The Life, and Posthumous Writings, of William Cowper (volume 3)
1803-1804
9
Sir Robert Smirke the younger, 1781–1867
Temple at Phigalia
1803
10
Sir Robert Smirke the younger, 1781–1867
Temple Near the Site of Ancient Phigalia
1803
11
Print made by Thomas Girtin, 1775–1802
View of the Pantheon taken from the Arsenal
1803
12
George Jones, 1786–1869
Fire on the Thames
ca. 1808
13
Sir George Howland Beaumont seventh Baronet, 1753–1827
Romantic Landscape
1803
14
William Green, 1760–1823
View of Lakes Buttermere and Crummock Water
1803
15
John Samuel Hayward, 1778–1822
Liverpool: The Windmill on the Edge of the Quarry
1803
16
William Williamson, active 1803
Bombay from Malabar Point, the Night of 17th February 1803
1803
17
Francis Nicholson, 1753–1844
Scarborough: Shipwreck at the Foot of the Castle Cliff
ca. 1808
18
unknown artist
Bambridge on Trial for Murder by a Committee of the House of Commons
1803
19
C. John M. Whichelo, 1784–1865
Inside of Part of Cloisters, Adjoining St. Bartholomews Porch
1803
20
Edward Hawke Locker, 1777–1849
Reading Abbey Gateway
1803
21
Frederick Mackenzie, 1788–1854
The West Door, Rochester Cathedral, Kent
undated
22
Print made by William Byrne, 1743–1805
Wickham from the Marlow Road
1803
23
Print made by William Byrne, 1743–1805
Eton, from the Slough Road
1803
24
Thomas Girtin, 1775–1802
The Watermill Above the Bridge at Charenton
1803
25
Cornelius Varley, 1781–1873
Mountain Panorama in Wales, Cader Idris
1803
26
Charles Towne, 1763–1840
Woman with Cattle
1803
27
George Morland, 1763–1804
Fisherman and Dog Sitting by the Coast
1803
28
Amos Green, 1735–1807
Views in England, Scotland and Wales: Tour in Scotland; Near Wyburn Lake
1803
29
Amos Green, 1735–1807
Views in England, Scotland and Wales: Casterton Hall near Shirkby Lonsdale
1803
30
Amos Green, 1735–1807
Views in England, Scotland and Wales: Furness Abbey
1803
31
Amos Green, 1735–1807
Views in England, Scotland and Wales: Colwith Force
1803
32
Amos Green, 1735–1807
Views in England, Scotland and Wales: Near Capel Cerrig
1803
33
Amos Green, 1735–1807
Views in England, Scotland and Wales: Beyond Barden Tower
1803
34
Amos Green, 1735–1807
Views in England, Scotland and Wales: The Pass of Penmanmawr
1803
35
Attributed to Daniel Lysons, 1762–1834
Memorial to Mr. Nathaniel Ravener from Greenford Church
1803
36
William Collins, 1788–1847
Dartmouth
undated
37
George Moutard Woodward, ca. 1760–1809
Coffee-House Characters, or Hints to the Readers of Newspapers Exemplified in Eight Characteristic Designs with Letter Press Elucidations to Each Plate
ca. 1808
38
George Moutard Woodward, ca. 1760–1809
Coffee-House Characters, or Hints to the Readers of Newspapers Exemplified in Eight Characteristic
ca. 1808
39
George Moutard Woodward, ca. 1760–1809
The Sleeper
ca. 1808
40
George Moutard Woodward, ca. 1760–1809
The Extinguisher
ca. 1808
41
George Moutard Woodward, ca. 1760–1809
Coffee-House Characters, or Hints to the Readers of Newspapers Exemplified in Eight Characteristic Designs with Letter Press Elucidations to Each Plate
ca. 1808
42
George Moutard Woodward, ca. 1760–1809
The Monopolizer
ca. 1808
43
George Moutard Woodward, ca. 1760–1809
The Oracle
ca. 1808
44
George Moutard Woodward, ca. 1760–1809
The Everlasting Peruser
ca. 1808
45
Sir Jeffry Wyatville, 1766–1840
Hyde Hall, Hertfordshire: Perspective View
1803
46
unknown artist
Westminster Abbey, Geometrical elevation of the West entrance; Westminster Abbey, Geometrical elevation of the North Front
c.1803
47
Archibald Skirving, 1749–1819
An Elderly Woman
1803
48
William Ridley, 1764–1838
George Romney
1803
49
etching by Thomas Girtin, 1775–1802
A General View of Paris taken from Chaillot
1803
50
Thomas Girtin, 1775–1802
A View of Pont Neuf, the Mint, &c
1803
51
Thomas Girtin, 1775–1802
View of Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, &c., taken from Pont Notre Dame
1803
52
Thomas Girtin, 1775–1802
View of the Pantheon taken from the Arsenal
1803
53
Thomas Girtin, 1775–1802
View of the Palace and Village of Choisi on the Banks of the Seine
1803
54
Thomas Girtin, 1775–1802
View from Palace Terrace at St. Germain en Laye; The Aquaduct of Marli, seen in the distance
1803
55
unknown artist
Pamela pointing an error in a direction, Vide, vol. 6, letter 30, page 200
1803
56
Thomas Girtin, 1775–1802
The Water Mill above the Bridge at Charenton
1803
57
Print made by William Daniell, 1769–1837
An Elevated View of the New Dock in Wapping
1803
58
Print made by William Daniell, 1769–1837
Brunswick Dock on the Thames at Blackwall
1803
59
John Downman, 1750–1824
Miss Campbell
1803
60
Print made by Caroline Watson, 1760–1814
Judith, or Cowper's Oak
1803-1804
61
Anthony Vandyke Copley Fielding, 1787–1855
Cattle Watering by Corinthian Columns
undated
62
Robert Hills, 1769–1844
Tree Study
between 1800 and 1805
63
Richard Earlom, 1743–1822
Shakespeare, King Lear, Act I, Scene I
1803
64
William Daniell, 1769–1837
Portrait Study of Thomas Hearne
between 1803 and 1819
65
John White Abbott, 1763–1851
Trees Overhanging a Lake
between 1803 and 1807
66
George Siegmund Facius, 1750–1804
Romeo and Juliet: Act IV, Scene V. "Juliet on her bed."
1803
67
Henry Bone, 1755–1834
Portrait of Samuel Lyons
1803
68
Robert Thew, 1758–1802
Henry VI, Part I: Act II, Scene iii, The Countess of Auvergne's Castle
1803
69
Benjamin West, 1738–1820
King Richard II Act IV, Scene I: "King Richard, Bolingbroke, Yorke, etc."
1803
70
James Parker, 1750–1805
MacBeth, Act I, Scene V: "Inverness. A Room in MacBeth's Castle"
1803
71
Print made by Francesco Bartolozzi, 1728–1815
Twelfth Night, Act V, Scene I: The Street
1803
72
Thomas Ryder, 1746–1810
Twelfth Night, Act III, Scene IV: Olivia's House
1803
73
John Rubens Smith, 1775–1849
[Shooting]: Innocence Alarm'd
1803
74
Thomas Rowlandson, 1756–1827
The Gardener's Offering
between 1803 and 1805
75
George Moutard Woodward, ca. 1760–1809
Coffee-House Characters, or Hints to the Readers of Newspapers Exemplified in Eight Characteristic Designs with Letter Press Elucidations to Each Plate
ca. 1808
76
Richard Banks Harraden, 1778–1862
The Waterworks at Marli; and St. German en Laye seen in the distance
1803
77
Print made by Thomas Girtin, 1775–1802
A View of Pont Neuf, the Mint, & c
1803
78
Thomas Girtin, 1775–1802
View of the Palace and Village of Choisi, on the Banks of the Seine
1803
79
Samuel Middiman, ca. 1750–1831
Henry IV, Part I, Act II, Scene II: " The Road by Gadshill - Prince Henry, Poins, Peto, Falstaff, etc."
1803
80
Samuel Middiman, ca. 1750–1831
Henry IV, Part I, Act II, Scene II: " The Road by Gadshill - Prince Henry, Poins, Peto, Falstaff, etc."
1803
81
Robert Thew, 1758–1802
MacBeth, Act I,V Scene I: "A Dark Cave in the Middle a Cauldrom Boiling"
1803
82
Print made by Thomas Trotter, ca. 1750–1803
MacBeth, Act I, Scene III: "A Heath"
1803
83
Robert Thew, 1758–1802
Henry IV, Part I, Act II, Scene IV: " The Boar's Head"
1803
84
Peter Simon, 1750–1810
King Henry IV: Part I, Act III, Scene I, The Archdeacon of Bangor's House in Wales. Hotspur, Worcester, Mortimer, & Owen Glendower
1803
85
Samuel Middiman, ca. 1750–1831
Henry IV, Part I, Act II, Scene II: " The Road by Gadshill - Prince Henry, Poins, Peto, Falstaff, etc."
1803
86
Samuel Middiman, ca. 1750–1831
As You Like It: Act II, Scene I: Forest of Arden
1803
87
James Gillray, 1756–1815
Evacuation of Malta
1803
88
Amos Green, 1735–1807
Views in England, Scotland and Wales
1803
89
James Girtin, ca. 1780–after 1820
Title Page for: A Selection of the Most Picturesque Views in Paris and its Environs
1803
90
James Girtin, ca. 1780–after 1820
Half Title page for: Views in Paris and its Environs
1803
91
Print made by James Girtin, ca. 1780–after 1820
Dedication Page for: to the Right Honorable George Earl of Essex
1803
92
Thomas Girtin, 1775–1802
View of Pont St. Michel, taken from Pont Neuf
1803
93
Thomas Girtin, 1775–1802
View of the Thuilleries and Bridge, etc., taken from Pont de la Concorde
1803
94
Thomas Girtin, 1775–1802
View of Pont Neuf, part of the Louvre, Notre Dame, and the College of four Nations
1803
95
Thomas Girtin, 1775–1802
View of the Village of Chaillot and &c., taken from Pont de la Concorde
1803
96
James Gillray, 1756–1815
Maniac Ravings or Little Boney in a Strong Fit
1803
97
James Gillray, 1756–1815
Patriotic Petitions on the Convention
ca. 1808
98
Robert Thew, 1758–1802
Henry IV, Part II: Act IV, The Palace at Westminster
1803
99
Robert Thew, 1758–1802
Henry V: Act II, Scene ii, Southamptom. The King, Scroop, etc
1803
100
Thomas Ryder, 1746–1810
Henry IV, Part II: Act III, Justice Shallon's Seat in Gloucestershire