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101. Jerusalem, Plate 68, "O Skofield why art thou cruel?...."

Jerusalem, Plate 68, "O Skofield why art thou cruel?...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

102. Jerusalem, Plate 7, "Was living: panting...."

Jerusalem, Plate 7, "Was living: panting...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

103. Jerusalem, Plate 70, "And this the form of mighty Hand...."

Jerusalem, Plate 70, "And this the form of mighty Hand...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

104. Jerusalem, Plate 76

Jerusalem, Plate 76
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

105. Jerusalem, Plate 79, "My tents are fall'n...."

Jerusalem, Plate 79, "My tents are fall'n...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

106. Jerusalem, Plate 8, "Rose up against me...."

Jerusalem, Plate 8, "Rose up against me...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

107. Jerusalem, Plate 80, "Encompassd by the frozen net...."

Jerusalem, Plate 80, "Encompassd by the frozen net...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

108. Jerusalem, Plate 81, "I have mockd those...."

Jerusalem, Plate 81, "I have mockd those...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

109. Jerusalem, Plate 82, "I have heard Jerusalems groans...."

Jerusalem, Plate 82, "I have heard Jerusalems groans...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

110. Jerusalem, Plate 86, "I see thy Form...."

Jerusalem, Plate 86, "I see thy Form...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

111. Jerusalem, Plate 87, "Repelling weeping Enion...."

Jerusalem, Plate 87, "Repelling weeping Enion...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

112. Jerusalem, Plate 88, "Los answerd sighing...."

Jerusalem, Plate 88, "Los answerd sighing...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

113. Jerusalem, Plate 9, "Condens'd his Emanations...."

Jerusalem, Plate 9, "Condens'd his Emanations...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

114. Jerusalem, Plate 92, "What do I see!...."

Jerusalem, Plate 92, "What do I see!...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

115. Jerusalem, Plate 98, "Then each an Arrow flaming...."

Jerusalem, Plate 98, "Then each an Arrow flaming...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

116. Jerusalem, Plate 95, "Her voice pierc'd Albions clay cold ear...."

Jerusalem, Plate 95, "Her voice pierc'd Albions clay cold ear...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

117. Fragment of the Capital of a Pillar

Fragment of the Capital of a Pillar
Creator:
Sir Robert Smirke the younger, 1781–1867
Date:
1804
Materials & Techniques:
Brown wash and graphite on medium, moderately textured, beige wove paper
Dimensions:
Sheet: 7 5/8 × 9 9/16 inches (19.4 × 24.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

118. A Village on the Road from Terni to the Falls of the Velino

A Village on the Road from Terni to the Falls of the Velino
Creator:
Sir Robert Smirke the younger, 1781–1867
Date:
1804
Materials & Techniques:
Graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 8 15/16 × 11 1/4 inches (22.7 × 28.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

119. The Lake of Thrasimene

The Lake of Thrasimene
Creator:
Sir Robert Smirke the younger, 1781–1867
Date:
1804
Materials & Techniques:
Graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 8 15/16 × 11 1/4 inches (22.7 × 28.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

120. Ancient Gateway in Perugia

Ancient Gateway in Perugia
Creator:
Sir Robert Smirke the younger, 1781–1867
Date:
1804
Materials & Techniques:
Graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 8 15/16 × 11 1/4 inches (22.7 × 28.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

121. Fuori della Porta di S. Lucia, Vicenza

Fuori della Porta di S. Lucia, Vicenza
Creator:
Sir Robert Smirke the younger, 1781–1867
Date:
1804
Materials & Techniques:
Graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 7 11/16 × 9 1/2 inches (19.5 × 24.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

122. Sketch of an Entrance to a Palace in the Streets of Prague

Sketch of an Entrance to a Palace in the Streets of Prague
Creator:
Sir Robert Smirke the younger, 1781–1867
Date:
1804
Materials & Techniques:
Graphite on medium, moderately textured, beige wove paper
Dimensions:
Sheet: 7 5/8 × 9 1/2 inches (19.4 × 24.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

123. One of the Entrances to Potsdam

One of the Entrances to Potsdam
Creator:
Sir Robert Smirke the younger, 1781–1867
Date:
1804
Materials & Techniques:
Brown wash, graphite, pen and brown ink on medium, moderately textured, beige wove paper
Dimensions:
Sheet: 4 11/16 × 7 1/2 inches (11.9 × 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

124. A Shop in Berlin

A Shop in Berlin
Creator:
Sir Robert Smirke the younger, 1781–1867
Date:
1804
Materials & Techniques:
Brown wash and graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 7 1/4 × 5 1/2 inches (18.4 × 14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

125. German Bed

German Bed
Creator:
Sir Robert Smirke the younger, 1781–1867
Date:
1804
Materials & Techniques:
Graphite on medium, moderately textured, laid paper
Dimensions:
Sheet: 4 1/4 × 6 5/8 inches (10.8 × 16.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

126. Oxford, Folly Bridge

Oxford, Folly Bridge
Creator:
William Turner of Oxford, 1789–1862
Date:
undated
Materials & Techniques:
Graphite on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 6 1/8 x 9 7/8 inches (15.6 x 25.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

127. Netley Abbey, the East Window

Netley Abbey, the East Window
Creator:
John Samuel Hayward, 1778–1822
Date:
1804
Materials & Techniques:
Watercolor and graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 17 3/4 × 11 3/8 inches (45.1 × 28.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

128. Study for 'Finding of the Body of Bassanio'

Study for 'Finding of the Body of Bassanio'
Creator:
Henry Fuseli, 1741–1825
Date:
1804
Materials & Techniques:
Pen and brown ink, graphite and gray wash on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 12 1/8 x 8 inches (30.8 x 20.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

129. Perspective view of the Crescent now erecting near the town of Birmingham

Perspective view of the Crescent now erecting near the town of Birmingham
Creator:
Francis Jukes, 1747–1812
Date:
1804
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

130. Cain and Abel

Cain and Abel
Creator:
Attributed to John Martin, 1789–1854
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, graphite, and white gouache on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 2 1/8 x 2 3/4 inches (5.4 x 7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

131. Hinton St. George, Somerset: Plan of Staircase

Hinton St. George, Somerset: Plan of Staircase
Creator:
James Wyatt, 1746–1813
Date:
1804
Materials & Techniques:
Graphite, pen and black ink on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 21 5/8 x 13 3/8 inches (54.9 x 34 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

132. Perspective View of a Fanciful Acropolis Complex

Perspective View of a Fanciful Acropolis Complex
Creator:
Lewis Vulliamy, 1791–1871
Date:
undated
Materials & Techniques:
Graphite and watercolor on Slightly textured, moderately thick, cream wove paper
Dimensions:
Sheet: 8 3/8 × 16 inches (21.3 × 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

133. Kirkstall Abbey near Leeds

Kirkstall Abbey near Leeds
Creator:
John Varley, 1778–1842
Date:
1804
Materials & Techniques:
Watercolor on moderately thick, rough, beige laid paper
Dimensions:
Sheet: 3 15/16 x 5 15/16 inches (10 x 15.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

134. Wolf Fish

Wolf Fish
Creator:
James Sowerby, 1756–1822
Date:
1804
Materials & Techniques:
watercolor over graphite on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/8 × 11 1/2 inches (18.1 × 29.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

135. Daniel in the Den of Lions

Daniel in the Den of Lions
Creator:
Attributed to John Martin, 1789–1854
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, graphite, and white gouache on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 2 1/8 x 2 3/4 inches (5.4 x 7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

136. The Conversion of Saul

The Conversion of Saul
Creator:
Attributed to John Martin, 1789–1854
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink, pen and black ink, graphite, and white gouache on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 2 1/8 x 2 3/4 inches (5.4 x 7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

137. Christ Preaching to the Elders in the Temple

Christ Preaching to the Elders in the Temple
Creator:
Attributed to John Martin, 1789–1854
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, pen and brown ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 2 1/8 x 2 3/4 inches (5.4 x 7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

138. The Woman at the Well

The Woman at the Well
Creator:
Attributed to John Martin, 1789–1854
Date:
undated
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 2 1/8 x 2 3/4 inches (5.4 x 7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

139. Christ with Three Figures

Christ with Three Figures
Creator:
Attributed to John Martin, 1789–1854
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, pen and brown ink, gouache, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 2 1/8 x 2 3/4 inches (5.4 x 7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

140. The Baptism of Christ

The Baptism of Christ
Creator:
Attributed to John Martin, 1789–1854
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink, white gouache, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 2 1/8 x 2 3/4 inches (5.4 x 7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

141. Feeding the Five Thousand

Feeding the Five Thousand
Creator:
Attributed to John Martin, 1789–1854
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, pen and brown ink, white gouache, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 2 1/8 x 2 3/4 inches (5.4 x 7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

142. Christ Stilling the Tempest

Christ Stilling the Tempest
Creator:
Attributed to John Martin, 1789–1854
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, gouache, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 2 1/8 x 2 3/4 inches (5.4 x 7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

143. Christ Healing a Blind Man

Christ Healing a Blind Man
Creator:
Attributed to John Martin, 1789–1854
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink, pen and black ink, gouache, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 2 1/8 x 2 3/4 inches (5.4 x 7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

144. The Pool of Bethesda

The Pool of Bethesda
Creator:
Attributed to John Martin, 1789–1854
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink, white gouache, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 2 1/8 x 2 3/4 inches (5.4 x 7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

145. The Miraculous Draught of Fishes

The Miraculous Draught of Fishes
Creator:
Attributed to John Martin, 1789–1854
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink, white gouache, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 2 1/8 x 2 3/4 inches (5.4 x 7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

146. The Raising of Lazarus

The Raising of Lazarus
Creator:
attributed to John Martin, 1789–1854
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink, pen and black ink, white gouache, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 2 1/8 x 2 3/4 inches (5.4 x 7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

147. Mountainous Landscape with Figures and a Rock Above a Lake

Mountainous Landscape with Figures and a Rock Above a Lake
Creator:
attributed to John Martin, 1789–1854
Date:
undated
Materials & Techniques:
Brown wash and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 1/4 x 6 1/8 inches (10.8 x 15.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection

148. At Brighton, 1804: Three Women, Child and Man Looking Out to Sea

At Brighton, 1804: Three Women, Child and Man Looking Out to Sea
Creator:
John Nixon, ca. 1760–1818
Date:
1804
Materials & Techniques:
Watercolor and graphite with pen and black ink on medium, smooth, cream wove paper
Dimensions:
Sheet: 3 3/8 × 6 1/8 inches (8.6 × 15.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

149. Design for a Park Gateway

Design for a Park Gateway
Creator:
Edward Blore, 1787–1879
Date:
undated
Materials & Techniques:
Watercolor and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 3/8 x 17 3/4 inches (28.9 x 45.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

150. Interior of Crosby Hall

Interior of Crosby Hall
Creator:
James S. Storer, 1771–1853
Date:
1804
Materials & Techniques:
Engraving
Dimensions:
Sheet: 9 3/4 x 7 1/8in. (24.8 x 18.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

151. Westminster

Westminster
Creator:
John Greig, active 1803–1853
Date:
1804
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

152. West View of St. Pauls Cathedral

West View of St. Pauls Cathedral
Creator:
James S. Storer, 1771–1853
Date:
1804
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

153. South East View of Stepney Church

South East View of Stepney Church
Creator:
James S. Storer, 1771–1853
Date:
1804
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

154. Interior of the Abbey Church, St. Albans, Outer Suburb - North

Interior of the Abbey Church, St. Albans, Outer Suburb - North
Creator:
James S. Storer, 1771–1853
Date:
1804
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

155. South East View of the Abbey Church, St. Albans, Hertsfordshire, Outer Suburb - North

South East View of the Abbey Church, St. Albans, Hertsfordshire, Outer Suburb - North
Creator:
James S. Storer, 1771–1853
Date:
1804
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

156. Westminster Abbey

Westminster Abbey
Creator:
Samuel Rawle, 1771–1860
Date:
1804
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

157. Bushhill, Middlesex, Outer Suburb - North

Bushhill, Middlesex, Outer Suburb - North
Creator:
John Hassell, 1767–1825
Date:
1804
Materials & Techniques:
Aquatint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

158. Interior of Waltham Abbey Church, Outer Suburb - East

Interior of Waltham Abbey Church, Outer Suburb - East
Creator:
John Greig, active 1803–1853
Date:
1804
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

159. Chingford Church, Essex, Outer Suburb - East

Chingford Church, Essex, Outer Suburb - East
Creator:
James S. Storer, 1771–1853
Date:
1804
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

160. Barking, Essex, Outer Suburb - East

Barking, Essex, Outer Suburb - East
Creator:
James S. Storer, 1771–1853
Date:
1804
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

161. North East View of Waltham Abbey Church

North East View of Waltham Abbey Church
Creator:
John Greig, active 1803–1853
Date:
1804
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

162. Waltham Abbey, Outer Suburb - East

Waltham Abbey, Outer Suburb - East
Creator:
John Greig, active 1803–1853
Date:
1804
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

163. West View of St. Paul's Cathedral

West View of St. Paul's Cathedral
Creator:
James S. Storer, 1771–1853
Date:
1804
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

164. The Hall of Greenwich Hospital

The Hall of Greenwich Hospital
Creator:
James S. Storer, 1771–1853
Date:
1804
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

165. Landscape with Tower and Approaching Storm

Landscape with Tower and Approaching Storm
Creator:
John Martin, 1789–1854
Date:
undated
Materials & Techniques:
Brown wash, brown ink, graphite and scratching out on medium, slightly textured, cream wove paper mounted on thick, moderately textured, cream card
Dimensions:
Mount: 5 1/4 x 7 9/16 inches (13.4 x 19.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

166. Forested River Bank, Hill Town and Mountain Peaks in Distance

Forested River Bank, Hill Town and Mountain Peaks in Distance
Creator:
John Martin, 1789–1854
Date:
undated
Materials & Techniques:
Brown wash and graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 7 5/16 x 10 1/2 inches (18.5 x 26.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Allen Evarts Foster, B.A. 1906

167. Rocky River Landscape

Rocky River Landscape
Creator:
John Martin, 1789–1854
Date:
undated
Materials & Techniques:
Pen and brown ink and brown wash on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 3/8 x 6 1/4 inches (18.7 x 15.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

168. The Rising of the Waters

The Rising of the Waters
Creator:
Attributed to John Martin, 1789–1854
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, graphite, and white gouache on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 2 1/8 x 2 3/4 inches (5.4 x 7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

169. Shadrach, Meshack and Abed-Nego before Nebuchadnezzar

Shadrach, Meshack and Abed-Nego before Nebuchadnezzar
Creator:
Attributed to John Martin, 1789–1854
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, graphite, and white gouache on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 2 1/8 x 2 3/4 inches (5.4 x 7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

170. Fall of a City

Fall of a City
Creator:
Attributed to John Martin, 1789–1854
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, graphite, and white gouache on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 2 1/8 x 2 3/4 inches (5.4 x 7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

171. The Stoning of Saint Stephen

The Stoning of Saint Stephen
Creator:
Attributed to John Martin, 1789–1854
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, graphite, and white gouache on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 2 1/8 x 2 3/4 inches (5.4 x 7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

172. Lot Fleeing Sodom

Lot Fleeing Sodom
Creator:
Attributed to John Martin, 1789–1854
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, graphite, and white gouache on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 2 1/8 x 2 3/4 inches (5.4 x 7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

173. The Death of Ananias

The Death of Ananias
Creator:
Attributed to John Martin, 1789–1854
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, graphite, and gouache on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 2 1/8 x 2 3/4 inches (5.4 x 7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

174. The Ravens Feeding Elijah

The Ravens Feeding Elijah
Creator:
Attributed to John Martin, 1789–1854
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, graphite, and white gouache on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 2 1/8 x 2 3/4 inches (5.4 x 7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

175. The Release of Saint Peter from Prison

The Release of Saint Peter from Prison
Creator:
Attributed to John Martin, 1789–1854
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, graphite, and white gouache on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 2 1/8 x 2 3/4 inches (5.4 x 7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

176. An Elderly Man Petitioning Christ

An Elderly Man Petitioning Christ
Creator:
Attributed to John Martin, 1789–1854
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, pen and brown ink, gouache, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 2 1/8 x 2 3/4 inches (5.4 x 7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

177. Christ Healing the Palsied Man

Christ Healing the Palsied Man
Creator:
Attributed to John Martin, 1789–1854
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink, pen and black ink, white gouache, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 2 1/8 x 2 3/4 inches (5.4 x 7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

178. A View of Worcester College &c.

A View of Worcester College &c.
Creator:
Print made by James Basire the younger, 1769–1822
Date:
1804
Materials & Techniques:
Line engraving, engraver's proof (c) on medium, smooth, cream wove paper
Dimensions:
Sheet: 15 1/2 × 21 1/4 inches (39.4 × 54 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

179. A View of Worcester College &c.

A View of Worcester College &c.
Creator:
Print made by James Basire the younger, 1769–1822
Date:
1804
Materials & Techniques:
Line engraving, published state (late impression) on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/4 × 18 1/4 inches (36.2 × 46.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

180. Windsor from the Forest, Berks

Windsor from the Forest, Berks
Creator:
Print made by John Greig, active 1803–1853
Date:
1804
Materials & Techniques:
Line engraving, engraver's proof
Dimensions:
Sheet: 12 5/8 × 10 1/8 inches (32.1 × 25.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

181. Windsor from the Forest, Berks

Windsor from the Forest, Berks
Creator:
Print made by John Greig, active 1803–1853
Date:
1804
Materials & Techniques:
Line engraving, 1st published state
Dimensions:
Sheet: 11 3/4 × 9 inches (29.8 × 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

182. Adam and Eve

Adam and Eve
Creator:
attributed to John Martin, 1789–1854
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, graphite, and white gouache on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 2 1/8 x 2 3/4 inches (5.4 x 7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

183. Landscape with Figures and Distant Castle

Landscape with Figures and Distant Castle
Creator:
John Varley, 1778–1842
Date:
1804
Materials & Techniques:
Watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 5/8 x 8 5/8 inches (14.3 x 21.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

184. Prince Rasselas and His Sister Conversing in Their Summer Palace on the Banks of the Nile

Prince Rasselas and His Sister Conversing in Their Summer Palace on the Banks of the Nile
Creator:
Samuel Shelley, 1750–1808
Date:
1804
Materials & Techniques:
Watercolor, gouache, graphite and white chalk on moderately thick, slightly textured, beige wove paper, mounted to moderately thick, smooth cream card
Dimensions:
Sheet: 21 7/8 × 15 1/4 inches (55.6 × 38.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

185. York House, the corner of Villiers Street and the Strand, with Richardson's Ancient and Modern Print Warehouse in the Foreground

York House, the corner of Villiers Street and the Strand, with Richardson's Ancient and Modern Print Warehouse in the Foreground
Creator:
George Shepheard, ca. 1770–1842
Date:
ca. 1809
Materials & Techniques:
Watercolor and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 3/4 x 8 1/8in. (27.3 x 20.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

186. View from the Dean's Garden, Christ Church, Oxford

View from the Dean's Garden, Christ Church, Oxford
Creator:
William Turner of Oxford, 1789–1862
Date:
undated
Materials & Techniques:
Watercolor on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 10 3/4 x 14 3/4 inches (27.3 x 37.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

187. Design for a Park Gateway

Design for a Park Gateway
Creator:
Edward Blore, 1787–1879
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 15/16 × 15 1/16 inches (27.8 × 38.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

188. Clovelly, North Devon

Clovelly, North Devon
Creator:
William Turner of Oxford, 1789–1862
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink, and graphite with scraping out on moderately thick, slightly textured, cream wove paper
Dimensions:
Contemporary drawn border: 29 1/4 x 44 1/2 inches (74.3 x 113 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

189. The Eye of a Seal and verso: Sketches of an Apparatus

The Eye of a Seal and verso: Sketches of an Apparatus
Creator:
James Sowerby, 1756–1822
Date:
1804
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 × 3 inches (10.2 × 7.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

190. Upton-on-Severn

Upton-on-Severn
Creator:
William Turner of Oxford, 1789–1862
Date:
undated
Materials & Techniques:
Watercolor and gouache over graphite on thick, smooth, beige wove paper
Dimensions:
Sheet: 11 x 7 1/2 inches (27.9 x 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

191. Old London Bridge and St. Paul's Cathedral From the Thames

Old London Bridge and St. Paul's Cathedral From the Thames
Creator:
David Cox, 1783–1859
Date:
ca. 1808
Materials & Techniques:
Brown wash with scratching out on medium, moderately textured, beige wove paper
Dimensions:
Sheet: 4 1/8 x 7 inches (10.5 x 17.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

192. John Singleton Copley

John Singleton Copley
Creator:
William Daniell, 1769–1837
Date:
between 1804 and 1814
Materials & Techniques:
Graphite and red chalk on medium, slightly textured, beige laid paper pasted on contemporary mount made of medium, moderately textured, beige laid paper
Dimensions:
Mount: 10 3/8 x 7 15/16 inches (26.4 x 20.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Jules D. Prown, Yale MA (HON.) 1971

193. Building on a Hill

Building on a Hill
Creator:
John Martin, 1789–1854
Date:
undated
Materials & Techniques:
Brown wash with gouache over graphite on moderately thick, slightly textured, cream wove paper mounted on moderately thick, slightly textured, beige wove paper
Dimensions:
Mount: 8 7/8 x 11 3/4 inches (22.5 x 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

194. Portrait of a Young Officer

Portrait of a Young Officer
Creator:
Samuel Andrews, ca. 1767–1807
Date:
1804
Materials & Techniques:
Watercolor and gouache on card
Dimensions:
Sheet: 3 1/4 x 2 3/4 inches (8.3 x 7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Ann and Kenneth Rapoport

195. Set of four: 4. Woodcock Shooting

Set of four: 4. Woodcock Shooting
Creator:
unknown artist
Date:
1804
Materials & Techniques:
Hand colored mezzotint
Dimensions:
Sheet: 9 7/8 x 13 7/8in. (25.1 x 35.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

196. View of Johnson's Willow

View of Johnson's Willow
Creator:
Samuel Rawle, 1771–1860
Date:
1804
Materials & Techniques:
Engraving
Dimensions:
Sheet: 5 3/8 x 8 5/8in. (13.7 x 21.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Gift of Herman W. Liebert

197. "This is fairy gold, boy, and will prove so"

"This is fairy gold, boy, and will prove so"
Creator:
James Heath, 1757–1834
Date:
1804
Materials & Techniques:
Etching, line engraving and stipple engraving on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 16 13/16 x 13 1/16 inches (42.7 x 33.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

198. The Koodoo

The Koodoo
Creator:
William Daniell, 1769–1837
Date:
1804
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 x 8 7/8 inches (17.8 x 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

199. Dr. Monsey

Dr. Monsey
Creator:
unknown artist
Date:
1804
Materials & Techniques:
Etching and aquatint
Dimensions:
Sheet: 5 7/16 x 3 5/8in. (13.8 x 9.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Dudley Snelgrove, Esq.

200. Windsor Castle from the Glacis of the Round Tower

Windsor Castle from the Glacis of the Round Tower
Creator:
Henry Edridge, 1769–1821
Date:
1804
Materials & Techniques:
Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 3/4 × 16 inches (27.3 × 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection