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1. Morning of the Gale, November 23 1824 in Catwater at Plymouth

Morning of the Gale, November 23 1824 in Catwater at Plymouth
Creator:
Thomas Sutherland, ca. 1785–1838
Date:
ca. 1825
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 19 x 24 1/2in. (48.3 x 62.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. Easter Monday. 2. A View of Fair Mead Bottom Epping Forest.

Easter Monday. 2. A View of Fair Mead Bottom Epping Forest.
Creator:
James Pollard, 1792–1867
Date:
1820
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 12 3/8 x 24 1/2in. (31.4 x 62.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. Easter Monday. 1. Turning out the Stag at Buckits Hill, Epping Forest

Easter Monday. 1. Turning out the Stag at Buckits Hill, Epping Forest
Creator:
James Pollard, 1792–1867
Date:
1820
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 12 3/8 x 24 1/2in. (31.4 x 62.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. Morning of the Gale, November 23 1824 in Catwater at Plymouth

Morning of the Gale, November 23 1824 in Catwater at Plymouth
Creator:
Thomas Sutherland, ca. 1785–1838
Date:
ca. 1825
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 19 x 24 1/2in. (48.3 x 62.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection