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Half Timbered and Thatched Shack
Creator:
Thomas Hearne, 1744–1817
Date:
1798
Materials & Techniques:
Watercolor and brown ink over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Contemporary drawn border: 11 3/4 x 9 1/4 inches (29.8 x 23.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Horse Sale in Hopkins's Repository, Barbican
Creator:
Thomas Rowlandson, 1756–1827
Date:
between 1798 and 1800
Materials & Techniques:
Watercolor, pen and black ink, and gray ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Mount: 13 1/8 x 17 15/16 inches (33.3 x 45.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Resignation
Creator:
Print made by Charles Ansell, ca.1752–active 1790
Date:
1798
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 11 7/8 x 10 1/8in. (30.2 x 25.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
St Martin-in-the-Fields, London: Elevation and Section
Creator:
Print made by John Le Keux, 1783–1846
Date:
undated
Materials & Techniques:
Etching and line engraving on slightly textured, moderately thick, cream wove paper
Dimensions:
Image: 7 × 4 3/4 inches (17.8 × 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Military Extinguisher!!
Creator:
unknown artist
Date:
1798
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 11 3/4 x 8in. (29.8 x 20.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A View of the French Raft, as seen Afloat at St. Maloes, in February 1798. The machine is 600 Feet long and 300 broad, mounts 500 pieces of Cannon, 36 &48 pounders, and is to convey 15,000 Troops & for the Invasion of England.
Creator:
unknown artist
Date:
1798
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Plate: 9 3/4 x 16 3/4in. (24.8 x 42.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection