Date: 1817 / Image Available: Available - YCBA Collections Search Search Results

1. Children by a Brook

Creator:: Francis Danby, 1793–1861
Date:: ca. 1822
Materials & Techniques:: Oil on panel
Dimensions:: 29 1/2 x 24 1/2 inches (74.9 x 62.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

2. Hampstead Heath, with a Bonfire

Creator:: John Constable, 1776–1837
Date:: ca. 1822
Materials & Techniques:: Oil on canvas
Dimensions:: 10 5/8 x 12 5/8 inches (27 x 32.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

3. Sheep Washing at Postwick Grove, Norwich

Creator:: James Stark, 1794–1859
Date:: ca. 1822
Materials & Techniques:: Oil on panel
Dimensions:: 17 x 21 inches (43.2 x 53.3 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

4. Village Scene (possibly Colickey Green, Essex)

Creator:: Jessica Landseer, 1807–1880
Date:: 1817
Materials & Techniques:: Oil on canvas
Dimensions:: 14 x 17 1/2 inches (35.6 x 44.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Fund
On View:: Not on view

5. View of the City of Edinburgh

Creator:: Alexander Nasmyth, 1758–1840
Date:: ca. 1822
Materials & Techniques:: Oil on canvas
Dimensions:: 55 7/8 x 82 5/8 inches (141.9 x 209.9 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

6. Harriet Smithson as Miss Dorillon, in "Wives as They Were, and Maids as They Are" by Elizabeth Inchbald

Creator:: George Clint, 1770–1854
Date:: ca. 1822
Materials & Techniques:: Oil on panel
Dimensions:: 17 1/2 x 12 1/4 inches (44.5 x 31.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

7. October Morning, Buckingham Palace - Rehearsal for the Opening of Parliament

Creator:: Sir Alfred J. Munnings, 1878–1959
Date:: undated
Materials & Techniques:: Oil on panel
Dimensions:: 6 1/2 × 16 3/16 inches (16.5 × 41.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

8. Study of Jockeys

Creator:: Sir Alfred J. Munnings, 1878–1959
Date:: undated
Materials & Techniques:: Oil on panel
Dimensions:: 14 1/2 × 20 5/8 inches (36.8 × 52.4 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

9. Boys Bathing on the River Wensum, Norwich

Creator:: John Crome, 1768–1821
Date:: 1817
Materials & Techniques:: Oil on panel
Dimensions:: 19 × 14 1/8 inches (48.3 × 35.9 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

10. Landscape with Figures

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: ca. 1822
Materials & Techniques:: Oil on canvas
Dimensions:: 28 x 37 3/4 inches (71.1 x 95.9 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

11. Brighton

Creator:: William Henry Stothard Scott, 1783–1850
Date:: 1817
Materials & Techniques:: Oil on canvas
Dimensions:: 21 5/16 x 28 3/16 inches (54.1 x 71.6 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

12. Henry Fuseli

Creator:: George Henry Harlow, 1787–1819
Date:: 1817
Materials & Techniques:: Oil on panel
Dimensions:: 21 × 16 1/16 inches (53.3 × 40.8 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

13. Theophilus Levett and a Favorite Hunter

Creator:: James Ward, 1769–1859
Date:: 1817
Materials & Techniques:: Oil on canvas
Dimensions:: 39 1/4 x 51 1/4 inches (99.7 x 130.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

14. A Dun Diver (Goosander)

Creator:: Robert Wilkinson Padley, ca. 1775–1835
Date:: 1817
Materials & Techniques:: Oil on canvas
Dimensions:: 25 x 30 inches (63.5 x 76.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

15. Outside the Guard House at Windsor

Creator:: Edmund Bristow, 1787–1876
Date:: between 1817 and 1821
Materials & Techniques:: Oil on canvas
Dimensions:: 24 x 30 inches (61 x 76.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

16. Death of the Doe

Creator:: George Stubbs, 1724–1806
Date:: 1817
Materials & Techniques:: Mezzotint, second state
Dimensions:: Sheet: 14 15/16 x 19 3/4in. (38 x 50.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. Margate

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1822
Materials & Techniques:: Watercolor and scraping out on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 1/8 x 9 1/4 inches (15.6 x 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. Vesuvius in Eruption

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: between 1817 and 1820
Materials & Techniques:: Watercolor, gum, scraping out on medium, slightly textured, cream wove paper, mounted on thick, smooth, cream wove paper
Dimensions:: Sheet: 11 1/4 x 15 5/8 inches (28.6 x 39.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. Rheinfels Looking to Katz and Gourhausen

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: 1817
Materials & Techniques:: Watercolor, gouache, gray wash and scraping out on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 7/8 x 12 1/2 inches (20 x 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. Andernach

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: 1817
Materials & Techniques:: Watercolor, gouache, pen and black ink and scratching out on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 7/8 x 12 5/8 inches (20 x 32.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. A View of Boppart, with Figures on the River Bank

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: 1817
Materials & Techniques:: Watercolor, gouache, black chalk and scratching out on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 7/8 x 12 1/2 inches (20 x 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. The Man Sweeping the Interpreter's Parlour

Creator:: William Blake, 1757–1827
Date:: ca. 1822
Materials & Techniques:: White-line metal cut engraving on medium, smooth, cream wove paper
Dimensions:: Sheet: 7 x 9 1/8 inches (17.8 x 23.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. Untitled (one of three)

Creator:: Print made by Richard Parkes Bonington, 1802–1828
Date:: undated
Materials & Techniques:: Lithograph on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 2 1/16 x 2 5/8 inches (5.2 x 6.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

24. Untitled (one of three)

Creator:: Print made by Richard Parkes Bonington, 1802–1828
Date:: undated
Materials & Techniques:: Lithograph, with white gouache and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 3 13/16 x 2 7/16 inches (9.7 x 6.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

25. Column at Yarmouth to the Memory of Lord Nelson

Creator:: Print made by John Sell Cotman, 1782–1842
Date:: 1817
Materials & Techniques:: Etching on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 18 7/8 x 12 5/8 inches (47.9 x 32 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House.

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, gray ink, black ink, gray wash, brown wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e

Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and black ink, brown ink, brown wash, gray wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. Hogarth Declaring His Love to Miss Thornhill

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and black ink, brown ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 15/16 × 9 3/4 inches (32.9 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. Queen Anne Boleyn's Room, Windsor Castle

Creator:: Thomas Shotter Boys, 1803–1874
Date:: undated
Materials & Techniques:: Watercolor with pen and black ink over graphite on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 4 1/8 × 5 inches (10.5 × 12.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. Study of a Seated Woman

Creator:: Richard Parkes Bonington, 1802–1828
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 x 5 1/8 inches (17.8 x 13 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and black ink, brown ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. Hogarth Drinking the First Glass of Wine with His Wife - Their Dogs Keeping Respectful Distances

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 3/4 × 9 3/4 inches (32.4 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. The Smock Exposed

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. Sir James Thornhill's Boy Entering His Master's Painting Room to Deliver the Bundle and a Letter in the Presence of Lady Thornhill

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 15/16 × 9 5/8 inches (32.9 × 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. The Reconcilation

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. Hogarth Painting in Vauxhall Gardens in the Presence of Jonathan Tyers

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. Hogarth Painting His Picture of Captain Coram for the Foundling Hospital

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, gray ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 15/16 × 9 11/16 inches (32.9 × 24.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. 'Analysis of Beauty'

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 11/16 inches (32.7 × 24.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him

Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 15/16 × 9 3/4 inches (32.9 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. A Faun with Pipes

Creator:: Richard Parkes Bonington, 1802–1828
Date:: undated
Materials & Techniques:: Black chalk on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 22 7/8 × 15 inches (58.1 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. Honey-Badger

Creator:: Samuel Howitt, 1756–1822
Date:: 1817
Materials & Techniques:: Watercolor, pen and brown ink and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 × 6 1/2 inches (20.3 × 16.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. Polecat

Creator:: Samuel Howitt, 1756–1822
Date:: ca. 1817
Materials & Techniques:: Watercolor, pen and black ink, pen and gray ink, and graphite on wove paper
Dimensions:: Sheet: 7 5/8 × 6 1/2 inches (19.4 × 16.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. North American Lynx

Creator:: Samuel Howitt, 1756–1822
Date:: ca. 1817
Materials & Techniques:: Watercolor and pen and brown ink over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 × 6 3/4 inches (22.9 × 17.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. Hogarth at Old Slaughter's Hobbing with Highmore the Painter

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 13 × 9 3/4 inches (33 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. Hogarth Having Been Followed by Barry and a Friend was Caught Backing a Boy to Fight Purposely to Catch His Fearful Countenance

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and black ink, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 11/16 inches (32.7 × 24.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. The Eleventh Hour

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and black ink, gray wash over graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 15/16 × 9 9/16 inches (32.9 × 24.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. A Fruit Stall in a Market

Creator:: John Frederick Tayler, 1802–1889
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 5 1/8 × 7 1/4 inches (13 × 18.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. Bodiham Castle, Sussex

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1817
Materials & Techniques:: Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 3/4 × 14 1/4 inches (29.8 × 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. Bodiham Castle, Sussex

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1817
Materials & Techniques:: Etching and line engraving; modern impression on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 15 × 21 inches (38.1 × 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. Hardraw Fall

Creator:: Print made by Samuel Middiman, ca. 1750–1831
Date:: 1817
Materials & Techniques:: Etching and line engraving on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 13 5/8 × 20 1/16 inches (34.6 × 51 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. Improvements opposite Carlton House (Showing the view up Regent Street)

Creator:: Thomas Sutherland, ca. 1785–1838
Date:: 1817
Materials & Techniques:: Aquatint
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. Three Sheep at Rest

Creator:: Sir Edwin Henry Landseer, 1802–1873
Date:: undated
Materials & Techniques:: Oil with varnish on medium, smooth, beige wove paper
Dimensions:: Sheet: 2 3/4 x 6 3/4 inches (7 x 17.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, The James W. (B.A. 1933, M.A. 1935) and Mary C. Fosburgh Collection

53. An Episode at the Battle of Waterloo

Creator:: William Heath, 1795–1840
Date:: 1817
Materials & Techniques:: Watercolor and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/8 × 9 1/4 inches (18.1 × 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. South View of the New Custom House

Creator:: Joseph Constantine Stadler, active 1780–1812
Date:: 1817
Materials & Techniques:: Aquatint
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. Ore Church and House

Creator:: Print made by Henry Morton, ca. 1807–1825
Date:: 1817
Materials & Techniques:: Colored aquatint
Dimensions:: Sheet: 9 3/4 x 13 3/8in. (24.8 x 34cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. Bodiam Castle

Creator:: Print made by Henry Morton, ca. 1807–1825
Date:: 1817
Materials & Techniques:: Colored aquatint
Dimensions:: Sheet: 9 3/4 x 13 3/8in. (24.8 x 34cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. Views Illustrative of Hastings and its Vicinity; Title Page

Creator:: Print made by Henry Morton, ca. 1807–1825
Date:: 1817
Materials & Techniques:: Engraving
Dimensions:: Sheet: 9 3/4 x 13 3/8in. (24.8 x 34cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. St. Thomas's Church Winchelsea

Creator:: Henry Morton, ca. 1807–1825
Date:: 1817
Materials & Techniques:: Colored aquatint
Dimensions:: Sheet: 9 3/4 x 13 3/8in. (24.8 x 34cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. Old Buildings at Hastings

Creator:: Henry Morton, ca. 1807–1825
Date:: 1817
Materials & Techniques:: Colored aquatint
Dimensions:: Sheet: 9 3/4 x 13 3/8in. (24.8 x 34cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. Interior of the Belfry, Bushey Church

Creator:: William Henry Hunt, 1790–1864
Date:: ca. 1822
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Contemporary drawn border: 16 7/8 x 13 inches (42.9 x 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. Lewes Bridge, Sussex

Creator:: Alexander Monro, 1802–1844
Date:: undated
Materials & Techniques:: Watercolor and graphite on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 2 7/8 × 4 1/2 inches (7.3 × 11.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. Knaresborough

Creator:: Alexander Monro, 1802–1844
Date:: undated
Materials & Techniques:: Graphite on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 3 1/8 × 4 1/2 inches (7.9 × 11.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. Landscape at Boxhill, Surrey

Creator:: Alexander Monro, 1802–1844
Date:: undated
Materials & Techniques:: Watercolor over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 15/16 × 10 5/16 inches (17.6 × 26.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. View in the North Aisle: Showing Henry the third Monument

Creator:: John Le Keux, 1783–1846
Date:: 1817
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art

65. North East View of Westminster Abbey

Creator:: Joseph Constantine Stadler, active 1780–1812
Date:: 1817
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art

66. North East View of Westminster Abbey (on two sheets)

Creator:: Joseph Constantine Stadler, active 1780–1812
Date:: 1817
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art

67. North East View of Westminster Abbey

Creator:: Joseph Constantine Stadler, active 1780–1812
Date:: 1817
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art

68. View in Edward the Confessor's Chapel

Creator:: William Woolnoth, active 1806–1830
Date:: 1817
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. Plan of the Nunnery and Church of St. Helen

Creator:: unknown artist
Date:: 1817
Materials & Techniques:: Engraving
Dimensions:: Sheet: 11 3/4 x 18 1/4in. (29.8 x 46.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. Funsbury Square

Creator:: John Greig, active 1803–1853
Date:: 1817
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. The London Institution

Creator:: William Wallis, 1794– active 1830
Date:: 1817
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. A South View of the New Customs House

Creator:: Joseph Constantine Stadler, active 1780–1812
Date:: 1817
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 17 x 20 1/8in. (43.2 x 51.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. The Crypt of the Nunnery of St. Helen

Creator:: William Wise, Active 1823–1876
Date:: 1817
Materials & Techniques:: Engraving
Dimensions:: Sheet: 10 1/4 x 12 3/4in. (26 x 32.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. The Crypt of the Ancient Nunnery of St. Helen

Creator:: William Wise, Active 1823–1876
Date:: 1817
Materials & Techniques:: Engraving
Dimensions:: Sheet: 9 7/8 x 12 3/8in. (25.1 x 31.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. Southwest View of te Interior of the Church of St. Helen

Creator:: Bartholomew Howlett, 1767–1827
Date:: 1817
Materials & Techniques:: Engraving
Dimensions:: Sheet: 12 3/4 x 10 1/4in. (32.4 x 26cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. His Royal Highness The Prince Regent and Duke of Wellington and a First Visit to Waterloo Bridge

Creator:: unknown artist
Date:: 1817
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 10 1/8 x 14 7/8in. (25.7 x 37.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. Tythrop

Creator:: John Linnell, 1792–1882
Date:: 1817
Materials & Techniques:: Black ink and gouache over graphite on moderately thick, slightly textured, brown wove paper
Dimensions:: Sheet: 12 1/8 x 18 1/2 inches (30.8 x 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. Plymouth, from Mount Batten

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1817
Materials & Techniques:: Engraving and etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 13 3/4 × 20 inches (34.9 × 50.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. Plymouth from Mount Batten

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1817
Materials & Techniques:: Etching and engraving, Engraver's proof (touched) on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 10 7/16 × 14 5/8 inches (26.5 × 37.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. Martello Towers at Bexhill

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1817
Materials & Techniques:: Etching and engraving, Engraver's proof on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 5/8 × 17 5/16 inches (29.5 × 44 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. Martello Towers at Bexhill

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1817
Materials & Techniques:: Etching and engraving, first published state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 9 5/16 × 13 7/8 inches (23.7 × 35.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. Rosslyn Castle

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: ca. 1822
Materials & Techniques:: Line-engraving and etching, engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 5/16 × 13 3/8 inches (26.2 × 34 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. Stable Boy with Cart Horses

Creator:: John Frederick Tayler, 1802–1889
Date:: undated
Materials & Techniques:: Watercolor, gouache and graphite on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 3/8 × 15 5/8 inches (31.4 × 39.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. Strand Gateway, Winchelsea

Creator:: Henry Morton, ca. 1807–1825
Date:: 1817
Materials & Techniques:: Colored aquatint
Dimensions:: Sheet: 9 3/4 x 13 3/8in. (24.8 x 34cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. Winchelsea Castle

Creator:: Henry Morton, ca. 1807–1825
Date:: 1817
Materials & Techniques:: Colored aquatint
Dimensions:: Sheet: 9 3/4 x 13 3/8in. (24.8 x 34cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. The Fish-Ponds

Creator:: Henry Morton, ca. 1807–1825
Date:: 1817
Materials & Techniques:: Colored aquatint
Dimensions:: Sheet: 9 3/4 x 13 3/8in. (24.8 x 34cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. Study of a Woman with her Head on her Hand

Creator:: Richard Parkes Bonington, 1802–1828
Date:: undated
Materials & Techniques:: Pen and ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 1/8 x 4 7/8 inches (10.5 x 12.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. Bushey Churchyard with the Tombs of Edridge, Hearne and H. Monro

Creator:: William Henry Hunt, 1790–1864
Date:: ca. 1822
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 1/4 x 16 1/4 inches (31.1 x 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. The Keep and Gate, Ludlow Castle, Shropshire

Creator:: Thomas Lound, 1802–1861
Date:: undated
Materials & Techniques:: Watercolor, gouache and graphite with scratching out on moderately thick, rough, beige wove paper
Dimensions:: Sheet: 14 1/8 × 19 3/4 inches (35.9 × 50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. Palais de Justice, Rouen

Creator:: Richard Parkes Bonington, 1802–1828
Date:: undated
Materials & Techniques:: Graphite on medium, moderately textured, beige wove paper
Dimensions:: Sheet: 11 7/8 x 4 7/8 inches (30.2 x 12.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. South East View of the Church and Palace at Croydon, Surrey

Creator:: John Chessell Buckler, 1793–1894
Date:: 1817
Materials & Techniques:: Watercolor and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 × 13 1/4 inches (25.4 × 33.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. A Seascape

Creator:: Richard Parkes Bonington, 1802–1828
Date:: undated
Materials & Techniques:: Brown wash on medium, smooth, cream wove paper
Dimensions:: Sheet: 3 7/8 x 6 inches (9.8 x 15.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. A Wooded Stream and a Farmhouse in Normandy

Creator:: Richard Parkes Bonington, 1802–1828
Date:: undated
Materials & Techniques:: Graphite on medium, rough, brown wove paper
Dimensions:: Sheet: 7 7/8 x 10 1/2 inches (20 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. Hogarth Engraving His Master's Shop-bill the Sign of the Angel

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and black ink, brown ink, brown wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 15/16 × 9 11/16 inches (32.9 × 24.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

95. Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, gray ink, gray wash, brown wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 13/16 × 9 11/16 inches (32.5 × 24.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

96. A Christening

Creator:: Thomas Shotter Boys, 1803–1874
Date:: undated
Materials & Techniques:: Watercolor over graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 5 × 4 3/8 inches (12.7 × 11.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

97. Hogarth Drawing Sarah Malcolm

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 15/16 × 9 3/4 inches (32.9 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

98. Hogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 13 × 9 9/16 inches (33 × 24.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. Hogarth Sitting to Roubiliac for His Bust

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

100. Porchester Castle

Creator:: Alexander Monro, 1802–1844
Date:: undated
Materials & Techniques:: Watercolor and graphite on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 2 7/8 × 4 5/16 inches (7.3 × 11 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Date 1817

Image Available Available

Search Results

1. Children by a Brook

2. Hampstead Heath, with a Bonfire

3. Sheep Washing at Postwick Grove, Norwich

4. Village Scene (possibly Colickey Green, Essex)

5. View of the City of Edinburgh

6. Harriet Smithson as Miss Dorillon, in "Wives as They Were, and Maids as They Are" by Elizabeth Inchbald

7. October Morning, Buckingham Palace - Rehearsal for the Opening of Parliament

8. Study of Jockeys

9. Boys Bathing on the River Wensum, Norwich

10. Landscape with Figures

11. Brighton

12. Henry Fuseli

13. Theophilus Levett and a Favorite Hunter

14. A Dun Diver (Goosander)

15. Outside the Guard House at Windsor

16. Death of the Doe

17. Margate

18. Vesuvius in Eruption

19. Rheinfels Looking to Katz and Gourhausen

20. Andernach

21. A View of Boppart, with Figures on the River Bank

22. The Man Sweeping the Interpreter's Parlour

23. Untitled (one of three)

24. Untitled (one of three)

25. Column at Yarmouth to the Memory of Lord Nelson

26. Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House.

27. Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e

28. Hogarth Declaring His Love to Miss Thornhill

29. Queen Anne Boleyn's Room, Windsor Castle

30. Study of a Seated Woman

31. Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber

32. Hogarth Drinking the First Glass of Wine with His Wife - Their Dogs Keeping Respectful Distances

33. The Smock Exposed

34. Sir James Thornhill's Boy Entering His Master's Painting Room to Deliver the Bundle and a Letter in the Presence of Lady Thornhill

35. The Reconcilation

36. Hogarth Painting in Vauxhall Gardens in the Presence of Jonathan Tyers

37. Hogarth Painting His Picture of Captain Coram for the Foundling Hospital

38. Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. 'Analysis of Beauty'

39. Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him

40. A Faun with Pipes

41. Honey-Badger

42. Polecat

43. North American Lynx

44. Hogarth at Old Slaughter's Hobbing with Highmore the Painter

45. Hogarth Having Been Followed by Barry and a Friend was Caught Backing a Boy to Fight Purposely to Catch His Fearful Countenance

46. The Eleventh Hour

47. A Fruit Stall in a Market

48. Bodiham Castle, Sussex

49. Bodiham Castle, Sussex

50. Hardraw Fall

51. Improvements opposite Carlton House (Showing the view up Regent Street)

52. Three Sheep at Rest

53. An Episode at the Battle of Waterloo

54. South View of the New Custom House

55. Ore Church and House

56. Bodiam Castle

57. Views Illustrative of Hastings and its Vicinity; Title Page

58. St. Thomas's Church Winchelsea

59. Old Buildings at Hastings

60. Interior of the Belfry, Bushey Church

61. Lewes Bridge, Sussex

62. Knaresborough

63. Landscape at Boxhill, Surrey

64. View in the North Aisle: Showing Henry the third Monument

65. North East View of Westminster Abbey

66. North East View of Westminster Abbey (on two sheets)

67. North East View of Westminster Abbey

68. View in Edward the Confessor's Chapel

69. Plan of the Nunnery and Church of St. Helen

70. Funsbury Square

71. The London Institution

72. A South View of the New Customs House

73. The Crypt of the Nunnery of St. Helen

74. The Crypt of the Ancient Nunnery of St. Helen