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John Thomas Smith Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House.
John Thomas Smith, 1766–1833
Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House
1817
John Thomas Smith Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e
John Thomas Smith, 1766–1833
Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e
1817
John Thomas Smith Hogarth Declaring His Love to Miss Thornhill
John Thomas Smith, 1766–1833
Hogarth Declaring His Love to Miss Thornhill
1817
John Thomas Smith Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber
John Thomas Smith, 1766–1833
Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber
1817
John Thomas Smith Hogarth Drinking the First Glass of Wine with His Wife - Their Dogs Keeping Respectful Distances
John Thomas Smith, 1766–1833
Hogarth Drinking the First Glass of Wine with His Wife - Their Dogs Keeping Respectful Distances
1817
John Thomas Smith The Smock Exposed
John Thomas Smith, 1766–1833
The Smock Exposed
1817
John Thomas Smith The Reconcilation
John Thomas Smith, 1766–1833
The Reconcilation
1817
John Thomas Smith Hogarth Painting in Vauxhall Gardens in the Presence of Jonathan Tyers
John Thomas Smith, 1766–1833
Hogarth Painting in Vauxhall Gardens in the Presence of Jonathan Tyers
1817
John Thomas Smith Hogarth Painting His Picture of Captain Coram for the Foundling Hospital
John Thomas Smith, 1766–1833
Hogarth Painting His Picture of Captain Coram for the Foundling Hospital
1817
John Thomas Smith Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. 'Analysis of Beauty'
John Thomas Smith, 1766–1833
Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. 'Analysis of Beauty'
1817
John Thomas Smith Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him
John Thomas Smith, 1766–1833
Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him
1817
John Thomas Smith Hogarth at Old Slaughter's Hobbing with Highmore the Painter
John Thomas Smith, 1766–1833
Hogarth at Old Slaughter's Hobbing with Highmore the Painter
1817
John Thomas Smith Hogarth Having Been Followed by Barry and a Friend was Caught Backing a Boy to Fight Purposely to Catch His Fearful Countenance
John Thomas Smith, 1766–1833
Hogarth Having Been Followed by Barry and a Friend was Caught Backing a Boy to Fight Purposely to Catch His Fearful Countenance
1817
John Thomas Smith Hogarth Engraving His Master's Shop-bill the Sign of the Angel
John Thomas Smith, 1766–1833
Hogarth Engraving His Master's Shop-bill the Sign of the Angel
1817
John Thomas Smith Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends
John Thomas Smith, 1766–1833
Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends
1817
John Thomas Smith Hogarth Drawing Sarah Malcolm
John Thomas Smith, 1766–1833
Hogarth Drawing Sarah Malcolm
1817
John Thomas Smith Hogarth Sitting to Roubiliac for His Bust
John Thomas Smith, 1766–1833
Hogarth Sitting to Roubiliac for His Bust
1817
Samuel William Reynolds Thomas Girtin
Samuel William Reynolds, 1773–1835
Thomas Girtin
1817
unknown artist Set of four [Foxhunting]: 4. The Death
unknown artist
Set of four [Foxhunting]: 4. The Death
1817
John Frederick Tayler A Ploughboy Riding One of a Pair of Draught-horses Up a Hill
John Frederick Tayler, 1802–1889
A Ploughboy Riding One of a Pair of Draught-horses Up a Hill
undated
unknown artist Set of four [Foxhunting]: 2. Breaking Cover
unknown artist
Set of four [Foxhunting]: 2. Breaking Cover
1817
unknown artist Set of four [Foxhunting]: 3. Full Cry
unknown artist
Set of four [Foxhunting]: 3. Full Cry
1817
John Sell Cotman View of the Donjon of Château Gaillard, near Andelys, Normandy
John Sell Cotman, 1782–1842
View of the Donjon of Château Gaillard, near Andelys, Normandy
ca. 1822
John Sell Cotman Part of the Old Fortifications at Saint Lo, Normandy
John Sell Cotman, 1782–1842
Part of the Old Fortifications at Saint Lo, Normandy
1817
Richard Earlom A Landscape
Print made by Richard Earlom, 1743–1822
A Landscape
1817
Charles Turner Sir Isaac Heard
Charles Turner, 1774–1857
Sir Isaac Heard
1817
William Sharp William Sharp
Print made by William Sharp, 1749–1824
William Sharp
1817
unknown artist Set of four [Foxhunting]: 1. Going out
unknown artist
Set of four [Foxhunting]: 1. Going out
1817
Robert Havell Shooting: Set of six with title-page and printed wrapper: Sporting Miseries, or Six Red Letter Days in the country
Robert Havell, 1769–1832
Shooting: Set of six with title-page and printed wrapper: Sporting Miseries, or Six Red Letter Days in the country
1817