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101. Views in England, Scotland and Wales

Views in England, Scotland and Wales
Creator:
Amos Green, 1735–1807
Date:
1803
Materials & Techniques:
Album of drawings
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

102. Title Page for: A Selection of the Most Picturesque Views in Paris and its Environs

Title Page for: A Selection of the Most Picturesque Views in Paris and its Environs
Creator:
James Girtin, ca. 1780–after 1820
Date:
1803
Materials & Techniques:
Etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

103. Half Title page for: Views in Paris and its Environs.

Half Title page for: Views in Paris and its Environs.
Creator:
James Girtin, ca. 1780–after 1820
Date:
1803
Materials & Techniques:
Etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

104. Dedication Page for: to the Right Honorable George Earl of Essex

Dedication Page for: to the Right Honorable George Earl of Essex
Creator:
Print made by James Girtin, ca. 1780–after 1820
Date:
1803
Materials & Techniques:
Etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

105. View of Pont St. Michel, taken from Pont Neuf

View of Pont St. Michel, taken from Pont Neuf
Creator:
Thomas Girtin, 1775–1802
Date:
1803
Materials & Techniques:
Aquatint with soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

106. View of the Thuilleries and Bridge, etc., taken from Pont de la Concorde

View of the Thuilleries and Bridge, etc., taken from Pont de la Concorde
Creator:
Thomas Girtin, 1775–1802
Date:
1803
Materials & Techniques:
Aquatint with soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 18 1/4 x 26 1/4 inches (46.4 x 66.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

107. View of Pont Neuf, part of the Louvre, Notre Dame, and the College of four Nations

View of Pont Neuf, part of the Louvre, Notre Dame, and the College of four Nations
Creator:
Thomas Girtin, 1775–1802
Date:
1803
Materials & Techniques:
Aquatint with soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 18 1/4 x 26 1/4 inches (46.4 x 66.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

108. View of the Village of Chaillot and &c., taken from Pont de la Concorde

View of the Village of Chaillot and &c., taken from Pont de la Concorde
Creator:
Thomas Girtin, 1775–1802
Date:
1803
Materials & Techniques:
Aquatint with soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

109. Maniac Ravings or Little Boney in a Strong Fit

Maniac Ravings or Little Boney in a Strong Fit
Creator:
James Gillray, 1756–1815
Date:
1803
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

110. Patriotic Petitions on the Convention

Patriotic Petitions on the Convention
Creator:
James Gillray, 1756–1815
Date:
ca. 1808
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

111. Henry IV, Part II: Act IV, The Palace at Westminster

Henry IV, Part II: Act IV, The Palace at Westminster
Creator:
Robert Thew, 1758–1802
Date:
1803
Materials & Techniques:
Engraving
Dimensions:
Sheet: 14 3/4 x 20 1/16in. (37.5 x 51cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

112. Henry V: Act II, Scene ii, Southamptom. The King, Scroop, etc.

Henry V: Act II, Scene ii, Southamptom. The King, Scroop, etc.
Creator:
Robert Thew, 1758–1802
Date:
1803
Materials & Techniques:
Engraving
Dimensions:
Sheet: 17 5/16 x 23 3/8in. (44 x 59.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

113. Henry IV, Part II: Act III, Justice Shallon's Seat in Gloucestershire

Henry IV, Part II: Act III, Justice Shallon's Seat in Gloucestershire
Creator:
Thomas Ryder, 1746–1810
Date:
1803
Materials & Techniques:
Engraving
Dimensions:
Sheet: 16 15/16 x 23 1/4in. (43 x 59.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

114. Henry VI, Part I: Act II, Scene IV, London. The Temple Garden.

Henry VI, Part I: Act II, Scene IV, London. The Temple Garden.
Creator:
John Ogborne the Elder, 1755–1795
Date:
1803
Materials & Techniques:
Engraving
Dimensions:
Sheet: 17 1/4 x 23 1/4in. (43.8 x 59.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

115. Henry VI, Part II: Act I, Scene iv, Mother Jourdaine, Himi---

Henry VI, Part II: Act I, Scene iv, Mother Jourdaine, Himi---
Creator:
Charles Gauthier Playter, died 1809
Date:
1803
Materials & Techniques:
Engraving
Dimensions:
Sheet: 17 3/8 x 23 3/16in. (44.1 x 58.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

116. Henry VI, Part III: Act II, Scene V, A Field of Battle near Towton . . .

Henry VI, Part III: Act II, Scene V, A Field of Battle near Towton . . .
Creator:
John Ogborne the Elder, 1755–1795
Date:
1803
Materials & Techniques:
Engraving, unfinished state
Dimensions:
Sheet: 17 3/8 x 23 1/4in. (44.1 x 59.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

117. Henry VIII, Act I, Scene IV, York Place--Cardinal Wolsey, etc.

Henry VIII, Act I, Scene IV, York Place--Cardinal Wolsey, etc.
Creator:
Isaac Taylor, 1759–1829
Date:
1803
Materials & Techniques:
Engraving
Dimensions:
Sheet: 17 7/16 x 23 1/2in. (44.3 x 59.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

118. Henry VIII: Act III, Scene I, A Room in the Queen's Apartments

Henry VIII: Act III, Scene I, A Room in the Queen's Apartments
Creator:
Robert Thew, 1758–1802
Date:
1803
Materials & Techniques:
Engraving
Dimensions:
Sheet: 17 3/8 x 23 1/4in. (44.1 x 59.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

119. Henry VI, Part III: Act IV, Scene V, A Park Near Middlham Castle in Yorkshire

Henry VI, Part III: Act IV, Scene V, A Park Near Middlham Castle in Yorkshire
Creator:
Jean B. Michel, active 1803
Date:
1803
Materials & Techniques:
Engraving
Dimensions:
Sheet: 17 7/16 x 23 7/16in. (44.3 x 59.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

120. Henry VIII, Act V, Scene IV, The Palace

Henry VIII, Act V, Scene IV, The Palace
Creator:
Joseph Collyer, 1748–1827
Date:
1803
Materials & Techniques:
Engraving
Dimensions:
Sheet: 17 5/16 x 23 1/16in. (44 x 58.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

121. Henry VIII, Act IV, Scene II, Abbey of Leicester. Wolsey, Northumberland, and Attendants, Abbot of Leicester, etc.

Henry VIII, Act IV, Scene II, Abbey of Leicester. Wolsey, Northumberland, and Attendants, Abbot of Leicester, etc.
Creator:
Robert Thew, 1758–1802
Date:
1803
Materials & Techniques:
Engraving
Dimensions:
Sheet: 17 5/16 x 23 1/4in. (44 x 59.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

122. Coriolanus, Act IV, Scene III, Coriolanus, etc.

Coriolanus, Act IV, Scene III, Coriolanus, etc.
Creator:
James Caldwall, 1739–1819
Date:
1803
Materials & Techniques:
Engraving
Dimensions:
Sheet: 17 9/16 x 23 13/16in. (44.6 x 60.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

123. Antony and Cleopatra, Act III, Scene IX, The Palace in Alexandria . . .

Antony and Cleopatra, Act III, Scene IX, The Palace in Alexandria . . .
Creator:
And Johann G. Facius, 1750–after 1802
Date:
1803
Materials & Techniques:
Engraving
Dimensions:
Sheet: 17 5/8 x 23 3/8in. (44.8 x 59.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

124. Titus Andromicus, Act IV, Scene I, Titus' House

Titus Andromicus, Act IV, Scene I, Titus' House
Creator:
Thomas Kirk, 1765–1797
Date:
1803
Materials & Techniques:
Engraving
Dimensions:
Sheet: 14 3/4 x 19 3/4in. (37.5 x 50.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

125. Timon of Athens, Act IV, Scene III, A Wood--Timon, Phyrma, etc.

Timon of Athens, Act IV, Scene III, A Wood--Timon, Phyrma, etc.
Creator:
Robert Thew, 1758–1802
Date:
1803
Materials & Techniques:
Engraving
Dimensions:
Sheet: 17 5/16 x 23 7/16in. (44 x 59.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

126. Othello, Act II, Scene I, A Platform -- Desdemona, Othello etc.

Othello, Act II, Scene I, A Platform -- Desdemona, Othello etc.
Creator:
Print made by Thomas Ryder, 1746–1810
Date:
1803
Materials & Techniques:
Engraver's proof
Dimensions:
Sheet: 17 3/8 x 23 11/16in. (44.1 x 60.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

127. Hamlet, Act IV, Scene v, Elsinore --King, Queen, Laertes, Ophelia, etc.

Hamlet, Act IV, Scene v, Elsinore --King, Queen, Laertes, Ophelia, etc.
Creator:
Print made by Francis Legat, 1755–1809
Date:
1803
Materials & Techniques:
Engraving, unfinished state
Dimensions:
Sheet: 17 x 23 1/4in. (43.2 x 59.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

128. Othello, Act II, Scene i, A Platform --- Desdemona, Othello etc.

Othello, Act II, Scene i, A Platform --- Desdemona, Othello etc.
Creator:
Thomas Ryder, 1746–1810
Date:
1803
Materials & Techniques:
Engraver's early proof
Dimensions:
Sheet: 17 3/8 x 23 11/16in. (44.1 x 60.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

129. Monnow Bridge, Monmouth, North Wales, July 14, 1803

Monnow Bridge, Monmouth, North Wales, July 14, 1803
Creator:
Cornelius Varley, 1781–1873
Date:
1803
Materials & Techniques:
Gray wash and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 3/16 x 14 3/8 inches (23.3 x 36.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

130. Francis Milner Newton, Esq., R.A., Late Secretary to the Royal Academy

Francis Milner Newton, Esq., R.A., Late Secretary to the Royal Academy
Creator:
Print made by William Daniell, 1769–1837
Date:
1803
Materials & Techniques:
Soft-ground etching on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 11 3/4 x 8 3/4 inches (29.8 x 22.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

131. Pamela: Mr. and Mrs. Andrews imploring a blessing for their first-born daughter, Pamela. Vide, vol. 4 Letter 21, page 108

Pamela: Mr. and Mrs. Andrews imploring a blessing for their first-born daughter, Pamela. Vide, vol. 4 Letter 21, page 108
Creator:
Samuel Noble, 1779–1853
Date:
1803
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Gift of Michael Zinman

132. A View of the Commercial Docks at Rotherhithe

A View of the Commercial Docks at Rotherhithe
Creator:
Print made by William Daniell, 1769–1837
Date:
1803
Materials & Techniques:
Etching and aquatint with hand coloring in watercolor
Dimensions:
Sheet: 20 1/4 x 33 1/4in. (51.4 x 84.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

133. Samuel Johnson with Figures

Samuel Johnson with Figures
Creator:
William Home Lizars, 1788–1859
Date:
undated
Materials & Techniques:
Engraving
Dimensions:
Sheet: 5 1/2 x 3 3/8in. (14 x 8.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Gift of Herman W. Liebert

134. Henry IV: Part II, Act II, Scene IV. "Doll Tearsheet, Falstaff, Henry & Poins"

Henry IV: Part II, Act II, Scene IV. "Doll Tearsheet, Falstaff, Henry & Poins"
Creator:
William S. Leney, 1769–1831
Date:
1803
Materials & Techniques:
Engraving
Dimensions:
Sheet: 14 1/4 x 19 3/8in. (36.2 x 49.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

135. William Cowper

William Cowper
Creator:
William Ridley, 1764–1838
Date:
1803
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

136. On the Banks of the Marne below the Bridge at Charenton

On the Banks of the Marne below the Bridge at Charenton
Creator:
Print made by Thomas Girtin, 1775–1802
Date:
1803
Materials & Techniques:
Aquatint with soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

137. A Scotch Poney - commonly call'd a Galloway

A Scotch Poney - commonly call'd a Galloway
Creator:
James Gillray, 1756–1815
Date:
1803
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

138. The King of Brobdingnag and Gulliver

The King of Brobdingnag and Gulliver
Creator:
Print made by James Gillray, 1756–1815
Date:
1803
Materials & Techniques:
Etching and aquatint with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

139. Landscape with Cart

Landscape with Cart
Creator:
Attributed to William Collins, 1788–1847
Date:
undated
Materials & Techniques:
Watercolor and graphite on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 2 1/2 x 3 1/8in. (6.3 x 7.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

140. A Street in Harborne

A Street in Harborne
Creator:
David Cox, 1783–1859
Date:
ca. 1808
Materials & Techniques:
Watercolor and graphite on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 5 x 8 inches (12.7 x 20.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

141. Haymaking

Haymaking
Creator:
David Cox, 1783–1859
Date:
ca. 1808
Materials & Techniques:
Watercolor over graphite with scratching out on moderately textured, medium, cream wove paper mounted on thick card
Dimensions:
Sheet: 18 1/8 x 24 7/8 inches (46 x 63.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

142. Landscape with Man on Beach

Landscape with Man on Beach
Creator:
Attributed to William Collins, 1788–1847
Date:
undated
Materials & Techniques:
Watercolor and graphite on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 2 5/8 × 2 7/8 inches (6.7 × 7.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

143. Landscape: House and Trees

Landscape: House and Trees
Creator:
Attributed to William Collins, 1788–1847
Date:
undated
Materials & Techniques:
Watercolor and graphite on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 3 × 4 1/4 inches (7.6 × 10.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

144. Landscape: Valley with Mountain in Distance

Landscape: Valley with Mountain in Distance
Creator:
Attributed to William Collins, 1788–1847
Date:
undated
Materials & Techniques:
Watercolor and graphite on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 2 7/8 × 4 1/4 inches (7.3 × 10.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

145. Landscape with Fence

Landscape with Fence
Creator:
Attributed to William Collins, 1788–1847
Date:
undated
Materials & Techniques:
Watercolor on medium, moderately textured, white wove paper
Dimensions:
Sheet: 2 1/2 × 3 1/8 inches (6.4 × 7.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

146. Bamborough Castle, Northumberland

Bamborough Castle, Northumberland
Creator:
John Sell Cotman, 1782–1842
Date:
ca. 1808
Materials & Techniques:
Graphite and gouache on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 7 1/8 x 10 1/4 inches (18.1 x 26 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

147. Lake at Trentham, Staffordshire

Lake at Trentham, Staffordshire
Creator:
attributed to John Sell Cotman, 1782–1842
Date:
ca. 1808
Materials & Techniques:
Graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 8 3/8 x 13 3/8 inches (21.3 x 34 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

148. Landscape with Lime-Kiln and Workmen

Landscape with Lime-Kiln and Workmen
Creator:
William Marshall Craig, 1763 or 1764–1829
Date:
ca. 1808
Materials & Techniques:
Watercolor, pen and gray ink, pen and brown ink, and graphite on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 9 x 7 3/8 inches (22.8 x 18.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

149. Interior of Norwich Cathedral: Doorway and Screen Between the South Transept and the Aisle of the Presbytery

Interior of Norwich Cathedral: Doorway and Screen Between the South Transept and the Aisle of the Presbytery
Creator:
John Sell Cotman, 1782–1842
Date:
ca. 1808
Materials & Techniques:
Graphite and gray wash on medium, smooth, beige wove paper
Dimensions:
Sheet: 10 x 7 inches (25.4 x 17.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

150. Sheriff Hutton Castle, Yorkshire

Sheriff Hutton Castle, Yorkshire
Creator:
John Sell Cotman, 1782–1842
Date:
ca. 1808
Materials & Techniques:
Watercolor and graphite on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 13 x 8 1/2 inches (33 x 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

151. Paddling

Paddling
Creator:
William Collins, 1788–1847
Date:
undated
Materials & Techniques:
Watercolor, graphite, and gouache on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 8 1/2 x 12 3/8 inches (21.6 x 31.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

152. Coast of Sussex, Pushing Off a Boat to a Vessel in Distress

Coast of Sussex, Pushing Off a Boat to a Vessel in Distress
Creator:
Joshua Cristall, 1768–1847
Date:
ca. 1808
Materials & Techniques:
Watercolor and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 19 x 28 3/4 inches (48.3 x 73 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Presented by Andrew Wyld / W.S. Fine Art Ltd.

153. Frontispiece to The Sporting Magazine or Monthly Calendar, Volume 48

Frontispiece to The Sporting Magazine or Monthly Calendar, Volume 48
Creator:
Print made by unknown artist
Date:
1803
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

154. Rouen, from Mount St. Catherine

Rouen, from Mount St. Catherine
Creator:
Print made by Thomas Medland, 1755–1823
Date:
1803
Materials & Techniques:
Aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

155. Light House at Havre

Light House at Havre
Creator:
Print made by Thomas Medland, 1755–1823
Date:
1803
Materials & Techniques:
Aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/8 × 12 5/8 inches (25.7 × 32.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

156. William Shakspeare

William Shakspeare
Creator:
James Neagle, 1760–1822
Date:
1803
Materials & Techniques:
Line engraving on laid paper
Dimensions:
Sheet: 8 1/4 × 5 1/4 inches (21 × 13.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

157. Boy Seated

Boy Seated
Creator:
Print made by Thomas Barker, 1769–1847
Date:
1803
Materials & Techniques:
Lithograph on moderately thick, slightly textured, gray laid paper
Dimensions:
Sheet: 11 7/16 x 7 7/8 inches (29.1 x 20 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Transfer from the Yale University Library and the Yale University Art Gallery

158. Mary Stuart, Queen Of Scotland

Mary Stuart, Queen Of Scotland
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1803
Materials & Techniques:
Stipple engraving and line engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

159. Songs of Innocence and Experience, pl. 40: 'The Little Girl found' pl. 2, 'Famish'd weeping...'

Songs of Innocence and Experience, pl. 40: 'The Little Girl found' pl. 2, 'Famish'd weeping...'
Creator:
unknown artist
Date:
ca. 1808
Materials & Techniques:
Watercolor with pen and brown ink
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

160. Songs of Innocence and Experience, pl. 13: 'Spring' pl. 2, 'Little Girl...'

Songs of Innocence and Experience, pl. 13: 'Spring' pl. 2, 'Little Girl...'
Creator:
unknown artist
Date:
ca. 1808
Materials & Techniques:
Watercolor with pen and brown ink
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

161. An Elevated View of the New Dock in Wapping

An Elevated View of the New Dock in Wapping
Creator:
William Daniell, 1769–1837
Date:
1803
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 34 5/8 × 21 5/8 inches (87.9 × 54.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

162. Songs of Innocence and Experience, pl. 2: Innocence, Title Page: [A woman in a chair shows a book to a boy and girl.]

Songs of Innocence and Experience, pl. 2: Innocence, Title Page: [A woman in a chair shows a book to a boy and girl.]
Creator:
unknown artist
Date:
ca. 1808
Materials & Techniques:
Watercolor with pen and brown ink
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

163. Songs of Innocence and Experience, pl. 25: 'A Cradle Song' pl. 2, 'Wept for me...'

Songs of Innocence and Experience, pl. 25: 'A Cradle Song' pl. 2, 'Wept for me...'
Creator:
unknown artist
Date:
ca. 1808
Materials & Techniques:
Watercolor with pen and brown ink
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

164. Wickham from the Marlow Road

Wickham from the Marlow Road
Creator:
Print made by William Byrne, 1743–1805
Date:
1803
Materials & Techniques:
Line engraving
Dimensions:
Sheet: 7 3/4 × 10 3/4 inches (19.7 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

165. View of the Freemason's School, with the Adjacent Buildings from the Asylum, to the Toll Gate, near the Royal Circus

View of the Freemason's School, with the Adjacent Buildings from the Asylum, to the Toll Gate, near the Royal Circus
Creator:
unknown artist
Date:
1803
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

166. Twickenham Meadows

Twickenham Meadows
Creator:
John Landseer, 1769–1852
Date:
1803
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

167. Views in England, Scotland and Wales: Ruins of Dunbar Castle, HG/Tour in Scotland

Views in England, Scotland and Wales: Ruins of Dunbar Castle, HG/Tour in Scotland
Creator:
Amos Green, 1735–1807
Date:
1803
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

168. Views in England, Scotland, and Wales: Tour in Scotland; View at Sterling

Views in England, Scotland, and Wales: Tour in Scotland; View at Sterling
Creator:
Amos Green, 1735–1807
Date:
1803
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

169. Views in England, Scotland, and Wales: Tour in Scotland; The Trossacs, with Benvenue

Views in England, Scotland, and Wales: Tour in Scotland; The Trossacs, with Benvenue
Creator:
Amos Green, 1735–1807
Date:
1803
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

170. Views in England, Scotland, and Wales: Tour in Scotland; From the Braid Hills

Views in England, Scotland, and Wales: Tour in Scotland; From the Braid Hills
Creator:
Amos Green, 1735–1807
Date:
1803
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

171. Views in England, Scotland, and Wales: Tour in Scotland; The Trossacs

Views in England, Scotland, and Wales: Tour in Scotland; The Trossacs
Creator:
Amos Green, 1735–1807
Date:
1803
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

172. Trossacs

Trossacs
Creator:
Amos Green, 1735–1807
Date:
1803
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

173. Loch Katterine

Loch Katterine
Creator:
Amos Green, 1735–1807
Date:
1803
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

174. Views in England, Scotland, and Wales: Tour in Scotland; Loch Katterine

Views in England, Scotland, and Wales: Tour in Scotland; Loch Katterine
Creator:
Amos Green, 1735–1807
Date:
1803
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

175. Views in England, Scotland, and Wales: Tour in Scotland; Loch van-a-char, with the moutain called Benvenue

Views in England, Scotland, and Wales: Tour in Scotland; Loch van-a-char, with the moutain called Benvenue
Creator:
Amos Green, 1735–1807
Date:
1803
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

176. Views in England, Scotland, and Wales: Tour in Scotland; Loch Katterine

Views in England, Scotland, and Wales: Tour in Scotland; Loch Katterine
Creator:
Amos Green, 1735–1807
Date:
1803
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

177. Views in England, Scotland, and Wales: Tour in Scotland; Loch Katterine

Views in England, Scotland, and Wales: Tour in Scotland; Loch Katterine
Creator:
Amos Green, 1735–1807
Date:
1803
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

178. Views in England, Scotland and Wales: Tour in Scotland; View at Dalmally

Views in England, Scotland and Wales: Tour in Scotland; View at Dalmally
Creator:
Amos Green, 1735–1807
Date:
1803
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

179. Views in England, Scotland and Wales: Tour in Scotland; Dunkeld

Views in England, Scotland and Wales: Tour in Scotland; Dunkeld
Creator:
Amos Green, 1735–1807
Date:
1803
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

180. Views in England, Scotland and Wales: Tour in Scotland; The Fall of Moness

Views in England, Scotland and Wales: Tour in Scotland; The Fall of Moness
Creator:
Amos Green, 1735–1807
Date:
1803
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

181. Views in England, Scotland and Wales: Tour in Scotland; Glen Hinglas

Views in England, Scotland and Wales: Tour in Scotland; Glen Hinglas
Creator:
Amos Green, 1735–1807
Date:
1803
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

182. Views in England, Scotland and Wales: Tour in Scotland; Corie Lin; one of the Falls of the Clyde

Views in England, Scotland and Wales: Tour in Scotland; Corie Lin; one of the Falls of the Clyde
Creator:
Amos Green, 1735–1807
Date:
1803
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

183. Views in England, Scotland and Wales: Tour in Scotland; Corie Lin

Views in England, Scotland and Wales: Tour in Scotland; Corie Lin
Creator:
Amos Green, 1735–1807
Date:
1803
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

184. Views in England, Scotland and Wales: Tour in Scotland; Scenery in the Vicinity of Keswick

Views in England, Scotland and Wales: Tour in Scotland; Scenery in the Vicinity of Keswick
Creator:
Amos Green, 1735–1807
Date:
1803
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

185. Views in England, Scotland and Wales: Tour in Scotland; Junction of the Lochy and the Dochart near Killin

Views in England, Scotland and Wales: Tour in Scotland; Junction of the Lochy and the Dochart near Killin
Creator:
Amos Green, 1735–1807
Date:
1803
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

186. Her Grace the Duchess of Bedford

Her Grace the Duchess of Bedford
Creator:
Print made by Samuel William Reynolds, 1773–1835
Date:
1803
Materials & Techniques:
Mezzotint (first state) on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 26 1/4 × 18 1/4 inches (66.7 × 46.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

187. Marchioness of Exeter

Marchioness of Exeter
Creator:
Print made by Samuel William Reynolds, 1773–1835
Date:
1803
Materials & Techniques:
Mezzotint (second state) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 28 × 20 inches (71.1 × 50.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

188. Miss Farren

Miss Farren
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
1803
Materials & Techniques:
Etching and stipple engraving (seventh state) on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 21 7/8 × 13 7/8 inches (55.6 × 35.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

189. Sir Humphrey Davy

Sir Humphrey Davy
Creator:
unknown artist
Date:
1803
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 18 5/16 × 14 1/16 inches (46.5 × 35.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

190. Samuel Whitbread Esq.

Samuel Whitbread Esq.
Creator:
Samuel William Reynolds, 1773–1835
Date:
1803
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 20 1/8 × 14 5/8 inches (51.1 × 37.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

191. Kemble

Kemble
Creator:
William Sharp, 1749–1824
Date:
1803
Materials & Techniques:
Engraving
Dimensions:
Sheet: 9 x 12in. (22.9 x 30.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

192. View from Palace Terrace, at St. Germain en Laye; The Aqueduct of Marli, seen in the Distance

View from Palace Terrace, at St. Germain en Laye; The Aqueduct of Marli, seen in the Distance
Creator:
Print made by Thomas Girtin, 1775–1802
Date:
1803
Materials & Techniques:
Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 3/4 × 24 5/8 inches (40 × 62.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

193. The Water Mill above the Bridge at Charenton 1803; Plate 20 from Views in Paris, the Emanuel Volume tracing of the plate B181.25.2629

The Water Mill above the Bridge at Charenton 1803; Plate 20 from Views in Paris, the Emanuel Volume tracing of the plate B181.25.2629
Creator:
Print made by Thomas Girtin, 1775–1802
Date:
1803
Materials & Techniques:
Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 3/4 × 24 1/2 inches (40 × 62.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

194. Love's Labour Lost, Act IV, Sc. 3

Love's Labour Lost, Act IV, Sc. 3
Creator:
Anker Smith, 1759–1819
Date:
1803
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

195. Much Ado... Act IV, Sc. 1

Much Ado... Act IV, Sc. 1
Creator:
Charles Warren, 1767–1823
Date:
1803
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

196. Taming of the Shrew, Induc. Sc. II

Taming of the Shrew, Induc. Sc. II
Creator:
unknown artist
Date:
1803
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

197. Views in England, Scotland and Wales: Upper part of the Fall of Lowdoor, A Study from Nature

Views in England, Scotland and Wales: Upper part of the Fall of Lowdoor, A Study from Nature
Creator:
Amos Green, 1735–1807
Date:
1803
Materials & Techniques:
Watercolor
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

198. View of the Pont St. Michael, taken from the Pont Neuf

View of the Pont St. Michael, taken from the Pont Neuf
Creator:
Etched by Thomas Girtin, 1775–1802
Date:
1803
Materials & Techniques:
Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:
Image: 10 x 17 7/8in. (25.4 x 45.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

199. View of the Thuilleries & Bridge & C. | taken from Pont de la Concorde

View of the Thuilleries & Bridge & C. | taken from Pont de la Concorde
Creator:
Print made by Thomas Girtin, 1775–1802
Date:
1803
Materials & Techniques:
Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 3/4 × 24 5/8 inches (40 × 62.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

200. A General View of Paris, taken from Chaillot 1803.

A General View of Paris, taken from Chaillot 1803.
Creator:
Print made by Thomas Girtin, 1775–1802
Date:
1803
Materials & Techniques:
Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 3/4 × 24 1/2 inches (40 × 62.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection