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Date 1799

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201. Cleveland House by St. James's

Cleveland House by St. James's
Creator:
unknown artist
Date:
1799
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

202. View du Pont de Westminster

View du Pont de Westminster
Creator:
Pierre Michel Alix, 1762–1817
Date:
1799
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

203. Portrait of William Blake

Portrait of William Blake
Creator:
John Flaxman, 1755–1826
Date:
ca. 1804
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 x 8 1/8 inches (17.8 x 20.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

204. The Great Court of the Tower

The Great Court of the Tower
Creator:
unknown artist
Date:
1799
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

205. St. Johns Chapel in the White Tower London

St. Johns Chapel in the White Tower London
Creator:
James Peller Malcolm, 1767–1815
Date:
1799
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

206. Adrian Hope's House I: Plan of the Attic Floor

Adrian Hope's House I: Plan of the Attic Floor
Creator:
Henry Phillip Hope, active 1799–1818
Date:
undated
Materials & Techniques:
Pen and black ink, graphite on slightly textured, medium, cream wove paper
Dimensions:
Sheet: 8 × 6 inches (20.3 × 15.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

207. Characters in the Streets of London

Characters in the Streets of London
Creator:
Benjamin West, 1738–1820
Date:
1799
Materials & Techniques:
Brown wash with pen and brown ink on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 11 7/8 x 15 13/16 inches (30.2 x 40.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

208. Orchard Bay

Orchard Bay
Creator:
Print made by John Landseer, 1769–1852
Date:
1799
Materials & Techniques:
Etching on medium, smooth, cream wove paper
Dimensions:
Sheet: 13 3/8 × 18 1/2 inches (34 × 47 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

209. Orchard Bay

Orchard Bay
Creator:
Print made by John Landseer, 1769–1852
Date:
1799
Materials & Techniques:
Etching and engraving; Bohn reprint on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 15 1/8 × 22 inches (38.4 × 55.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

210. Alum Bay, Isle of Wight

Alum Bay, Isle of Wight
Creator:
Print made by John Landseer, 1769–1852
Date:
1799
Materials & Techniques:
Etching and engraving on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 15 1/8 × 22 inches (38.4 × 55.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

211. Freshwater Bay

Freshwater Bay
Creator:
Print made by John Landseer, 1769–1852
Date:
1799
Materials & Techniques:
Etching and engraving; Bohn reprint on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 15 1/4 × 22 inches (38.7 × 55.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

212. Alum Bay and the Needles

Alum Bay and the Needles
Creator:
Print made by John Landseer, 1769–1852
Date:
1799
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 3/4 × 10 3/8 inches (19.7 × 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

213. Alum Bay and the Needles

Alum Bay and the Needles
Creator:
Print made by John Landseer, 1769–1852
Date:
1799
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 × 13 1/4 inches (25.4 × 33.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

214. Alum Bay and the Needles

Alum Bay and the Needles
Creator:
Print made by John Landseer, 1769–1852
Date:
1799
Materials & Techniques:
Etching and engraving on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 15 1/8 × 21 7/8 inches (38.4 × 55.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

215. Shanklin Castle

Shanklin Castle
Creator:
Print made by John Landseer, 1769–1852
Date:
1799
Materials & Techniques:
Etching and engraving; Bohn reprint on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 14 7/8 × 22 inches (37.8 × 55.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

216. Freshwater Bay

Freshwater Bay
Creator:
Print made by John Landseer, 1769–1852
Date:
1799
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 3/4 × 17 inches (29.8 × 43.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

217. Cowes

Cowes
Creator:
Print made by John Landseer, 1769–1852
Date:
1799
Materials & Techniques:
Etching and engraving; Bohn reprint on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 15 × 21 7/8 inches (38.1 × 55.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

218. South View of Christ Church, &c. from the Meadows

South View of Christ Church, &c. from the Meadows
Creator:
Print made by James Basire II, 1769–1822
Date:
1799
Materials & Techniques:
Etching and engraving; engraver's proof (b) on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 13 1/2 × 17 7/8 inches (34.3 × 45.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

219. Full-length Figure of a Man Dressed in Black Holding a Walking Stick

Full-length Figure of a Man Dressed in Black Holding a Walking Stick
Creator:
Robert, Frankland, baronet, 1784–1849
Date:
undated
Materials & Techniques:
Watercolor and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 × 5 1/8 inches (17.8 × 13 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

220. The Ferry

The Ferry
Creator:
Attributed to Peter DeWint, 1784–1849
Date:
undated
Materials & Techniques:
Watercolor on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 4 7/16 x 7 7/16 inches (11.2 x 18.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

221. The Harvesters

The Harvesters
Creator:
attributed to Peter DeWint, 1784–1849
Date:
undated
Materials & Techniques:
Watercolor and graphite with scratching out on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 6 5/8 × 10 3/4 inches (16.8 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

222. Two Men in Punts

Two Men in Punts
Creator:
attributed to Peter DeWint, 1784–1849
Date:
undated
Materials & Techniques:
Watercolor and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 4 1/2 × 7 1/2 inches (11.4 × 19 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

223. Malmesbury Abbey

Malmesbury Abbey
Creator:
attributed to Peter DeWint, 1784–1849
Date:
undated
Materials & Techniques:
Watercolor on moderately thick, rough, beige wove paper
Dimensions:
Sheet: 6 1/8 × 12 1/2 inches (15.6 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

224. Study of Burdocks

Study of Burdocks
Creator:
attributed to Peter DeWint, 1784–1849
Date:
undated
Materials & Techniques:
Watercolor and graphite on moderately thick, rough, cream wove paper
Dimensions:
Sheet: 3 5/8 x 6 15/16 inches (9.2 x 17.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

225. Building a Stack (Study for Carrying Hay)

Building a Stack (Study for Carrying Hay)
Creator:
attributed to Peter DeWint, 1784–1849
Date:
undated
Materials & Techniques:
Watercolor and white chalk and black chalk over graphite on medium, slightly textured, blue wove paper
Dimensions:
Sheet: 6 7/8 x 10 3/8 inches (17.5 x 26.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

226. Still Life: Basket

Still Life: Basket
Creator:
attributed to Peter DeWint, 1784–1849
Date:
undated
Materials & Techniques:
Brown wash and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 6 15/16 x 7 5/16 inches (17.6 x 18.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

227. Still Life with Pitchers on a Shelf

Still Life with Pitchers on a Shelf
Creator:
attributed to Peter DeWint, 1784–1849
Date:
undated
Materials & Techniques:
Watercolor and graphite on moderately thick, rough, beige wove paper
Dimensions:
Sheet: 6 1/4 x 4 inches (15.9 x 10.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

228. A Haywagon in an Open Landscape

A Haywagon in an Open Landscape
Creator:
attributed to Peter DeWint, 1784–1849
Date:
undated
Materials & Techniques:
Watercolor on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 6 1/4 x 9 1/8 inches (15.9 x 23.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

229. Landscape with figures

Landscape with figures
Creator:
William Havell, 1782–1857
Date:
ca. 1804
Materials & Techniques:
Watercolor, scraping out and gum, over graphite on thick, smooth, cream card
Dimensions:
Sheet: 17 1/4 × 15 7/8 inches (43.8 × 40.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

230. Pale Melancholy

Pale Melancholy
Creator:
William Havell, 1782–1857
Date:
ca. 1804
Materials & Techniques:
Gray wash and graphite on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 11 × 15 5/8 inches (27.9 × 39.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

231. A Monkey and Young

A Monkey and Young
Creator:
Samuel Howitt, 1756–1822
Date:
after 1799
Materials & Techniques:
Watercolor, pen and black ink and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/8 × 7 1/8 inches (13 × 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

232. John Collins of Devizes

John Collins of Devizes
Creator:
John Russell, 1745–1806
Date:
1799
Materials & Techniques:
Pastel on medium, slightly textured, cream wove paper mounted on canvas
Dimensions:
Sheet: 30 x 25 1/4 inches (76.2 x 64.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

233. Statue of a Man

Statue of a Man
Creator:
James Heath, 1757–1834
Date:
ca. 1804
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

234. South View of Christ Church, &c. from the Meadows

South View of Christ Church, &c. from the Meadows
Creator:
Print made by James Basire II, 1769–1822
Date:
1799
Materials & Techniques:
Etching and engraving; engraver's proof (a) on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 1/2 × 19 5/8 inches (39.4 × 49.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

235. Southampton

Southampton
Creator:
Print made by Anne Rudge, 1761–1836
Date:
1799
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Abel Cary Thomas, B.A. 1905

236. Woodland Landscape

Woodland Landscape
Creator:
Print made by Anne Rudge, 1761–1836
Date:
1799
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Abel Cary Thomas, B.A. 1905

237. Old Houses at St. Albans

Old Houses at St. Albans
Creator:
C. John M. Whichelo, 1784–1865
Date:
undated
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 12 3/16 × 9 9/16 inches (31 × 24.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

238. Views in England, Scotland and Wales: Prebend's Bridge at Durham

Views in England, Scotland and Wales: Prebend's Bridge at Durham
Creator:
Amos Green, 1735–1807
Date:
1799
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

239. Views in England, Scotland and Wales: View on the Brathay near Clappensgate

Views in England, Scotland and Wales: View on the Brathay near Clappensgate
Creator:
Amos Green, 1735–1807
Date:
1799
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

240. Chepstow Castle from the Bridge

Chepstow Castle from the Bridge
Creator:
attributed to Peter DeWint, 1784–1849
Date:
undated
Materials & Techniques:
Watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 3/4 x 12 1/8 inches (22.2 x 30.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

241. Cows in a Pool

Cows in a Pool
Creator:
attributed to Peter DeWint, 1784–1849
Date:
undated
Materials & Techniques:
Watercolor and graphite on moderately thick, rough, cream wove paper
Dimensions:
Sheet: 8 5/8 x 10 5/8 inches (21.9 x 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

242. Near Penrith

Near Penrith
Creator:
attributed to Peter DeWint, 1784–1849
Date:
undated
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 1/4 x 15 3/8 inches (15.9 x 39.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

243. British Troops Disembarking

British Troops Disembarking
Creator:
Dirk Langendyck, 1748–1805
Date:
1799
Materials & Techniques:
Watercolor, pen and black ink, and graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 9 1/8 x 13 7/8 inches (23.2 x 35.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

244. A British Encampment

A British Encampment
Creator:
Dirk Langendyck, 1748–1805
Date:
1799 to 1801
Materials & Techniques:
Watercolor, pen and brown ink, pen and black ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 9/16 x 14 5/16in. (24.3 x 36.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

245. Emerey Down near Lyndhurst, New Forest, Hants

Emerey Down near Lyndhurst, New Forest, Hants
Creator:
C. John M. Whichelo, 1784–1865
Date:
undated
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 3/4 × 12 3/4 inches (22.2 × 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

246. Merrow Downs, Surrey

Merrow Downs, Surrey
Creator:
Follower of John Thirtle, 1777–1839
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 8 3/8 × 19 1/16 inches (21.3 × 48.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

247. Adrian Hope's House I: View from the Road

Adrian Hope's House I: View from the Road
Creator:
Henry Phillip Hope, active 1799–1818
Date:
undated
Materials & Techniques:
Pen and black ink on slightly texture, moderately thick, white wove paper
Dimensions:
Sheet: 16 × 20 inches (40.6 × 50.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

248. Adrian Hope's House I: Plan of the Chamber Floor

Adrian Hope's House I: Plan of the Chamber Floor
Creator:
Henry Phillip Hope, active 1799–1818
Date:
undated
Materials & Techniques:
Pen and black ink, graphite on slightly textured, medium, cream wove paper
Dimensions:
Sheet: 8 × 5 7/8 inches (20.3 × 14.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

249. Adrian Hope's House I: Plan of the Basement

Adrian Hope's House I: Plan of the Basement
Creator:
Henry Phillip Hope, active 1799–1818
Date:
undated
Materials & Techniques:
Pen and black ink, graphite on slightly textured, medium, cream wove paper
Dimensions:
Sheet: 8 11/16 × 7 7/8 inches (22.1 × 20 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

250. Adrian Hope's House I: Plan of the Principal Floor

Adrian Hope's House I: Plan of the Principal Floor
Creator:
Henry Phillip Hope, active 1799–1818
Date:
undated
Materials & Techniques:
Pen and black ink, graphite on slightly textured, medium, cream wove paper
Dimensions:
Sheet: 7 1/2 × 7 1/4 inches (19.1 × 18.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

251. Welgelegen: Vue de la Facade de Welgelegen

Welgelegen: Vue de la Facade de Welgelegen
Creator:
Henry Phillip Hope, active 1799–1818
Date:
undated
Materials & Techniques:
Watercolor on textured, moderately thick, cream wove paper
Dimensions:
Sheet: 16 1/2 × 23 1/4 inches (41.9 × 59.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

252. Adrian Hope's House I: Plan of the Ground Floor

Adrian Hope's House I: Plan of the Ground Floor
Creator:
Henry Phillip Hope, active 1799–1818
Date:
undated
Materials & Techniques:
Pen and black ink, graphite on slightly textured, medium, cream wove paper
Dimensions:
Sheet: 8 3/8 × 7 11/16 inches (21.3 × 19.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

253. A Highlander Seated

A Highlander Seated
Creator:
Thomas Miles Richardson Sr., 1784–1848
Date:
undated
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 3/4 × 5 3/4 inches (17.1 × 14.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

254. Conversation on a Country Road

Conversation on a Country Road
Creator:
Richard Westall, 1765–1836
Date:
1799
Materials & Techniques:
Watercolor and graphite with pen and brown ink on medium, slightly textured, cream laid paper mounted moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 7 1/8 x 9 1/8 inches (18.1 x 23.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

255. Sir Charles Blunt, fourth Baronet

Sir Charles Blunt, fourth Baronet
Creator:
Henry Bone, 1755–1834
Date:
1799
Materials & Techniques:
enamel on copper on copper
Dimensions:
Sheet: 3 x 2 1/2 inches (7.6 x 6.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

256. Design for a Naval Monument: Elevation

Design for a Naval Monument: Elevation
Creator:
Charles Heathcote Tatham, 1772–1842
Date:
1799
Materials & Techniques:
Pen and black ink and brown wash on slightly textured, moderately thick, cream wove paper
Dimensions:
Sheet: 11 1/2 × 7 1/16 inches (29.2 × 17.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

257. Final Design for a Naval Monument: Plan and Elevation

Final Design for a Naval Monument: Plan and Elevation
Creator:
Charles Heathcote Tatham, 1772–1842
Date:
1799
Materials & Techniques:
Graphite, pen and black ink, and watercolor on slightly textured, moderately thick, cream wove paper
Dimensions:
Sheet: 15 × 8 1/8 inches (38.1 × 20.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

258. Composition: two travellers and a dog on a road passing cottages, with ruins on a hill

Composition: two travellers and a dog on a road passing cottages, with ruins on a hill
Creator:
Peter La Cave, active 1769–1810
Date:
1799
Materials & Techniques:
Watercolor, pen and black ink on medium, slightly textured, wove paper
Dimensions:
Sheet: 4 1/2 × 5 7/8 inches (11.4 × 14.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

259. Rocky Landscape with Fort

Rocky Landscape with Fort
Creator:
Thomas Miles Richardson Sr., 1784–1848
Date:
undated
Materials & Techniques:
Watercolor, graphite, and gouache on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 1/2 × 8 1/2 inches (11.4 × 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

260. Beached Fishing Vessel

Beached Fishing Vessel
Creator:
Thomas Miles Richardson Sr., 1784–1848
Date:
undated
Materials & Techniques:
Watercolor and gouache with pen and brown ink on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 9 1/2 × 6 inches (24.1 × 15.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

261. Pale Melancholy

Pale Melancholy
Creator:
Paul Sandby Munn, 1773–1845
Date:
ca. 1804
Materials & Techniques:
Gray wash and graphite with pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/8 × 12 1/8 inches (23.2 × 30.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

262. Cottage Interior

Cottage Interior
Creator:
John Burnet, 1784–1868
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink, and scraping out on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 × 8 7/8 inches (18.4 × 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

263. The Hopes of the Family, An Admission at the University

The Hopes of the Family, An Admission at the University
Creator:
Print made by James Bretherton, ca. 1730–1806
Date:
1799
Materials & Techniques:
Etching on medium, slightly textured, cream laid paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

264. View of Brest Harbour

View of Brest Harbour
Creator:
Print made by Robert Pollard, 1755–1838
Date:
1799
Materials & Techniques:
Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

265. Conversation in the Manner of Van Dyck

Conversation in the Manner of Van Dyck
Creator:
Print made by J. Barlow, active 1791
Date:
1799
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

266. Scene at a Banking House in 1745

Scene at a Banking House in 1745
Creator:
Print made by J. Barlow, active 1791
Date:
1799
Materials & Techniques:
Line engraving and etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

267. Falstaff Examining His Recruits

Falstaff Examining His Recruits
Creator:
Print made by Thomas Ryder, 1746–1810
Date:
1799
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

268. First Design for the Enraged Musician

First Design for the Enraged Musician
Creator:
Print made by Thomas Ryder, 1746–1810
Date:
1799
Materials & Techniques:
Etching and roulette on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

269. First Design for the Enraged Musician

First Design for the Enraged Musician
Creator:
Print made by Thomas Ryder, 1746–1810
Date:
1799
Materials & Techniques:
Etching and roulette on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

270. First Design for the Enraged Musician

First Design for the Enraged Musician
Creator:
Print made by Thomas Ryder, 1746–1810
Date:
1799
Materials & Techniques:
Etching and roulette on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

271. First Design for the Enraged Musician

First Design for the Enraged Musician
Creator:
Print made by Thomas Ryder, 1746–1810
Date:
1799
Materials & Techniques:
Etching and roulette on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

272. First Design for the Enraged Musician

First Design for the Enraged Musician
Creator:
Print made by Thomas Ryder, 1746–1810
Date:
1799
Materials & Techniques:
Etching and roulette on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

273. First Design for the Enraged Musician

First Design for the Enraged Musician
Creator:
Print made by Thomas Ryder, 1746–1810
Date:
1799
Materials & Techniques:
Etching and roulette on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

274. Falstaff Examining His Recruits

Falstaff Examining His Recruits
Creator:
Print made by Thomas Ryder, 1746–1810
Date:
1799
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

275. First Design for the Enraged Musician

First Design for the Enraged Musician
Creator:
Print made by Thomas Ryder, 1746–1810
Date:
1799
Materials & Techniques:
Etching and roulette on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

276. Boys Peeping at Nature

Boys Peeping at Nature
Creator:
Print made by unknown artist
Date:
1799
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

277. Boys Peeping at Nature

Boys Peeping at Nature
Creator:
Print made by unknown artist
Date:
1799
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

278. Boys Peeping at Nature

Boys Peeping at Nature
Creator:
Print made by unknown artist
Date:
1799
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

279. Boys Peeping at Nature

Boys Peeping at Nature
Creator:
Print made by unknown artist
Date:
1799
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

280. Boys Peeping at Nature

Boys Peeping at Nature
Creator:
Print made by unknown artist
Date:
1799
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

281. Conversation in the Manner of Van Dyck

Conversation in the Manner of Van Dyck
Creator:
Print made by J. Barlow, active 1791
Date:
1799
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

282. Conversation in the Manner of Van Dyck

Conversation in the Manner of Van Dyck
Creator:
Print made by J. Barlow, active 1791
Date:
1799
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

283. Conversation in the Manner of Van Dyck

Conversation in the Manner of Van Dyck
Creator:
Print made by J. Barlow, active 1791
Date:
1799
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

284. Female Curiosity

Female Curiosity
Creator:
Printed by Thomas Ryder, 1746–1810
Date:
1799
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

285. Female Curiosity

Female Curiosity
Creator:
Print made by Thomas Ryder, 1746–1810
Date:
1799
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

286. Conversation in the Manner of Van Dyck

Conversation in the Manner of Van Dyck
Creator:
Print made by J. Barlow, active 1791
Date:
1799
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

287. Female Curiosity

Female Curiosity
Creator:
Print made by Thomas Ryder, 1746–1810
Date:
1799
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

288. Female Curiosity

Female Curiosity
Creator:
Print made by Thomas Ryder, 1746–1810
Date:
1799
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

289. Conversation in the Manner of Van Dyck

Conversation in the Manner of Van Dyck
Creator:
Print made by J. Barlow, active 1791
Date:
1799
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

290. Female Curiosity

Female Curiosity
Creator:
Print made by Thomas Ryder, 1746–1810
Date:
1799
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

291. Female Curiosity

Female Curiosity
Creator:
Print made by Thomas Ryder, 1746–1810
Date:
1799
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

292. Female Curiosity

Female Curiosity
Creator:
Print made by Thomas Ryder, 1746–1810
Date:
1799
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

293. Female Curiosity

Female Curiosity
Creator:
Print made by Thomas Ryder, 1746–1810
Date:
1799
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

294. Conversation in the Manner of Van Dyck

Conversation in the Manner of Van Dyck
Creator:
Print made by J. Barlow, active 1791
Date:
1799
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

295. Satans, Return from Earth, Discovered in Council - With Belzebub and Belial -- A Sketch after Fuseli

Satans, Return from Earth, Discovered in Council - With Belzebub and Belial -- A Sketch after Fuseli
Creator:
John Cawse, 1779–1862
Date:
1799
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 11 5/8 x 9 1/2in. (29.5 x 24.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

296. The Triumphal Entry of Suwarrow into Paris!!

The Triumphal Entry of Suwarrow into Paris!!
Creator:
unknown artist
Date:
1799
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 9 1/2 x 28 3/8in. (24.1 x 72.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

297. A Peep into the Retreat at Tinnehinch

A Peep into the Retreat at Tinnehinch
Creator:
Thomas Rowlandson, 1756–1827
Date:
1799
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 7 1/4 x 9 15/16in. (18.4 x 25.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

298. Secrecy

Secrecy
Creator:
unknown artist
Date:
1799
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 8 1/4 x 14 1/4in. (21 x 36.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

299. The Irish Bull broke Loose

The Irish Bull broke Loose
Creator:
Print made by Isaac Cruikshank, 1764–1811
Date:
1799
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 9 x 13 3/8in. (22.9 x 34cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

300. A Member of the Riding House at Paris, Delivering an Harangue from the Shoulders of a French Citizen

A Member of the Riding House at Paris, Delivering an Harangue from the Shoulders of a French Citizen
Creator:
unknown artist
Date:
1799
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 14 1/8 x 9 1/8in. (35.9 x 23.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection