Date: 1796 - YCBA Collections Search Search Results

501. The Terrace, Scarborough

Creator:: James Green, 1771–1834
Date:: undated
Materials & Techniques:: Graphite, watercolor, gouache, pen and black ink on slightly textured, thick, beige laid paper
Dimensions:: Sheet: 4 1/2 × 7 3/16 inches (11.4 × 18.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

502. St. James' Park, Summer

Creator:: Julius Caesar Ibbetson, 1759–1817
Date:: 1796
Materials & Techniques:: Watercolor and pen and black ink on thick, slightly textured, beige wove paper
Dimensions:: Sheet: 17 3/8 × 23 1/2 inches (44.1 × 59.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

503. Landscape Composition

Creator:: Cornelius Varley, 1781–1873
Date:: undated
Materials & Techniques:: Black chalk, graphite, and white chalk on medium, moderately textured, blue wove paper
Dimensions:: Sheet: 8 7/8 x 14 1/2 inches (22.5 x 36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

504. York Watergate and Westminster Bridge

Creator:: John Inigo Richards, 1730/31?–1810
Date:: 1796
Materials & Techniques:: Watercolor, and pen and black ink over graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 7/8 × 20 1/8 inches (35.2 × 51.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

505. A Tree Struck by Lightning

Creator:: Cornelius Varley, 1781–1873
Date:: undated
Materials & Techniques:: Brown wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 1/2 x 9 5/8 inches (16.5 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

506. Study of a Kid

Creator:: James Ward, 1769–1859
Date:: 1796
Materials & Techniques:: Watercolor and white gouache with graphite and black ink on medium, slightly textured, beige laid paper mounted on thick, slightly textured, beige wove paper
Dimensions:: Sheet: 5 3/8 x 6 1/8 inches (13.7 x 15.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

507. Peterborough

Creator:: Print made by James Walker, 1748–1808
Date:: 1796
Materials & Techniques:: Etching and engraving; first published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 × 10 inches (20.3 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

508. Views in England, Scotland and Wales: Vue de la Caverne de St. Beat, sur le Lac De Thun

Creator:: Amos Green, 1735–1807
Date:: between 1796 and 1808
Materials & Techniques:: Gray wash, black ink, white gouache, and graphite on wove paper
Dimensions:: Sheet: 13 x 16 7/8in. (33 x 42.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

509. Bridgenorth, Shropshire

Creator:: Paul Sandby, 1731–1809
Date:: ca. 1801
Materials & Techniques:: Gouache, watercolor, white chalk, black chalk and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 25 7/8 x 35 1/2 inches (65.7 x 90.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

510. Ardfert Cathedral, Kerry, Ireland

Creator:: Cornelius Varley, 1781–1873
Date:: undated
Materials & Techniques:: Watercolor, gray wash and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 × 20 1/8 inches (35.6 × 51.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

511. Portrait of a Gentleman

Creator:: James Scouler, 1741–1812
Date:: 1796
Materials & Techniques:: Gouache and watercolor on ivory
Dimensions:: Image: 3 1/2 x 2 5/8 inches (8.9 x 6.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

512. General Stevenson

Creator:: John Smart, 1741–1811
Date:: 1796
Materials & Techniques:: Watercolor and gouache on ivory
Dimensions:: Image: 3 x 2 1/2 inches (7.6 x 6.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

513. Studies of a Carthorse

Creator:: Cornelius Varley, 1781–1873
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 x 7 1/8 inches (15.2 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

514. Study of a Stonewall and a Gate

Creator:: Cornelius Varley, 1781–1873
Date:: undated
Materials & Techniques:: Graphite on thin, smooth, cream wove paper
Dimensions:: Sheet: 4 x 6 3/8 inches (10.2 x 16.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

515. Study of Sheep

Creator:: Cornelius Varley, 1781–1873
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper mounted on medium, slightly textured, cream wove paper
Dimensions:: Mount: 6 7/8 x 8 3/4 inches (17.5 x 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

516. Tree Study

Creator:: Cornelius Varley, 1781–1873
Date:: undated
Materials & Techniques:: Graphite on medium, moderately textured, cream laid paper mounted on medium, slightly textured, cream wove paper
Dimensions:: Mount: 10 7/8 x 7 7/8 inches (27.6 x 20 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

517. Laying Storm Anchors

Creator:: Cornelius Varley, 1781–1873
Date:: undated
Materials & Techniques:: Watercolor, white gouache, pen and brown ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 x 4 1/2 inches (17.8 x 11.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

518. Landscape with Castle

Creator:: Cornelius Varley, 1781–1873
Date:: undated
Materials & Techniques:: Watercolor, brown wash, graphite, and white gouache on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 7 3/8 x 10 1/2 inches (18.7 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

519. Cottages at Letherhead Surrey

Creator:: Cornelius Varley, 1781–1873
Date:: undated
Materials & Techniques:: Gray wash and graphite on medium, unknown color, slightly textured wove paper mounted on contemporary card
Dimensions:: Sheet: 6 1/4 x 9 inches (15.9 x 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

520. Park Place, Henley on Thames

Creator:: William Westall, 1781–1850
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper mounted on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 7 × 11 inches (17.8 × 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

521. Study of Moored Boat with Seated Figure

Creator:: Cornelius Varley, 1781–1873
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 3/8 x 10 3/8 inches (21.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

522. Study of Trees at the Edge of a Field

Creator:: Cornelius Varley, 1781–1873
Date:: undated
Materials & Techniques:: Watercolor with white gouache on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 14 7/8 inches (25.4 x 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

523. Raglan Castle

Creator:: Cornelius Varley, 1781–1873
Date:: undated
Materials & Techniques:: Gray wash and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/8 x 17 7/8 inches (28.3 x 45.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

524. Mountain Landscape, North Wales

Creator:: Cornelius Varley, 1781–1873
Date:: undated
Materials & Techniques:: Watercolor and gouache on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/2 × 17 inches (26.7 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

525. Studies of Boats, Figures, Carts, and Buildings

Creator:: Cornelius Varley, 1781–1873
Date:: undated
Materials & Techniques:: Graphite on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 9 3/4 x 11 3/4 inches (24.8 x 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

526. Study of Small Fishing Vessel on Shore

Creator:: Cornelius Varley, 1781–1873
Date:: undated
Materials & Techniques:: Graphite on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 9 3/4 x 14 3/16 inches (24.8 x 36 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

527. Front View of a Vessel with Masts

Creator:: Cornelius Varley, 1781–1873
Date:: undated
Materials & Techniques:: Graphite on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 13 3/4 x 8 7/8 inches (34.9 x 22.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

528. At St. Albans

Creator:: Cornelius Varley, 1781–1873
Date:: undated
Materials & Techniques:: Graphite with gray wash on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 11 x 14 9/16 inches (27.9 x 37 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

529. Study of Boats with Horses and Carts

Creator:: Cornelius Varley, 1781–1873
Date:: undated
Materials & Techniques:: Graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 9 1/4 x 14 1/2 inches (23.5 x 36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

530. A Moated House

Creator:: Cornelius Varley, 1781–1873
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 3/4 x 15 3/4 inches (27.3 x 40 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

531. Study of a Donkey Under a Tree

Creator:: George Morland, 1763–1804
Date:: after 1796
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 1/16 × 7 1/4 inches (38.3 × 18.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

532. Classical Study

Creator:: Cornelius Varley, 1781–1873
Date:: undated
Materials & Techniques:: Gray wash and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/4 x 17 7/16 inches (28.6 x 44.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

533. Wollaton Park, Nottingham: South Elevation

Creator:: Studio of Sir Jeffry Wyatville, 1766–1840
Date:: ca. 1801
Materials & Techniques:: Pen and black and brown ink, graphite, watercolor on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 15 5/8 × 21 3/4 inches (39.7 × 55.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

534. Wollaton Park, Nottingham: East Elevation

Creator:: Studio of Sir Jeffry Wyatville, 1766–1840
Date:: ca. 1801
Materials & Techniques:: Pen and black and brown ink, watercolor, graphite on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 13 13/16 × 20 1/2 inches (35.1 × 52.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

535. Wollaton Hall, Nottingham: Elevation

Creator:: Studio of Sir Jeffry Wyatville, 1766–1840
Date:: ca. 1801
Materials & Techniques:: Watercolor over graphite on medium, slightly textured, white wove paper
Dimensions:: Sheet: 15 9/16 × 21 5/8 inches (39.5 × 55 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

536. Wollaton Hall, Nottingham: Elevation

Creator:: Studio of Sir Jeffry Wyatville, 1766–1840
Date:: ca. 1801
Materials & Techniques:: Graphite, pen and black ink, watercolor on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 20 5/8 × 27 5/8 inches (52.4 × 70.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

537. Wollaton Park, Nottingham: Elevation

Creator:: Studio of Sir Jeffry Wyatville, 1766–1840
Date:: ca. 1801
Materials & Techniques:: Pen and black ink with graphite and watercolor on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 20 1/8 × 28 1/2 inches (51.1 × 72.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

538. Portraits Painted from Life, Representing Capt. Englefield with Eleven of his Crew Saving Themselves in the Pinnace, from the Wreck of the Centaur, of 74 Guns, Lost Sept. 1782

Portraits Painted from Life, Representing Capt. Englefield with Eleven of his Crew Saving Themselves in the Pinnace, from the Wreck of the Centaur, of 74 Guns, Lost Sept. 1782

Creator:: Print made by Thomas Gaugain, 1748–1812
Date:: 1796
Materials & Techniques:: Mezzotint and stipple engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 20 3/4 × 25 1/2 inches (52.7 × 64.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

539. View of Annecy, in Savoy

Creator:: Published by John Sewell, active 1735–1802
Date:: 1796
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

540. Cranmer Urging Edward VI to Consent to the Execution of Joan of Kent

Creator:: Print made by William Bromley, 1769–1842
Date:: 1796
Materials & Techniques:: Line engraving and etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

541. The Imposture of the Holy Maid of Kent

Creator:: Print made by Isaac Taylor, 1759–1829
Date:: 1796
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

542. Dog Days, or Paying off Billy Budget

Creator:: William O'Keefe, active 1794–1807
Date:: 1796
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 1/4 x 12 3/8in. (21 x 31.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

543. Making Composition Bread, for John Bull

Creator:: William O'Keefe, active 1794–1807
Date:: 1796
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 3/8 x 12 3/8in. (21.3 x 31.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

544. A Present for Past Favours

Creator:: William O'Keefe, active 1794–1807
Date:: 1796
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 1/4 x 12 3/4in. (21 x 32.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

545. A Vision, Vide, the Monster of Slaughter, The Distress of Nations; Deluge of Blodd

Creator:: Print made by William O'Keefe, active 1794–1807
Date:: 1796
Materials & Techniques:: Etching with hand coloring in watercolor on medium, slightly textured, cream laid paper
Dimensions:: Plate: 13 7/8 × 9 7/8 inches (35.2 × 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

546. Maiden Speeches in the New Parliament of 1796 (Plate II)

Creator:: John Nixon, ca. 1760–1818
Date:: 1796
Materials & Techniques:: Etching & aquatint
Dimensions:: Sheet: 16 3/4 x 13 1/4in. (42.5 x 33.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

547. A Portrait

Creator:: unknown artist
Date:: 1796
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 12 5/8 x 15 1/4in. (32.1 x 38.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

548. General Fast

Creator:: Isaac Cruikshank, 1764–1811
Date:: 1796
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 10 x 7 1/2in. (25.4 x 19.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

549. General Complaint

Creator:: Isaac Cruikshank, 1764–1811
Date:: 1796
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 10 x 7 1/2in. (25.4 x 19.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

550. The British Menagerie

Creator:: Isaac Cruikshank, 1764–1811
Date:: 1796
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 11 3/8 x 17 1/8in. (28.9 x 43.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

551. A Brace of Blessings

Creator:: Attributed to Isaac Cruikshank, 1764–1811
Date:: 1796
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 7/16 x 12 13/16in. (21.4 x 32.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art

552. The Messenger of Peace

Creator:: Isaac Cruikshank, 1764–1811
Date:: 1796
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 11 3/16 x 16 9/16in. (28.4 x 42.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art

553. A Brace of Blessings

Creator:: Attributed to Isaac Cruikshank, 1764–1811
Date:: 1796
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 7/16 x 12 13/16in. (21.4 x 32.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art

554. Boxers of Bangor of Messengers of Peace

Creator:: unknown artist
Date:: 1796
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 9 1/16 x 14 7/8in. (23 x 37.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

555. Johnny in a Flatting Mill

Creator:: George Moutard Woodward, ca. 1760–1809
Date:: 1796
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 7 15/16 x 17 1/2in. (20.2 x 44.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

556. Future Prospects, or, Symptoms of Love in High Life

Creator:: unknown artist
Date:: 1796
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 11 1/2 x 17 3/8in. (29.2 x 44.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

557. To Be Paid For - The Dog Tax

Creator:: James Gillray, 1756–1815
Date:: 1796
Materials & Techniques:: Etching with hand coloring in watercolor
Dimensions:: Sheet: 11 x 8 9/16in. (27.9 x 21.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

558. Bolton Abbey, Yorkshire

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1801
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 3/4 x 8 3/8 inches (14.6 x 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

559. Kirkstall Abbey, Yorkshire

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1801
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 3 15/16 x 8 1/16 inches (10 x 20.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

560. Romantic Landscape

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1801
Materials & Techniques:: Watercolor with pen and brown ink over graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 1/4 x 20 1/2 inches (31.1 x 52.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

561. St. Bride's, Fleet Street, London

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1801
Materials & Techniques:: Graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 4 3/16 x 5 5/8 inches (10.6 x 14.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

562. Wollaton Park, Nottingham: South Elevation

Creator:: Studio of Sir Jeffry Wyatville, 1766–1840
Date:: ca. 1801
Materials & Techniques:: Graphite, pen and black and brown ink, watercolor on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 14 1/8 × 20 5/8 inches (35.9 × 52.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

563. The Complaint

Creator:: Isaac Cruikshank, 1764–1811
Date:: 1796
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 1/2 x 8 3/8in. (21.6 x 21.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

564. A Lesson for Princes

Creator:: Isaac Cruikshank, 1764–1811
Date:: 1796
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 5/8 x 14 5/8in. (21.9 x 37.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

565. Racing: Preparing to Start

Creator:: William Mason, 1724–1797
Date:: 1796
Materials & Techniques:: Mezzotint
Dimensions:: Sheet: 9 7/8 x 13 7/8in. (25.1 x 35.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

566. Racing: Preparing to Start

Creator:: William Mason, 1724–1797
Date:: 1796
Materials & Techniques:: Mezzotint
Dimensions:: Sheet: 9 7/8 x 13 7/8in. (25.1 x 35.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

567. Houses on the South Side of Leadenhall Street

Creator:: John Thomas Smith, 1766–1833
Date:: 1796
Materials & Techniques:: Hand colored engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

568. Lord Mum Sucking His Thumb

Creator:: Isaac Cruikshank, 1764–1811
Date:: 1796
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 12 1/2 x 7 1/2in. (31.8 x 19.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

569. A New Love Song only Ha' Penny a Piece

Creator:: Anthony Cardon, 1772–1813
Date:: 1796
Materials & Techniques:: Etching and aquatint; proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 17 1/8 x 13 5/8 inches (43.5 x 34.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

570. Hot Spice Gingerbread, Smoking Hot

Creator:: Giovanni Vendramini, 1769–1839
Date:: 1796
Materials & Techniques:: Etching and aquatint, proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 17 1/4 x 13 1/2 inches (43.8 x 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

571. Portrait of Sir William Killigrew

Creator:: Print made by unknown artist
Date:: after 1796
Materials & Techniques:: Engraving
Dimensions:: Sheet: 8 x 10in. (20.3 x 25.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of David M. Doret in memory of William Ferguson

572. Hunting, Shooting, etc. [set of six]: 2. Grouse Shooting

Creator:: Samuel Howitt, 1756–1822
Date:: 1796
Materials & Techniques:: Aquatint, hand-colored with aquatinted border
Dimensions:: Sheet: 9 1/2 x 12 1/2in. (24.1 x 31.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

573. Hunting, Shooting, etc. [set of six]: 4.Woodcock shooting

Creator:: Samuel Howitt, 1756–1822
Date:: 1796
Materials & Techniques:: Aquatint, hand-colored with aquatinted border
Dimensions:: Sheet: 9 1/2 x 12 1/2in. (24.1 x 31.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

574. Hunting, Shooting, etc. [set of six]: 5. Pheasant Shooting

Creator:: Samuel Howitt, 1756–1822
Date:: 1796
Materials & Techniques:: Aquatint, hand-colored with aquatinted border
Dimensions:: Sheet: 9 1/2 x 12 1/2in. (24.1 x 31.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

575. Hunting, Shooting, etc. [set of six]: 6. Partridge Shooting

Creator:: Samuel Howitt, 1756–1822
Date:: 1796
Materials & Techniques:: Aquatint, hand-colored with aquatinted border
Dimensions:: Sheet: 9 1/2 x 12 1/2in. (24.1 x 31.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

576. Hunting, Shooting, etc. [set of six]: 3. Snipe Shooting

Creator:: Samuel Howitt, 1756–1822
Date:: 1796
Materials & Techniques:: Aquatint, hand-colored with aquatinted border
Dimensions:: Sheet: 9 1/2 x 12 1/2in. (24.1 x 31.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

577. Paul Sandby, Esq.

Creator:: Joseph Thomson, 18th century
Date:: 1796
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

578. John Taylor

Creator:: Print made by R. Clamp, fl.1789–1798
Date:: 1796
Materials & Techniques:: Mezzotint, etching and stipple engraving on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 10 5/16 x 7 5/16 inches (26.2 x 18.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

579. East View of the Cast Iron Bridge Over the River Wear at Sunderland in the County of Durham

Creator:: unknown artist
Date:: 1796
Materials & Techniques:: Aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 20 1/4 × 31 1/8 inches (51.4 × 79.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

580. Entrance to the House of Lords

Creator:: Attributed to William Capon, 1757–1827
Date:: 1796
Materials & Techniques:: Graphite, pen and black and brown ink on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 8 × 6 7/8 inches (20.3 × 17.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

581. Marriage of Henry the seventh

Creator:: Print made by George Barret Jr., 1767–1842
Date:: 1796
Materials & Techniques:: Line engraving on slightly textured, medium, white wove paper
Dimensions:: Sheet: 4 1/8 × 4 15/16 inches (10.5 × 12.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

582. Henry Fuseli Esqr., R. A.

Creator:: Thomas Holloway, 1748–1827
Date:: 1796
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

583. Animals [a pair]: 2. Evening or the Post Boy's Return

Creator:: Daniel Orme, 1766–1837
Date:: 1796
Materials & Techniques:: Color printed stipple engraving
Dimensions:: Sheet: 16 15/16 x 22 13/16in. (43 x 57.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

584. Dr. Johnson's Monument in St. Paul's Church

Creator:: James Basire, 1730–1802
Date:: 1796
Materials & Techniques:: Engraving
Dimensions:: Sheet: 12 x 9 1/2in. (30.5 x 24.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Herman W. Liebert

585. The Generae of Patriotism

Creator:: James Gillray, 1756–1815
Date:: 1796
Materials & Techniques:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

586. National Conveniences

Creator:: James Gillray, 1756–1815
Date:: 1796
Materials & Techniques:: Engraving
Dimensions:: Sheet: 25 3/8 x 19in. (64.5 x 48.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

587. Ladies Dress, as it soon will be

Creator:: James Gillray, 1756–1815
Date:: 1796
Materials & Techniques:: Engraving
Dimensions:: Sheet: 25 3/8 x 19in. (64.5 x 48.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

588. Fashionable Jockeyship

Creator:: James Gillray, 1756–1815
Date:: 1796
Materials & Techniques:: Engraving
Dimensions:: Sheet: 25 3/8 x 19in. (64.5 x 48.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

589. The Jersey Smuggler detected; - or - Good Cause for Seperation [scored through and replaced by] Discontent

Creator:: James Gillray, 1756–1815
Date:: 1796
Materials & Techniques:: Engraving
Dimensions:: Sheet: 25 3/8 x 19in. (64.5 x 48.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

590. The Grand - Signior retiring

Creator:: James Gillray, 1756–1815
Date:: 1796
Materials & Techniques:: Engraving
Dimensions:: Sheet: 25 3/8 x 19in. (64.5 x 48.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

591. Enchantments lately seen upon the Mountains of Wales, - or - Shon-ap-Morgan's Reconcilement to the Fairy Princess

Creator:: James Gillray, 1756–1815
Date:: 1796
Materials & Techniques:: Engraving
Dimensions:: Sheet: 25 3/8 x 19in. (64.5 x 48.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

592. The Orangerie; - or - the Dutch Cupid reposing after the fatigues of Planting

Creator:: James Gillray, 1756–1815
Date:: 1796
Materials & Techniques:: Engraving
Dimensions:: Sheet: 25 3/8 x 19in. (64.5 x 48.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

593. A New Love Song, Only ha'Penny a Piece

Creator:: Print made by Anthony Cardon, 1772–1813
Date:: 1796
Materials & Techniques:: Color printed etching, aquatint, and stipple engraving with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 × 12 1/4 inches (40.6 × 31.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

594. Hot Spice Gingerbread, Smoking Hot!

Creator:: Print made by Giovanni Vendramini, 1769–1839
Date:: 1796
Materials & Techniques:: Color printed etching, aquatint, and stipple engraving with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 × 12 7/8 inches (40.6 × 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

595. Modern Grace...The Ballet of Alonzo e Cara

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1796
Materials & Techniques:: Watercolor with pen and brown ink on medium, smooth, cream wove paper
Dimensions:: Mount: 9 7/8 x 11 3/8 inches (25.1 x 28.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

596. The Palanquin presented by the Marquis Cornwallis to Prince Abdul Calic, Eldest son of Tippoo Sultan

Creator:: Print made by Thomas Prattent, active 1780–1810
Date:: 1796
Materials & Techniques:: Etching and line engraving
Dimensions:: Plate: 4 5/8 × 7 9/16 inches (11.7 × 19.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

597. The Billiard Room

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1801
Materials & Techniques:: Watercolor with pen and brown ink over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 11/16 x 7 3/4 inches (11.9 x 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

598. View of London from Greenwich Park

Creator:: Engraved by Joseph Constantine Stadler, active 1780–1812
Date:: 1796
Materials & Techniques:: Hand-colored aquatint
Dimensions:: Sheet: 13 3/8 x 22 1/16in. (34 x 56cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

599. Ruined Gambler

Creator:: Luke Clennell, 1781–1840
Date:: undated
Materials & Techniques:: Watercolor and pen and black ink on medium, slightly textured, white wove paper
Dimensions:: Sheet: 2 3/4 × 2 3/4 inches (7 × 7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

600. Ships at Wharf with Passengers Disembarking

Creator:: Luke Clennell, 1781–1840
Date:: undated
Materials & Techniques:: Watercolor, black ink, and graphite with scratching out on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 7/8 × 8 1/8 inches (14.9 × 20.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Search Constraints

Date 1796

Search Results

501. The Terrace, Scarborough

502. St. James' Park, Summer

503. Landscape Composition

504. York Watergate and Westminster Bridge

505. A Tree Struck by Lightning

506. Study of a Kid

507. Peterborough

508. Views in England, Scotland and Wales: Vue de la Caverne de St. Beat, sur le Lac De Thun

509. Bridgenorth, Shropshire

510. Ardfert Cathedral, Kerry, Ireland

511. Portrait of a Gentleman

512. General Stevenson

513. Studies of a Carthorse

514. Study of a Stonewall and a Gate

515. Study of Sheep

516. Tree Study

517. Laying Storm Anchors

518. Landscape with Castle

519. Cottages at Letherhead Surrey

520. Park Place, Henley on Thames

521. Study of Moored Boat with Seated Figure

522. Study of Trees at the Edge of a Field

523. Raglan Castle

524. Mountain Landscape, North Wales

525. Studies of Boats, Figures, Carts, and Buildings

526. Study of Small Fishing Vessel on Shore

527. Front View of a Vessel with Masts

528. At St. Albans

529. Study of Boats with Horses and Carts

530. A Moated House

531. Study of a Donkey Under a Tree

532. Classical Study

533. Wollaton Park, Nottingham: South Elevation

534. Wollaton Park, Nottingham: East Elevation

535. Wollaton Hall, Nottingham: Elevation

536. Wollaton Hall, Nottingham: Elevation

537. Wollaton Park, Nottingham: Elevation

538. Portraits Painted from Life, Representing Capt. Englefield with Eleven of his Crew Saving Themselves in the Pinnace, from the Wreck of the Centaur, of 74 Guns, Lost Sept. 1782

539. View of Annecy, in Savoy

540. Cranmer Urging Edward VI to Consent to the Execution of Joan of Kent

541. The Imposture of the Holy Maid of Kent

542. Dog Days, or Paying off Billy Budget

543. Making Composition Bread, for John Bull

544. A Present for Past Favours

545. A Vision, Vide, the Monster of Slaughter, The Distress of Nations; Deluge of Blodd

546. Maiden Speeches in the New Parliament of 1796 (Plate II)

547. A Portrait

548. General Fast

549. General Complaint

550. The British Menagerie

551. A Brace of Blessings

552. The Messenger of Peace

553. A Brace of Blessings

554. Boxers of Bangor of Messengers of Peace

555. Johnny in a Flatting Mill

556. Future Prospects, or, Symptoms of Love in High Life

557. To Be Paid For - The Dog Tax

558. Bolton Abbey, Yorkshire

559. Kirkstall Abbey, Yorkshire

560. Romantic Landscape

561. St. Bride's, Fleet Street, London

562. Wollaton Park, Nottingham: South Elevation

563. The Complaint

564. A Lesson for Princes

565. Racing: Preparing to Start

566. Racing: Preparing to Start

567. Houses on the South Side of Leadenhall Street

568. Lord Mum Sucking His Thumb

569. A New Love Song only Ha' Penny a Piece

570. Hot Spice Gingerbread, Smoking Hot

571. Portrait of Sir William Killigrew

572. Hunting, Shooting, etc. [set of six]: 2. Grouse Shooting

573. Hunting, Shooting, etc. [set of six]: 4.Woodcock shooting

574. Hunting, Shooting, etc. [set of six]: 5. Pheasant Shooting

575. Hunting, Shooting, etc. [set of six]: 6. Partridge Shooting