Date: 1797 / Period: 18th century - YCBA Collections Search Search Results

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Date 1797

Period 18th century

William Blake Plate 42 (page 93): 'If angels tremble, 'tis at such a sight'

William Blake, 1757–1827

Plate 42 (page 93): 'If angels tremble, 'tis at such a sight'

1797

William Blake Plate 3 (page 4): 'What, though my soul fantastick measures trod'

William Blake, 1757–1827

Plate 3 (page 4): 'What, though my soul fantastick measures trod'

1797

William Blake Plate 7 (page 12): 'Its favours here are trials, not rewards'

William Blake, 1757–1827

Plate 7 (page 12): 'Its favours here are trials, not rewards'

1797

William Blake Plate 9 (page 15):' The longest night though longer far, would fail'

Engravings by William Blake, 1757–1827

Plate 9 (page 15):' The longest night though longer far, would fail'

1797

William Blake Plate 11 (page 17): 'NIGHT the SECOND/ ON/ TIME,/DEATH/ AND FRIENDSHIP'

William Blake, 1757–1827

Plate 11 (page 17): 'NIGHT the SECOND/ ON/ TIME,/DEATH/ AND FRIENDSHIP'

1797

William Blake Plate 12 (page 19): 'Emblem of that which shall awake the dead'

William Blake, 1757–1827

Plate 12 (page 19): 'Emblem of that which shall awake the dead'

1797

William Blake Plate 31 (page 65): [Night the Fourth] 'THE/ CHRISTIAN/ TRIUMPH'

William Blake, 1757–1827

Plate 31 (page 65): [Night the Fourth] 'THE/ CHRISTIAN/ TRIUMPH'

1797

William Blake Plate 2 (page 1): 'Swift on his downy pinion flies from woe'

William Blake, 1757–1827

Plate 2 (page 1): 'Swift on his downy pinion flies from woe'

1797

William Blake Plate 4 (page 7): 'Till at Death's toll, whose restless iron tounge'

William Blake, 1757–1827

Plate 4 (page 7): 'Till at Death's toll, whose restless iron tounge'

1797

William Blake Plate 6 (page 10): 'Disease invades the chastest temperence'

William Blake, 1757–1827

Plate 6 (page 10): 'Disease invades the chastest temperence'

1797

William Blake Plate 8 (page 13): 'The present moment terminates our sight'

William Blake, 1757–1827

Plate 8 (page 13): 'The present moment terminates our sight'

1797

William Blake Young's Night Thoughts, Page 86, "His Hand the Good Man Fastens on the Skies"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 86, "His Hand the Good Man Fastens on the Skies"

1797

William Blake Young's Night Thoughts, Page 92, "When Faith Is Virtue, Reason Makes It So"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 92, "When Faith Is Virtue, Reason Makes It So"

1797

William Blake Young's Night Thoughts, Page 93, "If Angels Tremble, 'Tis at Such a Sight"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 93, "If Angels Tremble, 'Tis at Such a Sight"

1797

William Blake Young's Night Thoughts, Page 7, "Till at Death's Toll, Whose Restless Iron Tounge"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 7, "Till at Death's Toll, Whose Restless Iron Tounge"

1797

William Blake Young's Night Thoughts, Page 95, "The Goddess Bursts in Thunder and in Flame"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 95, "The Goddess Bursts in Thunder and in Flame"

1797

William Blake Young's Night Thoughts, Page 8, "Death! Great Proprietor of All!"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 8, "Death! Great Proprietor of All!"

1797

William Blake Young's Night Thoughts, Page 13, "The Present Moment Terminates our Sight"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 13, "The Present Moment Terminates our Sight"

1797

William Blake The Poems of Thomas Gray, Design 105, "Elegy Written in a Country Church-Yard."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 105, "Elegy Written in a Country Church-Yard."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 107, "Elegy Written in a Country Church-Yard."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 107, "Elegy Written in a Country Church-Yard."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 23, "A Long Story."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 23, "A Long Story."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 27, "A Long Story."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 27, "A Long Story."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 31, "A Long Story."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 31, "A Long Story."

between 1797 and 1798

William Blake Young's Night Thoughts, Page 35, "Teaching, We Learn; and Giving, We Retain"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 35, "Teaching, We Learn; and Giving, We Retain"

1797

William Blake Young's Night Thoughts, Page 37, "Love, and Love Only, Is the Loan for Love"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 37, "Love, and Love Only, Is the Loan for Love"

1797

William Blake Young's Night Thoughts, Page 40, "Angels Should Paint It, Angels Ever There"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 40, "Angels Should Paint It, Angels Ever There"

1797

William Blake Young's Night Thoughts, Page 41, "One Radiant Mark; the Deathbed of the Just"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 41, "One Radiant Mark; the Deathbed of the Just"

1797

William Blake Young's Night Thoughts, Page 43, "Night the Third, Narcissa."

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 43, "Night the Third, Narcissa."

1797

William Blake Young's Night Thoughts, Page 49, "As If the Sun Could Envy, Check'd His Beam"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 49, "As If the Sun Could Envy, Check'd His Beam"

1797

William Blake Young's Night Thoughts, Page 54, "The Vale of Death! That Hush'd Cimmerian Vale"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 54, "The Vale of Death! That Hush'd Cimmerian Vale"

1797

William Blake Young's Night Thoughts, Page 55, "Ungrateful, Shall We Grieve Their Hovering Shades"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 55, "Ungrateful, Shall We Grieve Their Hovering Shades"

1797

William Blake Young's Night Thoughts, Page 73, "Draw the Dire Steel? -- Ah No!"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 73, "Draw the Dire Steel? -- Ah No!"

1797

William Blake Young's Night Thoughts, Page 75, "The Sun Beheld it -- No, the Shocking Scene"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 75, "The Sun Beheld it -- No, the Shocking Scene"

1797

William Blake Young's Night Thoughts, Page 57, "Trembling Each Gulp, Lest Death Should Snatch the Bowl"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 57, "Trembling Each Gulp, Lest Death Should Snatch the Bowl"

1797

William Blake Young's Night Thoughts, Page 63, "This King of Terrors Is the Prince of Peace"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 63, "This King of Terrors Is the Prince of Peace"

1797

William Blake Young's Night Thoughts, Page 4, "What, though My Soul Fantastick Measures Trod"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 4, "What, though My Soul Fantastick Measures Trod"

1797

William Blake Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."

1797

William Blake Young's Night Thoughts, Page 70, "'Till Death, That Mighty Hunter, Earths Them All"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 70, "'Till Death, That Mighty Hunter, Earths Them All"

1797

William Blake Young's Night Thoughts, Page 33, "Like That, the Dial Speaks; and Points to Thee"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 33, "Like That, the Dial Speaks; and Points to Thee"

1797

William Blake Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"

1797

Francis Jukes Cottage Scene Near Colchester, Essex

Francis Jukes, 1747–1812

Cottage Scene Near Colchester, Essex

1797

Francis Jukes Cottage Scene Near Colchester, Essex

Francis Jukes, 1747–1812

Cottage Scene Near Colchester, Essex

1797

William Nutter The Parent Restor'd or the Blessings of Peace

William Nutter, 1754–1802

The Parent Restor'd or the Blessings of Peace

1797

Thomas Gainsborough Wooded Landscape with Herdsman and Cows

Print made by Thomas Gainsborough, 1727–1788

Wooded Landscape with Herdsman and Cows

1797

James Walker Ely

Print made by James Walker, 1748–1808

Ely

1797

James Walker Westminster Bridge

Print made by James Walker, 1748–1808

Westminster Bridge

1797

Sir John Soane Hinton St. George, Somerset: View of the Saloon

Sir John Soane, 1753–1837

Hinton St. George, Somerset: View of the Saloon

1797

Michael "Angelo" Rooker Clare Castle, Suffolk

Michael "Angelo" Rooker, 1746–1801

Clare Castle, Suffolk

between 1797 and 1800

Thomas Sunderland Bridge over the Severn at Newtown, Looking up the River

Thomas Sunderland, 1744–1828

Bridge over the Severn at Newtown, Looking up the River

1797

unknown artist St. Paul's from Ludgate Hill

unknown artist

St. Paul's from Ludgate Hill

1797

unknown artist St. Paul's Cathedral from the West Entrance

unknown artist

St. Paul's Cathedral from the West Entrance

1797

unknown artist Transept of St. Paul's from the North Entrance

unknown artist

Transept of St. Paul's from the North Entrance

1797

James Peller Malcolm Richmond Church, Surry, Western Outer Suburb

James Peller Malcolm, 1767–1815

Richmond Church, Surry, Western Outer Suburb

1797

unknown artist Shoreditch Church, North West

unknown artist

Shoreditch Church, North West

1797

unknown artist St. Dunstan's Fleet Street

unknown artist

St. Dunstan's Fleet Street

1797

James Peller Malcolm Wyer Hall, Edmonton, Outer Suburb - North

after James Peller Malcolm, 1767–1815

Wyer Hall, Edmonton, Outer Suburb - North

1797

James Peller Malcolm Mr. Alderman Curtis's Southgate Outer Suburb - North

James Peller Malcolm, 1767–1815

Mr. Alderman Curtis's Southgate Outer Suburb - North

1797

John Thomas Smith In Green Street, Enfield Highway, Outer Suburb North

John Thomas Smith, 1766–1833

In Green Street, Enfield Highway, Outer Suburb North

1797

John Thomas Smith In Green Street, Enfield Highway, Outer Suburb North

John Thomas Smith, 1766–1833

In Green Street, Enfield Highway, Outer Suburb North

1797

John Thomas Smith In Green Street, Enfield Highway, Outer Suburb North

John Thomas Smith, 1766–1833

In Green Street, Enfield Highway, Outer Suburb North

1797

unknown artist Glass Painting in St. Martin, Outwich

unknown artist

Glass Painting in St. Martin, Outwich

1797

unknown artist A Monument in the Old Vestry Door in St. Mary le Savoy

unknown artist

A Monument in the Old Vestry Door in St. Mary le Savoy

1797

unknown artist St. Peter le Poor, Broad Street

unknown artist

St. Peter le Poor, Broad Street

1797

unknown artist St. Peter le Poor, Broad Street

unknown artist

St. Peter le Poor, Broad Street

1797

Thomas Prattent Spanish Ambassadors House Manchester Square and Old Houses in Long Lane West Smithfield

Thomas Prattent, active 1780–1810

Spanish Ambassadors House Manchester Square and Old Houses in Long Lane West Smithfield

1797

unknown artist St. Bennet's Fink, Threadneedle St.

unknown artist

St. Bennet's Fink, Threadneedle St

1797

James Peller Malcolm Brook House, Hackney

James Peller Malcolm, 1767–1815

Brook House, Hackney

1797

John Thomas Smith Near Deptford, Kent

John Thomas Smith, 1766–1833

Near Deptford, Kent

1797

unknown artist Kings Yard, Deptford

unknown artist

Kings Yard, Deptford

1797

John Thomas Smith In Bury Street, Edmonton, Outer Suburb - North

John Thomas Smith, 1766–1833

In Bury Street, Edmonton, Outer Suburb - North

1797

John Thomas Smith Near Palmer's Green, Edmonton, Outer Suburb - North

John Thomas Smith, 1766–1833

Near Palmer's Green, Edmonton, Outer Suburb - North

1797

John Thomas Smith On Scotland's Green, Ponder's - End, Outer Suburb - North

John Thomas Smith, 1766–1833

On Scotland's Green, Ponder's - End, Outer Suburb - North

1797

John Thomas Smith Near Edmonton Church, Outer Suburb - North

John Thomas Smith, 1766–1833

Near Edmonton Church, Outer Suburb - North

1797

John Thomas Smith In Bury Street, Edmonton Outer Suburb - North

John Thomas Smith, 1766–1833

In Bury Street, Edmonton Outer Suburb - North

1797

John Thomas Smith Near Ball's Cross, Enfield, Outer Suburb - North

John Thomas Smith, 1766–1833

Near Ball's Cross, Enfield, Outer Suburb - North

1797

Thomas Tagg View of Westminster Bridge

Thomas Tagg, died 1809

View of Westminster Bridge

1797

Julius Caesar Ibbetson Farmyard Animals: Tribulation

Julius Caesar Ibbetson, 1759–1817

Farmyard Animals: Tribulation

1797

James Walker Flint, from Park-Gate

Print made by James Walker, 1748–1808

Flint, from Park-Gate

1797

James Walker Hampton Court, Herefordshire

Print made by James Walker, 1748–1808

Hampton Court, Herefordshire

1797

James Walker Elgin Cathedral, Morayshire

Print made by James Walker, 1748–1808

Elgin Cathedral, Morayshire

1797

James Baynes Rocks with Central Cavern Among Trees

James Baynes, 1766–1837

Rocks with Central Cavern Among Trees

1797

Robert Streatfeild Stowe House, Buckingham

Robert Streatfeild, 1786–1852

Stowe House, Buckingham

1797

James Walker Carlisle

Print made by James Walker, 1748–1808

Carlisle

1797

Bartholomew Howlett Grantham Church

Print made by Bartholomew Howlett, 1767–1827

Grantham Church

1797

Thomas Rowlandson The Recruiting Officer

Thomas Rowlandson, 1756–1827

The Recruiting Officer

1797

Thomas Rowlandson Entrance to Festiniog, Wales

Thomas Rowlandson, 1756–1827

Entrance to Festiniog, Wales

1797

Thomas Rowlandson A Burial at Carisbrooke, Isle of Wight

Thomas Rowlandson, 1756–1827

A Burial at Carisbrooke, Isle of Wight

between 1797 and 1800

John Harris the elder Phalaena Aceris. Acer Rubrum (Grey Maple Moth, Red Maple), Plate 93 from James Edward Smith, the 'Natural History of the Rarer Lepidopterous Insects of Georgia', London, 1797

Print made by John Harris the elder, 1767–1832

Phalaena Aceris. Acer Rubrum (Grey Maple Moth, Red Maple), Plate 93 from James Edward Smith, the 'Natural History of the Rarer Lepidopterous Insects of Georgia', London, 1797

1797

John Harris the elder Phalaena Quernaria. Quercus Rubra (American Oak Beauty, Northern Red Oak), Plate 103 from James Edward Smith, the 'Natural History of the Rarer Lepidopterous Insects of Georgia', London, 1797

Print made by John Harris the elder, 1767–1832

Phalaena Quernaria. Quercus Rubra (American Oak Beauty, Northern Red Oak), Plate 103 from James Edward Smith, the 'Natural History of the Rarer Lepidopterous Insects of Georgia', London, 1797

1797

Thomas Gaugain Turnips and Carrots

Thomas Gaugain, 1748–1812

Turnips and Carrots

1797

Thomas Rowlandson Carnarvon Castle, North Wales

Thomas Rowlandson, 1756–1827

Carnarvon Castle, North Wales

1797

Thomas Rowlandson Set of Six Views in London, (Turn Pike series)

Thomas Rowlandson, 1756–1827

Set of Six Views in London, (Turn Pike series)

1797

Thomas Rowlandson Newport High Street, Isle of Wight

Thomas Rowlandson, 1756–1827

Newport High Street, Isle of Wight

between 1797 and 1800

unknown artist Embellished under the effects of.......

unknown artist

Embellished under the effects of......

1797

George Quinton Milton

George Quinton, born 1779

Milton

1797

Granger Samuel Johnson

Granger, active 1800

Samuel Johnson

1797

Granger Samuel Johnson

Granger, active 1800

Samuel Johnson

1797

John Young The Right Honourable William Pitt

John Young, 1755–1825

The Right Honourable William Pitt

1797

John Warwick Smith Craig y Ladron - The Thieves Precipice

John Warwick Smith, 1749–1831

Craig y Ladron - The Thieves Precipice

1797

Claud Cleghorn Design for Ardgowan House, Scotland: Attic Floor Plan

Claud Cleghorn, active 1797–1800

Design for Ardgowan House, Scotland: Attic Floor Plan

1797