Date: 1796 / Classification: Prints - YCBA Collections Search Search Results

201. A Will O'The Wisp or John Bull in a Bog!

Creator:: Isaac Cruikshank, 1764–1811
Date:: 1796
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 1/2 x 12 7/8in. (21.6 x 32.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

202. The Quarrell about Pensions amicably Settled

Creator:: Isaac Cruikshank, 1764–1811
Date:: 1796
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 5/8 x 13 3/8in. (21.9 x 34cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

203. Effects of the Dog Tax

Creator:: Isaac Cruikshank, 1764–1811
Date:: 1796
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 12 x 9 1/8in. (30.5 x 23.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

204. Give a Dog an Ill Name, They'll Hang Him

Creator:: Isaac Cruikshank, 1764–1811
Date:: 1796
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 14 1/4 x 9 7/8in. (36.2 x 25.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

205. The Watercress Girl

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1796
Materials & Techniques:: Line engraving and stipple engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 1/2 × 9 7/8 inches (34.3 × 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

206. Hippolytus

Creator:: Richard Earlom, 1743–1822
Date:: 1796
Materials & Techniques:: Mezzotint
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection, Everett V. Meeks, B.A. 1901, Fund

207. Sketches from Nature!!! _ The Sultan Retiring _Fashionable Pasttime _ The Discovery__Confidence Betrayed

Creator:: Isaac Cruikshank, 1764–1811
Date:: 1796
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 18 1/2 x 13 3/8in. (47 x 34cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

208. A Flight of Parsons

Creator:: Print made by George Moutard Woodward, ca. 1760–1809
Date:: 1796
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 5/8 x 12 7/8in. (21.9 x 32.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

209. The Modern Leviathan!!

Creator:: Isaac Cruikshank, 1764–1811
Date:: 1796
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 9 1/8 x 14 3/4in. (23.2 x 37.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

210. Credulity

Creator:: Print made by Anthony Cardon, 1772–1813
Date:: 1796
Materials & Techniques:: Color-printed etching and stipple engraving, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 13/16 × 9 5/16 inches (30 × 23.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

211. The Departure from Brighton

Creator:: John Murphy, ca. 1748–1820
Date:: 1796
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 24 1/8 × 30 9/16 inches (61.3 × 77.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

212. Grandpappa in his Glory!!!

Creator:: Isaac Cruikshank, 1764–1811
Date:: 1796
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 13 3/4 x 9 3/4in. (34.9 x 24.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

213. North East View of Fort Louis in the Island of Martinique

Creator:: Samuel Alken, 1756–1815
Date:: 1796
Materials & Techniques:: Colored aquatint
Dimensions:: Sheet: 12 1/8 x 18in. (30.8 x 45.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

214. Edward Hawke, 1st Baron Hawke

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1796
Materials & Techniques:: Stipple engraving and etching in brown ink on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 11 1/8 x 7 11/16 inches (28.2 x 19.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

215. Fairburn's Plan of the Proposed Wet-Docks and Cut, from New Gravel Lane to Blackwall

Creator:: Print made by John Fairburn, active 19th century
Date:: 1796
Materials & Techniques:: Etching and line engraving, hand-colored on moderately thick, slightly textured, brown wove paper
Dimensions:: Sheet: 10 3/8 × 16 inches (26.3 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

216. An Airing in Hyde Park

Creator:: Thomas Gaugain, 1748–1812
Date:: 1796
Materials & Techniques:: Engraving
Dimensions:: Sheet: 17 7/8 x 26 3/4in. (45.4 x 67.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

217. A Midsummer Night's Dream, Act IV, Scene I

Creator:: Peter Simon, 1750–1810
Date:: c.1796
Materials & Techniques:: Stipple, engraver's proof
Dimensions:: Sheet: 20 × 25 3/8 inches (50.8 × 64.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

218. A New Love Song, Only ha'Penny a Piece

Creator:: Print made by Anthony Cardon, 1772–1813
Date:: 1796
Materials & Techniques:: Color printed etching, aquatint, and stipple engraving with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 1/2 × 11 1/2 inches (39.4 × 29.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection, Bequest of Doris M. Brixey

219. An Airing in Hyde Park

Creator:: Thomas Gaugain, 1748–1812
Date:: 1796
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

220. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

Creator:: George Cumberland, 1754–1848
Date:: 1796
Materials & Techniques:: Etching
Dimensions:: Sheet: 10 1/8 x 7 3/4in. (25.7 x 19.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

221. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

Creator:: George Cumberland, 1754–1848
Date:: 1796
Materials & Techniques:: Etching
Dimensions:: Sheet: 10 1/8 x 7 3/4in. (25.7 x 19.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

222. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

Creator:: George Cumberland, 1754–1848
Date:: 1796
Materials & Techniques:: Etching
Dimensions:: Sheet: 10 1/8 x 7 3/4in. (25.7 x 19.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

223. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

Creator:: George Cumberland, 1754–1848
Date:: 1796
Materials & Techniques:: Etching
Dimensions:: Sheet: 10 1/8 x 7 3/4in. (25.7 x 19.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

224. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

Creator:: George Cumberland, 1754–1848
Date:: 1796
Materials & Techniques:: Etching
Dimensions:: Sheet: 10 1/8 x 7 3/4in. (25.7 x 19.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

225. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

Creator:: George Cumberland, 1754–1848
Date:: 1796
Materials & Techniques:: Etching
Dimensions:: Sheet: 10 1/8 x 7 3/4in. (25.7 x 19.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

226. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

Creator:: George Cumberland, 1754–1848
Date:: 1796
Materials & Techniques:: Etching
Dimensions:: Sheet: 10 1/8 x 7 3/4in. (25.7 x 19.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

227. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

Creator:: George Cumberland, 1754–1848
Date:: 1796
Materials & Techniques:: Etching
Dimensions:: Sheet: 10 1/8 x 7 3/4in. (25.7 x 19.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

228. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

Creator:: George Cumberland, 1754–1848
Date:: 1796
Materials & Techniques:: Etching
Dimensions:: Sheet: 10 1/8 x 7 3/4in. (25.7 x 19.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

229. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

Creator:: George Cumberland, 1754–1848
Date:: 1796
Materials & Techniques:: Etching
Dimensions:: Sheet: 12 1/4 x 9 1/2in. (31.1 x 24.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

230. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

Creator:: George Cumberland, 1754–1848
Date:: 1796
Materials & Techniques:: Etching
Dimensions:: Sheet: 12 1/4 x 9 1/2in. (31.1 x 24.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

231. Thoughts on Outline, Sculpture, and the System that Guided Ancient Artists

Creator:: George Cumberland, 1754–1848
Date:: 1796
Materials & Techniques:: Etching
Dimensions:: Sheet: 12 1/4 x 9 1/2in. (31.1 x 24.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

232. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

Creator:: George Cumberland, 1754–1848
Date:: 1796
Materials & Techniques:: Etching
Dimensions:: Sheet: 12 1/4 x 9 1/2in. (31.1 x 24.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

233. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

Creator:: George Cumberland, 1754–1848
Date:: 1796
Materials & Techniques:: Etching
Dimensions:: Sheet: 12 1/4 x 9 1/2in. (31.1 x 24.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

234. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

Creator:: George Cumberland, 1754–1848
Date:: 1796
Materials & Techniques:: Etching
Dimensions:: Sheet: 12 1/4 x 9 1/2in. (31.1 x 24.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

235. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

Creator:: George Cumberland, 1754–1848
Date:: 1796
Materials & Techniques:: Etching
Dimensions:: Sheet: 12 1/4 x 9 1/2in. (31.1 x 24.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

236. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

Creator:: George Cumberland, 1754–1848
Date:: 1796
Materials & Techniques:: Etching
Dimensions:: Sheet: 12 1/4 x 9 1/2in. (31.1 x 24.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

237. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

Creator:: George Cumberland, 1754–1848
Date:: 1796
Materials & Techniques:: Etching
Dimensions:: Sheet: 12 1/4 x 9 1/2in. (31.1 x 24.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

238. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

Creator:: George Cumberland, 1754–1848
Date:: 1796
Materials & Techniques:: Etching
Dimensions:: Sheet: 12 1/4 x 9 1/2in. (31.1 x 24.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

239. Views of Quebec: Falls of Montmorenci

Creator:: John William Edy, 1760–1820
Date:: 1796
Materials & Techniques:: Aquatint
Dimensions:: Sheet: 21 3/16 x 29 3/4in. (53.8 x 75.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

240. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

Creator:: Attributed to George Cumberland, 1754–1848
Date:: 1796
Materials & Techniques:: Etchings, bound in original boards
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

241. Thoughts on outline, sculpture, and the system that guided the ancient artists in composing their figures and groupes...

Creator:: George Cumberland, 1754–1848
Date:: 1796
Materials & Techniques:: Etchings Bound in 1/8 brown calf, marbled boards
Dimensions:: Sheet: 10 1/8 x 7 3/4in. (25.7 x 19.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

242. Album of Twenty Etchings of Shakespearian Subjects

Creator:: Carolina Leighton, active 1796
Date:: 1796
Materials & Techniques:: Etchings
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

243. Thoughts on outline, sculpture, and the system that guided the ancient artists in composing their figures and groupes...

Creator:: George Cumberland, 1754–1848
Date:: 1796
Materials & Techniques:: Etching
Dimensions:: Sheet: 10 1/8 x 7 3/4in. (25.7 x 19.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

244. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

Creator:: George Cumberland, 1754–1848
Date:: 1796
Materials & Techniques:: Etching
Dimensions:: Sheet: 10 1/8 x 7 3/4in. (25.7 x 19.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

245. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

Creator:: George Cumberland, 1754–1848
Date:: 1796
Materials & Techniques:: Etching
Dimensions:: Sheet: 10 1/8 x 7 3/4in. (25.7 x 19.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

246. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

Creator:: George Cumberland, 1754–1848
Date:: 1796
Materials & Techniques:: Engraving
Dimensions:: Sheet: 10 1/8 x 7 3/4in. (25.7 x 19.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

247. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

Creator:: George Cumberland, 1754–1848
Date:: 1796
Materials & Techniques:: Etching
Dimensions:: Sheet: 12 1/4 x 9 1/2in. (31.1 x 24.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

248. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

Creator:: George Cumberland, 1754–1848
Date:: 1796
Materials & Techniques:: Etching
Dimensions:: Sheet: 12 1/4 x 9 1/2in. (31.1 x 24.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

249. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

Creator:: George Cumberland, 1754–1848
Date:: 1796
Materials & Techniques:: Etching
Dimensions:: Sheet: 12 1/4 x 9 1/2in. (31.1 x 24.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

250. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

Creator:: George Cumberland, 1754–1848
Date:: 1796
Materials & Techniques:: Etching
Dimensions:: Sheet: 12 1/4 x 9 1/2in. (31.1 x 24.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

251. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

Creator:: George Cumberland, 1754–1848
Date:: 1796
Materials & Techniques:: Etching
Dimensions:: Sheet: 10 1/8 x 7 3/4in. (25.7 x 19.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

252. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

Creator:: George Cumberland, 1754–1848
Date:: 1796
Materials & Techniques:: Etching
Dimensions:: Sheet: 10 1/8 x 7 3/4in. (25.7 x 19.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

253. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

Creator:: George Cumberland, 1754–1848
Date:: 1796
Materials & Techniques:: Etching
Dimensions:: Sheet: 10 1/8 x 7 3/4in. (25.7 x 19.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

254. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

Creator:: George Cumberland, 1754–1848
Date:: 1796
Materials & Techniques:: Etching
Dimensions:: Sheet: 12 1/4 x 9 1/2in. (31.1 x 24.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

255. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

Creator:: George Cumberland, 1754–1848
Date:: 1796
Materials & Techniques:: Etching
Dimensions:: Sheet: 12 1/4 x 9 1/2in. (31.1 x 24.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

256. The Death of Dido

Creator:: Joseph Grozer, ca. 1755–1798
Date:: 1796
Materials & Techniques:: Mezzotint printed in brown ink
Dimensions:: Sheet: 19 x 12 1/2in. (48.3 x 31.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

257. The Admiralty

Creator:: Thomas Medland, 1755–1823
Date:: 1796
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

258. Morning Amusement

Creator:: Print made by Joseph Grozer, ca. 1755–1798
Date:: 1796
Materials & Techniques:: Mezzotint (first state) on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 19 1/8 × 24 inches (48.6 × 61 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

259. The Reconciliation

Creator:: Print made by John Gisborne, active ca. 1800
Date:: 1796
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 21 1/2 × 27 1/2 inches (54.6 × 69.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

260. Stonebyres the Seat of Daniel Vere, Esquire (drawn in 1796); page 63 (Volume Three)

Creator:: unknown artist
Date:: 1796
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

261. Wimbledon House, in Surrey, the Seat of Monsieur Calonne (published by H.D. Symonds); page 95 (Volume Three)

Creator:: Hubert Robert, 1733–1808
Date:: 1796
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

262. Miss Wallis in the Character of Juliet

Creator:: Joseph Grozer, ca. 1755–1798
Date:: 1796
Materials & Techniques:: Mezzotint
Dimensions:: Sheet: 24 1/2 x 15 1/4in. (62.2 x 38.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

263. Shakespeare's Seven Ages

Creator:: unknown artist
Date:: 1796
Materials & Techniques:: Engraving and stipple engraving, semi-circular sheet
Dimensions:: Sheet: 11 1/8 x 20 11/16in. (28.3 x 52.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

264. Alexander Wedderburn, 1st Earl of Rosslyn

Creator:: Joseph Grozer, ca. 1755–1798
Date:: 1796
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 24 5/8 × 17 7/8 inches (62.5 × 45.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

265. 'Sweetwilliam'

Creator:: George Townly Stubbs, 1748–1815
Date:: 1796
Materials & Techniques:: Stipple, printed in color
Dimensions:: Sheet: 15 7/8 x 19 7/8in. (40.3 x 50.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

266. Emilia, Duchess of Leinster

Creator:: William Dickinson, 1746–1823
Date:: 1796
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 16 7/8 × 12 5/16 inches (42.9 × 31.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

267. Hot Spice Gingerbread, Smoking Hot!

Creator:: Print made by Giovanni Vendramini, 1769–1839
Date:: 1796
Materials & Techniques:: Color printed etching, aquatint, and stipple engraving with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 1/2 × 11 1/2 inches (39.4 × 29.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection; Bequest of Doris M. Brixey

268. Whitehall

Creator:: Possibly Thomas Medland, 1755–1823
Date:: 1796
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

269. Old Palace Yard, Westminster

Creator:: Thomas Medland, 1755–1823
Date:: 1796
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

270. The Dissolution, - or - The Alchymist Producing An Aetherial Representation (Pitt)

Creator:: James Gillray, 1756–1815
Date:: 1796
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 13 1/8 x 9 13/16in. (33.3 x 24.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

271. An Airing in Hyde Park

Creator:: Thomas Gaugain, 1748–1812
Date:: 1796
Materials & Techniques:: Hand colored engraving
Dimensions:: Sheet: 15 5/8 x 24 7/8in. (39.7 x 63.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

272. Tynemouth

Creator:: Print made by Lambert of Newcastle, 1781–1855
Date:: undated
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

Refine your search

Search Constraints

Date 1796

Classification Prints

Search Results

201. A Will O'The Wisp or John Bull in a Bog!

202. The Quarrell about Pensions amicably Settled

203. Effects of the Dog Tax

204. Give a Dog an Ill Name, They'll Hang Him

205. The Watercress Girl

206. Hippolytus

207. Sketches from Nature!!! ___ The Sultan Retiring ___Fashionable Pasttime ___ The Discovery____Confidence Betrayed

208. A Flight of Parsons

209. The Modern Leviathan!!

210. Credulity

211. The Departure from Brighton

212. Grandpappa in his Glory!!!

213. North East View of Fort Louis in the Island of Martinique

214. Edward Hawke, 1st Baron Hawke

215. Fairburn's Plan of the Proposed Wet-Docks and Cut, from New Gravel Lane to Blackwall

216. An Airing in Hyde Park

217. A Midsummer Night's Dream, Act IV, Scene I

218. A New Love Song, Only ha'Penny a Piece

219. An Airing in Hyde Park

220. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

221. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

222. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

223. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

224. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

225. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

226. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

227. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

228. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

229. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

230. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

231. Thoughts on Outline, Sculpture, and the System that Guided Ancient Artists

232. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

233. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

234. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

235. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

236. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

237. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

238. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

239. Views of Quebec: Falls of Montmorenci

240. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

241. Thoughts on outline, sculpture, and the system that guided the ancient artists in composing their figures and groupes...

242. Album of Twenty Etchings of Shakespearian Subjects

243. Thoughts on outline, sculpture, and the system that guided the ancient artists in composing their figures and groupes...

244. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

245. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

246. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

247. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

248. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

249. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

250. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

251. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

252. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

253. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

254. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

255. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

256. The Death of Dido

257. The Admiralty

258. Morning Amusement

259. The Reconciliation

260. Stonebyres the Seat of Daniel Vere, Esquire (drawn in 1796); page 63 (Volume Three)

261. Wimbledon House, in Surrey, the Seat of Monsieur Calonne (published by H.D. Symonds); page 95 (Volume Three)

262. Miss Wallis in the Character of Juliet

263. Shakespeare's Seven Ages

264. Alexander Wedderburn, 1st Earl of Rosslyn

265. 'Sweetwilliam'

266. Emilia, Duchess of Leinster

267. Hot Spice Gingerbread, Smoking Hot!

268. Whitehall

269. Old Palace Yard, Westminster

270. The Dissolution, - or - The Alchymist Producing An Aetherial Representation (Pitt)

271. An Airing in Hyde Park

272. Tynemouth

207. Sketches from Nature!!! _ The Sultan Retiring _Fashionable Pasttime _ The Discovery__Confidence Betrayed