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Waiting Room at the Admiralty--.(No misnomer) - Plate 6
Creator:
Print made by George Cruikshank, 1792–1878
Date:
1820
Materials & Techniques:
Aquatint and etching, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 10 1/16 x 14 inches (25.5 x 35.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Florence, from Chiesa al Monte
Creator:
Print made by George Cooke, 1781–1834
Date:
1820
Materials & Techniques:
Etching and engraving on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 8 9/16 × 12 3/4 inches (21.7 × 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Florence, from Chiesa al Monte
Creator:
Print made by George Cooke, 1781–1834
Date:
1820
Materials & Techniques:
Etching and engraving on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 10 3/8 × 15 3/16 inches (26.4 × 38.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Florence, from the Chiesa al Monte
Creator:
Print made by George Cooke, 1781–1834
Date:
1820
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/2 × 14 1/2 inches (26.7 × 36.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Correct Representation of Her Majesty Queen Caroline Returning from the House of Lords, 1820
Creator:
Print made by Robert Isaac Cruikshank, 1789–1856
Date:
after 1820
Materials & Techniques:
Aquatint and etching, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 9 5/16 x 17 5/8 inches (23.6 x 44.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection