<< YCBA Home Yale Center for British Art Yale Center for British Art << YCBA Home

YCBA Collections Search

Search Constraints

Start Over
You searched for:

Date 1811

Remove constraint Date: 1811

Search Results

101. A Country Church

A Country Church
Creator:
David Roberts, 1796–1864
Date:
undated
Materials & Techniques:
Gray and gray-brown wash and graphite on medium, slightly textured, cream wove paper mounted on board
Dimensions:
Sheet: 9 3/4 x 12 15/16in. (24.8 x 32.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

102. The Destruction of Pompeii

The Destruction of Pompeii
Creator:
David Roberts, 1796–1864
Date:
undated
Materials & Techniques:
Watercolor and pastel on medium, slightly textured, cream wove paper mounted on card
Dimensions:
Sheet: 14 3/8 x 10 3/8 inches (36.5 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

103. Samuel Johnson

Samuel Johnson
Creator:
Robert Cooper, ca. 1800–1836
Date:
1811
Materials & Techniques:
Engraving
Dimensions:
Sheet: 6 3/8 x 4 1/8in. (16.2 x 10.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Gift of Herman W. Liebert

104. The Temple of Apollo Epicurius at Bassai, Phigalea

The Temple of Apollo Epicurius at Bassai, Phigalea
Creator:
John Foster, ca. 1787–1846
Date:
1811
Materials & Techniques:
Watercolor, pen and brown ink and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 5/8 × 18 inches (29.5 × 45.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

105. The Hippodrome, Constantinople

The Hippodrome, Constantinople
Creator:
John Foster, ca. 1787–1846
Date:
between 1811 and 1813
Materials & Techniques:
Watercolor and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 7/8 × 16 inches (25.1 × 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

106. Portrait of a Sporting Artist, Possibly W. B. Daniell

Portrait of a Sporting Artist, Possibly W. B. Daniell
Creator:
William Daniell, 1769–1837
Date:
1811
Materials & Techniques:
Graphite on thick, slightly textured, beige wove paper
Dimensions:
Sheet: 9 3/8 x 7 1/2 inches (23.8 x 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

107. General View of the Temple of Apollo Epicurius at Bassai, Phigalea

General View of the Temple of Apollo Epicurius at Bassai, Phigalea
Creator:
John Foster, ca. 1787–1846
Date:
1811
Materials & Techniques:
Graphite on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 11 5/8 × 18 1/8 inches (29.5 × 46 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

108. The Warren Near Exmouth, Devon: Figures on Rocks at the Sea's Edge

The Warren Near Exmouth, Devon: Figures on Rocks at the Sea's Edge
Creator:
John White Abbott, 1763–1851
Date:
1811
Materials & Techniques:
Gray wash and pen and gray ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 3/8 x 10 1/2 inches (18.7 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

109. Percival Frees Belisane from the Spell of Urma

Percival Frees Belisane from the Spell of Urma
Creator:
Henry Fuseli, 1741–1825
Date:
1811
Materials & Techniques:
Graphite and gray wash; verso: pen and black ink and graphite on thin, slightly textured, cream laid paper
Dimensions:
Sheet: 7 1/4 x 8 3/4 inches (18.4 x 22.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

110. Royal Review at Windsor - Queen Victoria and Khedive Ismail Pashe of Egypt, June 26th, 1868

Royal Review at Windsor - Queen Victoria and Khedive Ismail Pashe of Egypt, June 26th, 1868
Creator:
George Bryant Campion, 1796–1870
Date:
undated
Materials & Techniques:
Watercolor, gouache and black chalk on thick, moderately textured, brown wove paper
Dimensions:
Sheet: 20 1/16 × 29 7/8 inches (51 × 75.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

111. Diamond

Diamond
Creator:
Print made by William Barnard, 1775–1819
Date:
1811
Materials & Techniques:
Mezzotint
Dimensions:
Sheet: 17 3/4 x 21 3/4in. (45.1 x 55.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

112. The Entrance to a Jews' Synagogue in Leadenhall Street, formerly Bricklayers Hall

The Entrance to a Jews' Synagogue in Leadenhall Street, formerly Bricklayers Hall
Creator:
unknown artist
Date:
1811
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

113. Royal Horse Artillery at the Gallop

Royal Horse Artillery at the Gallop
Creator:
George Bryant Campion, 1796–1870
Date:
undated
Materials & Techniques:
Black chalk, white gouache and watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 1/8 × 12 3/4 inches (20.6 × 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

114. A Groom, Berkshire

A Groom, Berkshire
Creator:
Joshua Cristall, 1768–1847
Date:
ca. 1816
Materials & Techniques:
Watercolor, graphite, and pen and brown ink on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 13 x 6 1/4 inches (33 x 15.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

115. James Barry, Esq., Professor of Painting in the Royal Academy

James Barry, Esq., Professor of Painting in the Royal Academy
Creator:
Charles Picart, c.1780–1837
Date:
1811
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

116. Richard Cosway, R.A.

Richard Cosway, R.A.
Creator:
Print made by William Daniell, 1769–1837
Date:
1811
Materials & Techniques:
Soft-ground etching on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 19 3/8 x 12 7/8 inches (49.2 x 32.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

117. Plate XIX: St Stephen's Chapel

Plate XIX: St Stephen's Chapel
Creator:
Print made by John Carter, 1748–1817
Date:
1811
Materials & Techniques:
Line engraving on slightly textured, moderately thick, cream wove paper
Dimensions:
Sheet: 18 1/2 × 12 1/2 inches (47 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

118. Plate I. Memorials of the Commissioners for Improving Westminster, 1811

Plate I. Memorials of the Commissioners for Improving Westminster, 1811
Creator:
Print made by unknown artist
Date:
1811
Materials & Techniques:
Line engraving on smooth, medium, white wove paper
Dimensions:
Sheet: 7 5/8 × 12 5/8 inches (19.4 × 32.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

119. North West View of Montacute House, Somersetshire, The Seat of John Phelips Esqr.

North West View of Montacute House, Somersetshire, The Seat of John Phelips Esqr.
Creator:
John Buckler FSA, 1770–1851
Date:
1811
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

120. North East View of Sherborne Castle

North East View of Sherborne Castle
Creator:
John Buckler FSA, 1770–1851
Date:
1811
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

121. Plan of Wollaton Hall, Notthinghamshire

Plan of Wollaton Hall, Notthinghamshire
Creator:
John Buckler FSA, 1770–1851
Date:
1811
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 19 3/4 × 14 inches (50.2 × 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

122. West Front of Longford Castle, Wiltshire the Seat of the Earl of Radnor

West Front of Longford Castle, Wiltshire the Seat of the Earl of Radnor
Creator:
John Buckler FSA, 1770–1851
Date:
1811
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

123. Inigo Jones

Inigo Jones
Creator:
Print made by Richard Earlom, 1743–1822
Date:
1811
Materials & Techniques:
Mezzotint on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 6 1/8 × 5 1/16 inches (15.6 × 12.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

124. The Swearing Quaker

The Swearing Quaker
Creator:
unknown artist
Date:
ca. 1816
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

125. The Taylor Sheering the Geese

The Taylor Sheering the Geese
Creator:
William Heath, 1795–1840
Date:
1811
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

126. Boats Loading in a River

Boats Loading in a River
Creator:
George Bryant Campion, 1796–1870
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, white wove paper, mounted on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 3 x 5 inches (7.6 x 12.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

127. South West View of Fountains Hall, near the Abbey, Yorkshire belonging to Miss Larvience of Studley Royal

South West View of Fountains Hall, near the Abbey, Yorkshire belonging to Miss Larvience of Studley Royal
Creator:
John Buckler FSA, 1770–1851
Date:
1811
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

128. South East View of Wollaton Hall. Nottinghamshire; the Seat of Lord Middleton

South East View of Wollaton Hall. Nottinghamshire; the Seat of Lord Middleton
Creator:
John Buckler FSA, 1770–1851
Date:
1811
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 19 3/4 × 14 inches (50.2 × 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

129. South East View of Belton House, Lincolshire the Seat of the Right Hon'ble Earl Brownlow

South East View of Belton House, Lincolshire the Seat of the Right Hon'ble Earl Brownlow
Creator:
John Buckler FSA, 1770–1851
Date:
1811
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

130. North view of Longford Castle, lately erected

North view of Longford Castle, lately erected
Creator:
John Buckler FSA, 1770–1851
Date:
1811
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

131. Joseph Nollekens

Joseph Nollekens
Creator:
Giovanni Vendramini, 1769–1839
Date:
1811
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

132. Studies of Horses, Men and Carriages

Studies of Horses, Men and Carriages
Creator:
John Linnell, 1792–1882
Date:
1811
Materials & Techniques:
Pen and brown ink on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 9 1/8 × 5 1/8 inches (23.2 × 13 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

133. A Study of Children

A Study of Children
Creator:
John Linnell, 1792–1882
Date:
1811
Materials & Techniques:
Watercolor over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Contemporary drawn border: 8 5/8 x 9 1/4 inches (21.9 x 23.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

134. Fragments & Parts of the Exterior of Henry the Seventh Chapel, Westminster Abbey

Fragments & Parts of the Exterior of Henry the Seventh Chapel, Westminster Abbey
Creator:
Print made by Thomas Sutherland, ca. 1785–1838
Date:
1811
Materials & Techniques:
Line engraving on smooth, medium, white wove paper
Dimensions:
Sheet: 10 × 12 1/8 inches (25.4 × 30.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

135. Exterior of the Prince of Wales Conservatory at Charlton House

Exterior of the Prince of Wales Conservatory at Charlton House
Creator:
unknown artist
Date:
1811
Materials & Techniques:
Engraving
Dimensions:
Sheet: 10 1/4 x 12 1/2in. (26 x 31.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

136. View on Canton River, China

View on Canton River, China
Creator:
Print made by James Baily, active 1815–1834
Date:
1811
Materials & Techniques:
Aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

137. Etchings by John Sell Cotman, Volume II

Etchings by John Sell Cotman, Volume II
Creator:
Print made by John Sell Cotman, 1782–1842
Date:
1811
Materials & Techniques:
Etching on thick, slightly textured, beige wove paper
Dimensions:
Sheet: 19 7/16 x 13 3/4 inches (49.3 x 35 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Donald and Willi Holden

138. One Tree Hill Greenwich Park

One Tree Hill Greenwich Park
Creator:
Print made by Thomas Rowlandson, 1756–1827
Date:
1811
Materials & Techniques:
Etching with watercolor on medium, slightly textured, brown wove paper
Dimensions:
Sheet: 10 3/16 x 14 3/16 in. (25.8 x 36.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The William K. Rose and Eugene A. Carroll Collection

139. Studies of Figures in a Church

Studies of Figures in a Church
Creator:
David Roberts, 1796–1864
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 1/4 × 8 inches (10.8 × 20.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

140. Hillslap

Hillslap
Creator:
David Roberts, 1796–1864
Date:
undated
Materials & Techniques:
Gray wash and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 7/8 × 6 3/4 inches (12.4 × 17.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

141. Interior of Durham Cathedral

Interior of Durham Cathedral
Creator:
David Roberts, 1796–1864
Date:
undated
Materials & Techniques:
Gray wash and graphite on medium, slightly textured, brown wove paper
Dimensions:
Sheet: 13 15/16 × 9 3/4 inches (35.4 × 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

142. View of St. Peters, Rome

View of St. Peters, Rome
Creator:
David Roberts, 1796–1864
Date:
undated
Materials & Techniques:
Watercolor over graphite with some scratching out on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 15 1/16 x 36 1/4 inches (38.3 x 92.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

143. The Duke of Gloucester Accusing Jane Shore of Witchcraft

The Duke of Gloucester Accusing Jane Shore of Witchcraft
Creator:
Print made by William Bromley, 1769–1842
Date:
1811
Materials & Techniques:
Etching and line engraving on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 14 × 8 7/8 inches (35.6 × 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of James Wilson, YCBA Docent

144. Mary Queen of Scots Arrested

Mary Queen of Scots Arrested
Creator:
Print made by William Walker, 1729–1793
Date:
1811
Materials & Techniques:
Etching and line engraving on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 14 × 8 7/8 inches (35.6 × 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of James Wilson, YCBA Docent

145. Cardinal Wolsey Receiving a Letter Sent by Henry VIII

Cardinal Wolsey Receiving a Letter Sent by Henry VIII
Creator:
Print made by William Bromley, 1769–1842
Date:
1811
Materials & Techniques:
Etching and line engraving on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 14 × 8 7/8 inches (35.6 × 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of James Wilson, YCBA Docent

146. Queen Margaret Resigning the Duke of York

Queen Margaret Resigning the Duke of York
Creator:
Print made by Thomas Milton, 1742/1743–1827
Date:
1811
Materials & Techniques:
Etching and line engraving on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 14 × 8 7/8 inches (35.6 × 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of James Wilson, YCBA Docent

147. Magna Charta Presented to King John

Magna Charta Presented to King John
Creator:
Print made by Anker Smith, 1759–1819
Date:
1811
Materials & Techniques:
Etching and line engraving on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 14 × 8 7/8 inches (35.6 × 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of James Wilson, YCBA Docent

148. Becket Assassinated

Becket Assassinated
Creator:
Print made by Anker Smith, 1759–1819
Date:
1811
Materials & Techniques:
Etching and line engraving on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 14 × 8 7/8 inches (35.6 × 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of James Wilson, YCBA Docent

149. The Prince of Wales Brought before Edward IV, after the Battle of Tewkesbury

The Prince of Wales Brought before Edward IV, after the Battle of Tewkesbury
Creator:
Print made by Anker Smith, 1759–1819
Date:
1811
Materials & Techniques:
Etching and line engraving on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 14 × 8 7/8 inches (35.6 × 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of James Wilson, YCBA Docent

150. The Death of Cardinal Wolsey

The Death of Cardinal Wolsey
Creator:
Print made by Philip Audinet, 1766–1837
Date:
1811
Materials & Techniques:
Etching and line engraving on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 14 × 8 7/8 inches (35.6 × 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of James Wilson, YCBA Docent

151. Lord Sinclair advising King James to Revenge the Execution of Mary Queen of Scots

Lord Sinclair advising King James to Revenge the Execution of Mary Queen of Scots
Creator:
Print made by Philip Audinet, 1766–1837
Date:
1811
Materials & Techniques:
Etching and line engraving on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 14 × 8 7/8 inches (35.6 × 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of James Wilson, YCBA Docent

152. The Burning of Archbishop Cranmer

The Burning of Archbishop Cranmer
Creator:
Print made by Anker Smith, 1759–1819
Date:
1811
Materials & Techniques:
Etching and line engraving on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 14 × 8 7/8 inches (35.6 × 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of James Wilson, YCBA Docent

153. Death of Henry V

Death of Henry V
Creator:
Print made by William Bromley, 1769–1842
Date:
1811
Materials & Techniques:
Etching and line engraving on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 14 × 8 7/8 inches (35.6 × 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of James Wilson, YCBA Docent

154. Russell Institution, Great Coram Street

Russell Institution, Great Coram Street
Creator:
Print made by unknown artist
Date:
1811
Materials & Techniques:
Etching and aquatint with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

155. Russell Institution, Great Coram Street

Russell Institution, Great Coram Street
Date:
1811
Materials & Techniques:
Etching and aquatint with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

156. The Temple of Aphaia at Aegina: Perspective of Roof

The Temple of Aphaia at Aegina: Perspective of Roof
Creator:
Edmund Turrell, active 1835–1860
Date:
undated
Materials & Techniques:
Graphite on moderately thick, moderately textured cream wove paper
Dimensions:
Sheet: 7 1/4 × 6 7/8 inches (18.4 × 17.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

157. The Temple of Venus in the Port at Aegina: Elevations

The Temple of Venus in the Port at Aegina: Elevations
Creator:
Charles Robert Cockerell, 1788–1863
Date:
1811
Materials & Techniques:
Etching, proof with graphite notations on smooth, thin, white wove paper
Dimensions:
Sheet: 18 3/8 × 11 5/8 inches (46.7 × 29.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

158. The Temple of Aphaia at Aegina: Ground Plan, Showing The Temple Restored

The Temple of Aphaia at Aegina: Ground Plan, Showing The Temple Restored
Creator:
Charles Robert Cockerell, 1788–1863
Date:
undated
Materials & Techniques:
Graphite, pen and black and red ink, and brown and pink wash on two joined sheets of medium, moderately textured, cream laid paper
Dimensions:
Sheet: 12 3/8 × 25 inches (31.4 × 63.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

159. The Temple of Aphaia at Aegina: Ground Floor Plan

The Temple of Aphaia at Aegina: Ground Floor Plan
Creator:
Charles Robert Cockerell, 1788–1863
Date:
undated
Materials & Techniques:
Graphite, pen and black, gray and red ink, brown and pink wash on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 13 1/16 × 19 inches (33.2 × 48.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

160. The Temple of Aphaia at Aegina: Fieldnotes with Moulding and Column Flute Profiles

The Temple of Aphaia at Aegina: Fieldnotes with Moulding and Column Flute Profiles
Creator:
Charles Robert Cockerell, 1788–1863
Date:
undated
Materials & Techniques:
Pen and gray ink with traces of graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 8 3/8 × 12 1/2 inches (21.3 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

161. Font in Binham Church, Norfolk

Font in Binham Church, Norfolk
Creator:
John Sell Cotman, 1782–1842
Date:
1811
Materials & Techniques:
Graphite on medium, moderately textured, beige wove paper
Dimensions:
Sheet: 11 1/4 x 8 5/8 inches (28.6 x 21.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

162. Yarmouth, the North-west Tower

Yarmouth, the North-west Tower
Creator:
John Sell Cotman, 1782–1842
Date:
1811
Materials & Techniques:
Graphite on medium, moderately textured cream wove paper
Dimensions:
Sheet: 11 7/8 x 8 5/8 inches (30.2 x 21.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

163. South Door, Arminghall Hall, Norfolk

South Door, Arminghall Hall, Norfolk
Creator:
John Sell Cotman, 1782–1842
Date:
1811
Materials & Techniques:
Graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 10 7/8 x 6 5/8 inches (27.6 x 16.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

164. Brampton Church, Norfolk, from the South-East

Brampton Church, Norfolk, from the South-East
Creator:
John Sell Cotman, 1782–1842
Date:
ca. 1816
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 3/4 x 11 3/8 inches (22.2 x 28.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

165. Interior of the Ruins of Yarmouth Priory

Interior of the Ruins of Yarmouth Priory
Creator:
John Sell Cotman, 1782–1842
Date:
1811
Materials & Techniques:
Graphite on medium, moderately textured, beige wove paper
Dimensions:
Sheet: 8 3/4 x 11 1/4 inches (22.2 x 28.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

166. The Temple of Aphaia at Aegina: Molding Details

The Temple of Aphaia at Aegina: Molding Details
Creator:
Charles Robert Cockerell, 1788–1863
Date:
undated
Materials & Techniques:
Pen and black ink and brown wash on slightly textured, moderately thick, cream wove paper
Dimensions:
Sheet: 13 1/2 × 18 7/8 inches (34.3 × 47.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

167. The Temple of Aphaia at Aegina: Elevation and Partial Section

The Temple of Aphaia at Aegina: Elevation and Partial Section
Creator:
Charles Robert Cockerell, 1788–1863
Date:
undated
Materials & Techniques:
Graphite on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 16 3/4 x 12 1/2 inches (42.5 x 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

168. The Temples of Aegina, Corinth, Theseum, Nemea: Dimensions of Temples

The Temples of Aegina, Corinth, Theseum, Nemea: Dimensions of Temples
Creator:
Charles Robert Cockerell, 1788–1863
Date:
undated
Materials & Techniques:
Graphite on two sheets of medium, moderately textured, cream laid paper
Dimensions:
Sheet: 7 3/4 × 4 3/4 inches (19.7 × 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

169. The Temple of Aphaia at Aegina: Survey

The Temple of Aphaia at Aegina: Survey
Creator:
Charles Robert Cockerell, 1788–1863
Date:
undated
Materials & Techniques:
Graphite on slightly textured, thin, white wove paper
Dimensions:
Sheet: 10 3/8 × 11 5/8 inches (26.4 × 29.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

170. The Temple of Aphaia at Aegina: Elevation of the Doric Entablature and Roof Section

The Temple of Aphaia at Aegina: Elevation of the Doric Entablature and Roof Section
Creator:
Charles Robert Cockerell, 1788–1863
Date:
undated
Materials & Techniques:
Pen and black and red ink, graphite and watercolor on slightly textured, moderately thick, cream wove paper
Dimensions:
Sheet: 12 1/2 × 16 13/16 inches (31.8 × 42.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

171. The Temple of Aphaea at Aegina: Details and Field Notes of Excavation

The Temple of Aphaea at Aegina: Details and Field Notes of Excavation
Creator:
Charles Robert Cockerell, 1788–1863
Date:
undated
Materials & Techniques:
Graphite and pen and brown ink on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 15 3/8 × 9 11/16 inches (39.1 × 24.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

172. The Temple of Apollo Epikourios: Front Elevation

The Temple of Apollo Epikourios: Front Elevation
Creator:
Charles Robert Cockerell, 1788–1863
Date:
undated
Materials & Techniques:
Graphite and pen and brown wash on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 14 1/4 x 20 1/2 inches (36.2 x 52.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

173. The Temple of Apollo Epikourios: Details of the Ionic Order

The Temple of Apollo Epikourios: Details of the Ionic Order
Creator:
Charles Robert Cockerell, 1788–1863
Date:
undated
Materials & Techniques:
Pen and black ink and graphite on slightly textured, moderately thick, cream wove paper
Dimensions:
Sheet: 12 15/16 × 18 5/8 inches (32.9 × 47.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

174. The Temple of Apollo Epikourios: View of the Interior

The Temple of Apollo Epikourios: View of the Interior
Creator:
Charles Robert Cockerell, 1788–1863
Date:
undated
Materials & Techniques:
Graphite on moderately textured, moderately thick, cream wove paper
Dimensions:
Sheet: 11 3/4 × 19 1/2 inches (29.8 × 49.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

175. The Temple of Apollo Epikourios: Section through the Cella

The Temple of Apollo Epikourios: Section through the Cella
Creator:
Charles Robert Cockerell, 1788–1863
Date:
undated
Materials & Techniques:
Graphite, pen and brown and gray ink, and brown wash on medium, moderately textured, cream antique laid paper
Dimensions:
Sheet: 11 1/2 × 17 1/4 inches (29.2 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

176. William Cavendish, first Duke of Newcastle-upon-Tyne

William Cavendish, first Duke of Newcastle-upon-Tyne
Creator:
Print made by Charles Turner, 1774–1857
Date:
1811
Materials & Techniques:
Mezzotint on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

177. S.W. View of Gerrard's Hall

S.W. View of Gerrard's Hall
Creator:
Print made by unknown artist
Date:
1811
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

178. Gerard Douw

Gerard Douw
Creator:
Print made by James Mitan, 1776–1822
Date:
1811
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

179. Shakspeare

Shakspeare
Creator:
Robert Cooper, ca. 1800–1836
Date:
1811
Materials & Techniques:
Stipple engraving and line engraving on wove paper
Dimensions:
Image: 11 3/4 x 9in. (29.8 x 22.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

180. A South View of the Falcon Tavern, on the Bankside, Southwark; as it appeared in 1805: celebrated for the daily resort of Shakspeare, and his Dramatic Companions with a Plan of the site and its vicinity.

A South View of the Falcon Tavern, on the Bankside, Southwark; as it appeared in 1805: celebrated for the daily resort of Shakspeare, and his Dramatic Companions with a Plan of the site and its vicinity.
Creator:
William Wise, Active 1823–1876
Date:
1811
Materials & Techniques:
Print
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

181. South View of the Theatre Royal in Portugal Street, Lincoln's Inn Fields

South View of the Theatre Royal in Portugal Street, Lincoln's Inn Fields
Creator:
William Wise, Active 1823–1876
Date:
1811
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

182. Drury Lane Theatre during and after the Fire of 1809

Drury Lane Theatre during and after the Fire of 1809
Creator:
William Wise, Active 1823–1876
Date:
1811
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

183. A Survey of the Roads and Foot paths in the Parish of Islington

A Survey of the Roads and Foot paths in the Parish of Islington
Creator:
unknown artist
Date:
1811
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

184. Old House...at Newington Green, Middlesex

Old House...at Newington Green, Middlesex
Creator:
unknown artist
Date:
1811
Materials & Techniques:
Hand colored engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

185. Ironmonger Hall

Ironmonger Hall
Creator:
unknown artist
Date:
1811
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

186. Hornsey Church, Middlesex

Hornsey Church, Middlesex
Creator:
unknown artist
Date:
1811
Materials & Techniques:
Aquatint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

187. Sleeping Tom's Eating House, Shoreditch

Sleeping Tom's Eating House, Shoreditch
Creator:
unknown artist
Date:
1811
Materials & Techniques:
Letterpress, engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

188. A Bird Eye View of Smithfield Market

A Bird Eye View of Smithfield Market
Creator:
John Bluck, active 1791–1831
Date:
1811
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

189. Another View of B1977.14.18221, with a further small engraving taken from the Hampstead Road

Another View of B1977.14.18221, with a further small engraving taken from the Hampstead Road
Creator:
John Carter, 1748–1817
Date:
1811
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

190. East Entrance to the Cell in the South West Tower of London

East Entrance to the Cell in the South West Tower of London
Creator:
John Thomas Smith, 1766–1833
Date:
1811
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

191. A View of the Strand Bridge

A View of the Strand Bridge
Creator:
Matthew Dubourg, active 1786–1838
Date:
1811
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

192. Woman and Child Beneath a Tree

Woman and Child Beneath a Tree
Creator:
Print made by Richard Corbould, 1757–1831
Date:
1811
Materials & Techniques:
Lithograph on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 5/16 x 7 5/16 inches (28.7 x 18.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Transfer from the Yale University Library and the Yale University Art Gallery

193. Woburn Sheepshearing

Woburn Sheepshearing
Creator:
M. N. Bate, active 1821
Date:
1811
Materials & Techniques:
Hand-colored aquatint with stipple & etching on chine colle
Dimensions:
Sheet: 24 5/8 x 34in. (62.5 x 86.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

194. Lord Collingwood

Lord Collingwood
Creator:
Charles Turner, 1774–1857
Date:
1811
Materials & Techniques:
Mezzotint
Dimensions:
Sheet: 13 7/8 x 20in. (35.2 x 50.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Mr. and Mrs. J. Richardson Dilworth

195. Sir John Orde

Sir John Orde
Creator:
Samuel William Reynolds, 1773–1835
Date:
1811
Materials & Techniques:
Mezzotint
Dimensions:
Sheet: 11 x 14 7/8in. (27.9 x 37.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Mr. and Mrs. J. Richardson Dilworth

196. The Right Honorable Lord Collingwood

The Right Honorable Lord Collingwood
Creator:
after ? Charles Turner, 1774–1857
Date:
1811
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 19 15/16 × 13 7/8 inches (50.6 × 35.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

197. Reverend John Fisher, Bishop of Salisbury

Reverend John Fisher, Bishop of Salisbury
Creator:
Robert Dunkarton, 1744–1811
Date:
1811
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 20 5/8 × 15 inches (52.4 × 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

198. Charles Grey, 2nd Earl Grey

Charles Grey, 2nd Earl Grey
Creator:
Charles Turner, 1774–1857
Date:
1811
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 15 1/2 × 10 13/16 inches (39.4 × 27.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

199. The Right Honourable Charles Earl Grey

The Right Honourable Charles Earl Grey
Creator:
Charles Turner, 1774–1857
Date:
1811
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 15 × 11 7/8 inches (38.1 × 30.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

200. The Right Honourable Henry Herbert, Lord Porchester, 2nd Earl of Carnarvon

The Right Honourable Henry Herbert, Lord Porchester, 2nd Earl of Carnarvon
Creator:
William Say, 1768–1834
Date:
1811
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 16 3/16 × 12 5/8 inches (41.1 × 32.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection