Date: 1799 / Classification: Prints - YCBA Collections Search Search Results

1. Auction of Pictures, &c.

Creator:: after William Hogarth, 1697–1764
Date:: 1799
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

2. Frontispiece to Leveridge's Songs

Creator:: after William Hogarth, 1697–1764
Date:: 1799
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

3. Auction of Pictures, &c.

Creator:: after William Hogarth, 1697–1764
Date:: 1799
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

4. Concert Ticket, Mary's Chappel

Creator:: after William Hogarth, 1697–1764
Date:: 1799
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

5. Concert Ticket, Mary's Chappel

Creator:: after William Hogarth, 1697–1764
Date:: 1799
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

6. Concert Ticket, Mary's Chappel

Creator:: after William Hogarth, 1697–1764
Date:: 1799
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

7. Concert Ticket, Mary's Chappel

Creator:: after William Hogarth, 1697–1764
Date:: 1799
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

8. Satire on False Perspective

Creator:: after William Hogarth, 1697–1764
Date:: 1799
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

9. Concert Ticket, Mary's Chappel

Creator:: after William Hogarth, 1697–1764
Date:: 1799
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

10. Satire on False Perspective

Creator:: after William Hogarth, 1697–1764
Date:: 1799
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

11. Concert Ticket, Mary's Chappel

Creator:: after William Hogarth, 1697–1764
Date:: 1799
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

12. Concert Ticket, Mary's Chappel

Creator:: after William Hogarth, 1697–1764
Date:: 1799
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

13. False Perspective Exemplified

Creator:: after William Hogarth, 1697–1764
Date:: 1799
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

14. The Death of Juliet

Creator:: Print made by William Blake, 1757–1827
Date:: 1799
Materials & Techniques:: Etching on medium, smooth, cream wove paper
Dimensions:: Sheet: 9 5/8 x 5 5/8 inches (24.4 x 14.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

15. Romeo and Juliet, Act IV, Scene V

Creator:: Print made by William Blake, 1757–1827
Date:: 1799
Materials & Techniques:: Line engraving and etching on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 12 5/16 × 16 9/16 inches (31.2 × 42 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

16. Earl Howe

Creator:: Samuel William Reynolds, 1773–1835
Date:: 1799
Materials & Techniques:: Mezzotint
Dimensions:: Sheet: 24 3/4 x 16in. (62.9 x 40.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Mr. J. Richardson Dilworth

17. The British Naval Victors

Creator:: Valentine Green, 1739–1813
Date:: 1799
Materials & Techniques:: Mezzotint and line engraving
Dimensions:: Sheet: 25 1/4 x 20 1/4in. (64.1 x 51.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Mr. J. Richardson Dilworth

18. St. Mary Magdelen College, Oxford

Creator:: Samuel Alken, 1756–1815
Date:: 1799
Materials & Techniques:: Aquatint
Dimensions:: Sheet: 18 1/4 x 24 1/2in. (46.4 x 62.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. Every Sous Begad!

Creator:: Print made by James Bretherton, ca. 1730–1806
Date:: 1799
Materials & Techniques:: Etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 8 1/8 × 8 11/16 inches (20.6 × 22.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. Westminster Bridge, Abbey and Church

Creator:: unknown artist
Date:: 1799
Materials & Techniques:: Aquatint
Dimensions:: Sheet: 5 3/4 x 7 9/16in. (14.6 x 19.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. View of London from Greenwich Park

Creator:: William Knight, active 1807–1845
Date:: 1799
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. North Front of Greenwich Hospital

Creator:: unknown artist
Date:: 1799
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. The Great Court of Greenwich Hospital

Creator:: unknown artist
Date:: 1799
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. North Front of the Chapel and Hall of Greenwich Hospital

Creator:: Thomas Malton, 1726–1801
Date:: 1799
Materials & Techniques:: Aquatint
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. Trinity Hospital, Deptford

Creator:: unknown artist
Date:: 1799
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. St. George's, Bloomsbury

Creator:: unknown artist
Date:: 1799
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 15 1/4 x 11 9/16in. (38.7 x 29.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. The New Church of St. Peter le Poor, Broad Street

Creator:: Thomas Prattent, active 1780–1810
Date:: 1799
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. Statue of a Man

Creator:: James Heath, 1757–1834
Date:: ca. 1804
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. Alum Bay, Isle of Wight

Creator:: Print made by John Landseer, 1769–1852
Date:: 1799
Materials & Techniques:: Line engraving on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 15 1/8 × 22 inches (38.4 × 55.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. Orchard Bay

Creator:: Print made by John Landseer, 1769–1852
Date:: 1799
Materials & Techniques:: Line engraving, Bohn reprint on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 15 1/8 × 22 inches (38.4 × 55.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. Orchard Bay

Creator:: Print made by John Landseer, 1769–1852
Date:: 1799
Materials & Techniques:: Line engraving, original impression on medium, smooth, cream wove paper
Dimensions:: Sheet: 13 3/8 × 18 1/2 inches (34 × 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. Freshwater Bay

Creator:: Print made by John Landseer, 1769–1852
Date:: 1799
Materials & Techniques:: Line engraving, original impression on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/4 × 17 inches (29.8 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. Freshwater Bay

Creator:: Print made by John Landseer, 1769–1852
Date:: 1799
Materials & Techniques:: Line engraving, Bohn reprint on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 15 1/4 × 22 inches (38.7 × 55.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. Alum Bay and the Needles

Creator:: Print made by John Landseer, 1769–1852
Date:: 1799
Materials & Techniques:: Line engraving, original impression on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 3/4 × 10 3/8 inches (19.7 × 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. Alum Bay and the Needles

Creator:: Print made by John Landseer, 1769–1852
Date:: 1799
Materials & Techniques:: Line engraving, original impression on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 × 13 1/4 inches (25.4 × 33.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. Alum Bay and the Needles

Creator:: Print made by John Landseer, 1769–1852
Date:: 1799
Materials & Techniques:: Line engraving on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 15 1/8 × 21 7/8 inches (38.4 × 55.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. Shanklin Castle

Creator:: Print made by John Landseer, 1769–1852
Date:: 1799
Materials & Techniques:: Line engraving, Bohn reprint on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 14 7/8 × 22 inches (37.8 × 55.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. Cowes

Creator:: Print made by John Landseer, 1769–1852
Date:: 1799
Materials & Techniques:: Line engraving, Bohn reprint on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 15 × 21 7/8 inches (38.1 × 55.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. South View of Christ Church, etc. from the Meadows

Creator:: Print made by James Basire the younger, 1769–1822
Date:: 1799
Materials & Techniques:: Line engraving, engraver's proof (a) on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 1/2 × 19 5/8 inches (39.4 × 49.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. South View of Christ Church, etc., From the Meadows...

Creator:: Print made by James Basire the younger, 1769–1822
Date:: 1799
Materials & Techniques:: Line engraving , engraver's proof (b) on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 1/2 × 17 7/8 inches (34.3 × 45.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. Animals [a pair]: 2. Tigress

Creator:: Samuel William Reynolds, 1773–1835
Date:: 1799
Materials & Techniques:: Stipple engraving
Dimensions:: Sheet: 15 1/2 x 20 5/8in. (39.4 x 52.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. Racing [set of six]: 6. Betting

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1799
Materials & Techniques:: Hand colored etching
Dimensions:: Sheet: 10 1/4 x 13 1/4in. (26 x 33.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. Racing [set of six]: 4. Between Heats

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1799
Materials & Techniques:: Hand colored etching
Dimensions:: Sheet: 10 1/4 x 13 1/4in. (26 x 33.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. Samuel Johnson

Creator:: Granger, active 1800
Date:: 1799
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Herman W. Liebert

45. Samuel Johnson

Creator:: Granger, active 1800
Date:: 1799
Materials & Techniques:: Engraving
Dimensions:: Sheet: 5 3/4 x 5 1/2in. (14.6 x 14cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Herman W. Liebert

46. Ticket: For the Benefit of Mr. Salpietro

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1799
Materials & Techniques:: Stipple engraving and etching on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 5 3/4 x 6 1/4 inches (14.6 x 15.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. Zebra

Creator:: Print made by Thomas Bewick, 1753–1828
Date:: 1799
Materials & Techniques:: Wood-engraving on medium, smooth, cream wove paper
Dimensions:: Sheet: 9 11/16 x 14 5/8 inches (24.6 x 37.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Charles Ryskamp in honor of Mr. and Mrs. Paul Mellon

48. Effusions of a Pot of Porter

Creator:: James Gillray, 1756–1815
Date:: 1799
Materials & Techniques:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. General Sorrow, touring the French Directory into Russia

Creator:: Isaac Cruikshank, 1764–1811
Date:: 1799
Materials & Techniques:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. Duke William's Ghost

Creator:: James Gillray, 1756–1815
Date:: 1799
Materials & Techniques:: Engraving
Dimensions:: Sheet: 25 3/8 x 19in. (64.5 x 48.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. [Shooting]: Setters

Creator:: Samuel William Reynolds, 1773–1835
Date:: 1799
Materials & Techniques:: Color printed mezzotint
Dimensions:: Sheet: 12 3/4 x 14 3/4in. (32.4 x 37.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. Lion and Snake

Creator:: Print made by Samuel William Reynolds, 1773–1835
Date:: 1799
Materials & Techniques:: Mezzotint, etching, and roulette on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 19 1/4 × 24 inches (48.9 × 61 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. Animals [a pair]: 1. Lioness

Creator:: Samuel William Reynolds, 1773–1835
Date:: 1799
Materials & Techniques:: Stipple engraving
Dimensions:: Sheet: 15 1/2 x 20 5/8in. (39.4 x 52.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. Vulture and Lamb

Creator:: Print made by Samuel William Reynolds, 1773–1835
Date:: 1799
Materials & Techniques:: Mezzotint, etching and drypoint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 19 3/8 × 24 1/8 inches (49.2 × 61.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. View of the New Trinity House on Tower Hill. Samuel Wyatt Esqr. Architect. The first Stone of this Noble Building was laid on the 12th of September 1793, by the Right Hon'ble William Pitt, First Lord of the Treasury and Master of this Corporation

View of the New Trinity House on Tower Hill. Samuel Wyatt Esqr. Architect. The first Stone of this Noble Building was laid on the 12th of September 1793, by the Right Hon'ble William Pitt, First Lord of the Treasury and Master of this Corporation

Creator:: unknown artist
Date:: 1799
Materials & Techniques:: Hand-colored engraving on laid paper
Dimensions:: Plate: 11 1/2 × 17 inches (29.2 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. The Return From Pizarro

Creator:: Isaac Cruikshank, 1764–1811
Date:: 1799
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 1/2 x 12 5/8in. (21.6 x 32.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. General Swarrow Towing the French Directory into Russia

Creator:: Isaac Cruikshank, 1764–1811
Date:: 1799
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 3/4 x 13 1/2in. (22.2 x 34.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. Set of eight (1): Cries of London

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1799
Materials & Techniques:: Etching with aquatint, colored by hand
Dimensions:: Sheet: 14 1/2 x 11 3/4in. (36.8 x 29.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. Racing [set of six]: 1. Racing

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1799
Materials & Techniques:: Hand colored etching
Dimensions:: Sheet: 10 1/4 x 13 1/4in. (26 x 33.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. John Bull at His Studies. Attended by His Guardian Angell

Creator:: James Gillray, 1756–1815
Date:: 1799
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 10in. (25.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. Gen'l Swallow Destroying the French Army

Creator:: Isaac Cruikshank, 1764–1811
Date:: 1799
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 7/8 x 13 1/8in. (22.5 x 33.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. The Union Coach

Creator:: Isaac Cruikshank, 1764–1811
Date:: 1799
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 3/8 x 15 1/8in. (21.3 x 38.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. Fellow Sufferers

Creator:: unknown artist
Date:: 1799
Materials & Techniques:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. A Parody upon the Poem of Alonzo the Brave and the Fair Imogene

Creator:: John Eckstein, 1735–1818
Date:: 1799
Materials & Techniques:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. Egyptian Sketches

Creator:: James Gillray, 1756–1815
Date:: 1799
Materials & Techniques:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. The Magnanimous Ally

Creator:: unknown artist
Date:: 1799
Materials & Techniques:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. Amelias escape from her Mother, Vide, vol. 1, page 78

Creator:: unknown artist
Date:: 1799
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Michael Zinman

68. Ticket: For the Benefit of Mr. Salpietro

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1799
Materials & Techniques:: Etching and stipple engraving on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 4 1/4 × 5 9/16 inches (10.8 × 14.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. Racing [set of six]: 3.Mounting

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1799
Materials & Techniques:: Hand colored etching
Dimensions:: Sheet: 10 1/4 x 13 1/4in. (26 x 33.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. Racing [set of six]: 5. Running out of the Course

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1799
Materials & Techniques:: Hand colored etching
Dimensions:: Sheet: 10 1/4 x 13 1/4in. (26 x 33.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. Racing [set of six]: 2. Weighing

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1799
Materials & Techniques:: Hand colored etching
Dimensions:: Sheet: 10 1/4 x 13 1/4in. (26 x 33.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. [Animals: an eagle with a dead pheasant, watched by a fox]

Creator:: Print made by John Murphy, ca. 1748–1820
Date:: 1799
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 19 3/8 × 24 1/4 inches (49.2 × 61.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. Design for a New Order of Architecture

Creator:: Samuel Ireland, active 1760–died 1800
Date:: 1799
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

74. Design for a New Order of Architecture

Creator:: Samuel Ireland, active 1760–died 1800
Date:: 1799
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

75. Design for a New Order of Architecture

Creator:: Samuel Ireland, active 1760–died 1800
Date:: 1799
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

76. Design for a New Order of Architecture

Creator:: Samuel Ireland, active 1760–died 1800
Date:: 1799
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

77. Design for a New Order of Architecture

Creator:: Samuel Ireland, active 1760–died 1800
Date:: 1799
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

78. Design for a New Order of Architecture

Creator:: Samuel Ireland, active 1760–died 1800
Date:: 1799
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

79. Design for a New Order of Architecture

Creator:: Samuel Ireland, active 1760–died 1800
Date:: 1799
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

80. Design for a New Order of Architecture

Creator:: Samuel Ireland, active 1760–died 1800
Date:: 1799
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

81. Design for a New Order of Architecture

Creator:: Samuel Ireland, active 1760–died 1800
Date:: 1799
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

82. Pizzaro a 'New' Play or the Drury Lane Masquerade

Creator:: Charles Ansell, ca.1752–active 1790
Date:: 1799
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 9 x 15 1/2in. (22.9 x 39.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. A Weeks Amusement for John Bull

Creator:: Charles Ansell, ca.1752–active 1790
Date:: 1799
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 9 1/2 x 10 5/8in. (24.1 x 27cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. Mutual Confidence in the Year 1799

Creator:: Charles Ansell, ca.1752–active 1790
Date:: 1799
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 10 3/4 x 9 1/2in. (27.3 x 24.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. A New Way of Paying Debts of Honor!!

Creator:: Charles Ansell, ca.1752–active 1790
Date:: 1799
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 9 3/4 x 13 1/8in. (24.8 x 33.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. The Family Party or Prince Bladduds Man Traps

Creator:: Isaac Cruikshank, 1764–1811
Date:: 1799
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 10 1/16 x 14in. (25.6 x 35.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. Newgate

Creator:: Thomas Malton the Younger, 1748–1804
Date:: 1799
Materials & Techniques:: Etching with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Mount: 11 3/4 × 15 7/16 inches (29.8 × 39.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. The Sweating Sickness; or, the Imaginary Malady

Creator:: unknown artist
Date:: 1799
Materials & Techniques:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. The Magnanimous Ally

Creator:: unknown artist
Date:: 1799
Materials & Techniques:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. The Hopes of the Family, An Admission at the University

Creator:: Print made by James Bretherton, ca. 1730–1806
Date:: 1799
Materials & Techniques:: Etching on medium, slightly textured, cream laid paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

91. View of Brest Harbour

Creator:: Print made by Robert Pollard, 1755–1838
Date:: 1799
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

92. William Cavendish, first Duke of Newcastle-upon-Tyne

Creator:: Print made by unknown artist
Date:: 1799
Materials & Techniques:: Stipple engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

93. Conversation in the Manner of Van Dyck

Creator:: Print made by J. Barlow, active 1791
Date:: 1799
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

94. Falstaff Examining His Recruits

Creator:: Print made by Thomas Ryder, 1746–1810
Date:: 1799
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

95. First Design for the Enraged Musician

Creator:: Print made by Thomas Ryder, 1746–1810
Date:: 1799
Materials & Techniques:: Etching and roulette on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

96. First Design for the Enraged Musician

Creator:: Print made by Thomas Ryder, 1746–1810
Date:: 1799
Materials & Techniques:: Etching and roulette on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

97. First Design for the Enraged Musician

Creator:: Print made by Thomas Ryder, 1746–1810
Date:: 1799
Materials & Techniques:: Etching and roulette on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

98. First Design for the Enraged Musician

Creator:: Print made by Thomas Ryder, 1746–1810
Date:: 1799
Materials & Techniques:: Etching and roulette on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

99. Conversation in the Manner of Van Dyck

Creator:: Print made by J. Barlow, active 1791
Date:: 1799
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

100. Scene at a Banking House in 1745

Creator:: Print made by J. Barlow, active 1791
Date:: 1799
Materials & Techniques:: Line engraving and etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

YCBA Collections Search

Refine your search

Search Constraints

Date 1799

Classification Prints

Search Results

1. Auction of Pictures, &c.

2. Frontispiece to Leveridge's Songs

3. Auction of Pictures, &c.

4. Concert Ticket, Mary's Chappel

5. Concert Ticket, Mary's Chappel

6. Concert Ticket, Mary's Chappel

7. Concert Ticket, Mary's Chappel

8. Satire on False Perspective

9. Concert Ticket, Mary's Chappel

10. Satire on False Perspective

11. Concert Ticket, Mary's Chappel

12. Concert Ticket, Mary's Chappel

13. False Perspective Exemplified

14. The Death of Juliet

15. Romeo and Juliet, Act IV, Scene V

16. Earl Howe

17. The British Naval Victors

18. St. Mary Magdelen College, Oxford

19. Every Sous Begad!

20. Westminster Bridge, Abbey and Church

21. View of London from Greenwich Park

22. North Front of Greenwich Hospital

23. The Great Court of Greenwich Hospital

24. North Front of the Chapel and Hall of Greenwich Hospital

25. Trinity Hospital, Deptford

26. St. George's, Bloomsbury

27. The New Church of St. Peter le Poor, Broad Street

28. Statue of a Man

29. Alum Bay, Isle of Wight

30. Orchard Bay

31. Orchard Bay

32. Freshwater Bay

33. Freshwater Bay

34. Alum Bay and the Needles

35. Alum Bay and the Needles

36. Alum Bay and the Needles

37. Shanklin Castle

38. Cowes

39. South View of Christ Church, etc. from the Meadows

40. South View of Christ Church, etc., From the Meadows...

41. Animals [a pair]: 2. Tigress

42. Racing [set of six]: 6. Betting

43. Racing [set of six]: 4. Between Heats

44. Samuel Johnson

45. Samuel Johnson

46. Ticket: For the Benefit of Mr. Salpietro

47. Zebra

48. Effusions of a Pot of Porter

49. General Sorrow, touring the French Directory into Russia

50. Duke William's Ghost

51. [Shooting]: Setters

52. Lion and Snake

53. Animals [a pair]: 1. Lioness

54. Vulture and Lamb

55. View of the New Trinity House on Tower Hill. Samuel Wyatt Esqr. Architect. The first Stone of this Noble Building was laid on the 12th of September 1793, by the Right Hon'ble William Pitt, First Lord of the Treasury and Master of this Corporation

56. The Return From Pizarro

57. General Swarrow Towing the French Directory into Russia

58. Set of eight (1): Cries of London

59. Racing [set of six]: 1. Racing

60. John Bull at His Studies. Attended by His Guardian Angell

61. Gen'l Swallow Destroying the French Army

62. The Union Coach

63. Fellow Sufferers

64. A Parody upon the Poem of Alonzo the Brave and the Fair Imogene

65. Egyptian Sketches

66. The Magnanimous Ally

67. Amelias escape from her Mother, Vide, vol. 1, page 78

68. Ticket: For the Benefit of Mr. Salpietro

69. Racing [set of six]: 3.Mounting

70. Racing [set of six]: 5. Running out of the Course

71. Racing [set of six]: 2. Weighing

72. [Animals: an eagle with a dead pheasant, watched by a fox]

73. Design for a New Order of Architecture

74. Design for a New Order of Architecture