<< YCBA Home Yale Center for British Art Yale Center for British Art << YCBA Home

YCBA Collections Search

Search Constraints

Start Over
You searched for:

Date 1804

Remove constraint Date: 1804

Search Results

101. "And above Albions Land was seen the Heavenly Canaan..." (Plate 71)

"And above Albions Land was seen the Heavenly Canaan..." (Plate 71)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

102. "And the Thirty-two Counties of the Four Provinces of Ireland..." (Plate 72)

"And the Thirty-two Counties of the Four Provinces of Ireland..." (Plate 72)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

103. "Such are Cathedrons golden Halls..." (Plate 73)

"Such are Cathedrons golden Halls..." (Plate 73)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

104. "And Rahab Babylon the Great..." (Plate 75)

"And Rahab Babylon the Great..." (Plate 75)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

105. "The Four Zoa's clouded rage..." (Plate 74)

"The Four Zoa's clouded rage..." (Plate 74)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

106. Chapter 4 Frontispiece (Plate 76)

Chapter 4 Frontispiece (Plate 76)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief and white-line etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

107. "To the Christians..." (Plate 77)

"To the Christians..." (Plate 77)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

108. "My tents are fall'n! my pillars are in ruins!..." (Plate 79)

"My tents are fall'n! my pillars are in ruins!..." (Plate 79)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

109. Chapter 4. "The Spectres of Albions Twelve Sons..." (Plate 78)

Chapter 4. "The Spectres of Albions Twelve Sons..." (Plate 78)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

110. "Rose up against me thundering..." (Plate 8)

"Rose up against me thundering..." (Plate 8)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

111. "Encompass'd by the frozen Net..." (Plate 80)

"Encompass'd by the frozen Net..." (Plate 80)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

112. "I have mock'd those who refused cruelty..." (Plate 81)

"I have mock'd those who refused cruelty..." (Plate 81)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

113. "I have heard Jerusalems groans..." (Plate 82)

"I have heard Jerusalems groans..." (Plate 82)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

114. "Corruptability appears upon thy limbs..." (Plate 83)

"Corruptability appears upon thy limbs..." (Plate 83)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

115. "Her voice pierc'd Albions clay cold ear..." (Plate 95)

"Her voice pierc'd Albions clay cold ear..." (Plate 95)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor, white gouache, and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

116. Albion Compelling the Four Zoas to Their Proper Tasks

Albion Compelling the Four Zoas to Their Proper Tasks
Creator:
William Blake, 1757–1827
Date:
1804 to 1810
Materials & Techniques:
Graphite and black chalk on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 7/8 x 12 1/4 inches (25.1 x 31.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Anonymous Gift, The Frederick Benjamin Kaye Memorial Collection, transfer from the Yale University Art Gallery

117. A Sketch of the Monument Erected in the Church of East Dereham in Norfolk in Memory of William Cowper Esq.

A Sketch of the Monument Erected in the Church of East Dereham in Norfolk in Memory of William Cowper Esq.
Creator:
Print made by William Blake, 1757–1827
Date:
1804
Materials & Techniques:
Etching and engraving on medium, slightly textured, cream wove paper
Dimensions:
Binding: 11 1/2 inches (29.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

118. A View of St. Edmund's Chapel, in the Church of East Dereham, Containing the Grave of William Cowper Esq.

A View of St. Edmund's Chapel, in the Church of East Dereham, Containing the Grave of William Cowper Esq.
Creator:
Print made by William Blake, 1757–1827
Date:
1804
Materials & Techniques:
Etching and engraving on medium, slightly textured, cream wove paper
Dimensions:
Binding: 11 1/2 inches (29.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

119. Horses at Cottages Door

Horses at Cottages Door
Creator:
Print made by Conrad Gessner, 1764–1826
Date:
1804, published 1806
Materials & Techniques:
Lithograph on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/8 × 12 7/8 inches (23.2 × 32.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

120. Jupiter and Juno on Mount Ida

Jupiter and Juno on Mount Ida
Creator:
James Barry, 1741–1806
Date:
ca. 1809
Materials & Techniques:
Etching
Dimensions:
Sheet: 12 x 14 1/8in. (30.5 x 35.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

121. 'Sweetbrier'

'Sweetbrier'
Creator:
George Townly Stubbs, 1748–1815
Date:
1804
Materials & Techniques:
Stipple with etching, second state
Dimensions:
Sheet: 15 15/16 x 20 1/16in. (40.5 x 50.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

122. Death of the Doe

Death of the Doe
Creator:
Print made by George Townly Stubbs, 1748–1815
Date:
1804
Materials & Techniques:
Color printed mezzotint; first state
Dimensions:
Sheet: 14 15/16 x 19 3/4in. (38 x 50.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

123. All's Well the Ends Well, Act IV, Sc. I

All's Well the Ends Well, Act IV, Sc. I
Creator:
William Angus, 1752–1821
Date:
1804
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

124. Comedy of Errors, Act II Sc. 2

Comedy of Errors, Act II Sc. 2
Creator:
Charles Warren, 1767–1823
Date:
1804
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

125. Porchester Castle: A View from Porchester Village Looking across the Water to Portsmouth

Porchester Castle: A View from Porchester Village Looking across the Water to Portsmouth
Creator:
William Turner of Oxford, 1789–1862
Date:
undated
Materials & Techniques:
Watercolor over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 3/8 x 18 1/2 inches (26.4 x 47 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

126. Lady Heathcote

Lady Heathcote
Creator:
Print made by James Ward, 1769–1859
Date:
1804
Materials & Techniques:
Mezzotint (second state) on thick, rough, cream wove paper
Dimensions:
Sheet: 26 5/8 × 17 1/2 inches (67.6 × 44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

127. A Mountain Lake

A Mountain Lake
Creator:
William Turner of Oxford, 1789–1862
Date:
undated
Materials & Techniques:
Watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 13 3/8 x 20 inches (34 x 50.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

128. The Bridge

The Bridge
Creator:
John Varley, 1778–1842
Date:
1804
Materials & Techniques:
Watercolor and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 17 x 14 7/8 inches (43.2 x 37.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

129. Dorothea

Dorothea
Creator:
Print made by William Say, 1768–1834
Date:
1804
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 28 3/4 × 19 5/8 inches (73 × 49.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

130. Harlech Castle and Twgwyn Ferry

Harlech Castle and Twgwyn Ferry
Creator:
John Varley, 1778–1842
Date:
1804
Materials & Techniques:
Watercolor, graphite and scraping out on medium, slightly textured, cream wove paper, mounted on thick, slightly textured, cream wove paper
Dimensions:
Mount: 16 1/8 x 21 1/4 inches (41 x 54 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

131. The Spottiswoode Ox

The Spottiswoode Ox
Creator:
Print made by James Ward, 1769–1859
Date:
1804
Materials & Techniques:
Mezzotint and etching on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 20 1/4 × 25 1/2 inches (51.4 × 64.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

132. Lavinia Bingham, Countess Spencer

Lavinia Bingham, Countess Spencer
Creator:
Print made by Charles Turner, 1774–1857
Date:
1804
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 14 1/4 × 10 3/16 inches (36.2 × 25.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

133. Upton-on-Severn

Upton-on-Severn
Creator:
William Turner of Oxford, 1789–1862
Date:
undated
Materials & Techniques:
Watercolor and gouache over graphite on thick, smooth, beige wove paper
Dimensions:
Sheet: 11 x 7 1/2 inches (27.9 x 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

134. Samuel Richardson

Samuel Richardson
Creator:
Print made by Caroline Watson, 1760–1814
Date:
1804
Materials & Techniques:
Stipple and engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Chauncey Brewster Tinker

135. Rev'd. John Home, Author of Douglas

Rev'd. John Home, Author of Douglas
Creator:
William Ridley, 1764–1838
Date:
1804
Materials & Techniques:
Stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Chauncey Brewster Tinker

136. Landscape with Trees, Girl Crossing Footbridge

Landscape with Trees, Girl Crossing Footbridge
Creator:
Print made by William Havell, 1782–1857
Date:
1804, published 1807
Materials & Techniques:
Lithograph on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 12 5/8 × 8 7/8 inches (32.1 × 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

137. Landscape with Trees, Girl Crossing Footbridge

Landscape with Trees, Girl Crossing Footbridge
Creator:
Print made by William Havell, 1782–1857
Date:
1804, published 1807
Materials & Techniques:
Lithograph on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 14 × 10 3/8 inches (35.6 × 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

138. Study of Trees and Shrubs with Seated Figure

Study of Trees and Shrubs with Seated Figure
Creator:
Print made by William Havell, 1782–1857
Date:
1804, published 1806
Materials & Techniques:
Lithograph on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 12 1/4 × 8 3/4 inches (31.1 × 22.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

139. Launch of H.M.S. Hibernia at Plymouth

Launch of H.M.S. Hibernia at Plymouth
Creator:
John Bluck, active 1791–1831
Date:
1804
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

140. Christ Hospital (from the Cloister)

Christ Hospital (from the Cloister)
Creator:
James S. Storer, 1771–1853
Date:
1804
Materials & Techniques:
Engraving
Dimensions:
Sheet: 7 1/4 x 8 1/2in. (18.4 x 21.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

141. The Young Roscius

The Young Roscius
Creator:
Print made by unknown artist
Date:
1804
Materials & Techniques:
Etching with hand coloring on medium, smooth, cream wove paper
Dimensions:
Sheet: 13 5/8 × 11 1/8 inches (34.6 × 28.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

142. "Mark your divorce young sir, whom son I dare not call"

"Mark your divorce young sir, whom son I dare not call"
Creator:
James Heath, 1757–1834
Date:
1804
Materials & Techniques:
Etching, line engraving and stipple engraving on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 16 13/16 x 13 1/16 inches (42.7 x 33.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

143. The Murazzi at Venice

The Murazzi at Venice
Creator:
Sir Robert Smirke the younger, 1781–1867
Date:
1804
Materials & Techniques:
Graphite, brown wash, pen and brown ink on medium, moderately textured, beige wove paper
Dimensions:
Sheet: 9 1/2 × 15 inches (24.1 × 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

144. San Germano

San Germano
Creator:
Sir Robert Smirke the younger, 1781–1867
Date:
1804
Materials & Techniques:
Graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 5 1/16 × 6 13/16 inches (12.9 × 17.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

145. Monte Cassino

Monte Cassino
Creator:
Sir Robert Smirke the younger, 1781–1867
Date:
1804
Materials & Techniques:
Graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 5 1/2 × 7 inches (14 × 17.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

146. Fragment of the Capital of a Pillar

Fragment of the Capital of a Pillar
Creator:
Sir Robert Smirke the younger, 1781–1867
Date:
1804
Materials & Techniques:
Brown wash and graphite on medium, moderately textured, beige wove paper
Dimensions:
Sheet: 7 5/8 × 9 9/16 inches (19.4 × 24.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

147. Grotta Ferrata (Near Rome and This is the Abbey)

Grotta Ferrata (Near Rome and This is the Abbey)
Creator:
Sir Robert Smirke the younger, 1781–1867
Date:
1804
Materials & Techniques:
Brown wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 9 × 11 7/16 inches (22.9 × 29.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

148. The First Fall of the Velino Near Terni

The First Fall of the Velino Near Terni
Creator:
Sir Robert Smirke the younger, 1781–1867
Date:
1804
Materials & Techniques:
Graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 8 15/16 × 11 1/4 inches (22.7 × 28.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

149. Aqueduct at Spoleto

Aqueduct at Spoleto
Creator:
Sir Robert Smirke the younger, 1781–1867
Date:
1804
Materials & Techniques:
Brown wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 8 15/16 × 11 1/4 inches (22.7 × 28.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

150. Village in Italy, Between Terni and Spoleto

Village in Italy, Between Terni and Spoleto
Creator:
Sir Robert Smirke the younger, 1781–1867
Date:
1804
Materials & Techniques:
Graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 8 15/16 × 11 1/4 inches (22.7 × 28.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

151. The Falls of the Velino From Below

The Falls of the Velino From Below
Creator:
Sir Robert Smirke the younger, 1781–1867
Date:
1804
Materials & Techniques:
Graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 8 15/16 × 11 1/4 inches (22.7 × 28.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

152. A Village on the Road from Terni to the Falls of the Velino

A Village on the Road from Terni to the Falls of the Velino
Creator:
Sir Robert Smirke the younger, 1781–1867
Date:
1804
Materials & Techniques:
Graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 8 15/16 × 11 1/4 inches (22.7 × 28.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

153. Temple of Clitumnus, Between Spoleto and Foligno

Temple of Clitumnus, Between Spoleto and Foligno
Creator:
Sir Robert Smirke the younger, 1781–1867
Date:
1804
Materials & Techniques:
Graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 8 13/16 × 11 1/4 inches (22.4 × 28.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

154. Perugia to the North

Perugia to the North
Creator:
Sir Robert Smirke the younger, 1781–1867
Date:
1804
Materials & Techniques:
Graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 8 15/16 × 11 3/16 inches (22.7 × 28.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

155. The Lake of Thrasimene

The Lake of Thrasimene
Creator:
Sir Robert Smirke the younger, 1781–1867
Date:
1804
Materials & Techniques:
Graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 8 15/16 × 11 1/4 inches (22.7 × 28.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

156. Perugia to the North

Perugia to the North
Creator:
Sir Robert Smirke the younger, 1781–1867
Date:
1804
Materials & Techniques:
Graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 8 15/16 × 11 1/4 inches (22.7 × 28.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

157. The Lake of Thrasimene

The Lake of Thrasimene
Creator:
Sir Robert Smirke the younger, 1781–1867
Date:
1804
Materials & Techniques:
Graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 8 15/16 × 11 1/4 inches (22.7 × 28.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

158. The Lake of Thrasimene

The Lake of Thrasimene
Creator:
Sir Robert Smirke the younger, 1781–1867
Date:
1804
Materials & Techniques:
Graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 8 15/16 × 11 1/4 inches (22.7 × 28.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

159. The Plains Where Flaminius Was Defeated by Hannibal, at the Lake of Thrasimene

The Plains Where Flaminius Was Defeated by Hannibal, at the Lake of Thrasimene
Creator:
Sir Robert Smirke the younger, 1781–1867
Date:
1804
Materials & Techniques:
Graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 8 15/16 × 11 1/4 inches (22.7 × 28.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

160. The Lake of Thrasimene

The Lake of Thrasimene
Creator:
Sir Robert Smirke the younger, 1781–1867
Date:
1804
Materials & Techniques:
Graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 8 15/16 × 11 1/4 inches (22.7 × 28.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

161. Bridge Over the Arno at Levane, 30 Miles from Florence

Bridge Over the Arno at Levane, 30 Miles from Florence
Creator:
Sir Robert Smirke the younger, 1781–1867
Date:
1804
Materials & Techniques:
Graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 8 15/16 × 11 1/4 inches (22.7 × 28.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

162. Cathedral at Arezzo, Tuscany

Cathedral at Arezzo, Tuscany
Creator:
Sir Robert Smirke the younger, 1781–1867
Date:
1804
Materials & Techniques:
Brown wash, graphite, pen and brown ink on moderately thick, moderately textured, beige wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

163. The Cathedral of Arezzo

The Cathedral of Arezzo
Creator:
Sir Robert Smirke the younger, 1781–1867
Date:
1804
Materials & Techniques:
Graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 8 15/16 × 11 1/4 inches (22.7 × 28.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

164. Florence From the Road Towards Perugia, 5 Mile Distant

Florence From the Road Towards Perugia, 5 Mile Distant
Creator:
Sir Robert Smirke the younger, 1781–1867
Date:
1804
Materials & Techniques:
Graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 8 15/16 × 11 1/4 inches (22.7 × 28.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

165. Ancient Gateway in Perugia

Ancient Gateway in Perugia
Creator:
Sir Robert Smirke the younger, 1781–1867
Date:
1804
Materials & Techniques:
Graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 8 15/16 × 11 1/4 inches (22.7 × 28.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

166. Serravalle in the Appenines

Serravalle in the Appenines
Creator:
Sir Robert Smirke the younger, 1781–1867
Date:
1804
Materials & Techniques:
Graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 8 15/16 × 11 1/4 inches (22.7 × 28.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

167. Arch of Trajan, Ancona, Italy

Arch of Trajan, Ancona, Italy
Creator:
Sir Robert Smirke the younger, 1781–1867
Date:
1804
Materials & Techniques:
Graphite, blue wash, gray wash, brown wash, pen and brown ink on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 10 15/16 × 8 15/16 inches (27.8 × 22.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

168. Ancient Sarcophagus in the Cathedral of Cortona

Ancient Sarcophagus in the Cathedral of Cortona
Creator:
Sir Robert Smirke the younger, 1781–1867
Date:
1804
Materials & Techniques:
Graphite on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 5 5/8 × 8 15/16 inches (14.3 × 22.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

169. Vicenza

Vicenza
Creator:
Sir Robert Smirke the younger, 1781–1867
Date:
1804
Materials & Techniques:
Brown wash, blue wash and graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 7 7/16 × 9 5/8 inches (18.9 × 24.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

170. Palace at Vincenza

Palace at Vincenza
Creator:
Sir Robert Smirke the younger, 1781–1867
Date:
1804
Materials & Techniques:
Graphite, brown wash, pen and brown ink on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 4 5/8 × 6 1/2 inches (11.7 × 16.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

171. From della Porta di Santa Lupia - del Portico, Vicenza

From della Porta di Santa Lupia - del Portico, Vicenza
Creator:
Sir Robert Smirke the younger, 1781–1867
Date:
1804
Materials & Techniques:
Graphite on thin, moderately textured, beige wove paper
Dimensions:
Sheet: 9 5/8 × 15 3/16 inches (24.4 × 38.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

172. Fuori della Porta di S. Lucia, Vicenza

Fuori della Porta di S. Lucia, Vicenza
Creator:
Sir Robert Smirke the younger, 1781–1867
Date:
1804
Materials & Techniques:
Graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 7 11/16 × 9 1/2 inches (19.5 × 24.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

173. James Hare

James Hare
Creator:
Samuel William Reynolds, 1773–1835
Date:
1804
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 15 9/16 × 11 9/16 inches (39.5 × 29.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

174. The Right Honorable Charles Abbot

The Right Honorable Charles Abbot
Creator:
Charles Picart, c.1780–1837
Date:
1804
Materials & Techniques:
Stipple engraving on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 20 13/16 × 15 1/16 inches (52.9 × 38.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

175. Admiral William Sidney Smith and The Seige of Acre

Admiral William Sidney Smith and The Seige of Acre
Creator:
Anthony Cardon, 1772–1813
Date:
1804
Materials & Techniques:
Engraving on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 16 × 9 1/16 inches (40.6 × 23 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

176. Sir Watkin Williams-Wynn, 4th Baronet Wynn

Sir Watkin Williams-Wynn, 4th Baronet Wynn
Creator:
Samuel William Reynolds, 1773–1835
Date:
1804
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 13/16 × 11 9/16 inches (40.2 × 29.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

177. Roman Sphinx in the Gardens of the Villa Albani

Roman Sphinx in the Gardens of the Villa Albani
Creator:
Sir Robert Smirke the younger, 1781–1867
Date:
1804
Materials & Techniques:
Brown wash and charcoal on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 9 1/16 × 11 1/2 inches (23 × 29.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

178. Sphinx, in the Gardens of the Villa Albani, and a Study of a Roman Mask

Sphinx, in the Gardens of the Villa Albani, and a Study of a Roman Mask
Creator:
Sir Robert Smirke the younger, 1781–1867
Date:
1804
Materials & Techniques:
Charcoal and brown wash on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 11 5/8 × 9 inches (29.5 × 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

179. Old London Bridge and St. Paul's Cathedral From the Thames

Old London Bridge and St. Paul's Cathedral From the Thames
Creator:
David Cox, 1783–1859
Date:
ca. 1808
Materials & Techniques:
Brown wash with scratching out on medium, moderately textured, beige wove paper
Dimensions:
Sheet: 4 1/8 x 7 inches (10.5 x 17.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

180. Kensington Gardens

Kensington Gardens
Creator:
John Martin, 1789–1854
Date:
undated
Materials & Techniques:
Watercolor and pen and brown ink over graphite with scratching out on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 9 5/8 x 7 inches (24.5 x 17.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

181. Study of Two Children

Study of Two Children
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
undated
Materials & Techniques:
Pen and brown ink on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 3 3/8 × 3 3/8 inches (8.6 × 8.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

182. Portrait Sketch and Seated Figures

Portrait Sketch and Seated Figures
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
undated
Materials & Techniques:
Pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 3 1/4 × 5 1/16 inches (8.3 × 12.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

183. Untitled

Untitled
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
undated
Materials & Techniques:
Pen and brown ink on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 8 × 3 3/4 inches (20.3 × 9.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

184. Study of a Figure Leaning out of a Window

Study of a Figure Leaning out of a Window
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
1804
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 3 1/4 × 2 7/16 inches (8.3 × 6.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

185. Head Study

Head Study
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
undated
Materials & Techniques:
Pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 9/16 × 4 5/16 inches (11.6 × 11 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

186. Studies of Men with Hats

Studies of Men with Hats
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
undated
Materials & Techniques:
Pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 3/16 × 3 11/16 inches (10.6 × 9.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

187. Head Studies

Head Studies
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
undated
Materials & Techniques:
Pen and brown ink on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 4 9/16 × 4 7/16 inches (11.6 × 11.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

188. Untitled

Untitled
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
1804
Materials & Techniques:
Graphite on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 3 7/16 × 2 15/16 inches (8.7 × 7.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

189. Study of a Veiled Woman

Study of a Veiled Woman
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
undated
Materials & Techniques:
Pen and brown ink on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 6 7/8 × 4 1/4 inches (17.5 × 10.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

190. Study of a Woman, at Rear View

Study of a Woman, at Rear View
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
undated
Materials & Techniques:
Pen and brown ink on thin, smooth, cream wove paper
Dimensions:
Sheet: 5 15/16 × 3 3/4 inches (15.1 × 9.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

191. Study of Two Men Standing, While in Conversation

Study of Two Men Standing, While in Conversation
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
undated
Materials & Techniques:
Graphite on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 3 3/8 × 3 3/16 inches (8.6 × 8.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

192. Studies of a Seated Woman

Studies of a Seated Woman
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
undated
Materials & Techniques:
Pen and brown ink on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 4 7/16 × 6 3/4 inches (11.3 × 17.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

193. Study of a Leaning Figure

Study of a Leaning Figure
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
undated
Materials & Techniques:
Pen and brown ink on medium, smooth, cream wove paper
Dimensions:
Sheet: 3 15/16 × 2 7/8 inches (10 × 7.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

194. Study of a Kneeling Woman

Study of a Kneeling Woman
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
undated
Materials & Techniques:
Graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 4 5/16 × 2 7/8 inches (11 × 7.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

195. Study of a Male Nude, in a Laid out Position on the Floor

Study of a Male Nude, in a Laid out Position on the Floor
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
undated
Materials & Techniques:
Pen and brown ink on medium, smooth, cream wove paper
Dimensions:
Sheet: 2 7/16 × 5 11/16 inches (6.2 × 14.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

196. Study of a Man

Study of a Man
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
undated
Materials & Techniques:
Pen and brown ink, over graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 6 5/16 × 3 13/16 inches (16 × 9.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

197. Study of a Woman Wearing a Headdress

Study of a Woman Wearing a Headdress
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
undated
Materials & Techniques:
Pen and brown ink on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 7 × 4 1/4 inches (17.8 × 10.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

198. Study of a Seated Man, Smoking a Pipe

Study of a Seated Man, Smoking a Pipe
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
undated
Materials & Techniques:
Pen and brown ink on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 6 3/8 × 3 5/8 inches (16.2 × 9.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

199. Study of Fugures in a Dramatic Scene

Study of Fugures in a Dramatic Scene
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
undated
Materials & Techniques:
Pen and brown ink, over graphite and black chalk on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 2 1/4 × 2 3/4 inches (5.7 × 7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

200. Rear View Study of a Man walking

Rear View Study of a Man walking
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
undated
Materials & Techniques:
Black chalk on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 6 5/8 × 4 7/16 inches (16.8 × 11.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection