Date: 1796 / Image Available: Unavailable / Classification: Prints

Creator:: Print made by Anthony Cardon, 1772–1813
Date:: 1796
Materials & Techniques:: Color printed etching, aquatint, and stipple engraving with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 1/2 × 11 1/2 inches (39.4 × 29.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection, Bequest of Doris M. Brixey

19. An Airing in Hyde Park

Creator:: Thomas Gaugain, 1748–1812
Date:: 1796
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

Creator:: George Cumberland, 1754–1848
Date:: 1796
Materials & Techniques:: Etching
Dimensions:: Sheet: 10 1/8 x 7 3/4in. (25.7 x 19.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

Creator:: George Cumberland, 1754–1848
Date:: 1796
Materials & Techniques:: Etching
Dimensions:: Sheet: 10 1/8 x 7 3/4in. (25.7 x 19.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

Creator:: George Cumberland, 1754–1848
Date:: 1796
Materials & Techniques:: Etching
Dimensions:: Sheet: 10 1/8 x 7 3/4in. (25.7 x 19.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

Creator:: George Cumberland, 1754–1848
Date:: 1796
Materials & Techniques:: Etching
Dimensions:: Sheet: 10 1/8 x 7 3/4in. (25.7 x 19.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

Creator:: George Cumberland, 1754–1848
Date:: 1796
Materials & Techniques:: Etching
Dimensions:: Sheet: 10 1/8 x 7 3/4in. (25.7 x 19.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

Creator:: George Cumberland, 1754–1848
Date:: 1796
Materials & Techniques:: Etching
Dimensions:: Sheet: 10 1/8 x 7 3/4in. (25.7 x 19.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

Creator:: George Cumberland, 1754–1848
Date:: 1796
Materials & Techniques:: Etching
Dimensions:: Sheet: 10 1/8 x 7 3/4in. (25.7 x 19.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

Creator:: George Cumberland, 1754–1848
Date:: 1796
Materials & Techniques:: Etching
Dimensions:: Sheet: 10 1/8 x 7 3/4in. (25.7 x 19.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

Creator:: George Cumberland, 1754–1848
Date:: 1796
Materials & Techniques:: Etching
Dimensions:: Sheet: 10 1/8 x 7 3/4in. (25.7 x 19.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

Creator:: George Cumberland, 1754–1848
Date:: 1796
Materials & Techniques:: Etching
Dimensions:: Sheet: 12 1/4 x 9 1/2in. (31.1 x 24.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

Creator:: George Cumberland, 1754–1848
Date:: 1796
Materials & Techniques:: Etching
Dimensions:: Sheet: 12 1/4 x 9 1/2in. (31.1 x 24.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. Thoughts on Outline, Sculpture, and the System that Guided Ancient Artists

Creator:: George Cumberland, 1754–1848
Date:: 1796
Materials & Techniques:: Etching
Dimensions:: Sheet: 12 1/4 x 9 1/2in. (31.1 x 24.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

Creator:: George Cumberland, 1754–1848
Date:: 1796
Materials & Techniques:: Etching
Dimensions:: Sheet: 12 1/4 x 9 1/2in. (31.1 x 24.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

Creator:: George Cumberland, 1754–1848
Date:: 1796
Materials & Techniques:: Etching
Dimensions:: Sheet: 12 1/4 x 9 1/2in. (31.1 x 24.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

Creator:: George Cumberland, 1754–1848
Date:: 1796
Materials & Techniques:: Etching
Dimensions:: Sheet: 12 1/4 x 9 1/2in. (31.1 x 24.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

Creator:: George Cumberland, 1754–1848
Date:: 1796
Materials & Techniques:: Etching
Dimensions:: Sheet: 12 1/4 x 9 1/2in. (31.1 x 24.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

Creator:: George Cumberland, 1754–1848
Date:: 1796
Materials & Techniques:: Etching
Dimensions:: Sheet: 12 1/4 x 9 1/2in. (31.1 x 24.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

Creator:: George Cumberland, 1754–1848
Date:: 1796
Materials & Techniques:: Etching
Dimensions:: Sheet: 12 1/4 x 9 1/2in. (31.1 x 24.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

Creator:: George Cumberland, 1754–1848
Date:: 1796
Materials & Techniques:: Etching
Dimensions:: Sheet: 12 1/4 x 9 1/2in. (31.1 x 24.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. Views of Quebec: Falls of Montmorenci

Creator:: John William Edy, 1760–1820
Date:: 1796
Materials & Techniques:: Aquatint
Dimensions:: Sheet: 21 3/16 x 29 3/4in. (53.8 x 75.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

Creator:: Attributed to George Cumberland, 1754–1848
Date:: 1796
Materials & Techniques:: Etchings, bound in original boards
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. Thoughts on outline, sculpture, and the system that guided the ancient artists in composing their figures and groupes...

Creator:: George Cumberland, 1754–1848
Date:: 1796
Materials & Techniques:: Etchings Bound in 1/8 brown calf, marbled boards
Dimensions:: Sheet: 10 1/8 x 7 3/4in. (25.7 x 19.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. Album of Twenty Etchings of Shakespearian Subjects

Creator:: Carolina Leighton, active 1796
Date:: 1796
Materials & Techniques:: Etchings
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. Thoughts on outline, sculpture, and the system that guided the ancient artists in composing their figures and groupes...

Creator:: George Cumberland, 1754–1848
Date:: 1796
Materials & Techniques:: Etching
Dimensions:: Sheet: 10 1/8 x 7 3/4in. (25.7 x 19.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

Creator:: George Cumberland, 1754–1848
Date:: 1796
Materials & Techniques:: Etching
Dimensions:: Sheet: 10 1/8 x 7 3/4in. (25.7 x 19.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

Creator:: George Cumberland, 1754–1848
Date:: 1796
Materials & Techniques:: Etching
Dimensions:: Sheet: 10 1/8 x 7 3/4in. (25.7 x 19.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

Creator:: George Cumberland, 1754–1848
Date:: 1796
Materials & Techniques:: Engraving
Dimensions:: Sheet: 10 1/8 x 7 3/4in. (25.7 x 19.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

Creator:: George Cumberland, 1754–1848
Date:: 1796
Materials & Techniques:: Etching
Dimensions:: Sheet: 12 1/4 x 9 1/2in. (31.1 x 24.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

Creator:: George Cumberland, 1754–1848
Date:: 1796
Materials & Techniques:: Etching
Dimensions:: Sheet: 12 1/4 x 9 1/2in. (31.1 x 24.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

Creator:: George Cumberland, 1754–1848
Date:: 1796
Materials & Techniques:: Etching
Dimensions:: Sheet: 12 1/4 x 9 1/2in. (31.1 x 24.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

Creator:: George Cumberland, 1754–1848
Date:: 1796
Materials & Techniques:: Etching
Dimensions:: Sheet: 12 1/4 x 9 1/2in. (31.1 x 24.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

Creator:: George Cumberland, 1754–1848
Date:: 1796
Materials & Techniques:: Etching
Dimensions:: Sheet: 10 1/8 x 7 3/4in. (25.7 x 19.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

Creator:: George Cumberland, 1754–1848
Date:: 1796
Materials & Techniques:: Etching
Dimensions:: Sheet: 10 1/8 x 7 3/4in. (25.7 x 19.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

Creator:: George Cumberland, 1754–1848
Date:: 1796
Materials & Techniques:: Etching
Dimensions:: Sheet: 10 1/8 x 7 3/4in. (25.7 x 19.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

Creator:: George Cumberland, 1754–1848
Date:: 1796
Materials & Techniques:: Etching
Dimensions:: Sheet: 12 1/4 x 9 1/2in. (31.1 x 24.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

Creator:: George Cumberland, 1754–1848
Date:: 1796
Materials & Techniques:: Etching
Dimensions:: Sheet: 12 1/4 x 9 1/2in. (31.1 x 24.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. The Death of Dido

Creator:: Joseph Grozer, ca. 1755–1798
Date:: 1796
Materials & Techniques:: Mezzotint printed in brown ink
Dimensions:: Sheet: 19 x 12 1/2in. (48.3 x 31.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. The Admiralty

Creator:: Thomas Medland, 1755–1823
Date:: 1796
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. Morning Amusement

Creator:: Print made by Joseph Grozer, ca. 1755–1798
Date:: 1796
Materials & Techniques:: Mezzotint (first state) on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 19 1/8 × 24 inches (48.6 × 61 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

59. The Reconciliation

Creator:: Print made by John Gisborne, active ca. 1800
Date:: 1796
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 21 1/2 × 27 1/2 inches (54.6 × 69.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

60. Stonebyres the Seat of Daniel Vere, Esquire (drawn in 1796); page 63 (Volume Three)

Creator:: unknown artist
Date:: 1796
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. Wimbledon House, in Surrey, the Seat of Monsieur Calonne (published by H.D. Symonds); page 95 (Volume Three)

Creator:: Hubert Robert, 1733–1808
Date:: 1796
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. Miss Wallis in the Character of Juliet

Creator:: Joseph Grozer, ca. 1755–1798
Date:: 1796
Materials & Techniques:: Mezzotint
Dimensions:: Sheet: 24 1/2 x 15 1/4in. (62.2 x 38.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

63. Shakespeare's Seven Ages

Creator:: unknown artist
Date:: 1796
Materials & Techniques:: Engraving and stipple engraving, semi-circular sheet
Dimensions:: Sheet: 11 1/8 x 20 11/16in. (28.3 x 52.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

64. Alexander Wedderburn, 1st Earl of Rosslyn

Creator:: Joseph Grozer, ca. 1755–1798
Date:: 1796
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 24 5/8 × 17 7/8 inches (62.5 × 45.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. 'Sweetwilliam'

Creator:: George Townly Stubbs, 1748–1815
Date:: 1796
Materials & Techniques:: Stipple, printed in color
Dimensions:: Sheet: 15 7/8 x 19 7/8in. (40.3 x 50.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. Emilia, Duchess of Leinster

Creator:: William Dickinson, 1746–1823
Date:: 1796
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 16 7/8 × 12 5/16 inches (42.9 × 31.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. Hot Spice Gingerbread, Smoking Hot!

Creator:: Print made by Giovanni Vendramini, 1769–1839
Date:: 1796
Materials & Techniques:: Color printed etching, aquatint, and stipple engraving with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 1/2 × 11 1/2 inches (39.4 × 29.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection; Bequest of Doris M. Brixey

68. Whitehall

Creator:: Possibly Thomas Medland, 1755–1823
Date:: 1796
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. Old Palace Yard, Westminster

Creator:: Thomas Medland, 1755–1823
Date:: 1796
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. The Dissolution, - or - The Alchymist Producing An Aetherial Representation (Pitt)

Creator:: James Gillray, 1756–1815
Date:: 1796
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 13 1/8 x 9 13/16in. (33.3 x 24.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. An Airing in Hyde Park

Creator:: Thomas Gaugain, 1748–1812
Date:: 1796
Materials & Techniques:: Hand colored engraving
Dimensions:: Sheet: 15 5/8 x 24 7/8in. (39.7 x 63.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. Tynemouth

Creator:: Print made by Lambert of Newcastle, 1781–1855
Date:: undated
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Date 1796

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Classification Prints

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1. Pl. 15: `The Conjugal Union of Cupid'

2. Pl. 16: `Cupid & Psyche'

3. Pl. 18: `Iron Age'

4. Pl. 12: `Psyche Disobeys.'

5. Pl. 19: `Aristophanes Clouds. Scene I'

6. Pl. 19: `Aristophanes Clouds. Scene I'

7. Pl. 23: `Anacreon Ode LII'

8. Pl. 13: `Psyche Repents.'

9. Pl. 14: `Venus Counsels Cupid'

10. Pl. 15: `The Conjugal Union of Cupid'

11. Pl. 16: `Cupid & Psyche'

12. Pl. 23: `Anacreon Ode LII'

13. Pl. 12: 'Psyche Disobeys'

14. Pl. 13: `Psyche Repents'

15. Pl. 14: `Venus Councels Cupid'

16. An Airing in Hyde Park

17. A Midsummer Night's Dream, Act IV, Scene I

18. A New Love Song, Only ha'Penny a Piece

19. An Airing in Hyde Park

20. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

21. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

22. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

23. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

24. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

25. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

26. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

27. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

28. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

29. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

30. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

31. Thoughts on Outline, Sculpture, and the System that Guided Ancient Artists

32. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

33. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

34. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

35. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

36. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

37. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

38. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

39. Views of Quebec: Falls of Montmorenci

40. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

41. Thoughts on outline, sculpture, and the system that guided the ancient artists in composing their figures and groupes...

42. Album of Twenty Etchings of Shakespearian Subjects

43. Thoughts on outline, sculpture, and the system that guided the ancient artists in composing their figures and groupes...

44. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

45. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

46. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

47. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

48. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

49. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

50. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

51. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

52. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

53. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

54. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

55. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

56. The Death of Dido

57. The Admiralty

58. Morning Amusement

59. The Reconciliation

60. Stonebyres the Seat of Daniel Vere, Esquire (drawn in 1796); page 63 (Volume Three)

61. Wimbledon House, in Surrey, the Seat of Monsieur Calonne (published by H.D. Symonds); page 95 (Volume Three)

62. Miss Wallis in the Character of Juliet

63. Shakespeare's Seven Ages

64. Alexander Wedderburn, 1st Earl of Rosslyn

65. 'Sweetwilliam'

66. Emilia, Duchess of Leinster

67. Hot Spice Gingerbread, Smoking Hot!

68. Whitehall

69. Old Palace Yard, Westminster

70. The Dissolution, - or - The Alchymist Producing An Aetherial Representation (Pitt)

71. An Airing in Hyde Park

72. Tynemouth