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1. William Cowper, Author of "The Task"

No cover image available
Creator:
Print made by William Blake, 1757–1827
Date:
1802
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Binding: 11 1/2 inches (29.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. The Peasants' Nest: Cowper's tame Hares

No cover image available
Creator:
Print made by William Blake, 1757–1827
Date:
1802
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Binding: 11 1/2 inches (29.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud 1802; Plate 13 Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2622

View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud 1802; Plate 13 Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2622
Date:
1802
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. Returning from a Review...Paris

Returning from a Review...Paris
Creator:
unknown artist
Date:
1802
Materials & Techniques:
Aquatint, hand-colored on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 18 11/16 × 25 inches (47.5 × 63.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. Peasants Going to Market

Peasants Going to Market
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1802
Materials & Techniques:
Line engraving and stipple engraving
Dimensions:
Sheet: 18 x 22in. (45.7 x 55.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. O Evening thou Bringest All

O Evening thou Bringest All
Creator:
Print made by Henry Fuseli, 1741–1825
Date:
1802
Materials & Techniques:
Lithograph on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 9 × 12 7/8 inches (22.9 × 32.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. The Waterworks at Marly and St. Germain-en-Laye Seen in the Distance

The Waterworks at Marly and St. Germain-en-Laye Seen in the Distance
Creator:
Thomas Girtin, 1775–1802
Date:
1802
Materials & Techniques:
Watercolor over soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 5 11/16 x 18 1/8 inches (14.5 x 46 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. Inside View of the East End of Merton College Chapel

Inside View of the East End of Merton College Chapel
Creator:
Print made by James Basire the younger, 1769–1822
Date:
1802
Materials & Techniques:
Line engraving, published state on medium, smooth, cream wove paper
Dimensions:
Sheet: 14 7/8 × 19 7/8 inches (37.8 × 50.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. Durham Cathedral

Durham Cathedral
Creator:
Print made by S. Porter, active 1802
Date:
1802
Materials & Techniques:
Line engraving, published state
Dimensions:
Sheet: 9 1/2 × 6 3/8 inches (24.1 × 16.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. View of the Pantheon, Paris

View of the Pantheon, Paris
Creator:
Thomas Girtin, 1775–1802
Date:
1802
Materials & Techniques:
Soft ground etching with gray, blue, and yellow wash on medium, slightly textured, cream wove paper
Dimensions:
Mount: 9 3/8 x 21 inches (23.8 x 53.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. Crocus Luteus (Crocus Aureus or Golden Crocus) and Safran Jaune, Plate 196 from Les Liliacées, volume 4, Paris, 1802-1816

Crocus Luteus (Crocus Aureus or Golden Crocus) and Safran Jaune, Plate 196 from Les Liliacées, volume 4, Paris, 1802-1816
Creator:
Pierre-Joseph Redouté, 1759–1840
Date:
between 1802 and 1816
Materials & Techniques:
Color-printed stipple engraving with hand coloring on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 23 × 17 1/2 inches (58.4 × 44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Ira Brind and David Brind, Yale BA 2000

12. Saumerez' Action off Algeciras and Gibraltar, 6th and 12th July 1801

Saumerez' Action off Algeciras and Gibraltar, 6th and 12th July 1801
Creator:
Joseph Constantine Stadler, active 1780–1812
Date:
1802
Materials & Techniques:
Colored aquatint
Dimensions:
Sheet: 17 x 25in. (43.2 x 63.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. Henry Tresham, Esq, R.A.

Henry Tresham, Esq, R.A.
Creator:
Print made by George Chinnery, 1774–1852
Date:
1802
Materials & Techniques:
Etching, drypoint, and stipple engraving on medium, slightly textured, cream Asian paper
Dimensions:
Sheet: 9 7/16 × 7 3/16 inches (24 × 18.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. View of St. Cloud and Mount Calvary taken from Pont de Seve

View of St. Cloud and Mount Calvary taken from Pont de Seve
Creator:
Thomas Girtin, 1775–1802
Date:
1802
Materials & Techniques:
Soft ground etched outline on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. The Monstrous Craw; or a New Discovered Animal

The Monstrous Craw; or a New Discovered Animal
Creator:
Print made by Thomas Rowlandson, 1756–1827
Date:
1802
Materials & Techniques:
Etching and watercolor
Dimensions:
Sheet: 15 x 9 1/2in. (38.1 x 24.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Barbara and Max Wilk, Yale BA 1941

16. View of the City with the Louvre &c., taken from Pont Marie

View of the City with the Louvre &c., taken from Pont Marie
Creator:
Thomas Girtin, 1775–1802
Date:
1802
Materials & Techniques:
Soft-ground etched outline on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. View of the Gate of St. Denis taken from the Suburbs

View of the Gate of St. Denis taken from the Suburbs
Creator:
Thomas Girtin, 1775–1802
Date:
1802
Materials & Techniques:
Soft ground etched outline on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. View of Pont de la Tournelle and Notre Dame taken from the Arsenal

View of Pont de la Tournelle and Notre Dame taken from the Arsenal
Creator:
Thomas Girtin, 1775–1802
Date:
1802
Materials & Techniques:
Soft ground etched outline on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. View of Pont de la Tournelle and Notre Dame taken from the Arsenal

View of Pont de la Tournelle and Notre Dame taken from the Arsenal
Creator:
Thomas Girtin, 1775–1802
Date:
1802
Materials & Techniques:
Aquatint with soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud

View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud
Creator:
Thomas Girtin, 1775–1802
Date:
1802
Materials & Techniques:
Soft ground etched outline on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. The Waterworks at Marli; and St. Germain en Laye seen in the distance

The Waterworks at Marli; and St. Germain en Laye seen in the distance
Creator:
Thomas Girtin, 1775–1802
Date:
1802
Materials & Techniques:
Soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud

View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud
Creator:
Thomas Girtin, 1775–1802
Date:
1802
Materials & Techniques:
Aquatint with soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. View from Palace Terrace at St. Germain en Laye; The Aquaduct of Marli, seen in the distance

View from Palace Terrace at St. Germain en Laye; The Aquaduct of Marli, seen in the distance
Creator:
Thomas Girtin, 1775–1802
Date:
1802
Materials & Techniques:
Soft ground etched outline on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. Thomas Hardwick

Thomas Hardwick
Creator:
Print made by William Daniell, 1769–1837
Date:
between 1802 and 1814
Materials & Techniques:
Soft-ground etching on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 12 11/16 x 9 11/16 inches (32.3 x 24.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. Edmund Garvey, R.A.

Edmund Garvey, R.A.
Creator:
Print made by William Daniell, 1769–1837
Date:
between 1802 and 1814
Materials & Techniques:
Soft-ground etching on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 17 x 11 5/16 inches (43.2 x 28.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. Samuel Johnson

Samuel Johnson
Creator:
Anker Smith, 1759–1819
Date:
1802
Materials & Techniques:
Engraving
Dimensions:
Sheet: 6 1/4 x 3 3/4in. (15.9 x 9.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Gift of Herman W. Liebert

27. Hunting, Shooting, etc. [four of a set of six, untitled]: 2. The Check

Hunting, Shooting, etc. [four of a set of six, untitled]: 2. The Check
Creator:
Samuel Howitt, 1756–1822
Date:
1802
Materials & Techniques:
Aquatint, hand-colored with aquatinted border
Dimensions:
Sheet: 9 x 13 1/4in. (22.9 x 33.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. Hunting, Shooting, etc. [four of a set of six, untitled]: 4. Full Cry

Hunting, Shooting, etc. [four of a set of six, untitled]: 4. Full Cry
Creator:
Samuel Howitt, 1756–1822
Date:
1802
Materials & Techniques:
Aquatint, hand-colored with aquatinted border
Dimensions:
Sheet: 9 x 13 1/4in. (22.9 x 33.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

29. Hunting, Shooting, etc. [four of a set of six, untitled]: 6. Going Home

Hunting, Shooting, etc. [four of a set of six, untitled]: 6. Going Home
Creator:
Samuel Howitt, 1756–1822
Date:
1802
Materials & Techniques:
Aquatint, hand-colored with aquatinted border
Dimensions:
Sheet: 9 x 13 1/4in. (22.9 x 33.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

30. Tales of wonder

Tales of wonder
Creator:
James Gillray, 1756–1815
Date:
1802
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

31. "all Bond Street trembled as he strode"

"all Bond Street trembled as he strode"
Creator:
James Gillray, 1756–1815
Date:
1802
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32. Close Shaveing or the will our own way

Close Shaveing or the will our own way
Creator:
Charles Williams, active 1796–1830
Date:
1802
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33. Old Times Returned

Old Times Returned
Creator:
unknown artist
Date:
1802
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 9 1/2 x 13 3/8in. (24.1 x 34cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34. English Patriots Bowing at the Shrine of Despotism

English Patriots Bowing at the Shrine of Despotism
Creator:
Charles Williams, active 1796–1830
Date:
1802
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 8 7/8 x 13 1/8in. (22.5 x 33.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

35. Two Pair of Candidates Proposed to the Independant Electors of Middlesex

Two Pair of Candidates Proposed to the Independant Electors of Middlesex
Creator:
Charles Williams, active 1796–1830
Date:
1802
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 9 x 13 1/2in. (22.9 x 34.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36. Close Shaveing, or The Will Our Own Way

Close Shaveing, or The Will Our Own Way
Creator:
Charles Williams, active 1796–1830
Date:
1802
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 8 5/8 x 13in. (21.9 x 33cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37. The Norwich Bull-Bait

The Norwich Bull-Bait
Creator:
Charles Williams, active 1796–1830
Date:
1802
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 8 13/16 x 13 1/8in. (22.4 x 33.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38. A View of the East-India House, Leadenhall Street, London

A View of the East-India House, Leadenhall Street, London
Creator:
unknown artist
Date:
1802
Materials & Techniques:
Hand colored engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39. The Remarkable Dirty Warehouse in Leadenhall Street

The Remarkable Dirty Warehouse in Leadenhall Street
Creator:
unknown artist
Date:
1802
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40. Saumerez' Action off Algeciras and Gibraltar, 6th and 12th July 1801

Saumerez' Action off Algeciras and Gibraltar, 6th and 12th July 1801
Creator:
Joseph Constantine Stadler, active 1780–1812
Date:
1802
Materials & Techniques:
Colored aquatint
Dimensions:
Sheet: 17 x 25in. (43.2 x 63.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

41. Saumerez' Action off Algeciras and Gibraltar, 6th and 12th July 1801

Saumerez' Action off Algeciras and Gibraltar, 6th and 12th July 1801
Creator:
Joseph Constantine Stadler, active 1780–1812
Date:
1802
Materials & Techniques:
Colored aquatint
Dimensions:
Sheet: 17 x 25in. (43.2 x 63.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

42. Theatrical Doctors recovering Clara's Notes!

Theatrical Doctors recovering Clara's Notes!
Creator:
Charles Williams, active 1796–1830
Date:
1802
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

43. James Northcote

James Northcote
Creator:
Print made by Samuel William Reynolds, 1773–1835
Date:
1802
Materials & Techniques:
Mezzotint on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 19 1/16 × 14 3/16 inches (48.4 × 36 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

44. View of Thuilleries and Bridge taken from the Quay d'Orsai

View of Thuilleries and Bridge taken from the Quay d'Orsai
Creator:
Thomas Girtin, 1775–1802
Date:
1802
Materials & Techniques:
Aquatint and soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

45. View of the Thuilleries and Bridge taken f rom the Quai d'Orsai

View of the Thuilleries and Bridge taken f rom the Quai d'Orsai
Creator:
Thomas Girtin, 1775–1802
Date:
1802
Materials & Techniques:
Soft-ground etched outline on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

46. View of the Louvre & Bridge of the Thuilleries taken from Pont Neuf

View of the Louvre & Bridge of the Thuilleries taken from Pont Neuf
Creator:
Thomas Girtin, 1775–1802
Date:
1802
Materials & Techniques:
Soft-ground etched outline on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

47. View of the Louvre & Bridge of the Thuilleries taken from Pont Neuf

View of the Louvre & Bridge of the Thuilleries taken from Pont Neuf
Creator:
Thomas Girtin, 1775–1802
Date:
1802
Materials & Techniques:
Aquatint with soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

48. View of the City with the Louvre &c. taken from Pont Marie

View of the City with the Louvre &c. taken from Pont Marie
Creator:
Thomas Girtin, 1775–1802
Date:
1802
Materials & Techniques:
Aquatint with soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

49. View of the Thuilleries and Bridge, etc., taken from Pont de la Concorde

View of the Thuilleries and Bridge, etc., taken from Pont de la Concorde
Creator:
Thomas Girtin, 1775–1802
Date:
1802
Materials & Techniques:
Soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 18 1/4 x 26 1/4 inches (46.4 x 66.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

50. View of Pont St. Michel, taken from Pont Neuf

View of Pont St. Michel, taken from Pont Neuf
Creator:
Thomas Girtin, 1775–1802
Date:
1802
Materials & Techniques:
Soft-ground etched outline on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

51. A General View of Paris taken from Chaillot

A General View of Paris taken from Chaillot
Creator:
Thomas Girtin, 1775–1802
Date:
1802
Materials & Techniques:
Soft-ground etched outline on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

52. View of Pont Neuf, part of the Louvre, Notre Dame, and the College of four Nations

View of Pont Neuf, part of the Louvre, Notre Dame, and the College of four Nations
Creator:
Thomas Girtin, 1775–1802
Date:
1802
Materials & Techniques:
Soft ground etched outline on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 18 1/4 x 26 1/4 inches (46.4 x 66.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

53. A View of Pont Neuf, the Mint, &c.

A View of Pont Neuf, the Mint, &c.
Creator:
Thomas Girtin, 1775–1802
Date:
1802
Materials & Techniques:
Soft ground etched outline on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

54. View of the Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, &c. taken from Pont Notre Dame

View of the Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, &c. taken from Pont Notre Dame
Creator:
Thomas Girtin, 1775–1802
Date:
1802
Materials & Techniques:
Soft ground etched outline on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

55. View of the Gate of St. Denis taken from the Suburbs

View of the Gate of St. Denis taken from the Suburbs
Creator:
Thomas Girtin, 1775–1802
Date:
1802
Materials & Techniques:
Aquatint with soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

56. View of the Palace and Village of Choisi on the Banks of the Seine

View of the Palace and Village of Choisi on the Banks of the Seine
Creator:
Thomas Girtin, 1775–1802
Date:
1802
Materials & Techniques:
Soft ground etched outline on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

57. Hodge Outwitted

Hodge Outwitted
Creator:
unknown artist
Date:
1802
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

58. How to Obtain a Request

How to Obtain a Request
Creator:
unknown artist
Date:
1802
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

59. Nathaniel Marchant, R.A.

Nathaniel Marchant, R.A.
Creator:
Print made by William Daniell, 1769–1837
Date:
between 1802 and 1814
Materials & Techniques:
Soft-ground etching on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 17 1/8 x 11 1/4 inches (43.5 x 28.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

60. Henry Howard

Henry Howard
Creator:
Print made by William Daniell, 1769–1837
Date:
between 1802 and 1814
Materials & Techniques:
Soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 17 15/16 x 11 1/8 inches (45.5 x 28.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

61. View of the Pantheon taken from the Arsenal

View of the Pantheon taken from the Arsenal
Creator:
Thomas Girtin, 1775–1802
Date:
1802
Materials & Techniques:
Soft ground etched outline on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

62. View of the Village of Chaillot &c., taken from Pont de la Concorde

View of the Village of Chaillot &c., taken from Pont de la Concorde
Creator:
Thomas Girtin, 1775–1802
Date:
1802
Materials & Techniques:
Soft ground etched outline on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

63. Theatrical Doctors Recovering Clara's Notes

Theatrical Doctors Recovering Clara's Notes
Creator:
Charles Williams, active 1796–1830
Date:
1802
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 8 7/8 x 13 3/8in. (22.5 x 34cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

64. The Little Green Man or the Bath Bugabo, or the Widows Terror

The Little Green Man or the Bath Bugabo, or the Widows Terror
Creator:
Charles Williams, active 1796–1830
Date:
1802
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 10 x 11 1/4in. (25.4 x 28.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

65. Birds of a Feather Flock Together. Diversions of Purley (scored through & replaced by) Brighton

Birds of a Feather Flock Together. Diversions of Purley (scored through & replaced by) Brighton
Creator:
Charles Williams, active 1796–1830
Date:
1802
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 8 3/4 x 14 1/4in. (22.2 x 36.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

66. A Trip to Paris or John Bull and His Spouse Invited to the Honors of the Sitting

A Trip to Paris or John Bull and His Spouse Invited to the Honors of the Sitting
Creator:
Charles Williams, active 1796–1830
Date:
1802
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 8 13/16 x 13 3/4in. (22.4 x 34.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

67. Long Expected Come at Last or John Bull Disappointed at His Crippled Visitor

Long Expected Come at Last or John Bull Disappointed at His Crippled Visitor
Creator:
Charles Williams, active 1796–1830
Date:
1802
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 9 1/8 x 13 1/2in. (23.2 x 34.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

68. John Bull Viewing Billy's Preparations for His Birthday

John Bull Viewing Billy's Preparations for His Birthday
Creator:
Charles Williams, active 1796–1830
Date:
1802
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 9 3/8 x 15 3/8in. (23.8 x 39.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

69. View of St. Cloud and Mount Calvary taken from Pont de Seve

View of St. Cloud and Mount Calvary taken from Pont de Seve
Creator:
Thomas Girtin, 1775–1802
Date:
1802
Materials & Techniques:
Aquatint with soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

70. Thomas Holles, Duke of Newcastle

Thomas Holles, Duke of Newcastle
Creator:
Print made by Edward Harding, 1755–1840
Date:
1802
Materials & Techniques:
Stipple engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

71. Thomas Holles, Duke of Newcastle

Thomas Holles, Duke of Newcastle
Creator:
Print made by Edward Harding, 1755–1840
Date:
1802
Materials & Techniques:
Stipple engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

72. Attacking Stag

Attacking Stag
Creator:
Print made by William Finden, 1787–1852
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

73. View in the Carse of Gowrie

View in the Carse of Gowrie
Creator:
Print made by W. Pickett, active 1792–1820
Date:
1802
Materials & Techniques:
Aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

74. Ruins of Castle-Gloom

Ruins of Castle-Gloom
Creator:
Print made by Thomas Medland, 1755–1823
Date:
1802
Materials & Techniques:
Aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

75. Loch-vana-choir

Loch-vana-choir
Creator:
Print made by Francis Jukes, 1747–1812
Date:
1802
Materials & Techniques:
Aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

76. Wemyss Castle

Wemyss Castle
Creator:
Print made by W. Pickett, active 1792–1820
Date:
1802
Materials & Techniques:
Aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

77. The Windings of the Forth

The Windings of the Forth
Creator:
Print made by Samuel Alken, 1756–1815
Date:
1802
Materials & Techniques:
Aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

78. Inverkeithing Bay

Inverkeithing Bay
Creator:
Print made by Samuel Alken, 1756–1815
Date:
1802
Materials & Techniques:
Aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

79. Hill of Binion from the Lake

Hill of Binion from the Lake
Creator:
Print made by W. Pickett, active 1792–1820
Date:
1802
Materials & Techniques:
Aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

80. Loch-Lubnaig, West End

Loch-Lubnaig, West End
Creator:
Published by Longman, active 1804–1914
Date:
1802
Materials & Techniques:
Aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

81. Loch-Kaitrin, East End

Loch-Kaitrin, East End
Creator:
Print made by Thomas Medland, 1755–1823
Date:
1802
Materials & Techniques:
Aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

82. Kinloch Rannoch

Kinloch Rannoch
Creator:
Print made by Thomas Medland, 1755–1823
Date:
1802
Materials & Techniques:
Aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

83. Loch-Lubnaig, East End

Loch-Lubnaig, East End
Creator:
Print made by Thomas Medland, 1755–1823
Date:
1802
Materials & Techniques:
Aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

84. Windings of the Tay, Looking toward the Mountains of Athol

Windings of the Tay, Looking toward the Mountains of Athol
Creator:
Print made by Thomas Medland, 1755–1823
Date:
1802
Materials & Techniques:
Aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

85. Pass of Killicrankie

Pass of Killicrankie
Creator:
Print made by Thomas Medland, 1755–1823
Date:
1802
Materials & Techniques:
Aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

86. View from the Heights of Dunkeld

View from the Heights of Dunkeld
Creator:
Print made by Thomas Medland, 1755–1823
Date:
1802
Materials & Techniques:
Aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

87. Loch Tay Looking toward Killin

Loch Tay Looking toward Killin
Creator:
Print made by Thomas Medland, 1755–1823
Date:
1802
Materials & Techniques:
Aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

88. Down Castle, Craigforth and Stirling in the Distance

Down Castle, Craigforth and Stirling in the Distance
Creator:
Print made by Thomas Medland, 1755–1823
Date:
1802
Materials & Techniques:
Aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

89. Taymouth

Taymouth
Creator:
Print made by Samuel Alken, 1756–1815
Date:
1802
Materials & Techniques:
Aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

90. Loch-tay, from Killin

Loch-tay, from Killin
Creator:
Print made by Francis Jukes, 1747–1812
Date:
1802
Materials & Techniques:
Aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

91. Cori-nan-Urischin

Cori-nan-Urischin
Creator:
Print made by Samuel Alken, 1756–1815
Date:
1802
Materials & Techniques:
Aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

92. Benledi

Benledi
Creator:
Print made by Francis Jukes, 1747–1812
Date:
1802
Materials & Techniques:
Aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

93. Loch-leven

Loch-leven
Creator:
Print made by W. Pickett, active 1792–1820
Date:
1802
Materials & Techniques:
Aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

94. Loch-erin-head

Loch-erin-head
Creator:
Print made by W. Pickett, active 1792–1820
Date:
1802
Materials & Techniques:
Aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

95. Fall of the Brahan

Fall of the Brahan
Creator:
Print made by Thomas Medland, 1755–1823
Date:
1802
Materials & Techniques:
Aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

96. St. Andrews from the East

St. Andrews from the East
Creator:
Print made by W. Pickett, active 1792–1820
Date:
1802
Materials & Techniques:
Aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

97. View on the Water of Lieth

View on the Water of Lieth
Creator:
Print made by Francis Jukes, 1747–1812
Date:
1802
Materials & Techniques:
Aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

98. The Drinking Well in Hyde Park

The Drinking Well in Hyde Park
Creator:
James Godby, 1767–1849
Date:
1802
Materials & Techniques:
Colored stipple engraving
Dimensions:
Sheet: 21 1/8 x 25 7/8in. (53.7 x 65.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

99. The Distinguishing Characteristic of Masonry

The Distinguishing Characteristic of Masonry
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1802
Materials & Techniques:
Stipple engraving
Dimensions:
Sheet: 23 x 28in. (58.4 x 71.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

100. Proclamation of Peace at the Royal Exchange, London, April 29th, 1802

Proclamation of Peace at the Royal Exchange, London, April 29th, 1802
Creator:
unknown artist
Date:
1802
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection