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1. Fragment of a Doric Cornice Among the Ruins of Eleusis

Fragment of a Doric Cornice Among the Ruins of Eleusis
Creator:
Sir Robert Smirke the younger, 1781–1867
Date:
1802-1804
Materials & Techniques:
Pen and brown ink, and graphite on medium, moderately textured, beige wove paper
Dimensions:
Sheet: 7 9/16 × 9 3/4 inches (19.2 × 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. Landscape of Trees, and Ruins

Landscape of Trees, and Ruins
Creator:
Sir Robert Smirke the younger, 1781–1867
Date:
1802-1804
Materials & Techniques:
Brown wash and graphite on medium, moderately textured, beige wove paper
Dimensions:
Sheet: 7 7/16 × 9 11/16 inches (18.9 × 24.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. The Capital and Entablature to the Columns of the Temple of Juno Lucina, Agrigentum

The Capital and Entablature to the Columns of the Temple of Juno Lucina, Agrigentum
Creator:
Sir Robert Smirke the younger, 1781–1867
Date:
1802-1804
Materials & Techniques:
Pen and black ink and graphite on thin, moderately textured, beige wove paper
Dimensions:
Sheet: 15 1/8 × 9 11/16 inches (38.4 × 24.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. Sketches of Ornamental Designs, For Oil Lamps and Pouring Vessels

Sketches of Ornamental Designs, For Oil Lamps and Pouring Vessels
Creator:
Sir Robert Smirke the younger, 1781–1867
Date:
1802-1804
Materials & Techniques:
Brown wash, graphite, pen and brown ink on thin, moderately textured, beige wove paper
Dimensions:
Sheet: 15 1/4 × 9 3/4 inches (38.7 × 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. Preparatory drawing for Design 21, Plate 19 of A Collection of Designs for Rural Retreats

Preparatory drawing for Design 21, Plate 19 of A Collection of Designs for Rural Retreats
Creator:
James Malton, 1761–1803
Date:
1802
Materials & Techniques:
Gray wash and graphite with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 11/16 × 9 3/4 inches (17 × 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. Etched State with revisions of Design 11, Plate 9 of A Collection of Designs for Rural Retreats

Etched State with revisions of Design 11, Plate 9 of A Collection of Designs for Rural Retreats
Creator:
James Malton, 1761–1803
Date:
1802
Materials & Techniques:
Gray wash, gouache, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/8 x 10in. (18.1 x 25.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. A Regency Pair: Man with Walking Stick

A Regency Pair: Man with Walking Stick
Creator:
James Hook, ca. 1772–1828
Date:
1802
Materials & Techniques:
Watercolor, graphite, and pen and brown ink on medium, slightly textured, cream wove paper mounted on medium, slightly textured, brown wove paper
Dimensions:
Sheet: 11 1/2 × 10 inches (29.2 × 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. Thomas Hardwick

Thomas Hardwick
Creator:
Print made by William Daniell, 1769–1837
Date:
between 1802 and 1814
Materials & Techniques:
Soft-ground etching on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 12 11/16 x 9 11/16 inches (32.3 x 24.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. The Devil's Bridge, Aberystwyth

The Devil's Bridge, Aberystwyth
Creator:
Rev. Charles Annesley, 1787–1863
Date:
undated
Materials & Techniques:
Watercolor and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 inches (34.3 x 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. Light Head Dress and Long Petticoats

Light Head Dress and Long Petticoats
Creator:
unknown artist
Date:
1802
Materials & Techniques:
Hand-colored etching
Dimensions:
Sheet: 14 x 9 3/4in. (35.5 x 24.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. Vice Admiral Lord Hugh Seymour

Vice Admiral Lord Hugh Seymour
Creator:
Samuel William Reynolds, 1773–1835
Date:
1802
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 1/2 × 11 9/16 inches (39.4 × 29.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. Untitled: Prince Amgrad & Prince Affad

Untitled: Prince Amgrad & Prince Affad
Creator:
Robert Smirke, 1752–1845
Date:
1802
Materials & Techniques:
Etching and line engraving on wove paper with chine-collé
Dimensions:
Image: 5 x 3 3/4in. (12.7 x 9.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. Blowing up the Pic Nic's: or Harlequin Quioxtte Attacking the Puppets

Blowing up the Pic Nic's: or Harlequin Quioxtte Attacking the Puppets
Creator:
James Gillray, 1756–1815
Date:
1802
Materials & Techniques:
Etching with aquatint, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 14 1/16 × 10 1/16 inches (35.7 × 25.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. Architectural Drawing of the Temple of Sunias Minerva

Architectural Drawing of the Temple of Sunias Minerva
Creator:
Sir Robert Smirke the younger, 1781–1867
Date:
1802-1804
Materials & Techniques:
Gray wash, graphite, pen and black ink on thin, moderately textured, beige wove paper
Dimensions:
Sheet: 15 3/16 × 10 inches (38.6 × 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. Sketch of the Molding of the Interior of the Propylaea

Sketch of the Molding of the Interior of the Propylaea
Creator:
Sir Robert Smirke the younger, 1781–1867
Date:
1802-1804
Materials & Techniques:
Pen and brown ink and graphite on thin, moderately textured, beige laid paper
Dimensions:
Sheet: 15 1/16 × 9 13/16 inches (38.3 × 24.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. The Pilasters to the Small Temple in the Convent of St. Nicholas, Agrigentum

The Pilasters to the Small Temple in the Convent of St. Nicholas, Agrigentum
Creator:
Sir Robert Smirke the younger, 1781–1867
Date:
1802-1804
Materials & Techniques:
Pen and brown ink, black ink, and graphite on thin, moderately textured, beige wove paper
Dimensions:
Sheet: 15 × 9 11/16 inches (38.1 × 24.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. The Architrave to a Window or Door in the East Wall of the Temple in the Convent of St. Nicholas, Agrigentum

The Architrave to a Window or Door in the East Wall of the Temple in the Convent of St. Nicholas, Agrigentum
Creator:
Sir Robert Smirke the younger, 1781–1867
Date:
1802-1804
Materials & Techniques:
Pen and black ink, brown ink, and graphite on thin, moderately textured, beige wove paper
Dimensions:
Sheet: 15 1/16 × 9 11/16 inches (38.3 × 24.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. Public Baths on the River Spree

Public Baths on the River Spree
Creator:
Sir Robert Smirke the younger, 1781–1867
Date:
1802-1804
Materials & Techniques:
Brown wash and graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 7 1/4 × 10 inches (18.4 × 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. The Castle Inhabited by Petrarch, Vaucluse

The Castle Inhabited by Petrarch, Vaucluse
Creator:
Sir Robert Smirke the younger, 1781–1867
Date:
1802
Materials & Techniques:
Gray wash, black wash and graphite on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 6 11/16 × 10 inches (17 × 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. Vicenza

Vicenza
Creator:
Sir Robert Smirke the younger, 1781–1867
Date:
1802-1804
Materials & Techniques:
Graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 7 3/4 × 9 3/4 inches (19.7 × 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. Vicenza, Italy

Vicenza, Italy
Creator:
Sir Robert Smirke the younger, 1781–1867
Date:
1802-1804
Materials & Techniques:
Brown wash and graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 7 9/16 × 9 7/8 inches (19.2 × 25.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. Part of Lyons From the Convent of the Chartreux, Mont Blanc in the Distance

Part of Lyons From the Convent of the Chartreux, Mont Blanc in the Distance
Creator:
Sir Robert Smirke the younger, 1781–1867
Date:
1802-1804
Materials & Techniques:
Graphite on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 8 1/16 × 10 inches (20.5 × 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. Moldings on the Pillars

Moldings on the Pillars
Creator:
Sir Robert Smirke the younger, 1781–1867
Date:
1802-1804
Materials & Techniques:
Graphite on thin, moderately textured, beige wove paper
Dimensions:
Sheet: 15 1/8 × 9 3/4 inches (38.4 × 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. Ancient Inscription in the Post House at Argos

Ancient Inscription in the Post House at Argos
Creator:
Sir Robert Smirke the younger, 1781–1867
Date:
1802-1804
Materials & Techniques:
Pen and brown ink and graphite on thin, moderately textured, beige wove paper
Dimensions:
Sheet: 7 9/16 × 9 3/4 inches (19.2 × 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. Top Portion of a Pillar

Top Portion of a Pillar
Creator:
Sir Robert Smirke the younger, 1781–1867
Date:
1802-1804
Materials & Techniques:
Graphite, brown wash, pen and brown ink on thin, moderately textured, beige wove paper
Dimensions:
Sheet: 15 1/8 × 9 3/4 inches (38.4 × 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. The Source of the Vaucluse

The Source of the Vaucluse
Creator:
Sir Robert Smirke the younger, 1781–1867
Date:
1802
Materials & Techniques:
Watercolor and graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 7 13/16 × 9 3/4 inches (19.8 × 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

27. Tynemouth Castle and Priory, Northumberland

Tynemouth Castle and Priory, Northumberland
Creator:
Print made by Benjamin Comte, 1760–1851
Date:
1802
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 6 1/8 x 9 3/4 inches (15.5 x 24.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. Illustrations to the Travels of Lord Valentia: Volume 2 - View of the South Quarter, Motha

No cover image available
Creator:
Henry Salt, 1780–1827
Date:
1802-1803
Materials & Techniques:
Watercolor, pen and ink and wash, and graphite
Dimensions:
Sheet: 7 3/8 x 9 7/8in. (18.7 x 25.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

29. The Brazen Image erected on a Pedestal wrought by Himself

No cover image available
Creator:
Print made by Charles Williams, active 1796–1830
Date:
1802
Materials & Techniques:
Etching with hand coloring in watercolor on medium, textured, cream laid paper
Dimensions:
Sheet: 17 1/8 × 10 3/4 inches (43.5 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Godfrey Pearlson

30. Fat Cattle, a Sketch of Tavistock Farmyard Dedicated to the Society for Improving the Breed of Cattle

No cover image available
Creator:
James Gillray, 1756–1815
Date:
1802
Materials & Techniques:
Etching with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/8 × 10 inches (35.9 × 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

31. Sketch of the Interior of St. Stephen's, as It Now Stands. -

No cover image available
Creator:
James Gillray, 1756–1815
Date:
1802
Materials & Techniques:
Etching with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 × 10 1/4 inches (35.6 × 26 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection