From "Charley's Hope" Mrs. Griffiths Place, Near Brunswick, New Jersey
undated
204
Thomas Sully, 1783–1872
Horse, Cart and Driver on Wide, Tree-lined Lane
undated
205
Thomas Sully, 1783–1872
Two Hunters and Two Dogs in Winter Scene
undated
206
Thomas Sully, 1783–1872
Catskill - from J R Livingstons. TS
undated
207
Thomas Sully, 1783–1872
Landscape with Figures in Field
undated
208
Thomas Sully, 1783–1872
Figures Among Ruins on Hill
undated
209
Thomas Sully, 1783–1872
Fort Putnam From Constitution Island
undated
210
Thomas Sully, 1783–1872
Ridge Road
undated
211
Thomas Sully, 1783–1872
Town Scene on River
undated
212
Thomas Sully, 1783–1872
Landscape with Castle in Background
undated
213
Thomas Sully, 1783–1872
Figures at a Table Inside a Cottage
undated
214
Thomas Sully, 1783–1872
Fishermen at a Mountain Stream
undated
215
Thomas Sully, 1783–1872
Landscape with Canal and Lock; Figures at Lock
undated
216
Thomas Sully, 1783–1872
Rocky Landscape, Large Tree Trunk in Foreground
undated
217
Thomas Sully, 1783–1872
Augt 15th. Conway Castle
undated
218
Thomas Sully, 1783–1872
Mountain Scene with Stream, Cows and Figures
undated
219
Thomas Sully, 1783–1872
Landscape Looking Through Ruined Archway
undated
220
Thomas Sully, 1783–1872
Two Drawings on One Sheet: Landscape - Color Wash, Titian (no. 9); Landscape - color wash, Rubens (no. 10)
undated
221
Thomas Sully, 1783–1872
Two Drawings on One Sheet: Landscape with Figure Reclining Against Hill - Titian and Venetian School (no. 7); Landscape - Variety of Watercolor Washes (no. 8)
undated
222
Thomas Sully, 1783–1872
Two Drawings on One Sheet: Landscape with Large Cliff in Foreground - Cuyp's Principle (no. 3); Landscape with Tree in Foreground, Mountains in Distance - Both's Principle (no. 4)
undated
223
Thomas Sully, 1783–1872
Two Drawings on One Sheet: Landscape with Mountains in Distance and Seated Figures in Foreground (no. 1); Landscape with River and Building, Mountains in Distance (no. 2)
undated
224
Thomas Sully, 1783–1872
Two Drawings on One Sheet: Landscape with Castle - Modern Manner (no. 13); Landscape with Figures in Foreground (no. 14)
undated
225
Thomas Sully, 1783–1872
Two Drawings on One Sheet: Sky Study - Turner's Principle (no. 11); Landscape With Hills and Tree (no. 12)
undated
226
Thomas Sully, 1783–1872
Two Drawings on One Sheet: Landscape With Tree in Foreground and Mountains in Distance - Hobbema and Ruysdael's Principle (no. 5); Figure in interior Scene - Teniers and Ostade's Principle (no. 6)
undated
227
Thomas Sully, 1783–1872
Landscape with Knoll with Trees, Figure on Horseback
undated
228
Thomas Sully, 1783–1872
Two Drawings on One Sheet: Cottage with Figures in Front (no. 15); Landscape with River and Mountains - Sunshine (no. 16)
undated
229
Isaac Weld, 1774–1856
View on the Upper Lake (Ireland)
ca. 1806
230
Thomas Hearne, 1744–1817
The Tower of London
1801
231
Dominic M. Serres, c.1761–1804
A View in a Lane near Hampstead
1801
232
William Mulready, 1786–1863
The Fight Interrupted
undated
233
William Pearson, 1772–1849
From Boxley Hill near Maidstone
1801
234
George Engleheart, 1753–1829
Portrait of a Lady
1801
235
James Wyatt, 1746–1813
Hinton St. George, Somerset: Plan of the Dressing Room
1801
236
Peter La Cave, active 1769–1810
Mountain Landscape: with cows and goats foreground and figures, left
1801
237
Sir George Howland Beaumont seventh Baronet, 1753–1827
Landscape Composition
1801
238
unknown artist
View of Verona
undated
239
William Mulready, 1786–1863
Denial and Disappointment
undated
240
Samuel Owen, 1768–1857
Margate Harbor
ca. 1806
241
Charles Williams, active 1796–1830
The Union Club
undated
242
unknown artist
Lamentation
19th century
243
Print made by William Ellis, 1747–1810
Cape of Good Hope
1801
244
Print made by Samuel Howitt, 1756–1822
Three Dogs
undated
245
Print made by Samuel Howitt, 1756–1822
Muskrat
undated
246
unknown artist
Sheet of Six Sketches
undated
247
John Nixon, ca. 1760–1818
Monkey Sharp of Newbury
1801
248
John Nixon, ca. 1760–1818
Menage as Champanzee in Perouse
1801
249
unknown artist
Peace and Plenty, or the Forestaller's Lamentation a Tragi Comedy
1801
250
Charles Williams, active 1796–1830
The Westminster Seceder on Fresh Duty
1801
251
Charles Williams, active 1796–1830
The April Fool Consigned to Infamy and Ridicule
1801
252
unknown artist
General Peace & General War - or - The Interview at Roehampton
1801
253
unknown artist
A Fraternal Embrace, Or - The First Day of Term
1801
254
unknown artist
Romeo
1801
255
unknown artist
Great News for John Bull
1801
256
unknown artist
Peace Opinions Contrasted (Plate 2)
1801
257
unknown artist
A Field Day in Surry!!!
1801
258
Thomas Girtin, 1775–1802
The Abbey Mill, Knaresborough
1801
259
Charles Williams, active 1796–1830
The Union Club
1801
260
Samuel William Reynolds, 1773–1835
Coaching: The Mail Coach
1801
261
Thomas Rowlandson, 1756–1827
Fox-hunting [set of four]: 1.Going Out in the Morning. / Scene near Windsor Forest
1801
262
John Raphael Smith, 1752–1812
[Shooting] The Sportsman's Repast
1801
263
John Raphael Smith, 1752–1812
[Shooting] Enamour'd Sportsman
1801
264
John Raphael Smith, 1752–1812
[Shooting] Enamour'd Sportsman
1801
265
Charles Williams, active 1796–1830
Foreign Amusements or the British Lion on the Watch
1801
266
Isaac Cruikshank, 1764–1811
The Buck & the Goose
1801
267
Isaac Cruikshank, 1764–1811
A Yorkshire Methode of Finding a Horse
1801
268
Charles Williams, active 1796–1830
The Balance of Power
1801
269
Charles Williams, active 1796–1830
St. Martins in an Uproar
1801
270
Isaac Cruikshank, 1764–1811
The Jocose Prisoner & Honest Cryer. A Joke May be Carried Too Far
1801
271
Print made by Anthony Cardon, 1772–1813
The Assault and Taking of Seringapatam
1801
272
Print made by William Ward, 1766–1826
The Dragon Arum, 1801, from Robert John Thornton, the 'Temple of Flora', 1799-1812
December 1, 1801
273
Print made by James Basire II, 1769–1822
South West view of St. Stephen's Chapel Westminster, Restored 1800
1801
274
Thomas Rowlandson, 1756–1827
Single Combat in Moor fields or Mag'nanimous Paol O' Challenging All O
1801
275
E. Stalker, active 1801–1823
Henry Sass
undated
276
Conrad Martin Metz, 1749–1827
Christ the Judge and Saints John the Baptist and Abel
1801
277
Conrad Martin Metz, 1749–1827
The Resurrection of the Dead
1801
278
Print made by unknown artist
John Constable
undated
279
unknown artist
Set of four: 3. Pheasant Shooting
1801
280
unknown artist
Set of four: 2. Partridge Shooting
1801
281
Thomas Rowlandson, 1756–1827
Fox-hunting [set of four]: 4. Return from the Chase. / Scene at Eaton
1801
282
Thomas Rowlandson, 1756–1827
Fox-hunting [set of four]: 2. Stag at Bay. / Scene near Taplow Berks
1801
283
Thomas Rowlandson, 1756–1827
Fox-hunting [set of four]: 3. Fox Chase / Scene near maidenhead thicket
1801
284
Robert Hartley Cromek, 1770–1812
Milton
1801
285
Robert Hartley Cromek, 1770–1812
Milton
1801
286
unknown artist
Dreadful Hard Times
1801
287
James Gillray, 1756–1815
INTEGRITY retiring from Office
1801
288
Charles Williams, active 1796–1830
A Meeting of Monopolizers, or the Good Effect of Peace
1801
289
James Gillray, 1756–1815
Playing in Parts
1801
290
James Gillray, 1756–1815
Playing in Parts
1801
291
Thomas Rowlandson, 1756–1827
Butterfly Hunting
ca. 1806
292
Thomas Rowlandson, 1756–1827
The Gaming Table
1801
293
Conrad Martin Metz, 1749–1827
The Elect
1801
294
Unknown artist (Company style)
Copy of a Miniature Painting of an Udaipur Maharana
undated
295
Unknown artist (Company style)
Copy of a Miniature Painting of an Udaipur Maharana
undated
296
Unknown artist (Company style)
Woman Carrying Basket of Jars on her Head
undated
297
unknown artist
Egyptian Ruins with a Mosque
undated
298
unknown artist
Mark Yonder Couch from William Henry Merle's 'Costanca, a Poem' (1828)