Date: 1797 - YCBA Collections Search Search Results

301. Sir John Medina

Creator:: Edward Harding, 1755–1840
Date:: 1797
Materials & Techniques:: Stipple engraving with etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 13 5/8 x 9 13/16 inches (34.6 x 24.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

302. Macklin's Gallery of Modern Paintings

Creator:: unknown artist
Date:: 1797
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

303. Turnips & Carrots ho

Creator:: Print made by Thomas Gaugain, 1748–1812
Date:: 1797
Materials & Techniques:: Color printed etching, aquatint, and stipple engraving with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 1/4 × 12 7/8 inches (41.3 × 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection, Bequest of Doris M. Brixey

304. Arcade of the North Front of the Royal Exchange

Creator:: unknown artist
Date:: 1797
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

305. Near Battle Bridge, Middlesex

Creator:: John Thomas Smith, 1766–1833
Date:: 1797
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

306. View of Somerset House

Creator:: George Murray, died 1822
Date:: 1797
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

307. West View of Temple Bar

Creator:: Philip Audinet, 1766–1837
Date:: 1797
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

308. Plumstead, Kent

Creator:: unknown artist
Date:: 1797
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

309. View of the Tower

Creator:: Philip Audinet, 1766–1837
Date:: 1797
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

310. Mrs. Morland's Portrait

Creator:: James Ward, 1769–1859
Date:: ca. 1802
Materials & Techniques:: Watercolor over graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 1/2 x 4 1/2 inches (19.1 x 11.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

311. Flint, from Park-Gate

Creator:: Print made by John Walker, active 1792–1803
Date:: 1797
Materials & Techniques:: Etching and engraving; first published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 × 10 inches (20.3 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

312. Westminster Bridge

Creator:: Print made by James Walker, 1748–1808
Date:: 1797
Materials & Techniques:: Etching and engraving; first published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/2 × 10 inches (19.1 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

313. Hampton Court Palace, Herefordshire

Creator:: Print made by James Walker, 1748–1808
Date:: 1797
Materials & Techniques:: Etching and engraving; first published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 3/8 × 10 inches (18.7 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

314. Carlisle

Creator:: Print made by James Walker, 1748–1808
Date:: 1797
Materials & Techniques:: Etching and engraving; first published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 5/8 × 10 3/4 inches (19.4 × 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

315. Ely

Creator:: Print made by James Walker, 1748–1808
Date:: 1797
Materials & Techniques:: Etching and engraving; first published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 5/8 × 10 inches (19.4 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

316. Elgin Cathedral, Morayshire

Creator:: Print made by James Walker, 1748–1808
Date:: 1797
Materials & Techniques:: Etching and engraving; second published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 × 10 1/8 inches (20.3 × 25.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

317. Grantham Church

Creator:: Print made by Bartholomew Howlett, 1767–1827
Date:: 1797
Materials & Techniques:: Etching and engraving; first published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/2 × 12 3/8 inches (24.1 × 31.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

318. River Scene with Boy and Sheep

Creator:: William Havell, 1782–1857
Date:: undated
Materials & Techniques:: Watercolor over graphite with gum on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 11 1/8 × 15 5/8 inches (28.3 × 39.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

319. Welsh Landscape

Creator:: Attributed to William Havell, 1782–1857
Date:: undated
Materials & Techniques:: Watercolor on moderately thick, rough, cream wove paper
Dimensions:: Sheet: 4 1/2 × 6 inches (11.4 × 15.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

320. Farmyard Animals: Tribulation

Creator:: Julius Caesar Ibbetson, 1759–1817
Date:: 1797
Materials & Techniques:: Watercolor and pen and gray ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 5/8 × 11 1/4 inches (21.9 × 28.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

321. The Seine with Notre Dame

Creator:: Frederick Nash, 1782–1856
Date:: undated
Materials & Techniques:: Watercolor, gouache, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 15/16 × 10 3/4 inches (17.6 × 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

322. Bridge over the Severn at Newtown, Looking up the River

Creator:: Thomas Sunderland, 1744–1828
Date:: 1797
Materials & Techniques:: Graphite, pen and brown ink, gray wash, and blue wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 3/8 × 10 3/4 inches (18.7 × 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

323. A Group of Trees by a Fence

Creator:: John Sell Cotman, 1782–1842
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 9 7/8 x 7 3/4 inches (25.1 x 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

324. Diligence and Dissipation: Good Advice from an Old Servant to the Young Ones (Plate 2)

Creator:: Print made by Thomas Gaugain, 1748–1812
Date:: 1797
Materials & Techniques:: Stipple engraving, open letter proofs
Dimensions:: Sheet: 18 1/8 x 20 13/16in. (46 x 52.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

325. Diligence and Dissipation: The Modest Girl rejects the Illicit Addresses of her Master (Plate 6)

Creator:: Print made by Thomas Gaugain, 1748–1812
Date:: 1797
Materials & Techniques:: Stipple engraving, open letter proofs
Dimensions:: Sheet: 18 1/8 x 20 13/16in. (46 x 52.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

326. Diligence and Dissipation: The Modest Girl and the Wanton/ Fellow Servants in a Gentleman's House (Plate 1)

Creator:: Print made by Thomas Gaugain, 1748–1812
Date:: 1797
Materials & Techniques:: Stipple engraving, open letter proofs
Dimensions:: Sheet: 18 1/2 x 20 13/16in. (47 x 52.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

327. Diligence and Dissipation: The Wanton turn'd out of Doors for Misconduct (Plate 5)

Creator:: Thomas Gaugain, 1748–1812
Date:: 1797
Materials & Techniques:: Stipple engraving, open letter proofs
Dimensions:: Sheet: 18 1/8 x 20 13/16in. (46 x 52.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

328. Diligence and Dissipation: The Good Girl Receives the Honourable Addresses of her Master (Plate 8)

Creator:: Print made by Thomas Gaugain, 1748–1812
Date:: 1797
Materials & Techniques:: Stipple engraving, open letter proofs
Dimensions:: Sheet: 18 1/8 x 20 13/16in. (46 x 52.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

329. Diligence and Dissipation: The Wanton in her Bed Chamber (Plate 3)

Creator:: Print made by Thomas Gaugain, 1748–1812
Date:: 1797
Materials & Techniques:: Stipple engraving, open letter proofs
Dimensions:: Sheet: 18 1/2 x 20 13/16in. (47 x 52.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

330. Diligence and Dissipation: The Modest Girl in her Bed Chamber (Plate 4)

Creator:: Print made by Thomas Gaugain, 1748–1812
Date:: 1797
Materials & Techniques:: Stipple engraving, open letter proofs
Dimensions:: Sheet: 18 1/8 x 20 13/16in. (46 x 52.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

331. Diligence and Dissipation: The Wanton Revelling with her Companions (Plate7)

Creator:: Print made by Thomas Gaugain, 1748–1812
Date:: 1797
Materials & Techniques:: Stipple engraving, open letter proofs on medium, slightly textured, cream paper mounted on linen
Dimensions:: Sheet: 18 1/8 x 20 13/16in. (46 x 52.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

332. Diligence and Dissipation: The Wanton Dying in Poverty and Disease Visited by the Modest Girl (Plate 9)

Creator:: Print made by Thomas Gaugain, 1748–1812
Date:: 1797
Materials & Techniques:: Stipple engraving, open letter proofs
Dimensions:: Sheet: 18 1/8 x 20 13/16in. (46 x 52.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

333. Diligence and Dissipation: The Good Girl Married to her Master/ The Wanton laid in her Grave (Plate 10)

Creator:: Print made by Thomas Gaugain, 1748–1812
Date:: 1797
Materials & Techniques:: Stipple engraving, open letter proofs
Dimensions:: Sheet: 18 1/8 x 20 13/16in. (46 x 52.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

334. View of Totnes, Devon

Creator:: William Havell, 1782–1857
Date:: undated
Materials & Techniques:: Watercolor, gouache, and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 9 7/8 × 16 1/4 inches (25.1 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

335. Haymakers in a Field

Creator:: George Robert Lewis, 1782–1871
Date:: undated
Materials & Techniques:: Watercolor and graphite, with scratching out on Thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 x 11 15/16in. (20.3 x 30.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

336. Herstmonceux Castle from the South

Creator:: William Henry Brooke, 1772–1860
Date:: undated
Materials & Techniques:: Engraving on smooth, moderately thick, cream wove paper
Dimensions:: Sheet: 5 1/2 × 8 5/8 inches (14 × 21.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

337. The Spoiled Child, Scene I

Creator:: Lewis Vaslet, 1742–1808
Date:: ca. 1802
Materials & Techniques:: Watercolor with black ink and gray wash over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 3/8 × 20 1/8 inches (39 × 51.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

338. The Spoiled Child, Scene V

Creator:: Lewis Vaslet, 1742–1808
Date:: ca. 1802
Materials & Techniques:: Watercolor with black ink and gray wash over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 1/2 × 19 5/8 inches (39.4 × 49.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

339. The Spoiled Child, Scene III

Creator:: Lewis Vaslet, 1742–1808
Date:: ca. 1802
Materials & Techniques:: Watercolor with black ink and gray wash over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 1/2 x 19 1/2 inches (39.3 x 49.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

340. The Spoiled Child, Scene IV

Creator:: Lewis Vaslet, 1742–1808
Date:: ca. 1802
Materials & Techniques:: Watercolor with black ink and gray wash over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 1/2 × 19 1/8 inches (39.4 × 48.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

341. The Spoiled Child, Scene II

Creator:: Lewis Vaslet, 1742–1808
Date:: ca. 1802
Materials & Techniques:: Watercolor with black ink and gray wash over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 3/8 x 20 3/8 inches (39.1 x 51.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

342. The Spoiled Child, Scene VI

Creator:: Lewis Vaslet, 1742–1808
Date:: ca. 1802
Materials & Techniques:: Watercolor with black ink and gray wash over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 × 19 5/8 inches (38.1 × 49.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

343. A Village Fair

Creator:: Thomas Uwins, 1782–1857
Date:: undated
Materials & Techniques:: Graphite on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 4 7/8 × 10 5/16 inches (12.4 × 26.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

344. Hinton St. George, Somerset: View of the Saloon

Creator:: Sir John Soane, 1753–1837
Date:: 1797
Materials & Techniques:: Graphite, pen and black and brown ink and watercolor on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 9 1/4 x 14 15/16 inches (23.5 x 37.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

345. Clare Castle, Suffolk

Creator:: Michael "Angelo" Rooker, 1746–1801
Date:: between 1797 and 1800
Materials & Techniques:: Watercolor and graphite with pen and black ink on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 6 1/4 x 8 3/8 inches (15.9 x 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

346. View of Side Farm, Patterdale

Creator:: Paul Sandby Munn, 1773–1845
Date:: ca. 1802
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 3/8 x 13 5/16in. (21.3 x 33.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

347. Rocks with Central Cavern Among Trees

Creator:: James Baynes, 1766–1837
Date:: 1797
Materials & Techniques:: Watercolor, pen and black ink, with traces of grouche and graphite on medium, moderately textured, gray laid paper
Dimensions:: Sheet: 11 11/16 × 18 15/16 inches (29.7 × 48.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

348. A Horse pulling a Drag

Creator:: Cornelius Varley, 1781–1873
Date:: undated
Materials & Techniques:: Brown wash, pen and black ink and graphite on medium, slightly textured, cream wove paper mounted on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 7/8 x 9 3/8in. (14.9 x 23.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

349. The Entrance to Chepstow Castle

Creator:: Paul Sandby, 1731–1809
Date:: ca. 1802
Materials & Techniques:: Gouache and watercolor with graphite on thick, rough, cream wove paper
Dimensions:: Sheet: 5 3/4 x 7 inches (14.6 x 17.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

350. Farm House Kitchen at Brackham in Surrey

Creator:: Thomas Uwins, 1782–1857
Date:: undated
Materials & Techniques:: Watercolor over graphite; verso: graphite and red chalk on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 10 1/2 × 15 inches (26.7 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

351. Ambulatory, Westminster Abbey

Creator:: Frederick Nash, 1782–1856
Date:: undated
Materials & Techniques:: Watercolor and graphite with pen and brown ink on medium, slightly textured, cream wove paper mounted on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/8 × 12 5/8 inches (23.2 × 32.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

352. Apsley House and Piccadilly ... from Hyde Park Corner

Creator:: Frederick Nash, 1782–1856
Date:: undated
Materials & Techniques:: Watercolor and graphite, with scratching out on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/8 x 11 3/4in. (18.1 x 29.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

353. River Landscape with a Single Arched Bridge

Creator:: John Warwick Smith, 1749–1831
Date:: 1797
Materials & Techniques:: Watercolor and gouache on medium, smooth wove paper mounted on thick slightly textured, cream laid paper
Dimensions:: Sheet: 5 1/8 × 7 5/8 inches (13 × 19.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

354. The Town Cryer, in Search of John Bull's Lost Property

Creator:: William O'Keefe, active 1794–1807
Date:: 1797
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 12 1/8 x 8 1/2in. (30.8 x 21.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

355. The Taxman's Visit, (vide) the Devil will have his Due

Creator:: William O'Keefe, active 1794–1807
Date:: 1797
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 9 13/16 x 14in. (25 x 35.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

356. Ducking a Pickpocket

Creator:: William O'Keefe, active 1794–1807
Date:: 1797
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 3/4 x 12 1/2in. (22.2 x 31.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

357. Maiden Speeches in the New Parliament of 1796 (Plate I)

Creator:: John Nixon, ca. 1760–1818
Date:: 1797
Materials & Techniques:: Etching & aquatint
Dimensions:: Sheet: 16 3/4 x 13 1/4in. (42.5 x 33.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

358. John Bull Caught at his last Luxury

Creator:: unknown artist
Date:: 1797
Materials & Techniques:: Etching & aquatint, hand-colored
Dimensions:: Sheet: 9 1/2 x 14 1/4in. (24.1 x 36.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

359. Making Scotchmen!

Creator:: unknown artist
Date:: 1797
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 11 5/8 x 15 1/4in. (29.5 x 38.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

360. If Flesh be Grass, or Moral Writers Say, Great W----- must make a loan of Hay!-----in like proportion, we may understand, Poor P- will scarcely make a Green Hay Band!!

If Flesh be Grass, or Moral Writers Say, Great W----- must make a loan of Hay!-----in like proportion, we may understand, Poor P- will scarcely make a Green Hay Band!!

Creator:: unknown artist
Date:: 1797
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 9 5/8 x 13 3/4in. (24.4 x 34.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

361. Tears of Sensibility - Sympathy a Poem - Let's All be Unhappy Together - i.e. - The Wig Club in Distress etc. etc.

Creator:: Charles Ansell, ca.1752–active 1790
Date:: 1797
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 9 x 15 3/4in. (22.9 x 40cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art

362. A View of Pont Neuf, the Mint, etc.

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1802
Materials & Techniques:: Graphite tracing on thin, brown, laid paper
Dimensions:: Sheet: 8 1/4 × 21 inches (21 × 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

363. Wooded Upland Landscape with Riders and Packhorse

Creator:: Print made by Thomas Gainsborough, 1727–1788
Date:: 1797
Materials & Techniques:: Mezzotint and drypoint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/8 × 18 3/8 inches (35.9 × 46.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

364. Set of Six Views in London, (Turn Pike series)

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1797
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

365. Saint Cuthbert's Holy Island

Creator:: Thomas Girtin, 1775–1802
Date:: 1797
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 10 x 12 inches (25.4 x 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

366. The Church of St. John, Peronne (Somme)

Creator:: John Sell Cotman, 1782–1842
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 7/8 × 10 3/8 inches (20 × 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The William K. Rose and Eugene A. Carroll Collection

367. Sketch for the Eidometropolis: Panorama, Great Surrey Street and Christchurch, Southwark

Creator:: Thomas Girtin, 1775–1802
Date:: between 1797 and 1802
Materials & Techniques:: Graphite and pen and brown ink, squared for transfer on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/2 x 19 3/4 inches (29.2 x 50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

368. The Old Bridge in Devon

Creator:: Thomas Girtin, 1775–1802
Date:: between 1797 and 1801
Materials & Techniques:: Watercolor, pen and brown ink, gouache and graphite on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 8 5/8 × 11 5/8 inches (21.9 × 29.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

369. The Bridal-Night

Creator:: James Gillray, 1756–1815
Date:: 1797
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 11 1/4 x 17 1/4in. (28.6 x 43.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

370. The French Bugabo Frightening the Royal Commanders

Creator:: Isaac Cruikshank, 1764–1811
Date:: 1797
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 9 5/8 x 19 1/4in. (24.4 x 48.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

371. The Budget or John Bull Frightened Out of His (Money) Wits

Creator:: Isaac Cruikshank, 1764–1811
Date:: 1797
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 9 5/8 x 13 7/8in. (24.4 x 35.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

372. A Cure For the Heart Ache!! A New Scotch Reel Altered From the Brunswic Minnet, & The Old Jersey Fig

Creator:: Isaac Cruikshank, 1764–1811
Date:: 1797
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 3/8 x 14 3/4in. (21.3 x 37.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

373. Buonaparte at Rome Giving Audience in State

Creator:: Isaac Cruikshank, 1764–1811
Date:: 1797
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 11 1/2 x 15 7/8in. (29.2 x 40.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

374. Phalaena Quernaria. Quercus Rubra (American Oak Beauty, Northern Red Oak), Plate 103 from James Edward Smith, the 'Natural History of the Rarer Lepidopterous Insects of Georgia', London, 1797

Phalaena Quernaria. Quercus Rubra (American Oak Beauty, Northern Red Oak), Plate 103 from James Edward Smith, the 'Natural History of the Rarer Lepidopterous Insects of Georgia', London, 1797

Creator:: Print made by John Harris the elder, 1767–1832
Date:: 1797
Materials & Techniques:: Engraving with original hand color on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 x 12 1/8 inches (40.6 x 30.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of John D. Viener, Yale AB 1961

375. Phalaena Aceris. Acer Rubrum (Grey Maple Moth, Red Maple), Plate 93 from James Edward Smith, the 'Natural History of the Rarer Lepidopterous Insects of Georgia', London, 1797

Phalaena Aceris. Acer Rubrum (Grey Maple Moth, Red Maple), Plate 93 from James Edward Smith, the 'Natural History of the Rarer Lepidopterous Insects of Georgia', London, 1797

Creator:: Print made by John Harris the elder, 1767–1832
Date:: 1797
Materials & Techniques:: Engraving with original hand coloring on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 x 12 1/4 inches (40.6 x 31.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of John D. Viener, Yale AB 1961

376. Turnips and Carrots

Creator:: Thomas Gaugain, 1748–1812
Date:: 1797
Materials & Techniques:: Etching and aquatint; proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 14 1/4 inches (46.4 x 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

377. The Ins and Outs or the Jesuits treatment of his friends

Creator:: Richard Newton, 1777–1798
Date:: 1797
Materials & Techniques:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

378. William Cavendish, first Duke of Newcastle-upon-Tyne

Creator:: Print made by unknown artist
Date:: 1797
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

379. Landscape

Creator:: unknown artist
Date:: 1797
Materials & Techniques:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

380. Embellished under the effects of.......

Creator:: unknown artist
Date:: 1797
Materials & Techniques:: Engraving
Dimensions:: Sheet: 2 7/8 x 3 1/16in. (7.3 x 7.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Michael Zinman

381. Waterfall in a Desolate Landscape

Creator:: John Sell Cotman, 1782–1842
Date:: undated
Materials & Techniques:: Watercolor on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 8 5/8 x 13 5/8 inches (21.9 x 34.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Michael D. Coe, Yale MAH 1968

382. Milton

Creator:: George Quinton, born 1779
Date:: 1797
Materials & Techniques:: Engraving
Dimensions:: Sheet: 7 13/16 x 10 11/16in. (19.8 x 27.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of David M. Doret in memory of William Ferguson

383. Samuel Johnson

Creator:: Granger, active 1800
Date:: 1797
Materials & Techniques:: Engraving
Dimensions:: Sheet: 5 1/2 x 3 1/2in. (14 x 8.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Herman W. Liebert

384. Samuel Johnson

Creator:: Granger, active 1800
Date:: 1797
Materials & Techniques:: Engraving
Dimensions:: Sheet: 6 x 3 3/4in. (15.2 x 9.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Herman W. Liebert

385. The Right Honourable William Pitt

Creator:: John Young, 1755–1825
Date:: 1797
Materials & Techniques:: Mezzotint
Dimensions:: Sheet: 14 7/16 x 10 1/2in. (36.7 x 26.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Susan L. Darling in Memory of Arthur Burr Darling, Yale 1916

386. Set a Thief to Catch a Thief

Creator:: unknown artist
Date:: ca. 1802
Materials & Techniques:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

387. Nature display'd, shewing the Effect of the change of the Seasons on the Ladies garden

Creator:: James Gillray, 1756–1815
Date:: 1797
Materials & Techniques:: Engraving
Dimensions:: Sheet: 25 3/8 x 19in. (64.5 x 48.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

388. "The Feast of Reason & the Flow of the Soul," - I.E. - The Wits of the Age, Setting the Table in a - Roar.

Creator:: James Gillray, 1756–1815
Date:: 1797
Materials & Techniques:: Engraving
Dimensions:: Sheet: 25 3/8 x 19in. (64.5 x 48.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

389. Turnips & Carrots ho

Creator:: Print made by Thomas Gaugain, 1748–1812
Date:: 1797
Materials & Techniques:: Color printed etching, aquatint, and stipple engraving with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 17 5/8 × 13 3/4 inches (44.8 × 34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

390. Mr. Drummond's Cottage, East Cowes, Isle of Wight

Creator:: Thomas Rowlandson, 1756–1827
Date:: between 1797 and 1800
Materials & Techniques:: Watercolor with pen and gray and red-brown ink over graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 5 3/8 x 18 5/16 inches (13.7 x 46.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

391. Carnarvon Castle, North Wales

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1797
Materials & Techniques:: Watercolor with pen and gray ink over graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 5 1/2 x 16 1/8 inches (14 x 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

392. Entrance to Festiniog, Wales

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1797
Materials & Techniques:: Watercolor with pen and gray and black ink over graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 5 5/8 x 16 3/8 inches (14.3 x 41.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

393. Newport High Street, Isle of Wight

Creator:: Thomas Rowlandson, 1756–1827
Date:: between 1797 and 1800
Materials & Techniques:: Watercolor with pen and black and gray ink over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/4 x 18 7/16 inches (13.3 x 46.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

394. A Burial at Carisbrooke, Isle of Wight

Creator:: Thomas Rowlandson, 1756–1827
Date:: between 1797 and 1800
Materials & Techniques:: Pen and black ink, brown ink, blue wash, gray wash, and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 5 3/8 x 17 1/2 inches (13.7 x 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

395. Brechin Cathedral and round tower, Forfarshire, Scotland

Creator:: Edward Dayes, 1763–1804
Date:: 1797
Materials & Techniques:: Watercolor, pen and brown ink over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 1/4 × 6 inches (10.8 × 15.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

396. Winter

Creator:: Richard Corbould, 1757–1831
Date:: ca. 1802
Materials & Techniques:: Watercolor, graphite, and pen and black ink on medium, moderately textured, beige wove paper
Dimensions:: Sheet: 6 3/4 × 5 inches (17.1 × 12.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

397. Portrait of a Lady Standing near a Lake

Creator:: Richard Cosway, 1742–1821
Date:: ca. 1802
Materials & Techniques:: Graphite and watercolor on medium, smooth, cream wove paper
Dimensions:: Sheet: 11 1/4 x 8 3/8 inches (28.6 x 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

398. Craig y Ladron - The Thieves Precipice

Creator:: John Warwick Smith, 1749–1831
Date:: 1797
Materials & Techniques:: Watercolor and graphite with pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/2 x 9 1/8 inches (14 x 23.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

399. The Battle of Cape St. Vincent

Creator:: Robert Cleveley, 1747–1809
Date:: 1797
Materials & Techniques:: Watercolor, graphite and black ink on medium, moderately thick, beige wove paper
Dimensions:: Sheet: 4 1/8 x 8in. (10.5 x 20.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

400. Design for Ardgowan House, Scotland: Ground Floor Plan

Creator:: Claud Cleghorn, active 1797–1800
Date:: 1797
Materials & Techniques:: Gray wash, pen and black ink, and brown ink on smooth, moderately thick, beige wove paper
Dimensions:: Sheet: 11 1/4 × 18 9/16 inches (28.6 × 47.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Date 1797

Search Results

301. Sir John Medina

302. Macklin's Gallery of Modern Paintings

303. Turnips & Carrots ho

304. Arcade of the North Front of the Royal Exchange

305. Near Battle Bridge, Middlesex

306. View of Somerset House

307. West View of Temple Bar

308. Plumstead, Kent

309. View of the Tower

310. Mrs. Morland's Portrait

311. Flint, from Park-Gate

312. Westminster Bridge

313. Hampton Court Palace, Herefordshire

314. Carlisle

315. Ely

316. Elgin Cathedral, Morayshire

317. Grantham Church

318. River Scene with Boy and Sheep

319. Welsh Landscape

320. Farmyard Animals: Tribulation

321. The Seine with Notre Dame

322. Bridge over the Severn at Newtown, Looking up the River

323. A Group of Trees by a Fence

324. Diligence and Dissipation: Good Advice from an Old Servant to the Young Ones (Plate 2)

325. Diligence and Dissipation: The Modest Girl rejects the Illicit Addresses of her Master (Plate 6)

326. Diligence and Dissipation: The Modest Girl and the Wanton/ Fellow Servants in a Gentleman's House (Plate 1)

327. Diligence and Dissipation: The Wanton turn'd out of Doors for Misconduct (Plate 5)

328. Diligence and Dissipation: The Good Girl Receives the Honourable Addresses of her Master (Plate 8)

329. Diligence and Dissipation: The Wanton in her Bed Chamber (Plate 3)

330. Diligence and Dissipation: The Modest Girl in her Bed Chamber (Plate 4)

331. Diligence and Dissipation: The Wanton Revelling with her Companions (Plate7)

332. Diligence and Dissipation: The Wanton Dying in Poverty and Disease Visited by the Modest Girl (Plate 9)

333. Diligence and Dissipation: The Good Girl Married to her Master/ The Wanton laid in her Grave (Plate 10)

334. View of Totnes, Devon

335. Haymakers in a Field

336. Herstmonceux Castle from the South

337. The Spoiled Child, Scene I

338. The Spoiled Child, Scene V

339. The Spoiled Child, Scene III

340. The Spoiled Child, Scene IV

341. The Spoiled Child, Scene II

342. The Spoiled Child, Scene VI

343. A Village Fair

344. Hinton St. George, Somerset: View of the Saloon

345. Clare Castle, Suffolk

346. View of Side Farm, Patterdale

347. Rocks with Central Cavern Among Trees

348. A Horse pulling a Drag

349. The Entrance to Chepstow Castle

350. Farm House Kitchen at Brackham in Surrey

351. Ambulatory, Westminster Abbey

352. Apsley House and Piccadilly ... from Hyde Park Corner

353. River Landscape with a Single Arched Bridge

354. The Town Cryer, in Search of John Bull's Lost Property

355. The Taxman's Visit, (vide) the Devil will have his Due

356. Ducking a Pickpocket

357. Maiden Speeches in the New Parliament of 1796 (Plate I)

358. John Bull Caught at his last Luxury

359. Making Scotchmen!

360. If Flesh be Grass, or Moral Writers Say, Great W----- must make a loan of Hay!-----in like proportion, we may understand, Poor P- will scarcely make a Green Hay Band!!

361. Tears of Sensibility - Sympathy a Poem - Let's All be Unhappy Together - i.e. - The Wig Club in Distress etc. etc.

362. A View of Pont Neuf, the Mint, etc.

363. Wooded Upland Landscape with Riders and Packhorse

364. Set of Six Views in London, (Turn Pike series)

365. Saint Cuthbert's Holy Island

366. The Church of St. John, Peronne (Somme)

367. Sketch for the Eidometropolis: Panorama, Great Surrey Street and Christchurch, Southwark

368. The Old Bridge in Devon

369. The Bridal-Night

370. The French Bugabo Frightening the Royal Commanders

371. The Budget or John Bull Frightened Out of His (Money) Wits

372. A Cure For the Heart Ache!! A New Scotch Reel Altered From the Brunswic Minnet, & The Old Jersey Fig

373. Buonaparte at Rome Giving Audience in State

374. Phalaena Quernaria. Quercus Rubra (American Oak Beauty, Northern Red Oak), Plate 103 from James Edward Smith, the 'Natural History of the Rarer Lepidopterous Insects of Georgia', London, 1797

375. Phalaena Aceris. Acer Rubrum (Grey Maple Moth, Red Maple), Plate 93 from James Edward Smith, the 'Natural History of the Rarer Lepidopterous Insects of Georgia', London, 1797