Miniature: Portrait of Abram Constable, brother of the artist
early 19th century
Not on view
2
George Stubbs, 1724–1806
Freeman, the Earl of Clarendon's gamekeeper, with a dying doe and hound
1800
Not on view
3
William Blake, 1757–1827
The Horse
ca. 1805
Not on view
4
Richard Banks Harraden, 1778–1862
Procession of Boats on the River Cam below Clare College, Cambridge
early 19th century
Not on view
5
Thomas Stothard, 1755–1834
An Unfinished Study of Venus and Adonis
between 1800 and 1820
Not on view
6
Philip Reinagle, 1749–1833
The Blue Passion Flower, for Robert John Thornton’s Temple of Flora (London, 1799–1812)
1800
Not on view
7
John Inigo Richards, 1730/31?–1810
A River Landscape, possibly a View from the West End of Rochester Bridge
ca. 1805
Not on view
8
James Ward, 1769–1859
Studies of Jacky Turner and the Reverend Charles Hope's Gardener
between 1800 and 1815
Not on view
9
unknown artist
Teyoninhokarawen (Major John Norton)
ca. 1805
Not on view
10
Samuel De Wilde, 1748–1832
Gentleman in the Grounds of his House
between 1800 and 1810
Not on view
11
Adam Silo, ca. 1674–1772
Dutch Shipping off the Low Countries
18th century
Not on view
12
unknown artist
A Country House in a River Landscape, Previously Identified as Oatlands
ca. 1805
Not on view
13
William Redmore Bigg, 1755–1828
The Severe Steward, or Unfortunate Tenant
between 1800 and 1801
Not on view
14
unknown artist
A Setter: Facing Left, with a Partridge Hiding among Burdocks on the Left
ca. 1805
Not on view
15
unknown artist
Two Hares: On a Hillside
ca. 1805
Not on view
16
Sir David Wilkie, 1785–1841
The Only Child; The Jew's Harp; The Cut Finger; Blind Man's Buff; The Rent Day; The Scotch Piper; The Prieu-Dieu; and Self Portrait: A Sketch of the Eight Paintings Framed and Hanging on a Wall
undated
Not on view
17
unknown artist
Greyhound: Facing Left, with a Dead Hare at His Feet
ca. 1805
Not on view
18
Benjamin Marshall, 1768–1835
Studies of Riders in the Hunting Field
ca. 1805
Not on view
19
Thomas Girtin, 1775–1802
Guisborough Priory
between 1800 and 1802
Not on view
20
unknown artist
Springer: A Spaniel Bounding Over a Log to Spring a Snipe on the Left
ca. 1805
Not on view
21
Sir George Howland Beaumont seventh Baronet, 1753–1827
Landscape with Figures in the Foreground
between 1800 and 1810
Not on view
22
Charles Martin Powell, 1775 –1824
Warships Lying Offshore, the Commanding Admiral Being Rowed out to Join the Flagship, Her Sails Illuminated by a Break in the Clouds
early 19th century
Not on view
23
Julius Caesar Ibbetson, 1759–1817
Langdale Pikes from Lowood
between 1800 and 1806
Not on view
24
John Crome, 1768–1821
A Barge with a Wounded Soldier
early 19th century
Not on view
25
unknown artist
Coast with Cliffs and Boats
early 19th century
Not on view
26
Attributed to Peter DeWint, 1784–1849
Windsor Castle
early 19th century
Not on view
27
unknown artist
Landscape with Trees, Building in left middle distance
early 19th century
Not on view
28
unknown artist
Man on a White Horse
early 19th century
Not on view
29
Daniel Turner, active 1782–1805
A View of London Bridge
early 19th century
Not on view
30
Daniel Turner, active 1782–1805
A View of Westminster Bridge
early 19th century
Not on view
31
James Ward, 1769–1859
The Reapers
1800
Not on view
32
James Ward, 1769–1859
Gloucestershire Old Spot
between 1800 and 1805
Not on view
33
Henry Fuseli, 1741–1825
Tekemessa and Eurysakes
between 1800 and 1810
Not on view
34
Edmund Bristow, 1787–1876
The Rat Trap
early to mid-nineteenth century
Not on view
35
James Ward, 1769–1859
Landscape near Swansea, South Wales
ca. 1805
Not on view
36
unknown artist
Landscape with Trees on a Slope
early 19th century
Not on view
37
Jacques-Laurent Agasse, 1767–1849
A Groom Mounted on a Chestnut Hunter, He Holds a Bay Hunter by the Reins
early 19th century
Not on view
38
unknown artist
Augustus
early 19th century
Not on view
39
Staffordshire pottery
Cricketers - a pair: each in iron-red cap, spotted shirt and red sash, one bowling, one batting
19th-mid-19th century
Not on view
40
Staffordshire pottery
Cricketers - a pair: each in iron-red cap, spotted shirt and red sash, one bowling, one batting
19th to mid-19th century
Not on view
41
Derby porcelain factory, founded 1756
Dr. Syntax: Seated on a Bucket Sketching a Landscape
undated
Not on view
42
John Constable, 1776–1837
Wooded Slope with a Receding Road
ca. 1805
43
John Constable, 1776–1837
Landscape at East Bergholt
ca. 1805
44
John Constable, 1776–1837
Trees in a Meadow
ca. 1805
45
Attributed to Joseph Mallord William Turner, 1775–1851
Whitchurch, Devonshire
1800
46
William Blake, 1757–1827
An Essay on Sculpture on a Series of Epistles to John Flaxman
1800
47
Print made by William Blake, 1757–1827
Rev. John Caspar Lavater (1787-1801)
1800
48
William Blake, 1757–1827
Mary Magdalen at the Sepulchre
ca. 1805
49
William Blake, 1757–1827
Sealing the Stone and Setting a Watch
1800 to 1803
50
Print made by William Blake, 1757–1827
Thomas Hayley (1780-1800)
1800
51
William Blake, 1757–1827
An Essay on Sculpture on a Series of Epistles to John Flaxman
1800
52
William Blake, 1757–1827
An Essay on Sculpture on a Series of Epistles to John Flaxman
1800
53
Print made by William Blake, 1757–1827
Thomas Hayley (1780-1800)
1800
54
Print made by unknown artist
Horse
undated
55
Print made by unknown artist
Farm Animals
undated
56
Print made by unknown artist
Bulls Fighting
undated
57
Print made by unknown artist
Head of a Horse
undated
58
Thomas Malton, 1726–1801
Lincoln Cathedral
1800
59
Print made by unknown artist
Dogs Chasing a Hare
undated
60
Print made by unknown artist
Horse
undated
61
Print made by unknown artist
Lioness
undated
62
Print made by unknown artist
Deer with a Dog (Fragment of a Sporting Print)
undated
63
Print made by unknown artist
Sleeping Bull
undated
64
Print made by unknown artist
Head of a Horse
undated
65
Print made by unknown artist
Farm Animals
undated
66
Print made by unknown artist
Mare and Foal
undated
67
Thomas Sutherland, ca. 1785–1838
Nottingham Market Place
undated
68
unknown artist
Coastal Scene
undated
69
Cornelius Varley, 1781–1873
John Flaxman whilst Lecturing at the Royal Academy