Date: 1796 - YCBA Collections Search Search Results

301. Racing: Preparing to Start

Creator:: William Mason, 1724–1797
Date:: 1796
Materials & Techniques:: Mezzotint
Dimensions:: Sheet: 9 7/8 x 13 7/8in. (25.1 x 35.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

302. Racing: Preparing to Start

Creator:: William Mason, 1724–1797
Date:: 1796
Materials & Techniques:: Mezzotint
Dimensions:: Sheet: 9 7/8 x 13 7/8in. (25.1 x 35.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

303. Houses on the South Side of Leadenhall Street

Creator:: John Thomas Smith, 1766–1833
Date:: 1796
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

304. King Henry IV, Part I: Act V, Scene iv, Plain near Shrewsbury. Prince Henry, Hotspur & Falstaff

Creator:: Thomas Ryder, 1746–1810
Date:: 1796
Materials & Techniques:: Engraving
Dimensions:: Sheet: 23 5/8 x 19 3/4in. (60 x 50.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

305. National Conveniences

Creator:: James Gillray, 1756–1815
Date:: 1796
Materials & Techniques:: Engraving
Dimensions:: Sheet: 25 3/8 x 19in. (64.5 x 48.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

306. Fashionable Jockeyship

Creator:: James Gillray, 1756–1815
Date:: 1796
Materials & Techniques:: Engraving
Dimensions:: Sheet: 25 3/8 x 19in. (64.5 x 48.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

307. Ladies Dress, as it soon will be

Creator:: James Gillray, 1756–1815
Date:: 1796
Materials & Techniques:: Engraving
Dimensions:: Sheet: 25 3/8 x 19in. (64.5 x 48.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

308. The Jersey Smuggler detected; - or - Good Cause for Seperation [scored through and replaced by] Discontent

Creator:: James Gillray, 1756–1815
Date:: 1796
Materials & Techniques:: Engraving
Dimensions:: Sheet: 25 3/8 x 19in. (64.5 x 48.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

309. Enchantments lately seen upon the Mountains of Wales, - or - Shon-ap-Morgan's Reconcilement to the Fairy Princess

Creator:: James Gillray, 1756–1815
Date:: 1796
Materials & Techniques:: Engraving
Dimensions:: Sheet: 25 3/8 x 19in. (64.5 x 48.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

310. The Grand - Signior retiring

Creator:: James Gillray, 1756–1815
Date:: 1796
Materials & Techniques:: Engraving
Dimensions:: Sheet: 25 3/8 x 19in. (64.5 x 48.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

311. The Orangerie; - or - the Dutch Cupid reposing after the fatigues of Planting

Creator:: James Gillray, 1756–1815
Date:: 1796
Materials & Techniques:: Engraving
Dimensions:: Sheet: 25 3/8 x 19in. (64.5 x 48.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

312. Hot Spice Gingerbread, Smoking Hot!

Creator:: Print made by Giovanni Vendramini, 1769–1839
Date:: 1796
Materials & Techniques:: Color printed etching, aquatint, and stipple engraving with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 × 12 7/8 inches (40.6 × 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

313. A New Love Song, Only ha'Penny a Piece

Creator:: Print made by Anthony Cardon, 1772–1813
Date:: 1796
Materials & Techniques:: Color printed etching, aquatint, and stipple engraving with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 × 12 1/4 inches (40.6 × 31.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

314. Entrance to the House of Lords

Creator:: Attributed to William Capon, 1757–1827
Date:: 1796
Materials & Techniques:: Graphite, pen and black and brown ink on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 8 × 6 7/8 inches (20.3 × 17.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

315. John Taylor

Creator:: Print made by R. Clamp, fl.1789–1798
Date:: 1796
Materials & Techniques:: Mezzotint, etching and stipple engraving on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 10 5/16 x 7 5/16 inches (26.2 x 18.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

316. The Generae of Patriotism

Creator:: James Gillray, 1756–1815
Date:: 1796
Materials & Techniques:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

317. Preparing for a Hunt at Selhurst Park, Nov. 14, 1796

Creator:: Thomas Daniell, 1749–1840
Date:: 1796
Materials & Techniques:: Watercolor, pen and brown ink, brown wash, and graphite on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 7 13/16 × 9 13/16 inches (19.8 × 24.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

318. William Hoare

Creator:: Samuel William Reynolds, 1773–1835
Date:: 1796
Materials & Techniques:: Mezzotint
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

319. Animals [a pair]: 2. Evening or the Post Boy's Return

Creator:: Daniel Orme, 1766–1837
Date:: 1796
Materials & Techniques:: Color printed stipple engraving
Dimensions:: Sheet: 16 15/16 x 22 13/16in. (43 x 57.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

320. Study near Harlech Castle

Creator:: Cornelius Varley, 1781–1873
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 7 3/4 x 13 1/2 inches (19.7 x 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

321. Houses on the South Side of Leadenhall Street

Creator:: John Thomas Smith, 1766–1833
Date:: 1796
Materials & Techniques:: Hand colored engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

322. Market Day

Creator:: unknown artist
Date:: 1796
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 3/4 x 12 1/8in. (22.2 x 30.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

323. A Peep Into Saldanha Bay, or Dutch Perfidy Rewarded

Creator:: Isaac Cruikshank, 1764–1811
Date:: 1796
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 5/16 x 12 5/8in. (21.1 x 32.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

324. Lord Mum Overwhelmed with Parisian Embraces

Creator:: Isaac Cruikshank, 1764–1811
Date:: 1796
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 1/2 x 12 3/4in. (21.6 x 32.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

325. Lord Mum Sucking His Thumb

Creator:: Isaac Cruikshank, 1764–1811
Date:: 1796
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 12 1/2 x 7 1/2in. (31.8 x 19.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

326. Entrance to Newmarket

Creator:: William Westall, 1781–1850
Date:: undated
Materials & Techniques:: Watercolor, graphite, and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 3 3/4 × 5 5/8 inches (9.5 × 14.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

327. East View of the Cast Iron Bridge Over the River Wear at Sunderland in the County of Durham

Creator:: unknown artist
Date:: 1796
Materials & Techniques:: Aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 20 1/4 × 31 1/8 inches (51.4 × 79.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

328. Marriage of Henry the seventh

Creator:: Print made by George Barret Jr., 1767–1842
Date:: 1796
Materials & Techniques:: Line engraving on slightly textured, medium, white wove paper
Dimensions:: Sheet: 4 1/8 × 4 15/16 inches (10.5 × 12.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

329. Portraits Painted from Life, Representing Capt. Englefield with Eleven of his Crew Saving Themselves in the Pinnace, from the Wreck of the Centaur, of 74 Guns, Lost Sept. 1782

Portraits Painted from Life, Representing Capt. Englefield with Eleven of his Crew Saving Themselves in the Pinnace, from the Wreck of the Centaur, of 74 Guns, Lost Sept. 1782

Creator:: Print made by Thomas Gaugain, 1748–1812
Date:: 1796
Materials & Techniques:: Mezzotint and stipple engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 20 3/4 × 25 1/2 inches (52.7 × 64.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

330. The Imposture of the Holy Maid of Kent

Creator:: Print made by Isaac Taylor, 1759–1829
Date:: 1796
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

331. Kirkstall Abbey, Yorkshire

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1801
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 3 15/16 x 8 1/16 inches (10 x 20.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

332. A Scene between Galle and Matura, about Six Miles from Galle

Creator:: Samuel Daniell, 1775–1811
Date:: ca. 1801
Materials & Techniques:: Watercolor, graphite, pen and brown ink, and gouache on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 5/16 × 17 7/8 inches (31.3 × 45.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

333. Study of a Deer Resting, back view

Creator:: Samuel Daniell, 1775–1811
Date:: ca. 1801
Materials & Techniques:: Graphite and watercolor on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 4 5/8 × 5 7/8 inches (11.7 × 14.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

334. Studies of Pallah Deer Resting

Creator:: Samuel Daniell, 1775–1811
Date:: ca. 1801
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 1/8 × 9 1/4 inches (15.6 × 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

335. Studies of Deer - Three on on Sheet

Creator:: Samuel Daniell, 1775–1811
Date:: ca. 1801
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 7/8 × 9 inches (14.9 × 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

336. Man in a Brimmed Hat

Creator:: Attributed to Luke Clennell, 1781–1840
Date:: undated
Materials & Techniques:: Watercolor and graphite on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 15 3/8 x 11 7/8in. (39.1 x 30.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

337. Portrait of an Elderly Lady

Creator:: George Dance, 1741–1825
Date:: 1796
Materials & Techniques:: Graphite, gray ink, and watercolor on medium, slightly textured, cream wove paper; mounted on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 3/4 x 7 inches (22.2 x 17.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

338. A Kaffir Village

Creator:: Samuel Daniell, 1775–1811
Date:: ca. 1801
Materials & Techniques:: Watercolor, pen and brown ink, graphite, gouache, and gum arabic on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 11/16 × 17 3/4 inches (32.2 × 45.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

339. Bolton Abbey, Yorkshire

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1801
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 3/4 x 8 3/8 inches (14.6 x 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

340. Romantic Landscape

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1801
Materials & Techniques:: Watercolor with pen and brown ink over graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 1/4 x 20 1/2 inches (31.1 x 52.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

341. St. Bride's, Fleet Street, London

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1801
Materials & Techniques:: Graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 4 3/16 x 5 5/8 inches (10.6 x 14.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

342. Wollaton Park, Nottingham: East Elevation

Creator:: Studio of Sir Jeffry Wyatville, 1766–1840
Date:: ca. 1801
Materials & Techniques:: Pen and black and brown ink, watercolor, graphite on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 13 13/16 × 20 1/2 inches (35.1 × 52.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

343. Cranmer Urging Edward VI to Consent to the Execution of Joan of Kent

Creator:: Print made by William Bromley, 1769–1842
Date:: 1796
Materials & Techniques:: Line engraving and etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

344. View of Annecy, in Savoy

Creator:: Published by John Sewell, active 1735–1802
Date:: 1796
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

345. Modern Grace...The Ballet of Alonzo e Cara

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1796
Materials & Techniques:: Watercolor with pen and brown ink on medium, smooth, cream wove paper
Dimensions:: Mount: 9 7/8 x 11 3/8 inches (25.1 x 28.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

346. Wollaton Park, Nottingham: South Elevation

Creator:: Studio of Sir Jeffry Wyatville, 1766–1840
Date:: ca. 1801
Materials & Techniques:: Pen and black and brown ink, graphite, watercolor on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 15 5/8 × 21 3/4 inches (39.7 × 55.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

347. Wollaton Hall, Nottingham: Elevation

Creator:: Studio of Sir Jeffry Wyatville, 1766–1840
Date:: ca. 1801
Materials & Techniques:: Watercolor over graphite on medium, slightly textured, white wove paper
Dimensions:: Sheet: 15 9/16 × 21 5/8 inches (39.5 × 55 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

348. Wollaton Park, Nottingham: South Elevation

Creator:: Studio of Sir Jeffry Wyatville, 1766–1840
Date:: ca. 1801
Materials & Techniques:: Graphite, pen and black and brown ink, watercolor on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 14 1/8 × 20 5/8 inches (35.9 × 52.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

349. The Palanquin presented by the Marquis Cornwallis to Prince Abdul Calic, Eldest son of Tippoo Sultan

Creator:: Print made by Thomas Prattent, active 1780–1810
Date:: 1796
Materials & Techniques:: Etching and line engraving
Dimensions:: Plate: 4 5/8 × 7 9/16 inches (11.7 × 19.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

350. The Billiard Room

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1801
Materials & Techniques:: Watercolor with pen and brown ink over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 11/16 x 7 3/4 inches (11.9 x 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

351. Temple Bar

Creator:: unknown artist
Date:: 1796
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

352. Robert Williams

Creator:: Edward Harding, 1755–1840
Date:: 1796
Materials & Techniques:: Stipple engraving with etching on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 9 5/16 × 6 13/16 inches (23.7 × 17.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

353. Portrait of A Woman

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1796
Materials & Techniques:: Stipple engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

354. Cannon Foundry

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1796
Materials & Techniques:: Line engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

355. Man Sitting Crosslegged, Profile

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1796
Materials & Techniques:: Stipple engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

356. A Man's Face, Front View

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1796
Materials & Techniques:: Stipple engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

357. Sheet of Anatomical Studies of the Shoulder Muscles

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1796
Materials & Techniques:: Line engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

358. Portrait Of Annibale Caracci

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1796
Materials & Techniques:: Stipple engraving and softground etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

359. A Monk's Head

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1796
Materials & Techniques:: Stipple engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

360. Portrait Of An Aged Man, Looking Upward

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1796
Materials & Techniques:: Stipple engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

361. View of the Monument

Creator:: Philip Audinet, 1766–1837
Date:: 1796
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

362. Adam Street, Adelphi

Creator:: unknown artist
Date:: 1796
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

363. Somerset Terrace

Creator:: unknown artist
Date:: 1796
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

364. North Side of the Great Court, Somerset Place

Creator:: unknown artist
Date:: 1796
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

365. Part of Somerset Place

Creator:: unknown artist
Date:: 1796
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

366. View of the Pest Houses at Tothill Fields

Creator:: Charles Pye, 1777–1864
Date:: 1796
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

367. An Airing in Hyde Park

Creator:: Thomas Gaugain, 1748–1812
Date:: 1796
Materials & Techniques:: Hand colored engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art

368. An Airing in Hyde Park

Creator:: Thomas Gaugain, 1748–1812
Date:: 1796
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

369. The Adelphi

Creator:: unknown artist
Date:: 1796
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

370. Great Court, Somerset Place

Creator:: unknown artist
Date:: 1796
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

371. Vestibule, Somerset Place

Creator:: unknown artist
Date:: 1796
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

372. Remains of Eltham Palace

Creator:: unknown artist
Date:: 1796
Materials & Techniques:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

373. Hall of Eltham Palace

Creator:: unknown artist
Date:: 1796
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

374. Resting On The Flight Into Egypt

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1796
Materials & Techniques:: Stipple engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

375. Putney Bridge

Creator:: James Walker, 1748–1808
Date:: 1796
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

376. Title Page: Bartolozzi's Works

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1796
Materials & Techniques:: Stipple engraving, line engraving and etching
Dimensions:: Plate: 11 1/2 x 9in. (29.2 x 22.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Robert W. Carle, B.A. 1897

377. To the King's most excellect Majesty, This Plate of Westminster Abbey

Creator:: Joseph Collyer, 1748–1827
Date:: 1796
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

378. Maria

Creator:: Print made by Thomas Watson, 1743–1781
Date:: 1796
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 11 5/8 × 9 inches (29.5 × 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

379. Untitled

Creator:: W. Taylor, active 1790–1810
Date:: 1796
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

380. Memorials to Miss Sophia Henrietta Voelcker and Thomas Crump from Hampton Church

Creator:: Daniel Lysons, 1762–1834
Date:: between 1796 and 1811
Materials & Techniques:: Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 × 10 5/8 inches (38.1 × 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

381. Stained Glass in the East Window of Hanworth Church

Creator:: Daniel Lysons, 1762–1834
Date:: between 1796 and 1811
Materials & Techniques:: Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 3/4 × 10 5/8 inches (37.5 × 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

382. Brass Plate for Mrs. Hale, Daughter of Porter, Walthamstow Church

Creator:: Daniel Lysons, 1762–1834
Date:: between 1796 and 1811
Materials & Techniques:: Graphite, watercolor and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 3/4 × 10 3/4 inches (34.9 × 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

383. Memorial to Baybrigg Buckeridge, his wife Mary, and his son, Thomas from West Ham Church

Creator:: Daniel Lysons, 1762–1834
Date:: between 1796 and 1811
Materials & Techniques:: Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 × 10 3/4 inches (38.1 × 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

384. Memorial to John Finch, from West Ham Church

Creator:: Daniel Lysons, 1762–1834
Date:: between 1796 and 1811
Materials & Techniques:: Pen and black ink and watercolor over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 × 10 5/8 inches (38.1 × 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

385. Memorial to Mrs. Sarah Starkey, Hannah Lodington, John and Efrer Larchevesque, and John's second wife Martha from West Ham Church

Creator:: Daniel Lysons, 1762–1834
Date:: between 1796 and 1811
Materials & Techniques:: Pen and black ink and watercolor over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 × 10 3/4 inches (38.1 × 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

386. Memorial to Caroli Spearman, from West Ham Church

Creator:: Daniel Lysons, 1762–1834
Date:: between 1796 and 1811
Materials & Techniques:: Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 1/4 × 10 3/4 inches (33.7 × 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

387. Tomb of Nathaniel Wickham, from West Ham Churchyard

Creator:: Daniel Lysons, 1762–1834
Date:: between 1796 and 1811
Materials & Techniques:: Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 × 10 3/4 inches (38.1 × 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

388. Memorials to Jonathan Reeves and his wife Elizabeth, and John and Elizabeth Cooke, from West Ham Church

Creator:: Daniel Lysons, 1762–1834
Date:: between 1796 and 1811
Materials & Techniques:: Pen and black ink and watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 × 10 5/8 inches (38.1 × 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

389. Tomb of Henniker Family, from West Ham Churchyard

Creator:: Daniel Lysons, 1762–1834
Date:: between 1796 and 1811
Materials & Techniques:: Pen and black ink and watercolor over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 3/4 × 10 5/8 inches (37.5 × 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

390. Brass Plate for Dame Margaret Dalett and Ellen Berney, from Beckenham Church

Creator:: Daniel Lysons, 1762–1834
Date:: between 1796 and 1811
Materials & Techniques:: Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 7/8 × 11 1/8 inches (35.2 × 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

391. Memorial to Thomas and Elizabeth Moore and their daughter Elizabeth, from Chiselhurst Church

Creator:: Daniel Lysons, 1762–1834
Date:: between 1796 and 1811
Materials & Techniques:: Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/8 × 10 3/4 inches (35.9 × 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

392. Here Poor Boy

Creator:: Print made by Charles Wilkin, 1750–1814
Date:: 1796
Materials & Techniques:: Etching and stipple engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 20 1/2 × 16 3/4 inches (52.1 × 42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

393. The Encampment at Brighton

Creator:: Print made by John Murphy, ca. 1748–1820
Date:: 1796
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 20 13/16 × 25 7/8 inches (52.9 × 65.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

394. Compliance

Creator:: Print made by unknown artist
Date:: 1796
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 7/8 × 11 inches (40.3 × 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

395. The Cherry Girl

Creator:: Print made by unknown artist
Date:: 1796
Materials & Techniques:: Mezzotint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 3/4 × 11 1/4 inches (40 × 28.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

396. The Honorable John Forbes

Creator:: Charles Townley, 1746–c.1800
Date:: 1796
Materials & Techniques:: Mezzotint (proof)
Dimensions:: Sheet: 13 x 18in. (33 x 45.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Mr. and Mrs. J. Richardson Dilworth

397. A New Love Song, Only ha'Penny a Piece

Creator:: Print made by Anthony Cardon, 1772–1813
Date:: 1796
Materials & Techniques:: Color printed etching, aquatint, and stipple engraving with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 3/4 × 13 5/16 inches (42.5 × 33.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

398. Hot Spice Gingerbread, Smoking Hot!

Creator:: Print made by Giovanni Vendramini, 1769–1839
Date:: 1796
Materials & Techniques:: Color printed etching, aquatint, and stipple engraving with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 3/4 × 12 3/4 inches (42.5 × 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

399. Sir Thomas Pasley

Creator:: Anna Maria Smith Edmonton, 1766–1833
Date:: 1796
Materials & Techniques:: Stipple engraving
Dimensions:: Sheet: 13 1/4 x 18 1/2in. (33.7 x 47cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Mr. and Mrs. J. Richardson Dilworth

400. Jane Gordon (née Maxwell), Duchess of Gordon

Creator:: William Dickinson, 1746–1823
Date:: 1796
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 10 7/8 × 8 5/8 inches (27.6 × 21.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Date 1796

Search Results

301. Racing: Preparing to Start

302. Racing: Preparing to Start

303. Houses on the South Side of Leadenhall Street

304. King Henry IV, Part I: Act V, Scene iv, Plain near Shrewsbury. Prince Henry, Hotspur & Falstaff

305. National Conveniences

306. Fashionable Jockeyship

307. Ladies Dress, as it soon will be

308. The Jersey Smuggler detected; - or - Good Cause for Seperation [scored through and replaced by] Discontent

309. Enchantments lately seen upon the Mountains of Wales, - or - Shon-ap-Morgan's Reconcilement to the Fairy Princess

310. The Grand - Signior retiring

311. The Orangerie; - or - the Dutch Cupid reposing after the fatigues of Planting

312. Hot Spice Gingerbread, Smoking Hot!

313. A New Love Song, Only ha'Penny a Piece

314. Entrance to the House of Lords

315. John Taylor

316. The Generae of Patriotism

317. Preparing for a Hunt at Selhurst Park, Nov. 14, 1796

318. William Hoare

319. Animals [a pair]: 2. Evening or the Post Boy's Return

320. Study near Harlech Castle

321. Houses on the South Side of Leadenhall Street

322. Market Day

323. A Peep Into Saldanha Bay, or Dutch Perfidy Rewarded

324. Lord Mum Overwhelmed with Parisian Embraces

325. Lord Mum Sucking His Thumb

326. Entrance to Newmarket

327. East View of the Cast Iron Bridge Over the River Wear at Sunderland in the County of Durham

328. Marriage of Henry the seventh

329. Portraits Painted from Life, Representing Capt. Englefield with Eleven of his Crew Saving Themselves in the Pinnace, from the Wreck of the Centaur, of 74 Guns, Lost Sept. 1782

330. The Imposture of the Holy Maid of Kent

331. Kirkstall Abbey, Yorkshire

332. A Scene between Galle and Matura, about Six Miles from Galle

333. Study of a Deer Resting, back view

334. Studies of Pallah Deer Resting

335. Studies of Deer - Three on on Sheet

336. Man in a Brimmed Hat

337. Portrait of an Elderly Lady

338. A Kaffir Village

339. Bolton Abbey, Yorkshire

340. Romantic Landscape

341. St. Bride's, Fleet Street, London

342. Wollaton Park, Nottingham: East Elevation

343. Cranmer Urging Edward VI to Consent to the Execution of Joan of Kent

344. View of Annecy, in Savoy

345. Modern Grace...The Ballet of Alonzo e Cara

346. Wollaton Park, Nottingham: South Elevation

347. Wollaton Hall, Nottingham: Elevation

348. Wollaton Park, Nottingham: South Elevation

349. The Palanquin presented by the Marquis Cornwallis to Prince Abdul Calic, Eldest son of Tippoo Sultan

350. The Billiard Room

351. Temple Bar

352. Robert Williams

353. Portrait of A Woman

354. Cannon Foundry

355. Man Sitting Crosslegged, Profile

356. A Man's Face, Front View

357. Sheet of Anatomical Studies of the Shoulder Muscles

358. Portrait Of Annibale Caracci

359. A Monk's Head

360. Portrait Of An Aged Man, Looking Upward

361. View of the Monument

362. Adam Street, Adelphi

363. Somerset Terrace

364. North Side of the Great Court, Somerset Place

365. Part of Somerset Place

366. View of the Pest Houses at Tothill Fields

367. An Airing in Hyde Park

368. An Airing in Hyde Park

369. The Adelphi

370. Great Court, Somerset Place

371. Vestibule, Somerset Place

372. Remains of Eltham Palace

373. Hall of Eltham Palace

374. Resting On The Flight Into Egypt

375. Putney Bridge