
Creator:
Gangaram Chintaman Tambat, active 1790s
Date:
1795
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 × 16 3/4 inches (27.9 × 42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

183. View of Parbati, a Hill near Poona Occupied by Temples frequented by the Peshwa

View of Parbati, a Hill near Poona Occupied by Temples frequented by the Peshwa
Creator:
Attributed to Gangaram Chintaman Tambat, active 1790s
Date:
1795
Materials & Techniques:
Watercolor, graphite and pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 3/4 × 19 3/4 inches (29.8 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

184. Helene Apollonie Princesse de Ligne

Helene Apollonie Princesse de Ligne
Creator:
Print made by unknown artist
Date:
1795
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 26 × 18 7/8 inches (66 × 47.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

185. Head-piece, Book XI, Paradise Lost

Head-piece, Book XI, Paradise Lost
Creator:
Print made by John Augustus Richter, active 1722–1799
Date:
1795
Materials & Techniques:
Etching and stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

186. Sunday Morning, A Cottage Family Going to Church

Sunday Morning, A Cottage Family Going to Church
Creator:
William Nutter, 1754–1802
Date:
1795
Materials & Techniques:
Stipple engraving, colored on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 20 7/8 × 25 inches (53 × 63.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

187. Perspective Sketch Illustrating a Design on the Improvement of the Port of London

Perspective Sketch Illustrating a Design on the Improvement of the Port of London
Creator:
William Daniell, 1769–1837
Date:
ca. 1800
Materials & Techniques:
Colored aquatint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

188. Sir Joshua Reynolds

Sir Joshua Reynolds
Creator:
Print made by Caroline Kirkley, active 1796–1797
Date:
1795
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 16 × 12 1/8 inches (40.6 × 30.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

189. Caleb Whitefoord Esq.

Caleb Whitefoord Esq.
Creator:
Samuel William Reynolds, 1773–1835
Date:
1795
Materials & Techniques:
Mezzotint on thick, moderately textured, cream laid paper
Dimensions:
Sheet: 16 1/2 × 12 7/16 inches (41.9 × 31.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

190. Horace Walpole

Horace Walpole
Creator:
Henry Hoppner Meyer, ca. 1782–1847
Date:
1795
Materials & Techniques:
Stipple engraving on medium, slightly textured, cream wove paper
Dimensions:
Mount: 24 1/16 × 17 1/8 inches (61.1 × 43.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

191. A View of Dr. Lettson's Fountain and Cottage at Grove Hill, Camberwell Surry

A View of Dr. Lettson's Fountain and Cottage at Grove Hill, Camberwell Surry
Creator:
unknown artist
Date:
1795
Materials & Techniques:
Engraving
Dimensions:
Sheet: 6 x 8 3/8in. (15.2 x 21.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

192. A North View of a Villa at Grove Hill, Camberwell, Surrey, belonging to J.C. Lettsome M.D.

A North View of a Villa at Grove Hill, Camberwell, Surrey, belonging to J.C. Lettsome M.D.
Creator:
unknown artist
Date:
1795
Materials & Techniques:
Engraving
Dimensions:
Sheet: 7 5/8 x 9 1/2in. (19.4 x 24.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

193. Battersea, Chelsea and London from Mr. Rucker's Villa

Battersea, Chelsea and London from Mr. Rucker's Villa
Creator:
Joseph Constantine Stadler, active 1780–1812
Date:
1795
Materials & Techniques:
Hand colored aquatint on smooth, medium, cream wove paper
Dimensions:
Sheet: 13 9/16 × 20 1/8 inches (34.4 × 51.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

194. The New River's Head near Sadler's Wells

The New River's Head near Sadler's Wells
Creator:
John Swaine, 1775–1860
Date:
1795
Materials & Techniques:
Engraving
Dimensions:
Sheet: 6 1/2 x 9 7/8in. (16.5 x 25.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

195. General's Hall in Baxing Lane, Bread St., Cheapside

General's Hall in Baxing Lane, Bread St., Cheapside
Creator:
unknown artist
Date:
1795
Materials & Techniques:
Engraving
Dimensions:
Sheet: 6 3/4 x 8 7/8in. (17.1 x 22.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

196. [Black-Fryers] Bridge

[Black-Fryers] Bridge
Creator:
unknown artist
Date:
1795
Materials & Techniques:
Engraving
Dimensions:
Sheet: 8 1/4 x 6 13/16in. (21 x 17.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

197. Charing Cross

Charing Cross
Creator:
Thomas Medland, 1755–1823
Date:
1795
Materials & Techniques:
Engraving
Dimensions:
Sheet: 8 1/4 x 9 7/8in. (21 x 25.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

198. A View Looking up the River Thames to Richmond Bridge

A View Looking up the River Thames to Richmond Bridge
Creator:
Francis Jukes, 1747–1812
Date:
1795
Materials & Techniques:
Aquatint
Dimensions:
Sheet: 19 x 24in. (48.3 x 61cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

199. William Woollett, Engraver

William Woollett, Engraver
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1795
Materials & Techniques:
Line engraving and stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

200. George Washington at Battle of Trenton

George Washington at Battle of Trenton
Creator:
John Cheesman, 18–19th c.
Date:
1795
Materials & Techniques:
Engraving in stipple
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, The Mabel Brady Garvan Collection