Merchant of Venice, Act V, Scene I: Belmont: A Grove or Green Palace before Portia's house
1803
206
William S. Leney, 1769–1831
As You Like It: Act I, Scene II: Before the Duke's Palace
1803
207
William C. Wilson, active 1798–1836
As You Like It: Act IV, Scene III: A Forest: Orlando and Oliver
1803
208
James Fittler, 1758–1835
Winter's Tale, Act IV, Scene III: A Shepherds Cot
1803
209
Peltro W. Tomkins, 1760–1840
As You Like it, Act II, Scene VII: The Seven Ages: The First Age
1803
210
John Ogborne the Elder, 1755–1795
As You Like it, Act II, Scene VII: The Seven Ages: The Second Age
1803
211
Peter Simon, 1750–1810
As You Like it, Act II, Scene VII: The Seven Ages: The Fifth Age
1803
212
Thomas Ryder, 1746–1810
A Midsummer Night's Dream, Act IV, Scene I: Oberon, Queen of the Fairies, Puck, Bottom, etc
1803
213
Miss F Waring, active 1803
Collection of Twelve Lithographic Views of Scotland
1803
214
Miss F Waring, active 1803
Collection of Twelve Lithographic Views of Scotland
1803
215
Miss F Waring, active 1803
Collection of Twelve Lithographic Views of Scotland
1803
216
Miss F Waring, active 1803
Collection of Sixteen Lithographic Views of Scotland. London 1803
1803
217
Miss F Waring, active 1803
Collection of Sixteen Lithographic Views of Scotland. London 1803
1803
218
Miss F Waring, active 1803
Collection of Sixteen Lithographic Views of Scotland. London 1803
1803
219
Miss F Waring, active 1803
Collection of Sixteen Lithographic Views of Scotland. London 1803
1803
220
Miss F Waring, active 1803
Collection of Sixteen Lithographic Views of Scotland. London 1803
1803
221
Miss F Waring, active 1803
Collection of Sixteen Lithographic Views of Scotland. London 1803
1803
222
Miss F Waring, active 1803
Collection of Sixteen Lithographic Views of Scotland. London 1803
1803
223
Miss F Waring, active 1803
Collection of Sixteen Lithographic Views of Scotland. London 1803
1803
224
Miss F Waring, active 1803
Collection of Sixteen Lithographic Views of Scotland. London 1803
1803
225
Miss F Waring, active 1803
Collection of Sixteen Lithographic Views of Scotland. London 1803
1803
226
Peter Simon, 1750–1810
Measure for Measure, Act V, Scene I: "Duke in a Friar's Habit, Varrius, Lords Angelo, Escalus, Lucio and Citizens"
1803
227
Thomas Ryder, 1746–1810
MacBeth, Act I, Scene III: "A Heath"
1803
228
Charles Gauthier Playter, died 1809
Comedy of Errors, Act V, Scene I: "A Street before the Priory"
1803
229
Peter Simon, 1750–1810
Much Ado About Nothing, Act IV, Scene I, "A Church"
1803
230
Peter Simon, 1750–1810
Much Ado About Nothing, Act III, Scene I, "An Orchard"
1803
231
Peter Simon, 1750–1810
Merchant of Venice, Act II, Scene V: "Shylock's House"
1803
232
Peter Simon, 1750–1810
As You Like It: Act V, Scene IV: A Forest: Duke Senior, Amiens etc
1803
233
Robert Thew, 1758–1802
Taming of the Shrew: Introduction, Scene II: A Room in the Lord's House
1803
234
Peter Simon, 1750–1810
Winter's Tale, Act II, Scene III: A Palace: Leontes, Antigone, Lords, etc
1803
235
Peter Simon, 1750–1810
Taming of the Shrew: Introduction, Scene II: A Room in the Lord's House
1803
236
George Siegmund Facius, 1750–1804
All's Well that Ends Well, Act V, Scene III: King, Countess, Lafen, Lords, etc
1803
237
Samuel Middiman, ca. 1750–1831
A Winter's Tale, Act III, Scene III: A Desert Place Near the Sea
1803
238
William S. Leney, 1769–1831
As You Like it, Act II, Scene VII: The Seven Ages: The Sixth Age
1803
239
Peter Simon, 1750–1810
As You Like it, Act II, Scene VII: The Seven Ages: The Seventh Age
1803
240
John Ogborne the Elder, 1755–1795
As You Like it, Act II, Scene VII: The Seven Ages: The Fourth Age
1803
241
Luigi Schiavonetti, 1765–1810
Troilus and Cressida, Act V, Scene II: Calcha's Tent
1803
242
Francis Legat, 1755–1809
Troilus and Cressida, Act II, Scene II: Scene, Troy - Cassandrra Raving
1803
243
Thomas Ryder, 1746–1810
Midsummer Night's Dream. Act IV. Scene I
1803
244
Miss F Waring, active 1803
Collection of Twelve Lithographic Views of Scotland
1803
245
Miss F Waring, active 1803
Collection of Twelve Lithographic Views of Scotland
1803
246
Miss F Waring, active 1803
Collection of Twelve Lithographic Views of Scotland
1803
247
Miss F Waring, active 1803
Collection of Twelve Lithographic Views of Scotland
1803
248
Miss F Waring, active 1803
Collection of Twelve Lithographic Views of Scotland
1803
249
Miss F Waring, active 1803
Collection of Sixteen Lithographic Views of Scotland. London 1803
1803
250
Miss F Waring, active 1803
Collection of Sixteen Lithographic Views of Scotland. London 1803
1803
251
Miss F Waring, active 1803
Collection of Sixteen Lithographic Views of Scotland. London 1803
1803
252
Miss F Waring, active 1803
Collection of Sixteen Lithographic Views of Scotland. London 1803
1803
253
Print made by Robert Thew, 1758–1802
Near Milford Haven, 'Cymbeline,' Act III, Scene IV
1803
254
Print made by Thomas Burke, 1749–1815
Cymbeline's Palace, in Briton-Imogene, 'Cymbeline,' Act I, Scene II
1803
255
Miss F Waring, active 1803
Bothwell Castle
1803
256
Print made by unknown artist
A View of the Savoy from the River Thames
between 1803 and 1814
257
Print made by Francesco Bartolozzi, 1728–1815
Joan of Arc Maid of Orleans Receiving the Consecrated Banner
1803
258
Print made by James S. Storer, 1771–1853
Olney Bridge
1803-1804
259
Print made by John Greig, active 1803–1853
Weston House
1803-1804
260
Print made by James S. Storer, 1771–1853
Views from the Alcove
1803-1804
261
David Deuchar, 1743–1808
A Collection of Etchings after the most Eminent Masters of the Dutch and Flemish Schools, particularly Rembrandt, Ostade, Cornelius Bega and Van Vliet, Accompanied with Sundry Miscellaneous Pieces and Original Designs
1803
262
James Ward, 1769–1859
The Poultry Market
1803
263
Print made by Charles Wilkin, 1750–1814
Her Grace The Duchess of Rutland
1803
264
James Ward, 1769–1859
Mrs. Elizabeth Billington as St. Cecilia
1803
265
Peter Simon, 1750–1810
Much Ado About Nothing: Act III, Scene I: Hero
1803
266
Thomas Ryder, 1746–1810
Love's Labour Lost. Act IV Scene I . 'Then Forester, my friend.'
1803
267
Peter Simon, 1750–1810
Much Ado About Nothing. Act IV, Scene 1
1803
268
James Gillray, 1756–1815
German - Nonchalence: - or - The Vexation of Little Boney
1803
269
after Charles Turner, 1774–1857
A pair: Preparing to Start. London, Jan. 20, 1803
1803
270
after Charles Turner, 1774–1857
A Pair: Coming In. London, Jan. 20, 1803
1803
271
James Gillray, 1756–1815
The Pigs Possessed: - or - The Broad Bottom'd Litter Running Headlong into Ye Sea of Perdition. A Supplement to More Pigs thanTeats
ca. 1808
272
Francesco Bartolozzi, 1728–1815
Hurricane
1803
273
Panorama (Leicester Square, London, England)
Panorama, Leicester Square
1803
274
Brookes's Menagerie (London, England)
Original Menagerie, New Road, near Fitzroy Square, London