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201. Hillslap

Hillslap
Creator:
David Roberts, 1796–1864
Date:
undated
Materials & Techniques:
Gray wash and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 7/8 × 6 3/4 inches (12.4 × 17.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

202. Interior of Durham Cathedral

Interior of Durham Cathedral
Creator:
David Roberts, 1796–1864
Date:
undated
Materials & Techniques:
Gray wash and graphite on medium, slightly textured, brown wove paper
Dimensions:
Sheet: 13 15/16 × 9 3/4 inches (35.4 × 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

203. A Country Church

A Country Church
Creator:
David Roberts, 1796–1864
Date:
undated
Materials & Techniques:
Gray and gray-brown wash and graphite on medium, slightly textured, cream wove paper mounted on board
Dimensions:
Sheet: 9 3/4 x 12 15/16in. (24.8 x 32.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

204. View of St. Peters, Rome

View of St. Peters, Rome
Creator:
David Roberts, 1796–1864
Date:
undated
Materials & Techniques:
Watercolor over graphite with some scratching out on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 15 1/16 x 36 1/4 inches (38.3 x 92.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

205. Diamond

Diamond
Creator:
Print made by William Barnard, 1775–1819
Date:
1811
Materials & Techniques:
Mezzotint
Dimensions:
Sheet: 17 3/4 x 21 3/4in. (45.1 x 55.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

206. The Entrance to a Jews' Synagogue in Leadenhall Street, formerly Bricklayers Hall

The Entrance to a Jews' Synagogue in Leadenhall Street, formerly Bricklayers Hall
Creator:
unknown artist
Date:
1811
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

207. Lord Sinclair advising King James to Revenge the Execution of Mary Queen of Scots

Lord Sinclair advising King James to Revenge the Execution of Mary Queen of Scots
Creator:
Print made by Philip Audinet, 1766–1837
Date:
1811
Materials & Techniques:
Etching and line engraving on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 14 × 8 7/8 inches (35.6 × 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of James Wilson, YCBA Docent

208. Mary Queen of Scots Arrested

Mary Queen of Scots Arrested
Creator:
Print made by William Walker, 1729–1793
Date:
1811
Materials & Techniques:
Etching and line engraving on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 14 × 8 7/8 inches (35.6 × 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of James Wilson, YCBA Docent

209. The Duke of Gloucester Accusing Jane Shore of Witchcraft

The Duke of Gloucester Accusing Jane Shore of Witchcraft
Creator:
Print made by William Bromley, 1769–1842
Date:
1811
Materials & Techniques:
Etching and line engraving on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 14 × 8 7/8 inches (35.6 × 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of James Wilson, YCBA Docent

210. Queen Margaret Resigning the Duke of York

Queen Margaret Resigning the Duke of York
Creator:
Print made by Thomas Milton, 1742/1743–1827
Date:
1811
Materials & Techniques:
Etching and line engraving on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 14 × 8 7/8 inches (35.6 × 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of James Wilson, YCBA Docent

211. The Burning of Archbishop Cranmer

The Burning of Archbishop Cranmer
Creator:
Print made by Anker Smith, 1759–1819
Date:
1811
Materials & Techniques:
Etching and line engraving on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 14 × 8 7/8 inches (35.6 × 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of James Wilson, YCBA Docent

212. Cardinal Wolsey Receiving a Letter Sent by Henry VIII

Cardinal Wolsey Receiving a Letter Sent by Henry VIII
Creator:
Print made by William Bromley, 1769–1842
Date:
1811
Materials & Techniques:
Etching and line engraving on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 14 × 8 7/8 inches (35.6 × 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of James Wilson, YCBA Docent

213. Magna Charta Presented to King John

Magna Charta Presented to King John
Creator:
Print made by Anker Smith, 1759–1819
Date:
1811
Materials & Techniques:
Etching and line engraving on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 14 × 8 7/8 inches (35.6 × 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of James Wilson, YCBA Docent

214. Death of Henry V

Death of Henry V
Creator:
Print made by William Bromley, 1769–1842
Date:
1811
Materials & Techniques:
Etching and line engraving on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 14 × 8 7/8 inches (35.6 × 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of James Wilson, YCBA Docent

215. Becket Assassinated

Becket Assassinated
Creator:
Print made by Anker Smith, 1759–1819
Date:
1811
Materials & Techniques:
Etching and line engraving on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 14 × 8 7/8 inches (35.6 × 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of James Wilson, YCBA Docent

216. The Prince of Wales Brought before Edward IV, after the Battle of Tewkesbury

The Prince of Wales Brought before Edward IV, after the Battle of Tewkesbury
Creator:
Print made by Anker Smith, 1759–1819
Date:
1811
Materials & Techniques:
Etching and line engraving on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 14 × 8 7/8 inches (35.6 × 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of James Wilson, YCBA Docent

217. The Death of Cardinal Wolsey

The Death of Cardinal Wolsey
Creator:
Print made by Philip Audinet, 1766–1837
Date:
1811
Materials & Techniques:
Etching and line engraving on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 14 × 8 7/8 inches (35.6 × 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of James Wilson, YCBA Docent

218. Plate XIX: St Stephen's Chapel

Plate XIX: St Stephen's Chapel
Creator:
Print made by John Carter, 1748–1817
Date:
1811
Materials & Techniques:
Line engraving on slightly textured, moderately thick, cream wove paper
Dimensions:
Sheet: 18 1/2 × 12 1/2 inches (47 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

219. North West View of Montacute House, Somersetshire, The Seat of John Phelips Esqr.

North West View of Montacute House, Somersetshire, The Seat of John Phelips Esqr.
Creator:
John Buckler FSA, 1770–1851
Date:
1811
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

220. South View of Sherbone Castle, Dorsetshire The Seat of the Earl of Digby

South View of Sherbone Castle, Dorsetshire The Seat of the Earl of Digby
Creator:
John Buckler FSA, 1770–1851
Date:
1811
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

221. North East View of Sherborne Castle

North East View of Sherborne Castle
Creator:
John Buckler FSA, 1770–1851
Date:
1811
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

222. South View of Montacute House

South View of Montacute House
Creator:
John Buckler FSA, 1770–1851
Date:
1811
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 19 3/4 × 14 inches (50.2 × 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

223. The Entrance to Burleigh park near Stamford

The Entrance to Burleigh park near Stamford
Creator:
John Buckler FSA, 1770–1851
Date:
1811
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

224. Sir Joshua Reynolds

Sir Joshua Reynolds
Creator:
William Bond, active 1772–1831, died 1842
Date:
1811
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

225. Lewis Schiavonetti, V.A.

Lewis Schiavonetti, V.A.
Creator:
Print made by Anthony Cardon, 1772–1813
Date:
1811
Materials & Techniques:
Stipple engraving with chine collé on moderately thick, textured, cream wove paper
Dimensions:
Sheet: 12 1/16 x 10 15/16 inches (30.7 x 27.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

226. Fragments & Parts of the Exterior of Henry the Seventh Chapel, Westminster Abbey

Fragments & Parts of the Exterior of Henry the Seventh Chapel, Westminster Abbey
Creator:
Print made by Thomas Sutherland, ca. 1785–1838
Date:
1811
Materials & Techniques:
Line engraving on smooth, medium, white wove paper
Dimensions:
Sheet: 10 × 12 1/8 inches (25.4 × 30.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

227. Plate I. Memorials of the Commissioners for Improving Westminster, 1811

Plate I. Memorials of the Commissioners for Improving Westminster, 1811
Creator:
Print made by unknown artist
Date:
1811
Materials & Techniques:
Line engraving on smooth, medium, white wove paper
Dimensions:
Sheet: 7 5/8 × 12 5/8 inches (19.4 × 32.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

228. View on Canton River, China

View on Canton River, China
Creator:
Print made by James Baily, active 1815–1834
Date:
1811
Materials & Techniques:
Aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

229. James Barry, Esq., Professor of Painting in the Royal Academy

James Barry, Esq., Professor of Painting in the Royal Academy
Creator:
Charles Picart, c.1780–1837
Date:
1811
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

230. Richard Cosway, R.A.

Richard Cosway, R.A.
Creator:
Print made by William Daniell, 1769–1837
Date:
1811
Materials & Techniques:
Soft-ground etching on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 19 3/8 x 12 7/8 inches (49.2 x 32.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

231. Samuel Johnson

Samuel Johnson
Creator:
Robert Cooper, active ca. 1800–1836
Date:
1811
Materials & Techniques:
Engraving
Dimensions:
Sheet: 6 3/8 x 4 1/8in. (16.2 x 10.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Gift of Herman W. Liebert

232. Exterior of the Prince of Wales Conservatory at Charlton House

Exterior of the Prince of Wales Conservatory at Charlton House
Creator:
unknown artist
Date:
1811
Materials & Techniques:
Engraving
Dimensions:
Sheet: 10 1/4 x 12 1/2in. (26 x 31.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

233. 'Dramatic Action Illustrated, or Hamlet's advice to Players, suit the Action to the Word, and the Word to the Action'

'Dramatic Action Illustrated, or Hamlet's advice to Players, suit the Action to the Word, and the Word to the Action'
Creator:
unknown artist
Date:
1811
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 9 1/2 x 13 1/2in. (24.1 x 34.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

234. The Swearing Quaker

The Swearing Quaker
Creator:
unknown artist
Date:
ca. 1816
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

235. The Taylor Sheering the Geese

The Taylor Sheering the Geese
Creator:
William Heath, 1795–1840
Date:
1811
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

236. Boats Loading in a River

Boats Loading in a River
Creator:
George Bryant Campion, 1796–1870
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, white wove paper, mounted on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 3 x 5 inches (7.6 x 12.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

237. Shakspeare

Shakspeare
Creator:
Robert Cooper, active ca. 1800–1836
Date:
1811
Materials & Techniques:
Stipple engraving and line engraving on wove paper
Dimensions:
Image: 11 3/4 x 9in. (29.8 x 22.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

238. A South View of the Falcon Tavern, on the Bankside, Southwark; as it appeared in 1805: celebrated for the daily resort of Shakspeare, and his Dramatic Companions with a Plan of the site and its vicinity.

A South View of the Falcon Tavern, on the Bankside, Southwark; as it appeared in 1805: celebrated for the daily resort of Shakspeare, and his Dramatic Companions with a Plan of the site and its vicinity.
Creator:
William Wise, Active 1823–1876
Date:
1811
Materials & Techniques:
Print
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

239. The Temple of Aphaia at Aegina: Survey

The Temple of Aphaia at Aegina: Survey
Creator:
Charles Robert Cockerell, 1788–1863
Date:
undated
Materials & Techniques:
Graphite on slightly textured, thin, white wove paper
Dimensions:
Sheet: 10 3/8 × 11 5/8 inches (26.4 × 29.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

240. The Temples of Aegina, Corinth, Theseum, Nemea: Dimensions of Temples

The Temples of Aegina, Corinth, Theseum, Nemea: Dimensions of Temples
Creator:
Charles Robert Cockerell, 1788–1863
Date:
undated
Materials & Techniques:
Graphite on two sheets of medium, moderately textured, cream laid paper
Dimensions:
Sheet: 7 3/4 × 4 3/4 inches (19.7 × 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

241. The Temple of Aphaia at Aegina: Ground Plan, Showing The Temple Restored

The Temple of Aphaia at Aegina: Ground Plan, Showing The Temple Restored
Creator:
Charles Robert Cockerell, 1788–1863
Date:
undated
Materials & Techniques:
Graphite, pen and black and red ink, and brown and pink wash on two joined sheets of medium, moderately textured, cream laid paper
Dimensions:
Sheet: 12 3/8 × 25 inches (31.4 × 63.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

242. The Temple of Aphaia at Aegina: Ground Floor Plan

The Temple of Aphaia at Aegina: Ground Floor Plan
Creator:
Charles Robert Cockerell, 1788–1863
Date:
undated
Materials & Techniques:
Graphite, pen and black, gray and red ink, brown and pink wash on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 13 1/16 × 19 inches (33.2 × 48.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

243. The Temple of Aphaia at Aegina: Elevation of the Doric Entablature and Roof Section

The Temple of Aphaia at Aegina: Elevation of the Doric Entablature and Roof Section
Creator:
Charles Robert Cockerell, 1788–1863
Date:
undated
Materials & Techniques:
Pen and black and red ink, graphite and watercolor on slightly textured, moderately thick, cream wove paper
Dimensions:
Sheet: 12 1/2 × 16 13/16 inches (31.8 × 42.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

244. The Temple of Aphaia at Aegina: Molding Details

The Temple of Aphaia at Aegina: Molding Details
Creator:
Charles Robert Cockerell, 1788–1863
Date:
undated
Materials & Techniques:
Pen and black ink and brown wash on slightly textured, moderately thick, cream wove paper
Dimensions:
Sheet: 13 1/2 × 18 7/8 inches (34.3 × 47.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

245. The Temple of Aphaia at Aegina: Perspective of Roof

The Temple of Aphaia at Aegina: Perspective of Roof
Creator:
Edmund Turrell, active 1835–1860
Date:
undated
Materials & Techniques:
Graphite on moderately thick, moderately textured cream wove paper
Dimensions:
Sheet: 7 1/4 × 6 7/8 inches (18.4 × 17.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

246. The Temple of Venus in the Port at Aegina: Elevations

The Temple of Venus in the Port at Aegina: Elevations
Creator:
Charles Robert Cockerell, 1788–1863
Date:
1811
Materials & Techniques:
Etching, proof with graphite notations on smooth, thin, white wove paper
Dimensions:
Sheet: 18 3/8 × 11 5/8 inches (46.7 × 29.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

247. The Temple of Aphaia at Aegina: Fieldnotes with Moulding and Column Flute Profiles

The Temple of Aphaia at Aegina: Fieldnotes with Moulding and Column Flute Profiles
Creator:
Charles Robert Cockerell, 1788–1863
Date:
undated
Materials & Techniques:
Pen and gray ink with traces of graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 8 3/8 × 12 1/2 inches (21.3 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

248. The Temple of Aphaea at Aegina: Details and Field Notes of Excavation

The Temple of Aphaea at Aegina: Details and Field Notes of Excavation
Creator:
Charles Robert Cockerell, 1788–1863
Date:
undated
Materials & Techniques:
Graphite and pen and brown ink on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 15 3/8 × 9 11/16 inches (39.1 × 24.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

249. The Temple of Apollo Epikourios: Front Elevation

The Temple of Apollo Epikourios: Front Elevation
Creator:
Charles Robert Cockerell, 1788–1863
Date:
undated
Materials & Techniques:
Graphite and pen and brown wash on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 14 1/4 x 20 1/2 inches (36.2 x 52.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

250. The Temple of Apollo Epikourios: View of the Interior

The Temple of Apollo Epikourios: View of the Interior
Creator:
Charles Robert Cockerell, 1788–1863
Date:
undated
Materials & Techniques:
Graphite on moderately textured, moderately thick, cream wove paper
Dimensions:
Sheet: 11 3/4 × 19 1/2 inches (29.8 × 49.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

251. The Temple of Apollo Epikourios: Details of the Ionic Order

The Temple of Apollo Epikourios: Details of the Ionic Order
Creator:
Charles Robert Cockerell, 1788–1863
Date:
undated
Materials & Techniques:
Pen and black ink and graphite on slightly textured, moderately thick, cream wove paper
Dimensions:
Sheet: 12 15/16 × 18 5/8 inches (32.9 × 47.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

252. The Temple of Apollo Epikourios: Section through the Cella

The Temple of Apollo Epikourios: Section through the Cella
Creator:
Charles Robert Cockerell, 1788–1863
Date:
undated
Materials & Techniques:
Graphite, pen and brown and gray ink, and brown wash on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 11 1/2 × 17 1/4 inches (29.2 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

253. The Temple of Aphaia at Aegina: Elevation and Partial Section

The Temple of Aphaia at Aegina: Elevation and Partial Section
Creator:
Charles Robert Cockerell, 1788–1863
Date:
undated
Materials & Techniques:
Graphite on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 16 3/4 x 12 1/2 inches (42.5 x 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

254. Portrait of a Sporting Artist, Possibly W. B. Daniell

Portrait of a Sporting Artist, Possibly W. B. Daniell
Creator:
William Daniell, 1769–1837
Date:
1811
Materials & Techniques:
Graphite on thick, slightly textured, beige wove paper
Dimensions:
Sheet: 9 3/8 x 7 1/2 inches (23.8 x 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

255. Yarmouth, the North-west Tower

Yarmouth, the North-west Tower
Creator:
John Sell Cotman, 1782–1842
Date:
1811
Materials & Techniques:
Graphite on medium, moderately textured cream wove paper
Dimensions:
Sheet: 11 7/8 x 8 5/8 inches (30.2 x 21.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

256. Interior of the Ruins of Yarmouth Priory

Interior of the Ruins of Yarmouth Priory
Creator:
John Sell Cotman, 1782–1842
Date:
1811
Materials & Techniques:
Graphite on medium, moderately textured, beige wove paper
Dimensions:
Sheet: 8 3/4 x 11 1/4 inches (22.2 x 28.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

257. Font in Binham Church, Norfolk

Font in Binham Church, Norfolk
Creator:
John Sell Cotman, 1782–1842
Date:
1811
Materials & Techniques:
Graphite on medium, moderately textured, beige wove paper
Dimensions:
Sheet: 11 1/4 x 8 5/8 inches (28.6 x 21.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

258. South Door, Arminghall Hall, Norfolk

South Door, Arminghall Hall, Norfolk
Creator:
John Sell Cotman, 1782–1842
Date:
1811
Materials & Techniques:
Graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 10 7/8 x 6 5/8 inches (27.6 x 16.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

259. Brampton Church, Norfolk, from the South-East

Brampton Church, Norfolk, from the South-East
Creator:
John Sell Cotman, 1782–1842
Date:
ca. 1816
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 3/4 x 11 3/8 inches (22.2 x 28.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

260. The Warren Near Exmouth, Devon: Figures on Rocks at the Sea's Edge

The Warren Near Exmouth, Devon: Figures on Rocks at the Sea's Edge
Creator:
John White Abbott, 1763–1851
Date:
1811
Materials & Techniques:
Gray wash and pen and gray ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 3/8 x 10 1/2 inches (18.7 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

261. General View of the Temple of Apollo Epicurius at Bassai, Phigalea

General View of the Temple of Apollo Epicurius at Bassai, Phigalea
Creator:
John Foster, ca. 1787–1846
Date:
1811
Materials & Techniques:
Graphite on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 11 5/8 × 18 1/8 inches (29.5 × 46 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

262. The Hippodrome, Constantinople

The Hippodrome, Constantinople
Creator:
John Foster, ca. 1787–1846
Date:
between 1811 and 1813
Materials & Techniques:
Watercolor and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 7/8 × 16 inches (25.1 × 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

263. The Temple of Apollo Epicurius at Bassai, Phigalea

The Temple of Apollo Epicurius at Bassai, Phigalea
Creator:
John Foster, ca. 1787–1846
Date:
1811
Materials & Techniques:
Watercolor, pen and brown ink and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 5/8 × 18 inches (29.5 × 45.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

264. Percival Frees Belisane from the Spell of Urma

Percival Frees Belisane from the Spell of Urma
Creator:
Henry Fuseli, 1741–1825
Date:
1811
Materials & Techniques:
Graphite and gray wash; verso: pen and black ink and graphite on thin, slightly textured, cream laid paper
Dimensions:
Sheet: 7 1/4 x 8 3/4 inches (18.4 x 22.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

265. Horatio Walpole, Earl of Orford

No cover image available
Creator:
Henry Hoppner Meyer, ca. 1782–1847
Date:
1811
Materials & Techniques:
Stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Chauncey Brewster Tinker

266. Cyril Jackson

No cover image available
Creator:
Charles Turner, 1774–1857
Date:
1811
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 19 13/16 × 13 13/16 inches (50.3 × 35.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

267. Set of four: (1) A Litter of Foxes

No cover image available
Creator:
Richard Gilson Reeve, 1803–1889
Date:
1811
Materials & Techniques:
Aquatint, colored by hand
Dimensions:
Sheet: 19 1/2 x 24 3/4in. (49.5 x 62.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

268. Set of four: (2) The Dog and Vixen Fox

No cover image available
Creator:
Richard Gilson Reeve, 1803–1889
Date:
1811
Materials & Techniques:
Aquatint, colored by hand
Dimensions:
Sheet: 19 1/2 x 24 3/4in. (49.5 x 62.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

269. Set of four: (4) The Buck and Doe Hares

No cover image available
Creator:
Richard Gilson Reeve, 1803–1889
Date:
1811
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 19 1/2 x 24 3/4in. (49.5 x 62.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

270. Castle Arce Priory, Yorkshire

No cover image available
Creator:
after unknown artist
Date:
1811
Materials & Techniques:
Aquatint, tinted with watercolor
Dimensions:
Sheet: 10 3/4 x 14 3/4in. (27.3 x 37.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

271. Flower Garden at Middleton Park, Oxfordshire

No cover image available
Creator:
Lewis Kennedy, active 1775–1811
Date:
1811
Materials & Techniques:
Gray wash, pen and black ink, graphite on slightly textured, medium, white wove paper
Dimensions:
Sheet: 18 7/8 × 24 3/8 inches (47.9 × 61.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

272. Sketchbook of 48 drawings from nature of Wolsington, Northumberland, Ferney Hill

No cover image available
Creator:
John Claude Nattes, 1765–1822
Date:
1811
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

273. Sir Francis Burdett, fifth Baronet

No cover image available
Creator:
Print made by William Sharp, 1749–1824
Date:
1811
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper mounted to thick, moderately textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

274. The Right Honourable Sir John Eardley Wilmot, Knt.

No cover image available
Creator:
Print made by William Evans, active 1797–1856
Date:
1811
Materials & Techniques:
Stipple engraving and etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

275. [Shooting] Five of a set of Fourteen: British Feather Game; Plate (14) Dab Chick

No cover image available
Creator:
unknown artist
Date:
1811
Materials & Techniques:
Mezzotint, printed in color
Dimensions:
Sheet: 14 3/4 x 17in. (37.5 x 43.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

276. Samuel Johnson

No cover image available
Creator:
unknown artist
Date:
1811
Materials & Techniques:
Engraving
Dimensions:
Sheet: 6 1/4 x 4in. (15.9 x 10.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Gift of Herman W. Liebert

277. Samuel Johnson

No cover image available
Creator:
unknown artist
Date:
1811
Materials & Techniques:
Engraving
Dimensions:
Sheet: 10 1/2 x 8 1/2in. (26.7 x 21.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Gift of Herman W. Liebert

278. Samuel Johnson

No cover image available
Creator:
unknown artist
Date:
1811
Materials & Techniques:
Engraving
Dimensions:
Sheet: 17 x 11 3/4in. (43.2 x 29.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Gift of Herman W. Liebert

279. Samuel Johnson and other portraits

No cover image available
Creator:
unknown artist
Date:
1811
Materials & Techniques:
Etching
Dimensions:
Sheet: 7 x 4in. (17.8 x 10.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Gift of Herman W. Liebert

280. The Plan of the Stable Yard, Westminster

No cover image available
Creator:
unknown artist
Date:
1811
Materials & Techniques:
Graphite, pen and black ink, and blue, yellow and red watercolor on smooth, medium, white wove paper
Dimensions:
Sheet: 18 1/8 × 23 7/8 inches (46 × 60.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

281. The Temple of Aphaia at Aegina: View of Landscape

No cover image available
Creator:
Charles Robert Cockerell, 1788–1863
Date:
undated
Materials & Techniques:
Graphite on thin, smooth, cream wove paper
Dimensions:
Sheet: 5 5/16 × 8 13/16 inches (13.5 × 22.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

282. The Temple of Aphaia at Aegina: Elevation and Details of Doric Columns

No cover image available
Creator:
Charles Robert Cockerell, 1788–1863
Date:
undated
Materials & Techniques:
Pen and black ink and graphite on slightly textured, moderately thick, cream wove paper
Dimensions:
Sheet: 19 3/4 × 13 11/16 inches (50.2 × 34.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

283. The Temple of Apollo Epikourios: Distant View

No cover image available
Creator:
Charles Robert Cockerell, 1788–1863
Date:
undated
Materials & Techniques:
Graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 8 5/8 × 12 3/8 inches (21.9 × 31.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

284. The Temple of Apollo Epikourios: Distant View

No cover image available
Creator:
Charles Robert Cockerell, 1788–1863
Date:
undated
Materials & Techniques:
Graphite on moderately thick, moderately textured cream laid paper
Dimensions:
Sheet: 8 5/8 × 12 3/8 inches (21.9 × 31.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

285. The Temples of Aegina, Corinth, Theseum, Nemea: Elevations and Details of Doric Columns

No cover image available
Creator:
Charles Robert Cockerell, 1788–1863
Date:
undated
Materials & Techniques:
Graphite on two sheets of moderately thick, moderately textured, cream laid paper and a sheet of thin smooth, beige paper attached on the verso bar scales given
Dimensions:
Sheet: 9 1/8 × 14 1/4 inches (23.2 × 36.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

286. Henry Lord Mulgrave

No cover image available
Creator:
Print made by Henry H. Meyer, 1782–1847
Date:
1811
Materials & Techniques:
Stipple engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 16 7/8 × 13 3/8 inches (42.9 × 34 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

287. George Granville Leveson Gower, Marquis of Stafford, K.G.

No cover image available
Creator:
Print made by Henry H. Meyer, 1782–1847
Date:
1811
Materials & Techniques:
Etching and stipple engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 17 5/8 × 13 3/4 inches (44.8 × 34.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

288. Sketchbook.

Sketchbook.
Creator:
Garnett, John, b. ca. 1791?
Date:
circa 1811
Physical Description:
1 v. ([74] leaves) : ill. ; 16 x 21 cm.
Collection:
Rare Books and Manuscripts

289. Billhead of James Sedgwick, Manchester clothier, for purchases by John Davenport, 1811.

Billhead of James Sedgwick, Manchester clothier, for purchases by John Davenport, 1811.
Creator:
Sedgwick, James
Date:
1811
Physical Description:
1 sheet : illustration, 32 x 19 cm
Collection:
Rare Books and Manuscripts

290. The principles of drawing and painting : laid down in the most easy and simple manner, according to the practice of the best masters : with a view to the instruction of youth in this useful and elegant art : with twenty-eight copperplates, after Volpato, Vandyke, Morland, &c. / engraved by Mitchell.

The principles of drawing and painting : laid down in the most easy and simple manner, according to the practice of the best masters : with a view to the instruction of youth in this useful and elegant art : with twenty-eight copperplates, after Volpato, Vandyke, Morland, &c. / engraved by Mitchell.
Date:
1811
Physical Description:
20 p., 28 leaves of plates : ill. ; 27 cm.
Collection:
Rare Books and Manuscripts

291. A general history of quadrupeds. The figures engraved on wood by Thomas Bewick.

A general history of quadrupeds. The figures engraved on wood by Thomas Bewick.
Creator:
Bewick, Thomas, 1753–1828
Date:
1811
Physical Description:
x, 525, [1] p. ill. 24 cm.
Collection:
Rare Books and Manuscripts

292. The road to the temple of honour and fame : an instructive and entertaining game.

The road to the temple of honour and fame : an instructive and entertaining game.
Date:
May 20, 1811
Physical Description:
1 game : hand-colored engraving ; sheet 59 x 43 cm, folded to 20 x 11 cm
Collection:
Rare Books and Manuscripts
Credit Line:
Yale Center for British Art, Gift of Ellen and Arthur Liman, Yale JD 1957

293. A new description of Blenheim : the seat of His Grace the Duke of Marlborough : containing a full and accurate account of the paintings, tapestry, and furniture : a picturesque tour of the gardens and park : and a general description of the china gallery, &c. : with a preliminary essay on landscape gardening.

A new description of Blenheim : the seat of His Grace the Duke of Marlborough : containing a full and accurate account of the paintings, tapestry, and furniture : a picturesque tour of the gardens and park : and a general description of the china gallery, &c. : with a preliminary essay on landscape gardening.
Creator:
Mavor, William Fordyce, 1758–1837
Date:
1811
Physical Description:
vi, [2], 150 p., 4 leaves of plates (one folded) : ill., plan ; 23 cm.
Collection:
Rare Books and Manuscripts

294. The mirror of truth : exhibiting a variety of biographical anecdotes and moral essays : calculated to inspire a love of virtue and abhorrence of vice.

The mirror of truth : exhibiting a variety of biographical anecdotes and moral essays : calculated to inspire a love of virtue and abhorrence of vice.
Date:
Jany. 1st, 1811
Physical Description:
1 game : hand-colored engraving ; sheet 46 x 57 cm, folded to 19 x 16 cm
Collection:
Rare Books and Manuscripts
Credit Line:
Yale Center for British Art, Gift of Ellen and Arthur Liman, Yale JD 1957

295. The Linwood gallery of pictures in needle-work : with a biographical sketch of the painters.

The Linwood gallery of pictures in needle-work : with a biographical sketch of the painters.
Creator:
Linwood, Mary, 1755–1845
Date:
1811
Physical Description:
vi, [1], 8-71, [1] pages, [3] leaves of plates : illustrations ; 15 cm
Collection:
Rare Books and Manuscripts

296. Letters of Madame de Sévigné to her daughter and her friends : in nine volumes.

No cover image available
Creator:
Sévigné, Marie de Rabutin-Chantal, marquise de, 1626–1696
Date:
1811
Physical Description:
9 v. : ill., ports. ; 18 cm.
Collection:
Rare Books and Manuscripts

297. The mirror of the graces, or, The English lady's costume : combining and harmonizing taste and judgment, elegance and grace, modesty, simplicity, and economy with fashion in dress : and adapting the various articles of female embellishments to different ages, form, and complexions : to the seasons of the year, rank, and situation in life : with useful advice on female accomplishments, politeness, and manners : the cultivation of the mind and the disposition and carriage of the body : offering also the most efficacious means of preserving beauty, health, and loveliness : the whole according with the general principles of nature and rules of propriety / by a Lady of distinction ; who has witnessed and attentively studied what is esteemed truly graceful and elegant amongst the most refined nations of Europe.

No cover image available
Creator:
Lady of distinction, active 19th century
Date:
1811
Physical Description:
vii, [2] p., pp. 12-17, [2] p., pp. x-xxiii [i.e. xiii], [2] p., 10-241, [7] p., 4 leaves of plates : ill. ; 18 cm.
Collection:
Rare Books and Manuscripts

298. The present picture of New South Wales : illustrated with four large coloured views, from drawings taken on the spot, of Sydney, the seat of government : with a plan of the colony taken from actual survey by public authority : including the present state of agriculture and trade, prices of provisions and labour, internal regulations, state of society and manners, later discoveries in natural history, and other interesting subjects : with hints for the further improvement of the settlement / by D.D. Mann ; many years resident in several official situations.

No cover image available
Creator:
Mann, D. D. (David Dickinson), 1775?-
Date:
1811
Physical Description:
vi, 99, [1] pages, [5] folded leaves of plates : plans, maps ; 30 cm
Collection:
Rare Books and Manuscripts

299. Proposals for publishing by subscription, twelve engravings of a series of views, of interesting scenes and achievements of the British Army in Spain and Portugal : under the command of His Excellency Lieutenant General the Marquis of Wellington, &c. &c. &c. : from original drawings made on the spot, by Major St. Clair, 21st Portuguese Infantry, and Captain Royal Scotts ; engraved by C. Turner ...

No cover image available
Date:
[1811?]
Physical Description:
3, [1] pages ; 24 cm
Collection:
Rare Books and Manuscripts

300. A report upon the Herculaneum manuscripts : in a second letter addressed, by permission, to His Royal Highness, the Prince Regent / by the Rev. John Hayter, A.M., Chaplain in Ordinary to the Prince, and His Superintendent of those manuscripts.

No cover image available
Creator:
Hayter, John, d 1755–1818
Date:
1811
Physical Description:
[4], 141, [1] p., [5] leaves of plates : ill. ; 31 cm.
Collection:
Rare Books and Manuscripts