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1. Palace at Vincenza

Palace at Vincenza
Creator:
Sir Robert Smirke the younger, 1781–1867
Date:
1804
Materials & Techniques:
Graphite, brown wash, pen and brown ink on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 4 5/8 × 6 1/2 inches (11.7 × 16.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. The Center Part of a Prospect Building in the Gardens of Schonbrunn, Near Vienna

The Center Part of a Prospect Building in the Gardens of Schonbrunn, Near Vienna
Creator:
Sir Robert Smirke the younger, 1781–1867
Date:
1804
Materials & Techniques:
Brown wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 4 11/16 × 7 1/2 inches (11.9 × 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. Specimens of Singular Gothic Ornament in the Church of St. Wenceslas

Specimens of Singular Gothic Ornament in the Church of St. Wenceslas
Creator:
Sir Robert Smirke the younger, 1781–1867
Date:
1804
Materials & Techniques:
Graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 4 5/8 × 7 1/2 inches (11.7 × 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. A Nobleman's Residence in the Lauretta Platz, Prague

A Nobleman's Residence in the Lauretta Platz, Prague
Creator:
Sir Robert Smirke the younger, 1781–1867
Date:
1804
Materials & Techniques:
Graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 4 3/4 × 7 9/16 inches (12.1 × 19.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. One of the Entrances to Potsdam

One of the Entrances to Potsdam
Creator:
Sir Robert Smirke the younger, 1781–1867
Date:
1804
Materials & Techniques:
Brown wash, graphite, pen and brown ink on medium, moderately textured, beige wove paper
Dimensions:
Sheet: 4 11/16 × 7 1/2 inches (11.9 × 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection