Date: 1798 - YCBA Collections Search Search Results

201. The Bridge of Sighs, Venice

Creator:: Samuel Prout, 1783–1852
Date:: undated
Materials & Techniques:: Graphite with stumping on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 5/8 × 10 1/4 inches (37.1 × 26 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

202. The Colosseum, Rome

Creator:: Samuel Prout, 1783–1852
Date:: undated
Materials & Techniques:: Graphite and gouache, with stumping on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/2 × 14 3/4 inches (26.7 × 37.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

203. Beggars and Horseman

Creator:: unknown artist
Date:: 1798
Materials & Techniques:: Watercolor, pen, and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 3/8 × 11 1/8 inches (18.7 × 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

204. The Porta Nigra, Trier

Creator:: Samuel Prout, 1783–1852
Date:: undated
Materials & Techniques:: Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 7/8 × 16 3/8 inches (27.6 × 41.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

205. Church and Cottages

Creator:: Samuel Prout, 1783–1852
Date:: undated
Materials & Techniques:: Brown wash, pen and brown ink, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 3/4 × 10 1/2 inches (19.7 × 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

206. Study of Two Laid Up Sailing Vessels

Creator:: Samuel Prout, 1783–1852
Date:: undated
Materials & Techniques:: Graphite on moderately thick, rough, beige wove paper
Dimensions:: Sheet: 9 1/2 × 11 7/8 inches (24.1 × 30.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

207. Half Timbered and Thatched Shack

Creator:: Thomas Hearne, 1744–1817
Date:: 1798
Materials & Techniques:: Watercolor and brown ink over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Contemporary drawn border: 11 3/4 x 9 1/4 inches (29.8 x 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

208. The Monnow Bridge, Monmouthshire

Creator:: Samuel Prout, 1783–1852
Date:: before 1814
Materials & Techniques:: Watercolor and graphite with brown ink and gum arabic on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 15 5/8 × 20 3/8 inches (39.7 × 51.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

209. Children Dancing

Creator:: George Townly Stubbs, 1748–1815
Date:: 1798
Materials & Techniques:: Watercolor, gouache and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 17 1/2 × 14 7/8 inches (44.5 × 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

210. Arch of Janus, after Piranesi

Creator:: Thomas Girtin, 1775–1802
Date:: between 1798 and 1799
Materials & Techniques:: Watercolor with pen and brown ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 8 5/16 x 12 1/8 inches (21.1 x 30.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

211. Classical Composition

Creator:: Thomas Girtin, 1775–1802
Date:: 1798 to 1799
Materials & Techniques:: Watercolor over graphite on moderately thick, moderately textured, laid paper, mounted on very thick cardboard
Dimensions:: Sheet: 12 x 18 13/16 inches (30.5 x 47.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

212. On the Conway River, North Wales

Creator:: David Cox, 1783–1859
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, graphite, gouache, and gum arabic on medium, moderately textured, cream wove paper
Dimensions:: Mount: 13 1/2 × 18 11/16 inches (34.3 × 47.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

213. Clarendon House

Creator:: Print made by John Thomas Smith, 1766–1833
Date:: 1798
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

214. The Daughter of Herodias

Creator:: Print made by Thomas Holloway, 1748–1827
Date:: 1798
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

215. Henry, (Eldest Son) and Charles, (Second Son) of Charles Brandon, 1st Duke of Suffolk

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1798
Materials & Techniques:: Line engraving and stipple engraving with hand coloring in watercolor gouache on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale University Art Gallery Collection

216. Hamburg

Creator:: Print made by Samuel Davenport, 1783–1867
Date:: undated
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

217. Inspection of Property and Income, John Bull and The Inquisition

Creator:: William O'Keefe, active 1794–1807
Date:: 1798
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 1/8 x 12 1/2in. (20.6 x 31.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

218. A Pious Endeavour to Moralize John Bull

Creator:: William O'Keefe, active 1794–1807
Date:: 1798
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 1/2 x 12 7/8in. (21.6 x 32.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

219. Pupil of Nature

Creator:: Franciscus Sansom, active 1785–1799
Date:: 1798
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 9 1/2 x 9 3/8in. (24.1 x 23.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

220. The Old Goat and Young Kid - or the Queensborough-Novelist

Creator:: unknown artist
Date:: 1798
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 9 3/8 x 10 3/8in. (23.8 x 26.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

221. Prospero on the Enchanted Island

Creator:: unknown artist
Date:: 1798
Materials & Techniques:: Etching & aquatint, hand-colored
Dimensions:: Sheet: 8 1/4 x 11in. (21 x 27.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

222. What Do You Want, Paddy?

Creator:: unknown artist
Date:: 1798
Materials & Techniques:: Etching & aquatint, hand-colored
Dimensions:: Sheet: 11 1/8 x 13 1/8in. (28.3 x 33.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

223. A Political Hypocondriac!!!

Creator:: unknown artist
Date:: 1798
Materials & Techniques:: Etching & aquatint, hand-colored
Dimensions:: Sheet: 10 1/4 x 15 1/2in. (26 x 39.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

224. The Royal Rush Light

Creator:: unknown artist
Date:: 1798
Materials & Techniques:: Etching & aquatint, hand-colored
Dimensions:: Sheet: 10 1/2 x 13 1/8in. (26.7 x 33.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

225. A Voice from the Clouds or Modest Merit Rewarded

Creator:: unknown artist
Date:: 1798
Materials & Techniques:: Etching & aquatint, hand-colored
Dimensions:: Sheet: 13 5/8 x 11in. (34.6 x 27.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

226. Shades of Opposition; or, More Ghosts!!

Creator:: unknown artist
Date:: 1798
Materials & Techniques:: Etching & aquatint, hand-colored
Dimensions:: Sheet: 11 1/2 x 18 3/4in. (29.2 x 47.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

227. Revolution of the 4th of Sept(embe)r - (The 18th Fructidor of the 5th Year)

Creator:: unknown artist
Date:: 1798
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 9 1/8 x 9 11/16in. (23.2 x 24.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

228. The Sedition Hunter Disappointed, - or - D(amnin)g by Winchester Measure

Creator:: Charles Ansell, ca.1752–active 1790
Date:: 1798
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 9 1/8 x 13 1/2in. (23.2 x 34.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

229. Lobsters for the Ladies i.e. Jessamin Soldiers or a Veteran Corps Going on Duty

Creator:: unknown artist
Date:: 1798
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 9 3/4 x 16 7/8in. (24.8 x 42.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

230. Days of Prosperity; Or, Congratulations for John Bull

Creator:: unknown artist
Date:: 1798
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 10 x 9 7/8in. (25.4 x 25.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

231. Let us all be Unhappy Together: A Poem written and composed by Mr. Dibdin for His Entertainment called the Wags

Creator:: unknown artist
Date:: 1798
Materials & Techniques:: Letterpress
Dimensions:: Sheet: 8 1/8 x 10 3/8in. (20.7 x 26.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

232. Nibbling at a Thin Slice of Single Gloucester!!

Creator:: unknown artist
Date:: 1798
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 9 7/16 x 8 11/16in. (24 x 22.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

233. The Bedfordshire Hannibal taking the Oath of Eternal Enmity!!!

Creator:: unknown artist
Date:: 1798
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 10 15/16 x 15 1/4in. (27.8 x 38.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

234. Portrait of an Irish Chief; Drawn from Life at Wexford

Creator:: James Gillray, 1756–1815
Date:: 1798
Materials & Techniques:: Etching and aquatint, hand-colored
Dimensions:: Sheet: 12 13/16 x 8 13/16in. (32.5 x 22.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

235. Councellor Ego. - i.e.: - Little I, Myself, I.

Creator:: James Gillray, 1756–1815
Date:: 1798
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 6 3/8 x 4in. (16.2 x 10.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

236. -Gentle Manners, with Affections Mild, in Wit a Man, Simplicity a Child

Creator:: James Gillray, 1756–1815
Date:: 1798
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 5/8 x 5 1/2in. (21.9 x 14cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

237. John Bull Taking a Luncheon; - or - British Cooks, Cramming Old Grumble-Gizzard with Bonne-Chere (from: Caricature, vol. 1)

Creator:: James Gillray, 1756–1815
Date:: 1798
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 9 5/8 x 13 15/16in. (24.4 x 35.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

238. Stealing Off; - or - Prudent Seces(s)ion. "Courageous Chief The First in Flight"

Creator:: James Gillray, 1756–1815
Date:: 1798
Materials & Techniques:: Etching and aquatint, hand-colored
Dimensions:: Sheet: 19 1/2 x 13 7/8in. (49.5 x 35.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

239. Improvement in Weights and Measures. - or - "Sir John Seeclear Discovering e/y Ballance of e/y Flag" (from: Caricature, vol. 1)

Creator:: James Gillray, 1756–1815
Date:: 1798
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 13 1/2 x 9 5/8in. (34.3 x 24.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

240. Buonaparte, Hearing of Nelson's Victory, Swears by His Sword, to Extirpate the English off the Earth (from: Caricature, vol. 1)

Creator:: James Gillray, 1756–1815
Date:: 1798
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 13 x 9 3/4in. (33 x 24.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

241. Horrors of the Irish-Union; - Botheration of Poor Pat! - or - A Whisper Across the Channel (from: Caricature, vol. 1)

Creator:: James Gillray, 1756–1815
Date:: 1798
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 7/8 x 13 1/2in. (22.5 x 34.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

242. Fighting for the Dunghill, - or - Jack Tar Settling Citoyen Francois (from: Caricature, vol. 1)

Creator:: James Gillray, 1756–1815
Date:: 1798
Materials & Techniques:: Etching and aquatint, hand-colored
Dimensions:: Sheet: 9 3/8 x 13 1/2in. (23.8 x 34.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

243. Set of Six Views in London, (Turn Pike series)

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1798
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

244. Tempio d' Antonio e Faustina

Creator:: Thomas Girtin, 1775–1802
Date:: between 1798 and 1799
Materials & Techniques:: Watercolor with pen in brown ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 12 x 10 1/8 inches (30.5 x 25.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

245. Four Studies of a Hay Cart

Creator:: Thomas Girtin, 1775–1802
Date:: between 1798 and 1799
Materials & Techniques:: Graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 11 3/8 x 8 9/16 inches (28.9 x 21.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

246. Valle Crucis Abbey, near Llangollen

Creator:: imitator of Thomas Girtin, 1775–1802
Date:: between 1798 and 1801
Materials & Techniques:: Watercolor and graphite on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 8 1/4 × 11 5/8 inches (21 × 29.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

247. More Short Petticoats of Highland Association Under Episcopal Examination

Creator:: Franciscus Sansom, active 1785–1799
Date:: 1798
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 9 1/8 x 14 1/8in. (23.2 x 35.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

248. The Gallant Nelson Bringing Home Two Uncommon Fierce French Crocodiles from the Nile as a Present to the King

Creator:: Isaac Cruikshank, 1764–1811
Date:: 1798
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 3/4 x 13 1/4in. (22.2 x 33.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

249. The Origin of Cockney

Creator:: Isaac Cruikshank, 1764–1811
Date:: 1798
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 6 1/2 x 9in. (16.5 x 22.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

250. Tradescant's House at South Lambeth

Creator:: J. Caulfield, 1764–1826
Date:: 1798
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

251. Belshazzar's Feast, With a Translation for The Country Gentleman

Creator:: unknown artist
Date:: 1798
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 12 1/2 x 9 1/2in. (31.8 x 24.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

252. London Wall

Creator:: unknown artist
Date:: 1798
Materials & Techniques:: Aquatint
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

253. Gentle Measures of Voluntary Confessions

Creator:: Isaac Cruikshank, 1764–1811
Date:: 1798
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 13 1/4 x 10in. (33.7 x 25.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

254. Two of a Trade Can Never Agree

Creator:: Isaac Cruikshank, 1764–1811
Date:: 1798
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 12 5/8 x 9 1/4in. (32.1 x 23.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

255. The Duel - or Charley Longing For a Pop

Creator:: Isaac Cruikshank, 1764–1811
Date:: 1798
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 10 5/8 x 16 1/16in. (27 x 40.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

256. Billy's Fantoccini or John Bull over Curious

Creator:: Isaac Cruikshank, 1764–1811
Date:: 1798
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 9 1/2 x 15 1/4in. (24.1 x 38.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

257. A Dilemma or the German-Macheath

Creator:: Print made by Charles Williams, active 1796–1830
Date:: 1798
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 9 5/8 x 13 13/16in. (24.4 x 35.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

258. A Whig Toast - A Tory Sentement (sic)

Creator:: Isaac Cruikshank, 1764–1811
Date:: 1798
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 9 13/16 x 13 7/8in. (25 x 35.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

259. A New Prop for a Rickety Stool

Creator:: Isaac Cruikshank, 1764–1811
Date:: 1798
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 1/2 x 13in. (21.6 x 33cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

260. Bonne Farte Raising a Southerly Wind, or a Sketch of the Inteded Invasion Found at the Door of Brooks's in St. James's Street (from: Caricature, vol. 3)

Creator:: Isaac Cruikshank, 1764–1811
Date:: 1798
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 9 3/4 x 14 1/2in. (24.8 x 36.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

261. The Duelist's or Sunday's Amusement

Creator:: Isaac Cruikshank, 1764–1811
Date:: 1798
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 1/2 x 12 7/8in. (21.6 x 32.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

262. Billy & Harry in Their Glory or a Great Man Kicked Out of Place

Creator:: Isaac Cruikshank, 1764–1811
Date:: 1798
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 1/2 x 12 7/8in. (21.6 x 32.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

263. An Irish Hug, Alias a Fraternal Embrace, The Dearest Friends Must Part

Creator:: Charles Ansell, ca.1752–active 1790
Date:: 1798
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 13 3/8 x 9 5/8in. (34 x 24.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

264. John Bull Taking a Lunch - or Johnny's Purveyors Pampering His Appetite with Dainties From All Parts of the World (from: Caricature, vol. 3)

Creator:: Charles Ansell, ca.1752–active 1790
Date:: 1798
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 10 x 16 3/4in. (25.4 x 42.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

265. The Danger Over or Billy's Return to John Bull

Creator:: Charles Ansell, ca.1752–active 1790
Date:: 1798
Materials & Techniques:: Etching, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

266. Buonaparte in Egypt - A Terrible Turk Preparing a Mummy, For a Present - To the Great Nation (from: Caricature, vol. 3)

Creator:: Charles Ansell, ca.1752–active 1790
Date:: 1798
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 9 3/4 x 16 5/8in. (24.8 x 42.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

267. Como

Creator:: Samuel Prout, 1783–1852
Date:: undated
Materials & Techniques:: Graphite and gouache, with stumping on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 3/8 × 14 5/8 inches (26.3 × 37.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

268. Review of Light Horse Volunteers on Wimbledon Common

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1798
Materials & Techniques:: Watercolor with pen and gray ink over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 13/16 x 16 5/16 inches (24.9 x 41.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

269. Pigs Meat; - or - The Swine Flogg'd Out of the Farm-Yard

Creator:: James Gillray, 1756–1815
Date:: 1798
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 7 5/8 x 9 3/4in. (19.4 x 24.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

270. David Garrick in the Character of Richard III

Creator:: Print made by Thomas Cook, 1744–1818
Date:: 1798
Materials & Techniques:: Line engraving
Dimensions:: Sheet: 18 3/8 x 22 3/4in. (46.7 x 57.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Jules David Prown, Yale MA (HON.) 1971

271. Westminster Hall

Creator:: Samuel Ireland, 1744–1800
Date:: 1798
Materials & Techniques:: Watercolor, graphite, and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 7/8 × 6 1/2 inches (12.4 × 16.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

272. Mr. C. Sharp, the Well-Known Artist, Mechanic, and Antiquarian (d. 1797)

Creator:: Print made by John Kirby Baldrey, active 1750–1821
Date:: 1798
Materials & Techniques:: Stipple engraving and etching on medium, slightly textured, beige wove paper mounted on moderately thick, moderately textured, cream wove paper
Dimensions:: Mount: 7 5/8 x 4 3/8 inches (19.4 x 11.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

273. West View of the Cast Iron Bridge Built by Rowland Burdon, Esq., M.P. Over the River Wear at Sunderland in the County of Durham

Creator:: unknown artist
Date:: 1798
Materials & Techniques:: Aquatint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 20 1/2 × 30 15/16 inches (52.1 × 78.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

274. Comforts of Bath: Gouty Gourmands at Dinner

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1798
Materials & Techniques:: Watercolor, pen and gray-brown ink, and graphite on medium, moderately textured, beige wove paper
Dimensions:: Sheet: 5 x 7 7/8 inches (12.7 x 20 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

275. Comforts of Bath: The Concert

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1798
Materials & Techniques:: Watercolor with pen and gray and black ink on medium, slightly textured, cream wove paper
Dimensions:: Mount: 5 1/2 x 8 1/8 inches (14 x 20.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

276. Comforts of Bath: The Pump Room

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1798
Materials & Techniques:: Watercolor and graphite with pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Mount: 5 5/8 x 8 3/8 inches (14.3 x 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

277. Comforts of Bath: The Music Master

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1798
Materials & Techniques:: Watercolor with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Mount: 5 3/4 x 8 9/16 inches (14.6 x 21.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

278. The Capture of Tobago by Major General Cuyler, and Vice Admiral Sir John Laforey

Creator:: Print made by J. Pass, active 1796–1800
Date:: 1798
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

279. View of Cape Diamond

Creator:: Print made by unknown artist
Date:: 1798
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

280. View of the Rock Bridge

Creator:: Print made by unknown artist
Date:: 1798
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

281. Elevation of the New East India House now Building in Leadenhall Street

Creator:: Print made by unknown artist
Date:: 1798
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

282. Jonathan Wild precipitating himself into the sea, Vide, Book 2, Chapter 2, page 1

Creator:: unknown artist
Date:: 1798
Materials & Techniques:: Engraving
Dimensions:: Sheet: 3 7/8 x 3 3/16in. (9.8 x 8.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Michael Zinman

283. The Consequence of not Shifting the Leg

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1798
Materials & Techniques:: Colored engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

284. Sir William Beechey

Creator:: William Ridley, 1764–1838
Date:: 1798
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

285. Fonrose

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1798
Materials & Techniques:: Stipple engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

286. Adelaide

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1798
Materials & Techniques:: Stipple engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

287. Nisser Werk

Creator:: James Heath, 1757–1834
Date:: 1798
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

288. Evidence to Character; - being a Portrait of a Traitor, by his Friends & by Himself

Creator:: James Gillray, 1756–1815
Date:: 1798
Materials & Techniques:: Etching with hand coloring in watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

289. Doublûres of Characters

Creator:: James Gillray, 1756–1815
Date:: 1798
Materials & Techniques:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

290. Consequences of a Successful French Invasion, No. III, Plate 2nd, We teach de English Republicans to work

Creator:: James Gillray, 1756–1815
Date:: 1798
Materials & Techniques:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

291. New Morality

Creator:: James Gillray, 1756–1815
Date:: 1798
Materials & Techniques:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

292. Consequences of a Successful French Invasion, No. I, Plate 2nd, We explain de Rights of Man to de Noblesse

Creator:: James Gillray, 1756–1815
Date:: 1798
Materials & Techniques:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

293. Les Membres du Conseil des Cinq Cents. French Habits No. 3

Creator:: James Gillray, 1756–1815
Date:: 1798
Materials & Techniques:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

294. Councellor Ego. -i.e: little i, myself i

Creator:: James Gillray, 1756–1815
Date:: 1798
Materials & Techniques:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

295. Président d'Administration Municipale. French Habits no 5

Creator:: James Gillray, 1756–1815
Date:: 1798
Materials & Techniques:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

296. A Peep into the Cave of Jacobinism

Creator:: James Gillray, 1756–1815
Date:: 1798
Materials & Techniques:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

297. Evidence to Character - being, a portrait of a Traitor, by his Friends & by Himself

Creator:: James Gillray, 1756–1815
Date:: 1798
Materials & Techniques:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

298. "Two Pairs of Portraits;" presented to all the unbiased Electors of Great Britain

Creator:: James Gillray, 1756–1815
Date:: 1798
Materials & Techniques:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

299. Hay Wagon and Horses

Creator:: David Cox, 1783–1859
Date:: undated
Materials & Techniques:: Black chalk; verso: red and black chalk on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 3 5/8 × 9 1/2 inches (9.2 × 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

300. Sketchbook of Joseph Farington, containing illustrations of the English Lake Country, prepared for Gray's Journal

Creator:: Joseph Farington, 1747–1821
Date:: c.1798
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Date 1798

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201. The Bridge of Sighs, Venice

202. The Colosseum, Rome

203. Beggars and Horseman

204. The Porta Nigra, Trier

205. Church and Cottages

206. Study of Two Laid Up Sailing Vessels

207. Half Timbered and Thatched Shack

208. The Monnow Bridge, Monmouthshire

209. Children Dancing

210. Arch of Janus, after Piranesi

211. Classical Composition

212. On the Conway River, North Wales

213. Clarendon House

214. The Daughter of Herodias

215. Henry, (Eldest Son) and Charles, (Second Son) of Charles Brandon, 1st Duke of Suffolk

216. Hamburg

217. Inspection of Property and Income, John Bull and The Inquisition

218. A Pious Endeavour to Moralize John Bull

219. Pupil of Nature

220. The Old Goat and Young Kid - or the Queensborough-Novelist

221. Prospero on the Enchanted Island

222. What Do You Want, Paddy?

223. A Political Hypocondriac!!!

224. The Royal Rush Light

225. A Voice from the Clouds or Modest Merit Rewarded

226. Shades of Opposition; or, More Ghosts!!

227. Revolution of the 4th of Sept(embe)r - (The 18th Fructidor of the 5th Year)

228. The Sedition Hunter Disappointed, - or - D(amnin)g by Winchester Measure

229. Lobsters for the Ladies i.e. Jessamin Soldiers or a Veteran Corps Going on Duty

230. Days of Prosperity; Or, Congratulations for John Bull

231. Let us all be Unhappy Together: A Poem written and composed by Mr. Dibdin for His Entertainment called the Wags

232. Nibbling at a Thin Slice of Single Gloucester!!

233. The Bedfordshire Hannibal taking the Oath of Eternal Enmity!!!

234. Portrait of an Irish Chief; Drawn from Life at Wexford

235. Councellor Ego. - i.e.: - Little I, Myself, I.

236. -Gentle Manners, with Affections Mild, in Wit a Man, Simplicity a Child

237. John Bull Taking a Luncheon; - or - British Cooks, Cramming Old Grumble-Gizzard with Bonne-Chere (from: Caricature, vol. 1)

238. Stealing Off; - or - Prudent Seces(s)ion. "Courageous Chief The First in Flight"

239. Improvement in Weights and Measures. - or - "Sir John Seeclear Discovering e/y Ballance of e/y Flag" (from: Caricature, vol. 1)

240. Buonaparte, Hearing of Nelson's Victory, Swears by His Sword, to Extirpate the English off the Earth (from: Caricature, vol. 1)

241. Horrors of the Irish-Union; - Botheration of Poor Pat! - or - A Whisper Across the Channel (from: Caricature, vol. 1)

242. Fighting for the Dunghill, - or - Jack Tar Settling Citoyen Francois (from: Caricature, vol. 1)

243. Set of Six Views in London, (Turn Pike series)

244. Tempio d' Antonio e Faustina

245. Four Studies of a Hay Cart

246. Valle Crucis Abbey, near Llangollen

247. More Short Petticoats of Highland Association Under Episcopal Examination

248. The Gallant Nelson Bringing Home Two Uncommon Fierce French Crocodiles from the Nile as a Present to the King

249. The Origin of Cockney

250. Tradescant's House at South Lambeth

251. Belshazzar's Feast, With a Translation for The Country Gentleman

252. London Wall

253. Gentle Measures of Voluntary Confessions

254. Two of a Trade Can Never Agree

255. The Duel - or Charley Longing For a Pop

256. Billy's Fantoccini or John Bull over Curious

257. A Dilemma or the German-Macheath

258. A Whig Toast - A Tory Sentement (sic)

259. A New Prop for a Rickety Stool

260. Bonne Farte Raising a Southerly Wind, or a Sketch of the Inteded Invasion Found at the Door of Brooks's in St. James's Street (from: Caricature, vol. 3)

261. The Duelist's or Sunday's Amusement

262. Billy & Harry in Their Glory or a Great Man Kicked Out of Place

263. An Irish Hug, Alias a Fraternal Embrace, The Dearest Friends Must Part

264. John Bull Taking a Lunch - or Johnny's Purveyors Pampering His Appetite with Dainties From All Parts of the World (from: Caricature, vol. 3)

265. The Danger Over or Billy's Return to John Bull

266. Buonaparte in Egypt - A Terrible Turk Preparing a Mummy, For a Present - To the Great Nation (from: Caricature, vol. 3)

267. Como

268. Review of Light Horse Volunteers on Wimbledon Common

269. Pigs Meat; - or - The Swine Flogg'd Out of the Farm-Yard

270. David Garrick in the Character of Richard III

271. Westminster Hall

272. Mr. C. Sharp, the Well-Known Artist, Mechanic, and Antiquarian (d. 1797)

273. West View of the Cast Iron Bridge Built by Rowland Burdon, Esq., M.P. Over the River Wear at Sunderland in the County of Durham

274. Comforts of Bath: Gouty Gourmands at Dinner

275. Comforts of Bath: The Concert