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Date 1797

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William Blake 'The goddess bursts in thunder and in flame' (Page 95)
Print made by William Blake, 1757–1827
'The goddess bursts in thunder and in flame' (Page 95)
1797
William Blake The Christian Triumph; Title Page
Print made by William Blake, 1757–1827
The Christian Triumph; Title Page
1797
William Blake 'Teaching, we learn; and giving, we retain' (Page 35)
Print made by William Blake, 1757–1827
'Teaching, we learn; and giving, we retain' (Page 35)
1797
William Blake 'Love, and love only, is the loan for love' (Page 37)
Print made by William Blake, 1757–1827
'Love, and love only, is the loan for love' (Page 37)
1797
William Blake 'Angels should paint it, angels ever there' (Page 40)
Print made by William Blake, 1757–1827
'Angels should paint it, angels ever there' (Page 40)
1797
William Blake 'One radiant mark, – the death-bed of the just' (Page 41)
Print made by William Blake, 1757–1827
'One radiant mark, – the death-bed of the just' (Page 41)
1797
William Blake Night the Third. Narcissa; Title Page
Print made by William Blake, 1757–1827
Night the Third. Narcissa; Title Page
1797
William Blake 'Where sense runs savage broke from reason's chain' (Page 46)
Print made by William Blake, 1757–1827
'Where sense runs savage broke from reason's chain' (Page 46)
1797
William Blake 'As if the sun could envy, check'd his beam' (Page 49)
Print made by William Blake, 1757–1827
'As if the sun could envy, check'd his beam' (Page 49)
1797
William Blake 'The vale of death! that hush'd cimmerian vale' (Page 54)
Print made by William Blake, 1757–1827
'The vale of death! that hush'd cimmerian vale' (Page 54)
1797
William Blake 'Ungrateful, shall we grieve their hovering shades' (Page 55)
Print made by William Blake, 1757–1827
'Ungrateful, shall we grieve their hovering shades' (Page 55)
1797
William Blake 'Trembling each gulp, lest death should snatch the bowl' (Page 57)
Print made by William Blake, 1757–1827
'Trembling each gulp, lest death should snatch the bowl' (Page 57)
1797
William Blake 'This King of Terrors is the Prince of Peace' (Page 63)
Print made by William Blake, 1757–1827
'This King of Terrors is the Prince of Peace' (Page 63)
1797
William Blake 'Till death, that mighty hunter, earths them all' (Page 70)
Print made by William Blake, 1757–1827
'Till death, that mighty hunter, earths them all' (Page 70)
1797
William Blake 'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
Print made by William Blake, 1757–1827
'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
1797
William Blake 'The Sun beheld it – No, the shocking scene' (Page 75)
Print made by William Blake, 1757–1827
'The Sun beheld it – No, the shocking scene' (Page 75)
1797
William Blake 'The thunder, if in that the Almighty dwells' (Page 80)
Print made by William Blake, 1757–1827
'The thunder, if in that the Almighty dwells' (Page 80)
1797
William Blake 'His hand the good man fastens on the skies' (Page 86)
Print made by William Blake, 1757–1827
'His hand the good man fastens on the skies' (Page 86)
1797
William Blake 'Disease invades the chastest temperence' (Page 10)
Print made by William Blake, 1757–1827
'Disease invades the chastest temperence' (Page 10)
1797
William Blake 'Its favours here are trials, not rewards' (Page 12)
Print made by William Blake, 1757–1827
'Its favours here are trials, not rewards' (Page 12)
1797
William Blake 'The present moment terminates our sight' (Page 13)
Print made by William Blake, 1757–1827
'The present moment terminates our sight' (Page 13)
1797
William Blake 'The longest night though longer far, would fail' (Page 15)
Print made by William Blake, 1757–1827
'The longest night though longer far, would fail' (Page 15)
1797
William Blake 'Emblem of that which shall awake the dead' (Page 19)
Print made by William Blake, 1757–1827
'Emblem of that which shall awake the dead' (Page 19)
1797
William Blake Night the Second. On Time, Death, and Friendship; Title Page (Page 17)
Print made by William Blake, 1757–1827
Night the Second. On Time, Death, and Friendship; Title Page (Page 17)
1797
William Blake 'We censure nature for a span too short' (Page 23)
Print made by William Blake, 1757–1827
'We censure nature for a span too short' (Page 23)
1797
William Blake 'Behold him, when past by; what then is seen' (Page 25)
Print made by William Blake, 1757–1827
'Behold him, when past by; what then is seen' (Page 25)
1797
William Blake 'O treacherous conscience! while she seems to sleep" (Page 27)
Print made by William Blake, 1757–1827
'O treacherous conscience! while she seems to sleep" (Page 27)
1797
William Blake 'Tis greatly wise to talk with our past hours' (Page 31)
Print made by William Blake, 1757–1827
'Tis greatly wise to talk with our past hours' (Page 31)
1797
William Blake 'Like that, the dial speaks; and points to thee' (Page 33)
Print made by William Blake, 1757–1827
'Like that, the dial speaks; and points to thee' (Page 33)
1797
William Blake 'Is lost in love! thou great Philanthropist' (Page 87)
Print made by William Blake, 1757–1827
'Is lost in love! thou great Philanthropist' (Page 87)
1797
William Blake 'That touch, with charm celestial heals the soul' (Page 90)
Print made by William Blake, 1757–1827
'That touch, with charm celestial heals the soul' (Page 90)
1797
William Blake 'When faith is virtue, reason makes it so' (Page 92)
Print made by William Blake, 1757–1827
'When faith is virtue, reason makes it so' (Page 92)
1797
William Blake 'If angels tremble, 'tis at such a sight' (Page 93)
Print made by William Blake, 1757–1827
'If angels tremble, 'tis at such a sight' (Page 93)
1797
William Blake 'And vapid; sense and reason shew the door' (Page 72)
Print made by William Blake, 1757–1827
'And vapid; sense and reason shew the door' (Page 72)
1797
William Blake 'Swift on his downy pinion flies from woe' (Page 1)
Print made by William Blake, 1757–1827
'Swift on his downy pinion flies from woe' (Page 1)
1797
William Blake 'What, though my soul fantastick measures trod' (Page 4)
Print made by William Blake, 1757–1827
'What, though my soul fantastick measures trod' (Page 4)
1797
William Blake 'Till at Death's toll, whose restless iron tongue' (Page 7)
Print made by William Blake, 1757–1827
'Till at Death's toll, whose restless iron tongue' (Page 7)
1797
William Blake The Complaint, and the Consolation; or, Night Thoughts
Print made by William Blake, 1757–1827
The Complaint, and the Consolation; or, Night Thoughts
1797
William Ridley Miss Seward
Print made by William Ridley, 1764–1838
Miss Seward
1797
Christian Josi Peace
Christian Josi, ca. 1765–1828
Peace
ca. 1802
Christian Josi The Peasant's Repast
Christian Josi, ca. 1765–1828
The Peasant's Repast
1797
John Ogborne the Elder The Discovery of Prince Arthur's Tomb by the Inscription on the Leaden Cross (Laid down on the same sheet as B1977.14.12069)
John Ogborne the Elder, 1755–1795
The Discovery of Prince Arthur's Tomb by the Inscription on the Leaden Cross (Laid down on the same sheet as B1977.14.12069)
1797
unknown artist Transept of St. Paul's from the North Entrance
unknown artist
Transept of St. Paul's from the North Entrance
1797
James Peller Malcolm Richmond Church, Surry, Western Outer Suburb
James Peller Malcolm, 1767–1815
Richmond Church, Surry, Western Outer Suburb
1797
unknown artist St. Peter le Poor, Broad Street
unknown artist
St. Peter le Poor, Broad Street
1797
unknown artist St. Peter le Poor, Broad Street
unknown artist
St. Peter le Poor, Broad Street
1797
unknown artist Shoreditch Church, North West
unknown artist
Shoreditch Church, North West
1797
Thomas Prattent Spanish Ambassadors House Manchester Square and Old Houses in Long Lane West Smithfield
Thomas Prattent, active 1780–1810
Spanish Ambassadors House Manchester Square and Old Houses in Long Lane West Smithfield
1797
James Peller Malcolm Wyer Hall, Edmonton, Outer Suburb - North
after James Peller Malcolm, 1767–1815
Wyer Hall, Edmonton, Outer Suburb - North
1797
unknown artist Entrance of Piccadilly or Hyde Park Corner Turnpike
unknown artist
Entrance of Piccadilly or Hyde Park Corner Turnpike
1797
John Thomas Smith Near Jack Straw's Castle, Hampstead Heath
John Thomas Smith, 1766–1833
Near Jack Straw's Castle, Hampstead Heath
1797
William Knight View of London from Highgate
William Knight, active 1807–1845
View of London from Highgate
1797
James Peller Malcolm Brook House, Hackney
James Peller Malcolm, 1767–1815
Brook House, Hackney
1797
John Thomas Smith Near Deptford, Kent
John Thomas Smith, 1766–1833
Near Deptford, Kent
1797
unknown artist Kings Yard, Deptford
unknown artist
Kings Yard, Deptford
1797
James Peller Malcolm Mr. Alderman Curtis's Southgate Outer Suburb - North
James Peller Malcolm, 1767–1815
Mr. Alderman Curtis's Southgate Outer Suburb - North
1797
John Thomas Smith Near Palmer's Green, Edmonton, Outer Suburb - North
John Thomas Smith, 1766–1833
Near Palmer's Green, Edmonton, Outer Suburb - North
1797
John Thomas Smith On Scotland's Green, Ponder's - End, Outer Suburb - North
John Thomas Smith, 1766–1833
On Scotland's Green, Ponder's - End, Outer Suburb - North
1797
John Thomas Smith In Bury Street, Edmonton Outer Suburb - North
John Thomas Smith, 1766–1833
In Bury Street, Edmonton Outer Suburb - North
1797
John Thomas Smith Near Edmonton Church, Outer Suburb - North
John Thomas Smith, 1766–1833
Near Edmonton Church, Outer Suburb - North
1797
John Thomas Smith In Bury Street, Edmonton, Outer Suburb - North
John Thomas Smith, 1766–1833
In Bury Street, Edmonton, Outer Suburb - North
1797
John Thomas Smith Near Ball's Cross, Enfield, Outer Suburb - North
John Thomas Smith, 1766–1833
Near Ball's Cross, Enfield, Outer Suburb - North
1797
John Thomas Smith In Green Street, Enfield Highway, Outer Suburb North
John Thomas Smith, 1766–1833
In Green Street, Enfield Highway, Outer Suburb North
1797
John Thomas Smith In Green Street, Enfield Highway, Outer Suburb North
John Thomas Smith, 1766–1833
In Green Street, Enfield Highway, Outer Suburb North
1797
John Thomas Smith In Green Street, Enfield Highway, Outer Suburb North
John Thomas Smith, 1766–1833
In Green Street, Enfield Highway, Outer Suburb North
1797
Thomas Gaugain Turnips and Carrots Ho
Thomas Gaugain, 1748–1812
Turnips and Carrots Ho
1797
Thomas Prattent North View of the New Buildings at the Bank of England (page 20, volume 1)
Print made by Thomas Prattent, active 1780–1810
North View of the New Buildings at the Bank of England (page 20, volume 1)
1797
Francesco Bartolozzi The Apotheosis of A Beautiful Female
Francesco Bartolozzi, 1728–1815
The Apotheosis of A Beautiful Female
1797
William Angus Lambeth Palace in Surrey, the Seat of the Archbishop of Canterbury
William Angus, 1752–1821
Lambeth Palace in Surrey, the Seat of the Archbishop of Canterbury
1797
unknown artist Typus, Parcchia Divi Marini vulgi St. Martin's Outwich
unknown artist
Typus, Parcchia Divi Marini vulgi St. Martin's Outwich
1797
Francesco Bartolozzi Their Royal Highnesses, The Prince & Princess Of Wales
Print made by Francesco Bartolozzi, 1728–1815
Their Royal Highnesses, The Prince & Princess Of Wales
1797
Francesco Bartolozzi Luís Pinto De Sousa Coutinho, Visconde De Balsemão
Print made by Francesco Bartolozzi, 1728–1815
Luís Pinto De Sousa Coutinho, Visconde De Balsemão
1797
Francesco Bartolozzi Luís Pinto De Sousa Coutinho, Visconde De Balsemão
Print made by Francesco Bartolozzi, 1728–1815
Luís Pinto De Sousa Coutinho, Visconde De Balsemão
1797
Francesco Bartolozzi Princess Charlotte Augusta
Francesco Bartolozzi, 1728–1815
Princess Charlotte Augusta
1797
Francesco Bartolozzi Princess Charlotte Augusta
Francesco Bartolozzi, 1728–1815
Princess Charlotte Augusta
1797
Francesco Bartolozzi Flight Into Egypt
Francesco Bartolozzi, 1728–1815
Flight Into Egypt
1797
unknown artist Old Houses in Duke Street West Smithfield
unknown artist
Old Houses in Duke Street West Smithfield
1797
unknown artist Entrance of St. George's Road on the Obelisk Turnpike with a View of the Royal Circus
unknown artist
Entrance of St. George's Road on the Obelisk Turnpike with a View of the Royal Circus
1797
unknown artist Westminster Hall/ The First Day of Term/ A Satirical Poem
unknown artist
Westminster Hall/ The First Day of Term/ A Satirical Poem
1797
Francesco Bartolozzi The Apotheothis of a Beautiful Female Delineated Under the Emblem of Faith Leading the Soul to Paradise
Francesco Bartolozzi, 1728–1815
The Apotheothis of a Beautiful Female Delineated Under the Emblem of Faith Leading the Soul to Paradise
1797
Henry Hoppner Meyer Wilkie
Henry Hoppner Meyer, ca. 1782–1847
Wilkie
undated
William Sadler John Ralston
William Sadler, c. 1782–1839
John Ralston
undated
Francesco Bartolozzi Jacob's Vision, Genesis 28, v. II
Francesco Bartolozzi, 1728–1815
Jacob's Vision, Genesis 28, v. II
1797
Francesco Bartolozzi Abraham Entertaining Three Angels, Genesis 18, v. 1
Francesco Bartolozzi, 1728–1815
Abraham Entertaining Three Angels, Genesis 18, v. 1
1797
Francesco Bartolozzi The Birth of Pyrrhus
Francesco Bartolozzi, 1728–1815
The Birth of Pyrrhus
1797
unknown artist Macklin's Gallery of Modern Paintings
unknown artist
Macklin's Gallery of Modern Paintings
1797
unknown artist Arcade of the North Front of the Royal Exchange
unknown artist
Arcade of the North Front of the Royal Exchange
1797
John Thomas Smith Near Battle Bridge, Middlesex
John Thomas Smith, 1766–1833
Near Battle Bridge, Middlesex
1797
George Murray View of Somerset House
George Murray, died 1822
View of Somerset House
1797
Philip Audinet West View of Temple Bar
Philip Audinet, 1766–1837
West View of Temple Bar
1797
unknown artist Plumstead, Kent
unknown artist
Plumstead, Kent
1797
Philip Audinet View of the Tower
Philip Audinet, 1766–1837
View of the Tower
1797
Thomas Rowlandson Set of Six Views in London, (Turn Pike series)
Thomas Rowlandson, 1756–1827
Set of Six Views in London, (Turn Pike series)
1797
Richard Newton The Ins and Outs or the Jesuits treatment of his friends
Richard Newton, 1777–1798
The Ins and Outs or the Jesuits treatment of his friends
1797
unknown artist Landscape
unknown artist
Landscape
1797
unknown artist Set a Thief to Catch a Thief
unknown artist
Set a Thief to Catch a Thief
ca. 1802
Thomas Medland Temple of Friendship
Thomas Medland, 1755–1823
Temple of Friendship
1797
Francesco Bartolozzi The Birth of Pyrrhus
Francesco Bartolozzi, 1728–1815
The Birth of Pyrrhus
1797
unknown artist Melbourne House, White-Hall
unknown artist
Melbourne House, White-Hall
1797
Constable, John, 1776-1837. Letter to John Thomas Smith.
Constable, John, 1776–1837
Letter to John Thomas Smith
1797, between January 16 and March 23