Date: 1820 / Work Type: drawing - YCBA Collections Search Search Results

101. Haughton Court, Hanover, Jamaica

Creator:: James Hakewill, 1778–1843
Date:: between 1820 and 1821
Materials & Techniques:: Watercolor and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 1/4 × 16 5/8 inches (31.1 × 42.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

102. Beach Scene

Creator:: Richard Parkes Bonington, 1802–1828
Date:: ca. 1825
Materials & Techniques:: Watercolor with scraping out on medium, smooth, cream wove paper
Dimensions:: Sheet: 5 3/8 x 7 1/8 inches (13.7 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

103. Design for Hyde Park and St. James' Park Entrance

Creator:: Sir John Soane, 1753–1837
Date:: ca. 1826
Materials & Techniques:: Watercolor and graphite on three joined sheets of moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 15 3/4 × 50 1/4 inches (40 × 127.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

104. Preparatory drawing for The Waltz

Creator:: Edward Francis Burney, 1760–1848
Date:: 1820s
Materials & Techniques:: Pen and brown ink, red chalk, pen and black ink, brown wash, and graphite, squared for transfer on thin, slightly textured, beige laid paper
Dimensions:: Sheet: 11 1/4 × 17 1/2 inches (28.6 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

105. Preparatory drawing for The Waltz

Creator:: Edward Francis Burney, 1760–1848
Date:: 1820s
Materials & Techniques:: Graphite on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/8 × 17 3/4 inches (28.9 × 45.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

106. The Tenth Day of the Decameron

Creator:: Thomas Stothard, 1755–1834
Date:: ca. 1825
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 5/8 x 8in. (27 x 20.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

107. Valle Crucis Abbey, Denbighshire

Creator:: Cornelius Varley, 1781–1873
Date:: 1820
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 5/8 × 20 5/8 inches (37.1 × 52.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

108. St. Jacques, Dieppe

Creator:: Henry William Burgess, active 1809–1860
Date:: 1820
Materials & Techniques:: Watercolor, pen and brown ink, black ink, green ink, and graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 11 15/16 × 17 1/2 inches (30.3 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

109. John Gilpin in the Uxbridge Passage Boat

Creator:: Edward Francis Burney, 1760–1848
Date:: 1820s
Materials & Techniques:: Pen and brown ink, blue wash, and brown wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/4 × 14 5/8 inches (23.5 × 37.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

110. Fisherman by a Boat with a Dog

Creator:: Sir Edwin Henry Landseer, 1802–1873
Date:: undated
Materials & Techniques:: Pen and ink and brown wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 × 8 3/4 inches (15.2 × 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The William K. Rose and Eugene A. Carroll Collection

111. Saint Lo

Creator:: David Roberts, 1796–1864
Date:: ca. 1825
Materials & Techniques:: Watercolor with some gouache over graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 10 x 13 1/2in. (25.4 x 34.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

112. Traders and a Warship in Coastal Waters

Creator:: George Chambers, 1803–1840
Date:: between 1820 and 1840
Materials & Techniques:: Watercolor and graphite on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 9 x 12 1/4 inches (22.9 x 31.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The U Collection. In appreciation of Choh Shiu and Man Foo U, loving parents, and Dorothea and Frank Cockett, dear friends

113. Young Woman with Coral Necklace and Crucifix

Creator:: Anne Mee, ca. 1760–1851
Date:: ca. 1825
Materials & Techniques:: Watercolor on ivory
Dimensions:: Overall: 3 1/8 × 2 1/2 × 1/4 inches (7.9 × 6.4 × 0.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Ann and Kenneth Rapoport

114. Plan of the Old Parliament Houses, Westminster

Creator:: unknown artist
Date:: 1820
Materials & Techniques:: Pen and black ink, gray wash, pen and brown ink and graphite on smooth, thin, cream wove paper
Dimensions:: Sheet: 16 5/16 × 20 3/16 inches (41.5 × 51.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

115. South West View of Cobham hall Kent, the Seat of the Right Honourable the Earl of Darnley

Creator:: John Buckler FSA, 1770–1851
Date:: 1820
Materials & Techniques:: Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:: Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

116. South Front of Blickling Hall, Norfolk; the Seat of the Right Hon'ble Lord Suffield

Creator:: John Buckler FSA, 1770–1851
Date:: 1820
Materials & Techniques:: Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:: Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

117. Doctor Syntax loses his Money on the Race Ground at York

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1820
Materials & Techniques:: Watercolor and graphite with pen and black ink, pen and gray ink, and pen and red-brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 5/16 x 6 13/16 inches (11 x 17.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

118. Dr. Syntax Attends the Execution

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1820
Materials & Techniques:: Watercolor with pen and red-brown ink, over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 7/16 x 8 1/2 inches (13.8 x 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

119. Bodmin Moor

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1825
Materials & Techniques:: Watercolor with pen and brown ink over graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 11 3/16 x 16 15/16 inches (28.4 x 43 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

120. Dr. Syntax Bound to a Tree by Highwaymen

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1820
Materials & Techniques:: Watercolor with pen and brown and red ink over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/4 x 7 1/4 inches (13.3 x 18.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

121. Dr Syntax Meditating on the Tombstones

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1820
Materials & Techniques:: Watercolor and graphite with pen and red ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 7/16 x 7 7/16 inches (11.3 x 18.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

122. Widow Performing Sati with the Burning Corpse of her Husband, Patna

Creator:: Unknown artist (Company style)
Date:: between 1820 and 1830
Materials & Techniques:: Watercolor and gouache on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 7/8 × 22 3/4 inches (40.3 × 57.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

123. Fort Candelaria, Tenerife

Creator:: Alfred Diston, active 1818–1829
Date:: 1820
Materials & Techniques:: Pen and black ink and gray wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/4 × 6 1/8 inches (13.3 × 15.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

124. Panorama Old London Bridge

Creator:: David Cox, 1783–1859
Date:: 1820s
Materials & Techniques:: Graphite with red chalk on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 3/4 × 30 1/8 inches (19.7 × 76.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

125. Upnor Lodge

Creator:: Mary Smirke, 1779–1853
Date:: 1820
Materials & Techniques:: Watercolor, ink, and graphite on medium, slightly textured, cream wove paper mounted on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 1/2 × 9 5/8 inches (16.5 × 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

126. View in the Barranco de Martianez, Port Orotava, Tenerife, looking Southward

Creator:: Alfred Diston, active 1818–1829
Date:: 1820
Materials & Techniques:: Brown wash and pen and brown ink on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 6 1/8 × 8 inches (15.6 × 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

127. The Convent and Part of the Town of Candelaria, on the south side of Tenerife

Creator:: Alfred Diston, active 1818–1829
Date:: 1820
Materials & Techniques:: Watercolor, pen and black ink and graphite on medium, slightly textured, cream wove paper mounted to thick, slightly textured, gray wove paper
Dimensions:: Sheet: 4 3/4 × 7 7/8 inches (12.1 × 20 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

128. View in the Barracano de Martianez, Port Orotava, Tenerife, looking Northward

Creator:: Alfred Diston, active 1818–1829
Date:: 1820
Materials & Techniques:: Pen and brown ink, brown wash and gray wash on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 6 1/8 × 8 inches (15.6 × 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

129. Huckster of Port Orotava, Tenerife

Creator:: Alfred Diston, active 1818–1829
Date:: ca. 1825
Materials & Techniques:: Watercolor, pen and brown ink and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 3/8 × 6 3/8 inches (21.3 × 16.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

130. Mademoiselle Rose Nue, Vue de Dos

Creator:: Richard Parkes Bonington, 1802–1828
Date:: 1820
Materials & Techniques:: Black chalk and white chalk on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 23 1/2 × 17 5/8 inches (59.7 × 44.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

131. Summer Landscape

Creator:: Lionel Constable, 1828–1887
Date:: ca. 1825
Materials & Techniques:: Watercolor and graphite on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 4 7/8 x 6 3/4 inches (12.4 x 17.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

132. Hamlet and the Ghost

Creator:: George Cruikshank, 1792–1878
Date:: ca. 1825
Materials & Techniques:: Watercolor with black ink and graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 6 7/8 x 8 5/16 inches (17.4 x 21.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

133. Study for Quay at Straddon Point Near Plymouth

Creator:: William Daniell, 1769–1837
Date:: ca. 1825
Materials & Techniques:: Brown wash, white gouache, and graphite on medium, slightly textured, beige wove paper mounted on card
Dimensions:: Sheet: 6 3/8 × 9 3/8 inches (16.2 × 23.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Robert Storr in honor of Amy Meyers

134. Gil Blas, While Practising Medicine under Dr. Sangrado, Encounters Dr. Cuchillo at the Bedside of the Grocer

Creator:: Joshua Cristall, 1768–1847
Date:: between 1820 and 1822
Materials & Techniques:: Brown wash and brown ink over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 x 15 1/2 inches (33 x 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

135. Seated Girl Holding a Stick

Creator:: Joshua Cristall, 1768–1847
Date:: 1820
Materials & Techniques:: Graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 5 7/8 x 3 5/8 inches (14.9 x 9.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

136. West Front of the Church of Oyestraham [Ouistreham], near Caen, Normandy

Creator:: John Sell Cotman, 1782–1842
Date:: 1820
Materials & Techniques:: Graphite and brown wash on medium, smooth, cream wove paper
Dimensions:: Sheet: 13 1/8 x 10 3/8 inches (33.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

137. Douvres Church, Normandy

Creator:: John Sell Cotman, 1782–1842
Date:: 1820
Materials & Techniques:: Graphite and brown wash on medium, smooth, cream wove paper
Dimensions:: Sheet: 14 1/2 x 9 3/8 inches (36.8 x 23.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

138. The Barons' Hall, Mont Saint Michel

Creator:: John Sell Cotman, 1782–1842
Date:: 1820
Materials & Techniques:: Graphite and brown wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 3/8 × 16 1/4 inches (23.8 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

139. Notre Dame sur l'Eau, Domfront, Normandy

Creator:: John Sell Cotman, 1782–1842
Date:: 1820
Materials & Techniques:: Graphite and brown wash on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/4 x 16 1/4 inches (26 x 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

140. View of Lambeth Palace on Thames

Creator:: David Cox, 1783–1859
Date:: between 1820 and 1829
Materials & Techniques:: Watercolor, gouache, and graphite, with scratching out on thick, slightly textured, white wove paper
Dimensions:: Sheet: 9 5/8 x 13 inches (24.4 x 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

141. Albany Street, Regents Park

Creator:: unknown artist
Date:: ca. 1825
Materials & Techniques:: Watercolor, pen and black ink, brown ink, green ink, graphite, and gouache on very thick, slightly textured, beige card
Dimensions:: Sheet: 14 1/8 × 18 inches (35.9 × 45.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

142. Domfront, Looking to the South East

Creator:: John Sell Cotman, 1782–1842
Date:: 1820
Materials & Techniques:: Graphite and brown wash on medium, smooth, cream wove paper
Dimensions:: Sheet: 11 1/8 x 16 1/2 inches (28.3 x 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

143. Yarmouth Sands, Norfolk

Creator:: John Sell Cotman, 1782–1842
Date:: 1820 to 1830
Materials & Techniques:: Watercolor, gouache, graphite, and scraping out on medium smooth cream wove paper
Dimensions:: Sheet: 11 3/4 x 16 1/2 inches (29.8 x 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

144. Ruin of a Norman Church

Creator:: after John Sell Cotman, 1782–1842
Date:: ca. 1825
Materials & Techniques:: Watercolor, brown ink and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 5/8 x 8 7/8 inches (32.1 x 22.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

145. Errand Boy Asleep in a Church

Creator:: circle of John Sell Cotman, 1782–1842
Date:: ca. 1825
Materials & Techniques:: Watercolor over graphite on medium slightly textured cream wove paper
Dimensions:: Sheet: 9 3/8 x 11 3/8 inches (23.8 x 28.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

146. Erlestoke Looking West

Creator:: unknown artist
Date:: ca. 1825
Materials & Techniques:: Pen and brown ink, brown wash, and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 7 3/16 × 10 3/4 inches (18.3 × 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

147. Erlestoke Entrance from Edington

Creator:: unknown artist
Date:: ca. 1825
Materials & Techniques:: Pen and brown ink, brown wash and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 7 3/16 × 10 1/2 inches (18.3 × 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

148. Edington Church

Creator:: unknown artist
Date:: ca. 1825
Materials & Techniques:: Watercolor, Pen and brown ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 7 × 10 inches (17.8 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

149. Erlestoke, Wiltshire, England

Creator:: unknown artist
Date:: ca. 1825
Materials & Techniques:: Watercolor, with pen and brown ink, graphite, and scratching out on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 7 3/16 × 13 9/16 inches (18.3 × 34.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

150. Edington Church, Wiltshire, England

Creator:: unknown artist
Date:: ca. 1825
Materials & Techniques:: Pen and brown ink, brown wash, and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 7 × 10 inches (17.8 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

151. Edington Church, Wiltshire, England

Creator:: unknown artist
Date:: ca. 1825
Materials & Techniques:: Watercolor, pen and brown ink, brown wash, and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 7 × 10 inches (17.8 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

152. In Stoke Gardens

Creator:: unknown artist
Date:: ca. 1825
Materials & Techniques:: Pen and black ink, gray ink, gray wash, blue wash and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 7 1/2 × 10 9/16 inches (19.1 × 26.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

153. On the Road to Erlestoke

Creator:: unknown artist
Date:: ca. 1825
Materials & Techniques:: Brown wash, graphite, and scratching out on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 7 3/4 × 10 9/16 inches (19.7 × 26.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

154. Erlestoke House and Park

Creator:: unknown artist
Date:: ca. 1825
Materials & Techniques:: Watercolor with pen and brown ink, graphite, and scratching out on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 7 1/2 × 12 7/16 inches (19.1 × 31.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

155. Architectural Plans for Edington Church, Wiltshire

Creator:: unknown artist
Date:: ca. 1825
Materials & Techniques:: Pen and black ink, brown wash, and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 6 13/16 × 10 1/16 inches (17.3 × 25.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

156. Interior of Edington Church

Creator:: unknown artist
Date:: ca. 1825
Materials & Techniques:: Pen and brown ink, brown wash and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 6 1/2 × 8 1/2 inches (16.5 × 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

157. Chancel of Edington Church

Creator:: unknown artist
Date:: ca. 1825
Materials & Techniques:: Pen and brown ink, brown wash and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 15/16 × 6 1/2 inches (20.2 × 16.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

158. Gil Blas Practicing Medicine Under Dr. Sangrado

Creator:: Thomas Uwins, 1782–1857
Date:: between 1820 and 1822
Materials & Techniques:: Brown wash with brown pen and brown ink over graphite on moderately thick, moderately textured, cream wove paper, laid in contemporary mount made of moderately thick, slightly textured, cream wove paper
Dimensions:: Mount: 17 3/8 x 20 1/2 inches (44.2 x 52 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

159. St. Nicholas Church, Newcastle Upon Tyne

Creator:: Thomas Miles Richardson Sr., 1784–1848
Date:: ca. 1825
Materials & Techniques:: Watercolor on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/2 × 8 3/4 inches (29.2 × 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

160. Bath

Date:: 1820
Materials & Techniques:: Watercolor on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 5/8 × 6 1/4 inches (19.4 × 15.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

161. The Nauroure Rocks at the Division of the Waters of the Canal du Midi from the North

Creator:: Charles Hamilton Smith, 1776–1859
Date:: 1820
Materials & Techniques:: Watercolor and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 16 1/8 × 12 7/8 inches (41 × 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

162. Avignon from the Island, Mont Ventoux in the Distance.

Creator:: Charles Hamilton Smith, 1776–1859
Date:: 1820
Materials & Techniques:: Watercolor and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 16 1/8 × 12 7/8 inches (41 × 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

163. Design for Alterations in Ice House

Creator:: Captain Wyndham R.N., active ca. 1825
Date:: ca. 1825
Materials & Techniques:: Watercolor, black ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 1/4 × 10 7/8 inches (33.7 × 27.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift from the Estate of Christopher P. Monkhouse

YCBA Collections Search

Refine your search

Search Constraints

Date 1820

Work Type drawing

Search Results

101. Haughton Court, Hanover, Jamaica

102. Beach Scene

103. Design for Hyde Park and St. James' Park Entrance

104. Preparatory drawing for The Waltz

105. Preparatory drawing for The Waltz

106. The Tenth Day of the Decameron

107. Valle Crucis Abbey, Denbighshire

108. St. Jacques, Dieppe

109. John Gilpin in the Uxbridge Passage Boat

110. Fisherman by a Boat with a Dog

111. Saint Lo

112. Traders and a Warship in Coastal Waters

113. Young Woman with Coral Necklace and Crucifix

114. Plan of the Old Parliament Houses, Westminster

115. South West View of Cobham hall Kent, the Seat of the Right Honourable the Earl of Darnley

116. South Front of Blickling Hall, Norfolk; the Seat of the Right Hon'ble Lord Suffield

117. Doctor Syntax loses his Money on the Race Ground at York

118. Dr. Syntax Attends the Execution

119. Bodmin Moor

120. Dr. Syntax Bound to a Tree by Highwaymen

121. Dr Syntax Meditating on the Tombstones

122. Widow Performing Sati with the Burning Corpse of her Husband, Patna

123. Fort Candelaria, Tenerife

124. Panorama Old London Bridge

125. Upnor Lodge

126. View in the Barranco de Martianez, Port Orotava, Tenerife, looking Southward

127. The Convent and Part of the Town of Candelaria, on the south side of Tenerife

128. View in the Barracano de Martianez, Port Orotava, Tenerife, looking Northward

129. Huckster of Port Orotava, Tenerife

130. Mademoiselle Rose Nue, Vue de Dos

131. Summer Landscape

132. Hamlet and the Ghost

133. Study for Quay at Straddon Point Near Plymouth

134. Gil Blas, While Practising Medicine under Dr. Sangrado, Encounters Dr. Cuchillo at the Bedside of the Grocer

135. Seated Girl Holding a Stick

136. West Front of the Church of Oyestraham [Ouistreham], near Caen, Normandy

137. Douvres Church, Normandy

138. The Barons' Hall, Mont Saint Michel

139. Notre Dame sur l'Eau, Domfront, Normandy

140. View of Lambeth Palace on Thames

141. Albany Street, Regents Park

142. Domfront, Looking to the South East

143. Yarmouth Sands, Norfolk

144. Ruin of a Norman Church

145. Errand Boy Asleep in a Church

146. Erlestoke Looking West

147. Erlestoke Entrance from Edington

148. Edington Church

149. Erlestoke, Wiltshire, England

150. Edington Church, Wiltshire, England

151. Edington Church, Wiltshire, England

152. In Stoke Gardens

153. On the Road to Erlestoke

154. Erlestoke House and Park

155. Architectural Plans for Edington Church, Wiltshire

156. Interior of Edington Church

157. Chancel of Edington Church

158. Gil Blas Practicing Medicine Under Dr. Sangrado

159. St. Nicholas Church, Newcastle Upon Tyne

160. Bath

161. The Nauroure Rocks at the Division of the Waters of the Canal du Midi from the North

162. Avignon from the Island, Mont Ventoux in the Distance.

163. Design for Alterations in Ice House