Date: 1797 / Period: 18th century - YCBA Collections Search Search Results

201. Design for Ardgowan House, Scotland: South South East Elevation

Creator:: Claud Cleghorn, active 1797–1800
Date:: 1797
Materials & Techniques:: Graphite, watercolor, gray wash, and pen and black ink on smooth, moderately thick, beige wove paper
Dimensions:: Sheet: 11 1/8 × 18 1/2 inches (28.3 × 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

202. Design for Ardgowan House, Scotland: North North West Elevation

Creator:: Claud Cleghorn, active 1797–1800
Date:: 1797
Materials & Techniques:: Graphite, watercolor, gray wash, and pen and black ink on smooth, moderately thick, beige wove paper
Dimensions:: Sheet: 11 1/4 × 18 9/16 inches (28.6 × 47.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

203. Brechin Cathedral and round tower, Forfarshire, Scotland

Creator:: Edward Dayes, 1763–1804
Date:: 1797
Materials & Techniques:: Watercolor, pen and brown ink over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 1/4 × 6 inches (10.8 × 15.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

204. The Battle of Cape St. Vincent

Creator:: Robert Cleveley, 1747–1809
Date:: 1797
Materials & Techniques:: Watercolor, graphite and black ink on medium, moderately thick, beige wove paper
Dimensions:: Sheet: 4 1/8 x 8in. (10.5 x 20.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

205. The Distressed Poet

Creator:: Thomas Cook, 1744–1818
Date:: 1797
Materials & Techniques:: Engraving
Dimensions:: Plate: 14 1/2 x 16 3/8 inches (36.8 x 41.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Mary E. Knapp

206. Michelham, Surrey

Creator:: Henry Edridge, 1769–1821
Date:: 1797
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 7/8 × 7 inches (25.1 × 17.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

207. The Daughters of Sir Thomas Frankland Bart.

Creator:: William Ward, 1766–1826
Date:: 1797
Materials & Techniques:: Mezzotint on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 22 3/16 × 18 1/4 inches (56.4 × 46.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Dr. Ruth Ivor

208. Hawking: The Falconer. Mr. Sam'l. Northcote of Plymouth

Creator:: Print made by Samuel William Reynolds, 1773–1835
Date:: 1797
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 19 3/4 x 13 7/8in. (50.2 x 35.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

209. The Cryer, Alias the Bell Weather

Creator:: Isaac Cruikshank, 1764–1811
Date:: 1797
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 12 7/8 x 8 7/8in. (32.7 x 22.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

210. Buonaparte at Rome Giving Audience in State

Creator:: Isaac Cruikshank, 1764–1811
Date:: 1797
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 11 1/2 x 15 7/8in. (29.2 x 40.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

211. Nature display'd, shewing the Effect of the change of the Seasons on the Ladies garden

Creator:: James Gillray, 1756–1815
Date:: 1797
Materials & Techniques:: Engraving
Dimensions:: Sheet: 25 3/8 x 19in. (64.5 x 48.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

212. "The Feast of Reason & the Flow of the Soul," - I.E. - The Wits of the Age, Setting the Table in a - Roar.

Creator:: James Gillray, 1756–1815
Date:: 1797
Materials & Techniques:: Engraving
Dimensions:: Sheet: 25 3/8 x 19in. (64.5 x 48.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

213. Turnips & Carrots ho

Creator:: Print made by Thomas Gaugain, 1748–1812
Date:: 1797
Materials & Techniques:: Color printed etching, aquatint, and stipple engraving with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 17 5/8 × 13 3/4 inches (44.8 × 34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

214. The Ins and Outs or the Jesuits treatment of his friends

Creator:: Richard Newton, 1777–1798
Date:: 1797
Materials & Techniques:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

215. Mr. Drummond's Cottage, East Cowes, Isle of Wight

Creator:: Thomas Rowlandson, 1756–1827
Date:: between 1797 and 1800
Materials & Techniques:: Watercolor with pen and gray and red-brown ink over graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 5 3/8 x 18 5/16 inches (13.7 x 46.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

216. Sir John Medina

Creator:: Edward Harding, 1755–1840
Date:: 1797
Materials & Techniques:: Stipple engraving with etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 13 5/8 x 9 13/16 inches (34.6 x 24.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

217. Macklin's Gallery of Modern Paintings

Creator:: unknown artist
Date:: 1797
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

218. Landscape

Creator:: unknown artist
Date:: 1797
Materials & Techniques:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

219. Vauxhall Stairs, from Millbank, July 5, 1797

Creator:: Francis Towne, 1740–1816
Date:: 1797
Materials & Techniques:: Watercolor, pen and brown ink, black ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Mount: 9 9/16 × 11 inches (24.3 × 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

220. The Diplomatic Squad or Harmony Interrupted

Creator:: Charles Ansell, ca.1752–active 1790
Date:: 1797
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 10 1/2 x 17 3/8in. (26.7 x 44.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

221. Look at Me, I'm an Object

Creator:: unknown artist
Date:: 1797
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 9 1/4 x 17in. (23.5 x 43.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

222. The Royal Jasey!! A Sketch For a Vice-Roy!!

Creator:: Isaac Cruikshank, 1764–1811
Date:: 1797
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 12 3/8 x 9 5/8in. (31.4 x 24.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

223. General Buonaparte

Creator:: Isaac Cruikshank, 1764–1811
Date:: 1797
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 9 1/2 x 6 1/2in. (24.1 x 16.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

224. The Dutch in an Uproar or the Batavian Republic Crying for Winter

Creator:: Isaac Cruikshank, 1764–1811
Date:: 1797
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 9 5/16 x 14 1/8in. (23.7 x 35.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

225. Divertions of Purley, Or Opposition Attending Their Private Affairs

Creator:: Isaac Cruikshank, 1764–1811
Date:: 1797
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 10 x 14 3/8in. (25.4 x 36.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

226. The Delegates in Council or Beggars on Horseback

Creator:: Isaac Cruikshank, 1764–1811
Date:: 1797
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 9 1/4 x 13 3/4in. (23.5 x 34.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

227. The Victorious Procession to St. Pauls or Billy's Grand Triumphal, Entry a Prelude

Creator:: Isaac Cruikshank, 1764–1811
Date:: 1797
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 7 x 23in. (17.8 x 58.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

228. The Watchman of the State

Creator:: Isaac Cruikshank, 1764–1811
Date:: 1797
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 5/8 x 12 7/8in. (21.9 x 32.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

229. The Enraged Politician or the Sunday Reformer or a Noble Bellman Crying Stinking Fish

Creator:: Isaac Cruikshank, 1764–1811
Date:: 1797
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 3/4 x 14 1/4in. (22.2 x 36.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

230. The French Bugabo Frightening the Royal Commanders

Creator:: Isaac Cruikshank, 1764–1811
Date:: 1797
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 9 5/8 x 19 1/4in. (24.4 x 48.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

231. A Cure For the Heart Ache!! A New Scotch Reel Altered From the Brunswic Minnet, & The Old Jersey Fig

Creator:: Isaac Cruikshank, 1764–1811
Date:: 1797
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 3/8 x 14 3/4in. (21.3 x 37.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

232. The Budget or John Bull Frightened Out of His (Money) Wits

Creator:: Isaac Cruikshank, 1764–1811
Date:: 1797
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 9 5/8 x 13 7/8in. (24.4 x 35.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

233. William Cavendish, first Duke of Newcastle-upon-Tyne

Creator:: Print made by unknown artist
Date:: 1797
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

234. River Landscape with a Single Arched Bridge

Creator:: John Warwick Smith, 1749–1831
Date:: 1797
Materials & Techniques:: Watercolor and gouache on medium, smooth wove paper mounted on thick slightly textured, cream laid paper
Dimensions:: Sheet: 5 1/8 × 7 5/8 inches (13 × 19.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

235. A Frigate Awaiting a Pilot

Creator:: William Anderson, 1757–1837
Date:: 1797
Materials & Techniques:: Watercolor and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 7/8 x 11 3/4 inches (20 x 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

236. Design for Ardgowan House, Scotland: Principal Floor Plan

Creator:: Claud Cleghorn, active 1797–1800
Date:: 1797
Materials & Techniques:: Pen and black ink, and gray wash on smooth, moderately thick, beige wove paper
Dimensions:: Sheet: 11 1/4 × 16 7/8 inches (28.6 × 42.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

237. Design for Ardgowan House, Scotland: Principal Floor Plan

Creator:: Claud Cleghorn, active 1797–1800
Date:: 1797
Materials & Techniques:: Watercolor, gray wash, and pen and black and brown ink on smooth, moderately thick, beige wove paper
Dimensions:: Sheet: 11 3/16 × 18 9/16 inches (28.4 × 47.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

238. Design for Ardgowan House, Scotland: Chamber Floor Plan

Creator:: Claud Cleghorn, active 1797–1800
Date:: 1797
Materials & Techniques:: Watercolor, gray wash and pen and black and brown ink on smooth, moderately thick, beige wove paper
Dimensions:: Sheet: 11 1/4 × 18 5/8 inches (28.6 × 47.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

239. Design for Ardgowan House, Scotland: Ground Floor Plan

Creator:: Claud Cleghorn, active 1797–1800
Date:: 1797
Materials & Techniques:: Gray wash, pen and black ink, and brown ink on smooth, moderately thick, beige wove paper
Dimensions:: Sheet: 11 1/4 × 18 9/16 inches (28.6 × 47.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

240. Saint Cuthbert's Holy Island

Creator:: Thomas Girtin, 1775–1802
Date:: 1797
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 10 x 12 inches (25.4 x 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

241. Typus, Parcchia Divi Marini vulgi St. Martin's Outwich

Creator:: unknown artist
Date:: 1797
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

242. Princess Charlotte Augusta

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1797
Materials & Techniques:: Stipple engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

243. Jacob's Vision, Genesis 28, v. II

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1797
Materials & Techniques:: Line engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

244. Abraham Entertaining Three Angels, Genesis 18, v. 1

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1797
Materials & Techniques:: Line engraving and stipple engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

245. The Birth of Pyrrhus

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1797
Materials & Techniques:: Stipple engraving and etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

246. View of London from Highgate

Creator:: William Knight, active 1807–1845
Date:: 1797
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

247. Old Houses in Duke Street West Smithfield

Creator:: unknown artist
Date:: 1797
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

248. Entrance of St. George's Road on the Obelisk Turnpike with a View of the Royal Circus

Creator:: unknown artist
Date:: 1797
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

249. Princess Charlotte Augusta

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1797
Materials & Techniques:: Stipple engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

250. The Apotheothis of a Beautiful Female Delineated Under the Emblem of Faith Leading the Soul to Paradise

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1797
Materials & Techniques:: Stipple engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

251. Westminster Bridge

Creator:: Print made by James Walker, 1748–1808
Date:: 1797
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 5/8 × 8 7/8 inches (16.8 × 22.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

252. Hampton Court, Herefordshire

Creator:: Print made by James Walker, 1748–1808
Date:: 1797
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/2 × 10 1/2 inches (21.6 × 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

253. View of Somerset House

Creator:: George Murray, died 1822
Date:: 1797
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

254. West View of Temple Bar

Creator:: Philip Audinet, 1766–1837
Date:: 1797
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

255. View of the Tower

Creator:: Philip Audinet, 1766–1837
Date:: 1797
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

256. Their Royal Highnesses, The Prince & Princess Of Wales

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1797
Materials & Techniques:: Stipple engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

257. Flight Into Egypt

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1797
Materials & Techniques:: Stipple engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

258. Entrance of Piccadilly or Hyde Park Corner Turnpike

Creator:: unknown artist
Date:: 1797
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

259. Near Jack Straw's Castle, Hampstead Heath

Creator:: John Thomas Smith, 1766–1833
Date:: 1797
Materials & Techniques:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

260. Turnips & Carrots ho

Creator:: Print made by Thomas Gaugain, 1748–1812
Date:: 1797
Materials & Techniques:: Color printed etching, aquatint, and stipple engraving with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 1/4 × 12 7/8 inches (41.3 × 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection, Bequest of Doris M. Brixey

261. Arcade of the North Front of the Royal Exchange

Creator:: unknown artist
Date:: 1797
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

262. Near Battle Bridge, Middlesex

Creator:: John Thomas Smith, 1766–1833
Date:: 1797
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

263. Luís Pinto De Sousa Coutinho, Visconde De Balsemão

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1797
Materials & Techniques:: Stipple engraving; early state
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

264. Luís Pinto De Sousa Coutinho, Visconde De Balsemão

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1797
Materials & Techniques:: Stipple engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

265. Cymon and Iphigenia

Creator:: Print made by Francis Haward, 1759–1797
Date:: 1797
Materials & Techniques:: Etching and stipple engraving (second state) on thick, slightly textured, cream laid paper
Dimensions:: Sheet: 19 1/4 × 20 1/4 inches (48.9 × 51.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

266. Lady Hamilton as a Bacchante

Creator:: Print made by Charles Knight, 1743–c.1826
Date:: 1797
Materials & Techniques:: Stipple engraving (first state) on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 14 3/4 × 11 7/16 inches (37.5 × 29.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

267. Vice Admiral Colpoys

Creator:: Richard Earlom, 1743–1822
Date:: 1797
Materials & Techniques:: Mezzotint
Dimensions:: Sheet: 14 1/8 x 20 1/8in. (35.9 x 51.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Mr. and Mrs. J. Richardson Dilworth

268. Turnips and Carrots Ho

Creator:: Thomas Gaugain, 1748–1812
Date:: 1797
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

269. North View of the New Buildings at the Bank of England (page 20, volume 1)

Creator:: Print made by Thomas Prattent, active 1780–1810
Date:: 1797
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

270. Mr. Kemble, of the Theatre Royal, Drury Lane

Creator:: Print made by William Nelson Gardiner, 1766–1814
Date:: 1797
Materials & Techniques:: Stipple engraving and etching, with watercolor on moderately thick, slightly textured, beige card
Dimensions:: Sheet: 8 9/16 × 5 1/2 inches (21.8 × 14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

271. Diligence and Dissipation: The Wanton in her Bed Chamber (Plate 3)

Creator:: Print made by Thomas Gaugain, 1748–1812
Date:: 1797
Materials & Techniques:: Stipple engraving, open letter proofs
Dimensions:: Sheet: 18 1/2 x 20 13/16in. (47 x 52.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

272. Diligence and Dissipation: The Modest Girl in her Bed Chamber (Plate 4)

Creator:: Print made by Thomas Gaugain, 1748–1812
Date:: 1797
Materials & Techniques:: Stipple engraving, open letter proofs
Dimensions:: Sheet: 18 1/8 x 20 13/16in. (46 x 52.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

273. Diligence and Dissipation: Good Advice from an Old Servant to the Young Ones (Plate 2)

Creator:: Print made by Thomas Gaugain, 1748–1812
Date:: 1797
Materials & Techniques:: Stipple engraving, open letter proofs
Dimensions:: Sheet: 18 1/8 x 20 13/16in. (46 x 52.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

274. Diligence and Dissipation: The Modest Girl rejects the Illicit Addresses of her Master (Plate 6)

Creator:: Print made by Thomas Gaugain, 1748–1812
Date:: 1797
Materials & Techniques:: Stipple engraving, open letter proofs
Dimensions:: Sheet: 18 1/8 x 20 13/16in. (46 x 52.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

275. Diligence and Dissipation: The Wanton Revelling with her Companions (Plate7)

Creator:: Print made by Thomas Gaugain, 1748–1812
Date:: 1797
Materials & Techniques:: Stipple engraving, open letter proofs on medium, slightly textured, cream paper mounted on linen
Dimensions:: Sheet: 18 1/8 x 20 13/16in. (46 x 52.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

276. Diligence and Dissipation: The Good Girl Married to her Master/ The Wanton laid in her Grave (Plate 10)

Creator:: Print made by Thomas Gaugain, 1748–1812
Date:: 1797
Materials & Techniques:: Stipple engraving, open letter proofs
Dimensions:: Sheet: 18 1/8 x 20 13/16in. (46 x 52.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

277. Diligence and Dissipation: The Wanton Dying in Poverty and Disease Visited by the Modest Girl (Plate 9)

Creator:: Print made by Thomas Gaugain, 1748–1812
Date:: 1797
Materials & Techniques:: Stipple engraving, open letter proofs
Dimensions:: Sheet: 18 1/8 x 20 13/16in. (46 x 52.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

278. The Return of the Fleet to Great Yarmouth in 1797

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1797
Materials & Techniques:: Watercolor and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 3/4 x 17 inches (27.3 x 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

279. Diligence and Dissipation: The Modest Girl and the Wanton/ Fellow Servants in a Gentleman's House (Plate 1)

Creator:: Print made by Thomas Gaugain, 1748–1812
Date:: 1797
Materials & Techniques:: Stipple engraving, open letter proofs
Dimensions:: Sheet: 18 1/2 x 20 13/16in. (47 x 52.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

280. Diligence and Dissipation: The Wanton turn'd out of Doors for Misconduct (Plate 5)

Creator:: Thomas Gaugain, 1748–1812
Date:: 1797
Materials & Techniques:: Stipple engraving, open letter proofs
Dimensions:: Sheet: 18 1/8 x 20 13/16in. (46 x 52.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

281. Diligene and Dissipation: The Good Girl Receives the Honourable Addresses of her Master (Plate 8)

Creator:: Print made by Thomas Gaugain, 1748–1812
Date:: 1797
Materials & Techniques:: Stipple engraving, open letter proofs
Dimensions:: Sheet: 18 1/8 x 20 13/16in. (46 x 52.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

282. The Horse Feeder

Creator:: George Morland, 1763–1804
Date:: 1797
Materials & Techniques:: Hand colored mezzotint
Dimensions:: Sheet: 18 x 21 3/4in. (45.7 x 55.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

283. The Right Honourable Charlotte Viscountess St. Asaph

Creator:: Print made by Charles Wilkin, 1750–1814
Date:: 1797
Materials & Techniques:: Stipple engraving (proof without letters) on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 17 1/16 × 11 5/8 inches (43.3 × 29.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

284. Inside of a Country Alehouse

Creator:: William Ward, 1766–1826
Date:: 1797
Materials & Techniques:: Mezzotint, hand-colored
Dimensions:: Sheet: 20 5/8 x 25 5/16in. (52.4 x 64.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

285. The Daughters of Sir Thomas Frankland

Creator:: Print made by William Ward, 1766–1826
Date:: 1797
Materials & Techniques:: Mezzotint on thick, rough, cream wove paper
Dimensions:: Sheet: 22 7/8 × 19 inches (58.1 × 48.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

286. The Right Honourable Lady Charlotte Duncombe

Creator:: Print made by Charles Wilkin, 1750–1814
Date:: 1797
Materials & Techniques:: Stipple engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 16 5/16 × 12 1/8 inches (41.4 × 30.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

287. [Fox-hunting] Outside of a Country Alehouse

Creator:: William Ward, 1766–1826
Date:: 1797
Materials & Techniques:: Mezzotint
Dimensions:: Sheet: 18 3/4 x 23 3/8in. (47.6 x 59.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

288. Shanklin Chine, Isle of Wight

Creator:: Paul Sandby Munn, 1773–1845
Date:: 1797
Materials & Techniques:: Gouache over graphite on medium, moderately textured, beige wove paper
Dimensions:: Mount: 15 3/4 x 20 1/8 inches (40 x 51.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

289. Abraham Offering up His Son

Creator:: Robert Dunkarton, 1744–1811
Date:: 1797
Materials & Techniques:: Mezzotint
Dimensions:: Sheet: 23 3/4 x 19 1/2in. (60.3 x 49.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

290. A Fancy Sketch, to the Memory of Shakespeare

Creator:: Print made by George Cruikshank, 1792–1878
Date:: 1797
Materials & Techniques:: Etching
Dimensions:: Image: 6 3/4 x 9 7/8in. (17.1 x 25.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

291. John Smith, D.D.F.S.A.

Creator:: George Siegmund Facius, 1750–1804
Date:: 1797
Materials & Techniques:: Stipple engraving and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 16 11/16 × 12 5/8 inches (42.4 × 32.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

292. The Apotheosis of A Beautiful Female

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1797
Materials & Techniques:: Stipple engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

293. North Front of the Bank

Creator:: unknown artist
Date:: 1797
Materials & Techniques:: Hand colored aquatint on slightly textured, medium, cream wove paper
Dimensions:: Sheet: 16 1/16 × 12 1/16 inches (40.8 × 30.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

294. Cockspur Street

Creator:: unknown artist
Date:: 1797
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 11 7/8 x 15 1/8in. (30.2 x 38.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

295. Blackfriars Bridge

Creator:: unknown artist
Date:: 1797
Materials & Techniques:: Aquatint
Dimensions:: Sheet: 11 9/16 x 15 1/4in. (29.4 x 38.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

296. Daughters of Sir Thomas Frankland

Creator:: William Ward, 1766–1826
Date:: 1797
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 24 × 19 inches (61 × 48.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

297. Daughters of Sir Thomas Frankland

Creator:: William Ward, 1766–1826
Date:: 1797
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream wove paper
Dimensions:: Mount: 25 7/8 × 20 1/2 inches (65.7 × 52.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

298. The Discovery of Prince Arthur's Tomb by the Inscription on the Leaden Cross (Laid down on the same sheet as B1977.14.12069)

Creator:: John Ogborne the Elder, 1755–1795
Date:: 1797
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

299. His Majesty Reviewing His Troops on Black Heath

Creator:: Print made by Robert Pollard, 1755–1838
Date:: 1797
Materials & Techniques:: Aquatint, etching, and line engraving on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 18 13/16 × 28 inches (47.8 × 71.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

300. View in Cool Harbour Lane, Camberwell

Creator:: unknown artist
Date:: 1797
Materials & Techniques:: Aquatint
Dimensions:: Sheet: 4 x 5 3/8in. (10.2 x 13.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Search Constraints

Date 1797

Period 18th century

Search Results

201. Design for Ardgowan House, Scotland: South South East Elevation

202. Design for Ardgowan House, Scotland: North North West Elevation

203. Brechin Cathedral and round tower, Forfarshire, Scotland

204. The Battle of Cape St. Vincent

205. The Distressed Poet

206. Michelham, Surrey

207. The Daughters of Sir Thomas Frankland Bart.

208. Hawking: The Falconer. Mr. Sam'l. Northcote of Plymouth

209. The Cryer, Alias the Bell Weather

210. Buonaparte at Rome Giving Audience in State

211. Nature display'd, shewing the Effect of the change of the Seasons on the Ladies garden

212. "The Feast of Reason & the Flow of the Soul," - I.E. - The Wits of the Age, Setting the Table in a - Roar.

213. Turnips & Carrots ho

214. The Ins and Outs or the Jesuits treatment of his friends

215. Mr. Drummond's Cottage, East Cowes, Isle of Wight

216. Sir John Medina

217. Macklin's Gallery of Modern Paintings

218. Landscape

219. Vauxhall Stairs, from Millbank, July 5, 1797

220. The Diplomatic Squad or Harmony Interrupted

221. Look at Me, I'm an Object

222. The Royal Jasey!! A Sketch For a Vice-Roy!!

223. General Buonaparte

224. The Dutch in an Uproar or the Batavian Republic Crying for Winter

225. Divertions of Purley, Or Opposition Attending Their Private Affairs

226. The Delegates in Council or Beggars on Horseback

227. The Victorious Procession to St. Pauls or Billy's Grand Triumphal, Entry a Prelude

228. The Watchman of the State

229. The Enraged Politician or the Sunday Reformer or a Noble Bellman Crying Stinking Fish

230. The French Bugabo Frightening the Royal Commanders

231. A Cure For the Heart Ache!! A New Scotch Reel Altered From the Brunswic Minnet, & The Old Jersey Fig

232. The Budget or John Bull Frightened Out of His (Money) Wits

233. William Cavendish, first Duke of Newcastle-upon-Tyne

234. River Landscape with a Single Arched Bridge

235. A Frigate Awaiting a Pilot

236. Design for Ardgowan House, Scotland: Principal Floor Plan

237. Design for Ardgowan House, Scotland: Principal Floor Plan

238. Design for Ardgowan House, Scotland: Chamber Floor Plan

239. Design for Ardgowan House, Scotland: Ground Floor Plan

240. Saint Cuthbert's Holy Island

241. Typus, Parcchia Divi Marini vulgi St. Martin's Outwich

242. Princess Charlotte Augusta

243. Jacob's Vision, Genesis 28, v. II

244. Abraham Entertaining Three Angels, Genesis 18, v. 1

245. The Birth of Pyrrhus

246. View of London from Highgate

247. Old Houses in Duke Street West Smithfield

248. Entrance of St. George's Road on the Obelisk Turnpike with a View of the Royal Circus

249. Princess Charlotte Augusta

250. The Apotheothis of a Beautiful Female Delineated Under the Emblem of Faith Leading the Soul to Paradise

251. Westminster Bridge

252. Hampton Court, Herefordshire

253. View of Somerset House

254. West View of Temple Bar

255. View of the Tower

256. Their Royal Highnesses, The Prince & Princess Of Wales

257. Flight Into Egypt

258. Entrance of Piccadilly or Hyde Park Corner Turnpike

259. Near Jack Straw's Castle, Hampstead Heath

260. Turnips & Carrots ho

261. Arcade of the North Front of the Royal Exchange

262. Near Battle Bridge, Middlesex

263. Luís Pinto De Sousa Coutinho, Visconde De Balsemão

264. Luís Pinto De Sousa Coutinho, Visconde De Balsemão

265. Cymon and Iphigenia

266. Lady Hamilton as a Bacchante

267. Vice Admiral Colpoys

268. Turnips and Carrots Ho

269. North View of the New Buildings at the Bank of England (page 20, volume 1)

270. Mr. Kemble, of the Theatre Royal, Drury Lane

271. Diligence and Dissipation: The Wanton in her Bed Chamber (Plate 3)

272. Diligence and Dissipation: The Modest Girl in her Bed Chamber (Plate 4)

273. Diligence and Dissipation: Good Advice from an Old Servant to the Young Ones (Plate 2)

274. Diligence and Dissipation: The Modest Girl rejects the Illicit Addresses of her Master (Plate 6)