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Date 1812

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201. St. Mary, Woolnoth

St. Mary, Woolnoth
Creator:
Joseph Skelton, active 1820–1850
Date:
1812
Materials & Techniques:
Etching
Dimensions:
Sheet: 11 5/8 x 7 5/8in. (29.5 x 19.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

202. St. Mary, Somerset

St. Mary, Somerset
Creator:
Joseph Skelton, active 1820–1850
Date:
1812
Materials & Techniques:
Etching
Dimensions:
Sheet: 11 1/4 x 7 1/4in. (28.6 x 18.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

203. George Vertue, Engraver

George Vertue, Engraver
Creator:
Print made by James Basire II, 1769–1822
Date:
1812
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/16 x 7 11/16 inches (28.1 x 19.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

204. Richard Wilson

Richard Wilson
Creator:
William Bond, active 1772–1831, died 1842
Date:
1812
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

205. Interior View of the Hall at Hatfield House

Interior View of the Hall at Hatfield House
Creator:
John Buckler FSA, 1770–1851
Date:
1812
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 19 3/4 × 14 inches (50.2 × 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

206. Interior View of the Gallery of Hatfield House

Interior View of the Gallery of Hatfield House
Creator:
John Buckler FSA, 1770–1851
Date:
1812
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 19 3/4 × 14 inches (50.2 × 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

207. North East View of Hatfield House

North East View of Hatfield House
Creator:
John Buckler FSA, 1770–1851
Date:
1812
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

208. South East View of Hatfield House, The Seat of the Marquis of Salisbury

South East View of Hatfield House, The Seat of the Marquis of Salisbury
Creator:
John Buckler FSA, 1770–1851
Date:
1812
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

209. Chimney piece in King James's Room, Hatfield House

Chimney piece in King James's Room, Hatfield House
Creator:
John Buckler FSA, 1770–1851
Date:
1812
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 19 3/4 × 14 inches (50.2 × 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

210. South East view of Wollaton hall, Nottinghamshire, the Seat of the Right honble. Lord Middleton

South East view of Wollaton hall, Nottinghamshire, the Seat of the Right honble. Lord Middleton
Creator:
John Buckler FSA, 1770–1851
Date:
1812
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

211. South view of Holland House, Middlesex, the Seat of Lord Holland

South view of Holland House, Middlesex, the Seat of Lord Holland
Creator:
John Buckler FSA, 1770–1851
Date:
1812
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

212. Interior view of the Drawing Room, Stockton House

Interior view of the Drawing Room, Stockton House
Creator:
John Buckler FSA, 1770–1851
Date:
1812
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

213. North East View of Holland House

North East View of Holland House
Creator:
John Buckler FSA, 1770–1851
Date:
1812
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

214. North West View of Wollaton hall, Nottinghamshire; the Seat of the Right hon'ble Lord Middleton

North West View of Wollaton hall, Nottinghamshire; the Seat of the Right hon'ble Lord Middleton
Creator:
John Buckler FSA, 1770–1851
Date:
1812
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

215. South West View of Chatsworth House Derbyshire the Seat of His Grace the Duke of Devonshire

South West View of Chatsworth House Derbyshire the Seat of His Grace the Duke of Devonshire
Creator:
John Buckler FSA, 1770–1851
Date:
1812
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

216. South East View of Chatsworth House

South East View of Chatsworth House
Creator:
John Buckler FSA, 1770–1851
Date:
1812
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

217. Sheep Washing, Windsor

Sheep Washing, Windsor
Creator:
Print made by unknown artist
Date:
1812
Materials & Techniques:
Reproduction
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

218. Scene in the Campagna

Scene in the Campagna
Creator:
Print made by unknown artist
Date:
1812
Materials & Techniques:
Reproduction
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

219. Little Devil's Bridge over the Russ above Altdorft, Switzerland

Little Devil's Bridge over the Russ above Altdorft, Switzerland
Creator:
Print made by unknown artist
Date:
1812
Materials & Techniques:
Reproduction
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

220. Crowhurst

Crowhurst
Creator:
Print made by unknown artist
Date:
1812
Materials & Techniques:
Reproduction
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

221. Hedging and Ditching

Hedging and Ditching
Creator:
Print made by unknown artist
Date:
1812
Materials & Techniques:
Reproduction
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

222. Hampton Wick

Hampton Wick
Creator:
unknown artist
Date:
1812
Materials & Techniques:
Etching on wove paper
Dimensions:
Plate: 4 1/8 x 5 3/4in. (10.5 x 14.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

223. The Hon. Samuel Barrington, 1729/30-1800

The Hon. Samuel Barrington, 1729/30-1800
Creator:
Print made by Gaetano Stefano Bartolozzi, 1757–1821
Date:
1812
Materials & Techniques:
Soft-ground etching and stipple engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 13 9/16 × 9 inches (34.5 × 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. John Hill Morgan

224. On the River Elbe, near Lowositz in Saxony

On the River Elbe, near Lowositz in Saxony
Creator:
Sir Richard Colt Hoare, 1758–1838
Date:
ca. 1817
Materials & Techniques:
Watercolor and black ink over graphite on wove paper
Dimensions:
Sheet: 11 1/4 x 14 7/16in. (28.6 x 36.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

225. The Monument of Lady Legh from Fulham Church

The Monument of Lady Legh from Fulham Church
Creator:
Simon Watts, active 1812
Date:
undated
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

226. View of Prior Park

View of Prior Park
Creator:
Henry Edmund Goodridge, 1797–1864
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink, gouache and graphite on moderately thick, slightly textured, beige wove paper mounted on canvas
Dimensions:
Sheet: 28 1/8 × 45 inches (71.4 × 114.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

227. Flying Squirrel

Flying Squirrel
Creator:
Samuel Howitt, 1756–1822
Date:
ca. 1817
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 3/8 × 9 3/4 inches (18.7 × 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

228. African Civet

African Civet
Creator:
Samuel Howitt, 1756–1822
Date:
ca. 1817
Materials & Techniques:
Watercolor, pen and black ink and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 5/8 × 7 3/8 inches (24.4 × 18.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

229. Two Huskies

Two Huskies
Creator:
Samuel Howitt, 1756–1822
Date:
ca. 1817
Materials & Techniques:
Watercolor, pen and black ink and graphite on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 9 5/8 × 7 1/2 inches (24.4 × 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

230. Two Hyenas

Two Hyenas
Creator:
Samuel Howitt, 1756–1822
Date:
ca. 1817
Materials & Techniques:
Watercolor, pen and black ink and graphite on Medium, moderately textured, cream wove paper
Dimensions:
Sheet: 7 × 9 5/8 inches (17.8 × 24.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

231. The Canada Lynx from the Life

The Canada Lynx from the Life
Creator:
Samuel Howitt, 1756–1822
Date:
ca. 1817
Materials & Techniques:
Pen and black ink, pen and brown ink, watercolor and graphite on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 8 7/8 × 6 3/4 inches (22.5 × 17.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

232. Black-backed Jackal

Black-backed Jackal
Creator:
Samuel Howitt, 1756–1822
Date:
ca. 1817
Materials & Techniques:
Watercolor, pen and black ink, brown ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 × 7 inches (22.9 × 17.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

233. Plan for Entrance at Hinton St. George

Plan for Entrance at Hinton St. George
Creator:
John Kempshead, active 1808
Date:
1812
Materials & Techniques:
Graphite, pen and black ink, watercolor, pen and brown ink on moderately textured, moderately thick, cream laid paper
Dimensions:
Sheet: 22 13/16 × 18 3/8 inches (57.9 × 46.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

234. Figures on a Bank, Kensington Gravel Pits

Figures on a Bank, Kensington Gravel Pits
Creator:
John Linnell, 1792–1882
Date:
1812
Materials & Techniques:
Watercolor on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 3 7/8 x 5 3/4 inches (9.8 x 14.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

235. A Farmhouse

A Farmhouse
Creator:
William Henry Hunt, 1790–1864
Date:
ca. 1817
Materials & Techniques:
Watercolor and graphite on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 11 3/4 x 15 5/8 inches (29.8 x 39.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

236. Old Farm Buildings

Old Farm Buildings
Creator:
William Henry Hunt, 1790–1864
Date:
ca. 1817
Materials & Techniques:
Watercolor, pen and brown ink, and graphite on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 13 x 16 5/8 inches (33 x 42.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

237. Backyard of a Cottage

Backyard of a Cottage
Creator:
William Henry Hunt, 1790–1864
Date:
ca. 1817
Materials & Techniques:
Watercolor and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Contemporary drawn border: 11 x 14 1/8 inches (27.9 x 35.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

238. A Postillion

A Postillion
Creator:
William Henry Hunt, 1790–1864
Date:
ca. 1817
Materials & Techniques:
Watercolor over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Contemporary drawn border: 9 3/4 x 8 5/8 inches (24.8 x 21.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

239. St. Paul's Cathedral and Blackfriar's Bridge

St. Paul's Cathedral and Blackfriar's Bridge
Creator:
William Henry Hunt, 1790–1864
Date:
ca. 1817
Materials & Techniques:
Watercolor and brown ink over graphite on thick, moderately textured, cream laid paper
Dimensions:
Sheet: 8 7/8 x 13 1/4 inches (22.5 x 33.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

240. Aldenham Church

Aldenham Church
Creator:
William Henry Hunt, 1790–1864
Date:
ca. 1817
Materials & Techniques:
Watercolor and brown ink over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Contemporary drawn border: 10 x 12 7/8 inches (25.4 x 32.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

241. Mayfield

Mayfield
Creator:
John McKinlay, 19th century
Date:
1812
Materials & Techniques:
Graphite, watercolor, gray wash, pen and black ink on slightly textured, moderately thick, cream wove paper
Dimensions:
Sheet: 22 3/4 × 34 inches (57.8 × 86.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

242. Netherthird

Netherthird
Creator:
John McKinlay, 19th century
Date:
1812
Materials & Techniques:
Graphite, watercolor, pen and black ink on slightly textured, moderately thick, cream wove paper
Dimensions:
Sheet: 22 3/4 × 33 7/8 inches (57.8 × 86 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

243. Notes at an Irish Election

Notes at an Irish Election
Creator:
Samuel Lover, 1797–1868
Date:
undated
Materials & Techniques:
Pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/4 × 22 inches (36.2 × 55.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection

244. High Street at Bushey, Hertfordshire

High Street at Bushey, Hertfordshire
Creator:
Henry Monro, 1791–1814
Date:
1812
Materials & Techniques:
Pen and black ink, gray wash, and white gouache on medium, slightly textured, blue-gray laid paper
Dimensions:
Sheet: 15 3/16 x 19 13/16in. (38.6 x 50.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

245. Aldborough, September 4th, 1812

Aldborough, September 4th, 1812
Creator:
unknown artist
Date:
1812
Materials & Techniques:
Watercolor, pen and brown ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 1/4 × 14 7/8 inches (15.9 × 37.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

246. A Fishing Smack with a Boat (Dutch Boat in a Gale)

A Fishing Smack with a Boat (Dutch Boat in a Gale)
Creator:
Print made by James Fittler, 1758–1835
Date:
1812
Materials & Techniques:
Etching and engraving; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 3/4 × 13 3/8 inches (24.8 × 34 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

247. High Street, Oxford

High Street, Oxford
Creator:
Etched by Samuel Middiman, ca. 1750–1831
Date:
1812
Materials & Techniques:
Etching and engraving; engraver's proof (b) on medium, slightly textured, cream wove paper, mounted to thick, moderately textured, cream wove paper
Dimensions:
Sheet: 19 3/8 × 24 5/8 inches (49.2 × 62.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

248. Lulworth Cove, Dorset

Lulworth Cove, Dorset
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1812
Materials & Techniques:
Etching and engraving with chine collé; engraver's proof on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 7/8 × 17 1/4 inches (30.2 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

249. Canton/ Berne (Switzerland)

Canton/ Berne (Switzerland)
Creator:
Isaac Weld, 1774–1856
Date:
ca. 1817
Materials & Techniques:
Watercolor, gouache, graphite, and gum arabic, with sponging on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 8 9/16 x 13 9/16in. (21.7 x 34.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

250. Pass of the Gemmi/ Descending to Leukas Bad (Switzerland)

Pass of the Gemmi/ Descending to Leukas Bad (Switzerland)
Creator:
Isaac Weld, 1774–1856
Date:
ca. 1817
Materials & Techniques:
Graphite and gray wash on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 13 1/4 × 10 inches (33.7 × 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

251. On the Zweilütschine, Near Interlaken, Canton of Berne, The Jungfrau in the Distance

On the Zweilütschine, Near Interlaken, Canton of Berne, The Jungfrau in the Distance
Creator:
Isaac Weld, 1774–1856
Date:
ca. 1817
Materials & Techniques:
Pen and black ink, black wash, gray wash, white gouache, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 13 × 16 3/4 inches (33 × 42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

252. Einsiedein, Switzerland

Einsiedein, Switzerland
Creator:
Isaac Weld, 1774–1856
Date:
ca. 1817
Materials & Techniques:
Pen and gray ink, black ink, graphite, gray wash, black wash, and sponging on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 12 1/8 x 18in. (30.8 x 45.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

253. Simplon (Switzerland)

Simplon (Switzerland)
Creator:
Isaac Weld, 1774–1856
Date:
ca. 1817
Materials & Techniques:
Pen and black ink, gray ink, gray wash, black wash, graphite, and white gouache on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 11 1/2 × 17 1/4 inches (29.2 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

254. Sion (Switzerland)

Sion (Switzerland)
Creator:
Isaac Weld, 1774–1856
Date:
ca. 1817
Materials & Techniques:
Pen and gray ink, gray wash and graphite on thick, moderately textured, beige wove paper
Dimensions:
Sheet: 8 7/16 × 13 inches (21.4 × 33 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

255. Pffeffen Bad/ Switzerland

Pffeffen Bad/ Switzerland
Creator:
Isaac Weld, 1774–1856
Date:
ca. 1817
Materials & Techniques:
Watercolor, pen and black ink, and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 17 7/8 × 12 3/16 inches (45.4 × 31 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

256. Village on a Lake

Village on a Lake
Creator:
Isaac Weld, 1774–1856
Date:
ca. 1817
Materials & Techniques:
Pen and gray ink, gray wash, over graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 7 9/16 × 15 3/4 inches (19.2 × 40 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

257. A Scene from a Play - Three Actors

A Scene from a Play - Three Actors
Creator:
Samuel De Wilde, 1748–1832
Date:
1812
Materials & Techniques:
Watercolor on slightly textured, medium, cream wove paper
Dimensions:
Sheet: 16 3/8 × 19 7/8 inches (41.6 × 50.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

258. Dr. Syntax Made Free of the Cellar

Dr. Syntax Made Free of the Cellar
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and brown and gray ink on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 5 1/4 x 8 3/8 inches (13.3 x 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

259. A Room at Great Grove House, Kensington, Mrs. Bavizzetti's Seminary

A Room at Great Grove House, Kensington, Mrs. Bavizzetti's Seminary
Creator:
John Claude Nattes, 1765–1822
Date:
1812
Materials & Techniques:
Graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 9 1/4 x 12 13/16in. (23.5 x 32.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

260. Kelso and Dryburgh

Kelso and Dryburgh
Creator:
Print made by William Home Lizars, 1788–1859
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

261. Partridge Netting

Partridge Netting
Creator:
Print made by Samuel Howitt, 1756–1822
Date:
1812
Materials & Techniques:
Etching with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

262. Stag Hunting

Stag Hunting
Creator:
Print made by Samuel Howitt, 1756–1822
Date:
1812
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

263. Male Fallow Deer

Male Fallow Deer
Creator:
Print made by Samuel Howitt, 1756–1822
Date:
1812
Materials & Techniques:
Etching with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

264. The Greyhound

The Greyhound
Creator:
Print made by Samuel Howitt, 1756–1822
Date:
1812
Materials & Techniques:
Etching with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

265. The Pointer

The Pointer
Creator:
Print made by Samuel Howitt, 1756–1822
Date:
1812
Materials & Techniques:
Etching with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

266. The Water Spaniel

The Water Spaniel
Creator:
Print made by Samuel Howitt, 1756–1822
Date:
1812
Materials & Techniques:
Etching with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

267. Bitch Fox and Cubs

Bitch Fox and Cubs
Creator:
Print made by Samuel Howitt, 1756–1822
Date:
1812
Materials & Techniques:
Etching with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

268. Otter

Otter
Creator:
Print made by Samuel Howitt, 1756–1822
Date:
1812
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

269. The Fox Hound

The Fox Hound
Creator:
Print made by Samuel Howitt, 1756–1822
Date:
1812
Materials & Techniques:
Etching with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

270. A Buck and Two Doe

A Buck and Two Doe
Creator:
Print made by Samuel Howitt, 1756–1822
Date:
1812
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

271. Hares Feeding

Hares Feeding
Creator:
Print made by Samuel Howitt, 1756–1822
Date:
1812
Materials & Techniques:
Etching with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

272. The Rabbit

The Rabbit
Creator:
Print made by Samuel Howitt, 1756–1822
Date:
1812
Materials & Techniques:
Etching with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

273. Coursing, Plate 1

Coursing, Plate 1
Creator:
Print made by Samuel Howitt, 1756–1822
Date:
1812
Materials & Techniques:
Etching with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

274. Hare Sitting

Hare Sitting
Creator:
Print made by Samuel Howitt, 1756–1822
Date:
1812
Materials & Techniques:
Etching with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

275. Coursing, Plate 2

Coursing, Plate 2
Creator:
Print made by Samuel Howitt, 1756–1822
Date:
1812
Materials & Techniques:
Etching with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

276. Coursing, Plate 3

Coursing, Plate 3
Creator:
Print made by Samuel Howitt, 1756–1822
Date:
1812
Materials & Techniques:
Etching with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

277. Otter Hunting, Plate 1

Otter Hunting, Plate 1
Creator:
Print made by Samuel Howitt, 1756–1822
Date:
1812
Materials & Techniques:
Etching with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

278. Coursing, Plate 4

Coursing, Plate 4
Creator:
Print made by Samuel Howitt, 1756–1822
Date:
1812
Materials & Techniques:
Etching with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

279. Otter Hunting

Otter Hunting
Creator:
Print made by Samuel Howitt, 1756–1822
Date:
1812
Materials & Techniques:
Etching with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

280. Hare Running

Hare Running
Creator:
Print made by Samuel Howitt, 1756–1822
Date:
1812
Materials & Techniques:
Etching with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

281. The Hunted Fox

The Hunted Fox
Creator:
Print made by Samuel Howitt, 1756–1822
Date:
1812
Materials & Techniques:
Etching with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

282. Worcester

Worcester
Creator:
Print made by William John Cooke, 1797–1865
Date:
undated
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 2 7/8 × 4 1/2 inches (7.3 × 11.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

283. [Fox Hunting] Hunters at Grass; The Property of John Micklethwait Esq.

[Fox Hunting] Hunters at Grass; The Property of John Micklethwait Esq.
Creator:
William Ward, 1766–1826
Date:
1812
Materials & Techniques:
Mezzotint
Dimensions:
Sheet: 20 1/2 x 23 3/8in. (52.1 x 59.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

284. View of Lambeth Chapel

View of Lambeth Chapel
Creator:
Charles Rosenberg, active 1828–1848
Date:
1812
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

285. Sir George Beaumont, Bart.

Sir George Beaumont, Bart.
Creator:
Print made by John Samuel Agar, ca. 1773–1858
Date:
1812
Materials & Techniques:
Crayon manner and stipple engraving on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 15 1/4 x 13 1/8 inches (38.7 x 33.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

286. Chairs to Mend

Chairs to Mend
Creator:
Print made by unknown artist
Date:
1812
Materials & Techniques:
Engraving on medium cream slightly textured laid paper
Dimensions:
Sheet: 7 1/2 x 6 inches (19.1 x 15.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of David Doret, Yale BA 1968, and Linda Mitchell

287. Samuel Johnson

Samuel Johnson
Creator:
Samuel Freeman, 1773–1857
Date:
1812
Materials & Techniques:
Line engraving and stipple engraving
Dimensions:
Sheet: 8 1/4 x 5 1/4in. (21 x 13.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Herman W. Liebert

288. Preparatory sketch for 'Dr Syntax Sketching the Lake'

Preparatory sketch for 'Dr Syntax Sketching the Lake'
Creator:
Thomas Rowlandson, 1756–1827
Date:
1812
Materials & Techniques:
Pen and brown ink with graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 1/2 x 9 3/8 inches (16.5 x 23.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

289. The Departure from Wakefield

The Departure from Wakefield
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1817
Materials & Techniques:
Watercolor with pen and red-brown, brown and light gray ink over graphite; verso: graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 4 1/2 x 7 1/2 inches (11.4 x 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

290. The Welcome

The Welcome
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1817
Materials & Techniques:
Watercolor, with pen and red-brown and gray-brown ink; verso: graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 4 1/2 x 7 1/2 inches (11.4 x 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

291. The Esquire's Intrusion

The Esquire's Intrusion
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1817
Materials & Techniques:
Watercolor, with pen and red-brown ink over graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 4 1/2 x 7 7/16 inches (11.4 x 18.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

292. Fortune-Telling

Fortune-Telling
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1817
Materials & Techniques:
Watercolor, with pen and red-brown ink over graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 4 1/2 x 7 1/2 inches (11.4 x 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

293. The Dance

The Dance
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1817
Materials & Techniques:
Watercolor, with pen, and brown and red-brown ink; verso: graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 4 1/2 x 7 1/2 inches (11.4 x 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

294. The Vicar's Family on the Road to Church

The Vicar's Family on the Road to Church
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1817
Materials & Techniques:
Watercolor, with pen and brown and red-brown ink; verso: graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 4 1/2 x 7 1/2 inches (11.4 x 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

295. The Surprise

The Surprise
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1817
Materials & Techniques:
Watercolor, pen and red-brown ink; verso: graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 4 9/16 x 7 1/2 inches (11.6 x 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

296. The Fair Penitent

The Fair Penitent
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1817
Materials & Techniques:
Watercolor, with pen and gray, brown, and red-brown ink on medium, smooth, cream wove paper
Dimensions:
Sheet: 4 5/8 x 7 1/4 inches (11.7 x 18.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

297. Attendance on a Nobleman

Attendance on a Nobleman
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1817
Materials & Techniques:
Watercolor, with pen and gray-brown and red-brown ink, over graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 4 1/2 x 7 3/8 inches (11.4 x 18.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

298. The Scold, with News of Olivia

The Scold, with News of Olivia
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1817
Materials & Techniques:
Watercolor, with pen and gray ink over graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 4 1/2 x 7 1/2 inches (11.4 x 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

299. The Vicar Preaching to the Prisoners

The Vicar Preaching to the Prisoners
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1817
Materials & Techniques:
Watercolor with pen and ink on medium, smooth, cream wove paper
Dimensions:
Sheet: 4 9/16 x 7 1/4 inches (11.6 x 18.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

300. Dr Syntax Alarmed by a Whale

Dr Syntax Alarmed by a Whale
Creator:
Thomas Rowlandson, 1756–1827
Date:
1812
Materials & Techniques:
Watercolor with pen and red-brown ink over graphite; verso, lower left: splotches of red, green and blue watercolor on medium, moderately textured, beige wove paper
Dimensions:
Sheet: 5 5/8 x 9 inches (14.3 x 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection