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Date 1802

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Thomas Girtin View of the Thuilleries and Bridge, etc., taken from Pont de la Concorde
Thomas Girtin, 1775–1802
View of the Thuilleries and Bridge, etc., taken from Pont de la Concorde
1802
Thomas Girtin A View of Pont Neuf, the Mint, &c.
Thomas Girtin, 1775–1802
A View of Pont Neuf, the Mint, &c
1802
Thomas Girtin View of Pont de la Tournelle and Notre Dame taken from the Arsenal
Thomas Girtin, 1775–1802
View of Pont de la Tournelle and Notre Dame taken from the Arsenal
1802
Thomas Girtin View of the Gate of St. Denis taken from the Suburbs
Thomas Girtin, 1775–1802
View of the Gate of St. Denis taken from the Suburbs
1802
Thomas Girtin View of the Gate of St. Denis taken from the Suburbs
Thomas Girtin, 1775–1802
View of the Gate of St. Denis taken from the Suburbs
1802
Thomas Girtin View of the Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, &c. taken from Pont Notre Dame
Thomas Girtin, 1775–1802
View of the Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, &c. taken from Pont Notre Dame
1802
Thomas Girtin View of the Palace and Village of Choisi on the Banks of the Seine
Thomas Girtin, 1775–1802
View of the Palace and Village of Choisi on the Banks of the Seine
1802
Thomas Girtin View of the Pantheon taken from the Arsenal
Thomas Girtin, 1775–1802
View of the Pantheon taken from the Arsenal
1802
Thomas Girtin View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud
Thomas Girtin, 1775–1802
View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud
1802
Thomas Girtin View from Palace Terrace at St. Germain en Laye; The Aquaduct of Marli, seen in the distance
Thomas Girtin, 1775–1802
View from Palace Terrace at St. Germain en Laye; The Aquaduct of Marli, seen in the distance
1802
Thomas Girtin View of Pont de la Tournelle and Notre Dame taken from the Arsenal
Thomas Girtin, 1775–1802
View of Pont de la Tournelle and Notre Dame taken from the Arsenal
1802
Thomas Girtin The Waterworks at Marli; and St. Germain en Laye seen in the distance
Thomas Girtin, 1775–1802
The Waterworks at Marli; and St. Germain en Laye seen in the distance
1802
Thomas Girtin View of the Village of Chaillot &c., taken from Pont de la Concorde
Thomas Girtin, 1775–1802
View of the Village of Chaillot &c., taken from Pont de la Concorde
1802
Thomas Girtin View of St. Cloud and Mount Calvary taken from Pont de Seve
Thomas Girtin, 1775–1802
View of St. Cloud and Mount Calvary taken from Pont de Seve
1802
Thomas Girtin View of St. Cloud and Mount Calvary taken from Pont de Seve
Thomas Girtin, 1775–1802
View of St. Cloud and Mount Calvary taken from Pont de Seve
1802
unknown artist Proclamation of Peace at the Royal Exchange, London, April 29th, 1802
unknown artist
Proclamation of Peace at the Royal Exchange, London, April 29th, 1802
1802
Joseph Constantine Stadler View of London, taken from Albion Place, Blackfryar Bridge
Joseph Constantine Stadler, active 1780–1812
View of London, taken from Albion Place, Blackfryar Bridge
1802
Paul Sandby A Distant View of Maidstone, from Lower Bell Inn, Boxley Hill
Paul Sandby, 1731–1809
A Distant View of Maidstone, from Lower Bell Inn, Boxley Hill
1802
John Glover The Thames at Isleworth
John Glover, 1767–1849
The Thames at Isleworth
ca. 1807
James Hook A Regency Pair
James Hook, ca. 1772–1828
A Regency Pair
1802
James Hook A Regency Pair: Man with Walking Stick
James Hook, ca. 1772–1828
A Regency Pair: Man with Walking Stick
1802
Thomas Hearne The Poor House, Hadley, Hertfordshire
Thomas Hearne, 1744–1817
The Poor House, Hadley, Hertfordshire
1802
Patrick Nasmyth Cloud Study
Patrick Nasmyth, 1787–1831
Cloud Study
undated
James Malton Preparatory drawing for Design 21, Plate 19 of A Collection of Designs for Rural Retreats
James Malton, 1761–1803
Preparatory drawing for Design 21, Plate 19 of A Collection of Designs for Rural Retreats
1802
James Malton Preparatory drawing for Design 16, Plate 12 of A Collection of Designs for Rural Retreats
James Malton, 1761–1803
Preparatory drawing for Design 16, Plate 12 of A Collection of Designs for Rural Retreats
1802
James Malton Preparatory drawing for Design 15, Plate 12 of A Collection of Designs for Rural Retreats
James Malton, 1761–1803
Preparatory drawing for Design 15, Plate 12 of A Collection of Designs for Rural Retreats
1802
James Malton Preparatory drawing for Design 9, Plate 6 of A Collection of Designs for Rural Retreats
James Malton, 1761–1803
Preparatory drawing for Design 9, Plate 6 of A Collection of Designs for Rural Retreats
1802
James Malton Preparatory drawing for Design 20, Plate 18 of A Collection of Designs for Rural Retreats
James Malton, 1761–1803
Preparatory drawing for Design 20, Plate 18 of A Collection of Designs for Rural Retreats
1802
James Malton Preparatory drawing for Design 19, Plate 31 of A Collection of Designs for Rural Rereats
James Malton, 1761–1803
Preparatory drawing for Design 19, Plate 31 of A Collection of Designs for Rural Rereats
1802
James Malton Preparatory drawing for Design 19, Plate 17 of A Collection of Designs for Rural Retreats
James Malton, 1761–1803
Preparatory drawing for Design 19, Plate 17 of A Collection of Designs for Rural Retreats
1802
James Malton Preparatory drawing for Design 30, Plate 31 of A Collection of Designs for Rural Retreats
James Malton, 1761–1803
Preparatory drawing for Design 30, Plate 31 of A Collection of Designs for Rural Retreats
1802
James Malton Preparatory drawing for Designs 7 and 8, Plate 5 of A Collection of Designs for Rural Retreats
James Malton, 1761–1803
Preparatory drawing for Designs 7 and 8, Plate 5 of A Collection of Designs for Rural Retreats
1802
James Malton Preparatory drawing for Design 1, Plate 1 of A Collection of Designs for Rural Retreats
James Malton, 1761–1803
Preparatory drawing for Design 1, Plate 1 of A Collection of Designs for Rural Retreats
1802
James Malton Preparatory drawing for Design 11, Plate 9 of A Collection of Designs for Rural Retreats
James Malton, 1761–1803
Preparatory drawing for Design 11, Plate 9 of A Collection of Designs for Rural Retreats
1802
James Malton Preparatory drawing for Designs 5 and 6, Plate 3 from A Collection of Designs for Rural Retreats
James Malton, 1761–1803
Preparatory drawing for Designs 5 and 6, Plate 3 from A Collection of Designs for Rural Retreats
1802
James Malton Preparatory drawing for Design 14, Plate 11 for A Collection of Designs for Rural Retreats
James Malton, 1761–1803
Preparatory drawing for Design 14, Plate 11 for A Collection of Designs for Rural Retreats
1802
James Malton Early state, with revisions, of Design 23, Plate 25 of A Collection of Designs for Rural Retreats
James Malton, 1761–1803
Early state, with revisions, of Design 23, Plate 25 of A Collection of Designs for Rural Retreats
1802
James Malton Preparatory drawings for Designs 3 and 4, Plate 2 of A Collection of Designs for Rural Retreats
James Malton, 1761–1803
Preparatory drawings for Designs 3 and 4, Plate 2 of A Collection of Designs for Rural Retreats
1802
James Malton Preparatory drawing for Design 24, Plate 27 of A Collection of Designs for Rural Retreats
James Malton, 1761–1803
Preparatory drawing for Design 24, Plate 27 of A Collection of Designs for Rural Retreats
1802
James Malton Preparatory drawing for Designs 12 and 13, Plate 10 of A Collection of Designs for Rural Retreats
James Malton, 1761–1803
Preparatory drawing for Designs 12 and 13, Plate 10 of A Collection of Designs for Rural Retreats
1802
James Malton Etched State with revisions of Design 11, Plate 9 of A Collection of Designs for Rural Retreats
James Malton, 1761–1803
Etched State with revisions of Design 11, Plate 9 of A Collection of Designs for Rural Retreats
1802
John William Upham The Abbey Barn, Abbotsbury
John William Upham, 1772–1828
The Abbey Barn, Abbotsbury
1802
James Basire II Inside View of the East End of Merton College Chapel
Print made by James Basire II, 1769–1822
Inside View of the East End of Merton College Chapel
1802
S. Porter Durham Cathedral
Print made by S. Porter, active 1802
Durham Cathedral
1802
Edward Francis Burney Farmhouse
Edward Francis Burney, 1760–1848
Farmhouse
1802
Cornelius Varley Carnarvon
Cornelius Varley, 1781–1873
Carnarvon
1802
Amos Green Views in England, Scotland and Wale: View near Bolton Abbey
Amos Green, 1735–1807
Views in England, Scotland and Wale: View near Bolton Abbey
1802
Amos Green Views in England, Scotland and Wales: Landscape with Stream
Amos Green, 1735–1807
Views in England, Scotland and Wales: Landscape with Stream
1802
Amos Green Views in England, Scotland and Wales: Watenlath, August 30, 1802
Amos Green, 1735–1807
Views in England, Scotland and Wales: Watenlath, August 30, 1802
1802
Amos Green Views in England, Scotland and Wales: Chepstow Castle, October 15, 1802
Amos Green, 1735–1807
Views in England, Scotland and Wales: Chepstow Castle, October 15, 1802
1802
Amos Green Views in England, Scotland and Wales: Bowdar Stone Borrowdale, August 30, 1802
Amos Green, 1735–1807
Views in England, Scotland and Wales: Bowdar Stone Borrowdale, August 30, 1802
1802
Thomas Girtin View of the Thuilleries and Bridge, taken from the Quai d'Orsai
Print made by Thomas Girtin, 1775–1802
View of the Thuilleries and Bridge, taken from the Quai d'Orsai
1802
Thomas Girtin View of the City with the Louvre & Taken from Pont Marie
Print made by Thomas Girtin, 1775–1802
View of the City with the Louvre & Taken from Pont Marie
1802
Thomas Girtin View of the Louvre and Bridge of the Thuilleries, taken from Pont Neuf.
Print made by Thomas Girtin, 1775–1802
View of the Louvre and Bridge of the Thuilleries, taken from Pont Neuf
1802
Thomas Girtin View of Pont de la Tournelle and Notre Dame, taken from the Arsenal 1802
Print made by Thomas Girtin, 1775–1802
View of Pont de la Tournelle and Notre Dame, taken from the Arsenal 1802
1802
Thomas Girtin View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud
Print made by Thomas Girtin, 1775–1802
View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud
1802
Thomas Girtin View of St. Cloud and Mt. Calvary taken from Pont de Seve
Print made by Thomas Girtin, 1775–1802
View of St. Cloud and Mt. Calvary taken from Pont de Seve
1802
Isaac Weld Dunloh Castle, Killarney, Ireland
Isaac Weld, 1774–1856
Dunloh Castle, Killarney, Ireland
ca. 1807
Henry Edridge Windsor Castle from the Brocas
Henry Edridge, 1769–1821
Windsor Castle from the Brocas
1802
Isaac Weld Killarney (Ireland)
Isaac Weld, 1774–1856
Killarney (Ireland)
ca. 1807
Robert Hills Studies of Haymakers
Robert Hills, 1769–1844
Studies of Haymakers
ca. 1807
Thomas Girtin View of the Pantheon, Paris
Thomas Girtin, 1775–1802
View of the Pantheon, Paris
1802
John Varley View of Chepstow Castle, Monmouthshire, from Under the Bridge
John Varley, 1778–1842
View of Chepstow Castle, Monmouthshire, from Under the Bridge
1802
Thomas Girtin View of the Pantheon from the Arsenal
Thomas Girtin, 1775–1802
View of the Pantheon from the Arsenal
1802
Samuel De Wilde Portrait Studies of Actors including Mary Wells as Cowslip, John Kemble, Edmund Kean, and Sarah Siddons as Hermione
Samuel De Wilde, 1748–1832
Portrait Studies of Actors including Mary Wells as Cowslip, John Kemble, Edmund Kean, and Sarah Siddons as Hermione
1802
James Malton Preparatory drawing for Design 10, Plate 7 for A Collection of Designs for Rural Retreats
James Malton, 1761–1803
Preparatory drawing for Design 10, Plate 7 for A Collection of Designs for Rural Retreats
1802
Patrick Nasmyth Netley Abbey
Patrick Nasmyth, 1787–1831
Netley Abbey
undated
Cornelius Varley Tygwyn Ferry
Cornelius Varley, 1781–1873
Tygwyn Ferry
1802
Thomas Girtin The Waterworks at Marly and St. Germain-en-Laye Seen in the Distance
Thomas Girtin, 1775–1802
The Waterworks at Marly and St. Germain-en-Laye Seen in the Distance
1802
Samuel Alken Cori-nan-Urischin
Print made by Samuel Alken, 1756–1815
Cori-nan-Urischin
1802
W. Pickett Loch-erin-head
Print made by W. Pickett, active 1792–1820
Loch-erin-head
1802
Joseph Samuel Alpenny Two Travellers Watering Three Horses
Print made by Joseph Samuel Alpenny, 1787–1858
Two Travellers Watering Three Horses
undated
Charles Williams Cross Examination
Charles Williams, active 1796–1830
Cross Examination
1802
Charles Williams The Union Club Masquerade
Charles Williams, active 1796–1830
The Union Club Masquerade
1802
Charles Williams Between Two Stools The Bottom Goes to the Ground
Charles Williams, active 1796–1830
Between Two Stools The Bottom Goes to the Ground
1802
Charles Williams The Balance of Justice
Charles Williams, active 1796–1830
The Balance of Justice
1802
Charles Williams The City Combat, or the Desperate Attack at The English Baron
Charles Williams, active 1796–1830
The City Combat, or the Desperate Attack at The English Baron
1802
Charles Williams A New Bravura with a Duett Affettuoso
Charles Williams, active 1796–1830
A New Bravura with a Duett Affettuoso
1802
Charles Williams Prize Beef or Luxury in the Nineteenth Century
Charles Williams, active 1796–1830
Prize Beef or Luxury in the Nineteenth Century
1802
Charles Williams A Peep into Totenham Street or Dillitanti Performers in Training
Charles Williams, active 1796–1830
A Peep into Totenham Street or Dillitanti Performers in Training
1802
Charles Williams The Doctor Administering His Gilded Pill
Charles Williams, active 1796–1830
The Doctor Administering His Gilded Pill
1802
unknown artist John Bull and the A-assa-r!!
unknown artist
John Bull and the A-assa-r!!
1802
unknown artist Taking Leave
unknown artist
Taking Leave
1802
unknown artist The Upholsterer Turn'd Candidate
unknown artist
The Upholsterer Turn'd Candidate
1802
Thomas Girtin View of Pont de la Tournelle and Notre Dame, taken from the Arsenal
Thomas Girtin, 1775–1802
View of Pont de la Tournelle and Notre Dame, taken from the Arsenal
1802
unknown artist The Imperial Dilly!!
unknown artist
The Imperial Dilly!!
1802
Thomas Girtin View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud
Thomas Girtin, 1775–1802
View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud
1802
Thomas Girtin View of St. Cloud and Mt. Calvary taken from Pont de Seve
Thomas Girtin, 1775–1802
View of St. Cloud and Mt. Calvary taken from Pont de Seve
1802
Thomas Girtin View of the Tuilleries and Bridge, taken from the Quai d'Orsay
Thomas Girtin, 1775–1802
View of the Tuilleries and Bridge, taken from the Quai d'Orsay
1802
Thomas Girtin View of the Louvre and Bridge of the Tuilleries, taken from Pont Neuf
Thomas Girtin, 1775–1802
View of the Louvre and Bridge of the Tuilleries, taken from Pont Neuf
1802
unknown artist A Peaceable Pipe; or, A Consular Visit to John Bull!!
unknown artist
A Peaceable Pipe; or, A Consular Visit to John Bull!!
1802
unknown artist A Peep in the City - or Spoil'd Children
unknown artist
A Peep in the City - or Spoil'd Children
1802
unknown artist John Bull and His Favourite Statue of Bronze!!
unknown artist
John Bull and His Favourite Statue of Bronze!!
1802
unknown artist Billy and a Few Select Friends Celebrating his Birth Day!
unknown artist
Billy and a Few Select Friends Celebrating his Birth Day!
1802
unknown artist The Consular Warehouse, Or - A Great Man Nail'd to the Counter!
unknown artist
The Consular Warehouse, Or - A Great Man Nail'd to the Counter!
1802
unknown artist An Unexpected Application to John Bull !!
unknown artist
An Unexpected Application to John Bull !!
1802
Capt. Thomas Hastings Bound Volume of 152 Drawings of Isle of Wight, Canterbury, Hampstead, etc. [spine is numbered vol. 6]
Capt. Thomas Hastings, 1778–1854
Bound Volume of 152 Drawings of Isle of Wight, Canterbury, Hampstead, etc. [spine is numbered vol. 6]
1802 to 1833
Thomas Girtin Sandsend, Yorkshire
Thomas Girtin, 1775–1802
Sandsend, Yorkshire
1802
Charles Williams The Brazen Image Erected on a Pedestal Wrought by Himself
Charles Williams, active 1796–1830
The Brazen Image Erected on a Pedestal Wrought by Himself
1802
Charles Williams The Tractors
Charles Williams, active 1796–1830
The Tractors
1802