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1. Design for a Naval Monument: Elevation

Design for a Naval Monument: Elevation
Creator:
Charles Heathcote Tatham, 1772–1842
Date:
1799
Materials & Techniques:
Pen and black ink and brown wash on slightly textured, moderately thick, cream wove paper
Dimensions:
Sheet: 11 1/2 × 7 1/16 inches (29.2 × 17.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. Final Design for a Naval Monument: Plan and Elevation

Final Design for a Naval Monument: Plan and Elevation
Creator:
Charles Heathcote Tatham, 1772–1842
Date:
1799
Materials & Techniques:
Graphite, pen and black ink, and watercolor on slightly textured, moderately thick, cream wove paper
Dimensions:
Sheet: 15 × 8 1/8 inches (38.1 × 20.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. Cowes

Cowes
Creator:
Print made by John Landseer, 1769–1852
Date:
1799
Materials & Techniques:
Line engraving, Bohn reprint on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 15 × 21 7/8 inches (38.1 × 55.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. South View of Christ Church, etc. from the Meadows

South View of Christ Church, etc. from the Meadows
Creator:
Print made by James Basire the younger, 1769–1822
Date:
1799
Materials & Techniques:
Line engraving, engraver's proof (a) on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 1/2 × 19 5/8 inches (39.4 × 49.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. South View of Christ Church, etc., From the Meadows...

South View of Christ Church, etc., From the Meadows...
Creator:
Print made by James Basire the younger, 1769–1822
Date:
1799
Materials & Techniques:
Line engraving , engraver's proof (b) on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 13 1/2 × 17 7/8 inches (34.3 × 45.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. Painter-Stainers’ Hall

Painter-Stainers’ Hall
Creator:
Charles Tomkins, 1757–1823
Date:
1799
Materials & Techniques:
Watercolor and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 11/16 × 5 3/8 inches (22.1 × 13.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. Bridgnorth Bridge, Shropshire

Bridgnorth Bridge, Shropshire
Creator:
Rev. William Gilpin, 1724–1804
Date:
1799
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 9/16 x 11 7/8 inches (19.2 x 30.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. View of the New Trinity House on Tower Hill. Samuel Wyatt Esqr. Architect. The first Stone of this Noble Building was laid on the 12th of September 1793, by the Right Hon'ble William Pitt, First Lord of the Treasury and Master of this Corporation

View of the New Trinity House on Tower Hill. Samuel Wyatt Esqr. Architect. The first Stone of this Noble Building was laid on the 12th of September 1793, by the Right Hon'ble William Pitt, First Lord of the Treasury and Master of this Corporation
Creator:
unknown artist
Date:
1799
Materials & Techniques:
Hand-colored engraving on laid paper
Dimensions:
Plate: 11 1/2 × 17 inches (29.2 × 43.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. Design for a Naval Monument: Elevation

Design for a Naval Monument: Elevation
Creator:
Charles Heathcote Tatham, 1772–1842
Date:
1799
Materials & Techniques:
Pen and black ink and brown wash on slightly textured, moderately thick, cream wove paper
Dimensions:
Sheet: 11 5/8 × 8 5/8 inches (29.5 × 21.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. Design for a Naval Monument: Elevation

Design for a Naval Monument: Elevation
Creator:
Charles Heathcote Tatham, 1772–1842
Date:
1799
Materials & Techniques:
Pen and black ink and brown wash on slightly textured, moderately thick, cream wove paper
Dimensions:
Sheet: 11 1/8 × 7 inches (28.3 × 17.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. Design for a Naval Monument: Elevation

Design for a Naval Monument: Elevation
Creator:
Charles Heathcote Tatham, 1772–1842
Date:
1799
Materials & Techniques:
Pen and black ink, brown and gray wash on slightly textured, moderately thick, cream wove paper
Dimensions:
Sheet: 11 5/8 × 8 5/8 inches (29.5 × 21.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. Design for a Naval Monument: Elevation

Design for a Naval Monument: Elevation
Creator:
Charles Heathcote Tatham, 1772–1842
Date:
1799
Materials & Techniques:
Pen and gray wash on slightly textured, moderately thick, cream wove paper
Dimensions:
Sheet: 10 1/16 × 8 5/8 inches (25.6 × 21.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. Newgate

Newgate
Creator:
Thomas Malton the Younger, 1748–1804
Date:
1799
Materials & Techniques:
Etching with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Mount: 11 3/4 × 15 7/16 inches (29.8 × 39.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. Captain John Schank

Captain John Schank
Creator:
Charles Turner, 1774–1857
Date:
1799
Materials & Techniques:
Mezzotint
Dimensions:
Sheet: 11 x 15 1/8in. (27.9 x 38.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Mr. and Mrs. J. Richardson Dilworth

15. Cambridge University: Jesus College

Cambridge University: Jesus College
Creator:
Thomas Malton the Younger, 1748–1804
Date:
1799
Materials & Techniques:
Colored aquatint
Dimensions:
Sheet: 15 x 20 1/4in. (38.1 x 51.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. Kings College, the Chapel and Clare Hall in the University of Cambridge

Kings College, the Chapel and Clare Hall in the University of Cambridge
Creator:
Thomas Malton the Younger, 1748–1804
Date:
1799
Materials & Techniques:
Aquatint with etched outline on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 21 1/4 × 27 inches (54 × 68.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. Jesus College in the University of Cambridge

Jesus College in the University of Cambridge
Creator:
Thomas Malton the Younger, 1748–1804
Date:
1799
Materials & Techniques:
Aquatint with etched outline on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 21 × 27 3/16 inches (53.3 × 69.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. The South Front of the Senate House, and West End of St Mary's Church in the University of Cambridge

The South Front of the Senate House, and West End of St Mary's Church in the University of Cambridge
Creator:
Thomas Malton the Younger, 1748–1804
Date:
1799
Materials & Techniques:
Etching and aquatint with hand coloring on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 15 9/16 × 22 1/4 inches (39.5 × 56.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. South Front of the Senate House and West End of St. Mary's Church in the University of Cambridge

South Front of the Senate House and West End of St. Mary's Church in the University of Cambridge
Creator:
Thomas Malton the Younger, 1748–1804
Date:
1799
Materials & Techniques:
Aquatint, hand-colored on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 19 3/8 × 26 inches (49.2 × 66 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. Cambridge University: Emmanuel College

Cambridge University: Emmanuel College
Creator:
Thomas Malton the Younger, 1748–1804
Date:
1799
Materials & Techniques:
Etching and aquatint on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 19 1/2 × 26 5/16 inches (49.5 × 66.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. View of Tintern Abbey on the River Wye

View of Tintern Abbey on the River Wye
Creator:
Francis Jukes, 1747–1812
Date:
1799
Materials & Techniques:
Colored aquatint
Dimensions:
Sheet: 12 5/8 x 17 1/8in. (32.1 x 43.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. La Fontaine de Topana a Constantinople

No cover image available
Creator:
Henry Phillip Hope, active 1799–1818
Date:
1799
Materials & Techniques:
Graphite, pen and black ink, and watercolor on slightly textured, moderately thick, white laid paper
Dimensions:
Sheet: 12 1/2 × 17 1/2 inches (31.8 × 44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. La Fontaine de Ste. Sophie a Constantinople

No cover image available
Creator:
Henry Phillip Hope, active 1799–1818
Date:
1799
Materials & Techniques:
Graphite, pen and black ink, and watercolor on slightly textured, moderately thick, white laid paper
Dimensions:
Sheet: 12 1/2 × 17 1/2 inches (31.8 × 44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection