Date: 1820 - YCBA Collections Search Search Results

201. Samuel Johnson

Creator:: Samuel Freeman, 1773–1857
Date:: 1820
Materials & Techniques:: Engraving
Dimensions:: Sheet: 17 x 12in. (43.2 x 30.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Herman W. Liebert

202. Rasselas, Prince of Abyssinia

Creator:: Samuel Freeman, 1773–1857
Date:: 1820
Materials & Techniques:: Engraving
Dimensions:: Sheet: 6 x 3 3/4in. (15.2 x 9.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Herman W. Liebert

203. A View of London taken from Greenwich Park

Creator:: Engraved by Robert Havell, 1769–1832
Date:: 1820
Materials & Techniques:: Hand-colored aquatint
Dimensions:: Sheet: 10 3/8 x 14in. (26.4 x 35.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

204. The Convent and Part of the Town of Candelaria, on the south side of Tenerife

Creator:: Alfred Diston, active 1818–1829
Date:: 1820
Materials & Techniques:: Watercolor, pen and black ink and graphite on medium, slightly textured, cream wove paper mounted to thick, slightly textured, gray wove paper
Dimensions:: Sheet: 4 3/4 × 7 7/8 inches (12.1 × 20 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

205. View in the Barranco de Martianez, Port Orotava, Tenerife, looking Southward

Creator:: Alfred Diston, active 1818–1829
Date:: 1820
Materials & Techniques:: Brown wash and pen and brown ink on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 6 1/8 × 8 inches (15.6 × 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

206. Huckster of Port Orotava, Tenerife

Creator:: Alfred Diston, active 1818–1829
Date:: ca. 1825
Materials & Techniques:: Watercolor, pen and brown ink and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 3/8 × 6 3/8 inches (21.3 × 16.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

207. View in the Barracano de Martianez, Port Orotava, Tenerife, looking Northward

Creator:: Alfred Diston, active 1818–1829
Date:: 1820
Materials & Techniques:: Pen and brown ink, brown wash and gray wash on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 6 1/8 × 8 inches (15.6 × 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

208. Mademoiselle Rose Nue, Vue de Dos

Creator:: Richard Parkes Bonington, 1802–1828
Date:: 1820
Materials & Techniques:: Black chalk and white chalk on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 23 1/2 × 17 5/8 inches (59.7 × 44.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

209. Upnor Lodge

Creator:: Mary Smirke, 1779–1853
Date:: 1820
Materials & Techniques:: Watercolor, ink, and graphite on medium, slightly textured, cream wove paper mounted on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 1/2 × 9 5/8 inches (16.5 × 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

210. View of the Coronation Procession of George IV

Creator:: unknown artist
Date:: ca. 1821
Materials & Techniques:: Etching and aquatint, proof before letters on smooth, moderately thick, cream wove paper
Dimensions:: Sheet: 13 7/16 × 22 7/16 inches (34.2 × 57 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

211. Plan of the Old Parliament Houses, Westminster

Creator:: unknown artist
Date:: 1820
Materials & Techniques:: Pen and black ink, gray wash, pen and brown ink and graphite on smooth, thin, cream wove paper
Dimensions:: Sheet: 16 5/16 × 20 3/16 inches (41.5 × 51.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

212. Angling [a pair]: 1. Fly Fishing

Creator:: George Hunt, active 1820–1840
Date:: undated
Materials & Techniques:: Aquatint, hand-colored with etching
Dimensions:: Sheet: 15 3/4 x 19 11/16in. (40 x 50cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

213. Angling [a pair]: 1. Fly Fishing

Creator:: George Hunt, active 1820–1840
Date:: undated
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 15 3/4 x 19 11/16in. (40 x 50cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

214. "The Bedford Times" / This print of the Bedford Times Coach, is respectfully dedicated / by permission, to William Henry Whitbread Esq're. / by his most obedient & obliged Servant / J. Matthew Crispin

"The Bedford Times" / This print of the Bedford Times Coach, is respectfully dedicated / by permission, to William Henry Whitbread Esq're. / by his most obedient & obliged Servant / J. Matthew Crispin

Creator:: Bradford Rudge, 1805–1885
Date:: undated
Materials & Techniques:: Hand colored lithograph
Dimensions:: Sheet: 12 13/16 x 21 1/4in. (32.5 x 54cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

215. [Fox-hunting] Some Do and Some Don't: It is All a Notion. Getting into a difficulty

Creator:: Henry Thomas Alken, 1785–1851
Date:: 1820
Materials & Techniques:: Hand colored etching
Dimensions:: Sheet: 8 3/4 x 11 13/16in. (22.2 x 30cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

216. [Fox-hunting] Some Do and Some Don't: It is All a Notion. Getting over a difficulty

Creator:: Henry Thomas Alken, 1785–1851
Date:: 1820
Materials & Techniques:: Hand colored etching
Dimensions:: Sheet: 8 3/4 x 11 13/16in. (22.2 x 30cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

217. [Fox-hunting] Some Do and Some Don't: It is All a Notion. Getting Dead Beat

Creator:: Henry Thomas Alken, 1785–1851
Date:: 1820
Materials & Techniques:: Hand colored etching
Dimensions:: Sheet: 8 3/4 x 11 13/16in. (22.2 x 30cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

218. [Fox-hunting] Some Do and Some Don't: It is All a Notion. Getting a fall

Creator:: Henry Thomas Alken, 1785–1851
Date:: 1820
Materials & Techniques:: Hand colored etching
Dimensions:: Sheet: 8 3/4 x 11 13/16in. (22.2 x 30cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

219. [Fox-hunting] Some Do and Some Don't: It is All a Notion. Getting into a Bog

Creator:: Henry Thomas Alken, 1785–1851
Date:: 1820
Materials & Techniques:: Hand colored etching
Dimensions:: Sheet: 8 3/4 x 11 13/16in. (22.2 x 30cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

220. [Fox-hunting] Some Do and Some Don't: It is All a Notion. Getting Home.

Creator:: Henry Thomas Alken, 1785–1851
Date:: 1820
Materials & Techniques:: Hand colored etching
Dimensions:: Sheet: 8 3/4 x 11 13/16in. (22.2 x 30cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

221. [Fox-hunting] Some Do and Some Don't: It is All a Notion. Getting a Dive

Creator:: Henry Thomas Alken, 1785–1851
Date:: 1820
Materials & Techniques:: Hand colored etching
Dimensions:: Sheet: 8 3/4 x 11 13/16in. (22.2 x 30cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

222. [Fox-hunting] Going to Cover

Creator:: Thomas Sutherland, ca. 1785–1838
Date:: 1820-1821
Materials & Techniques:: Aquatint, printed in color and by hand
Dimensions:: Sheet: 13 3/4 x 22in. (34.9 x 55.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

223. [Fox-hunting] Breaking Cover

Creator:: Thomas Sutherland, ca. 1785–1838
Date:: 1820-1821
Materials & Techniques:: Aquatint, printed in color and by hand
Dimensions:: Sheet: 13 3/4 x 22in. (34.9 x 55.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

224. [Fox-hunting] Tree-ing the Fox

Creator:: Thomas Sutherland, ca. 1785–1838
Date:: 1820-1821
Materials & Techniques:: Aquatint, printed in color and by hand
Dimensions:: Sheet: 13 3/4 x 22in. (34.9 x 55.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

225. Fox Hunting: [Tom Oldaker on Pickle...]

Creator:: William Whiston Barney, active 1805–1817
Date:: 1820
Materials & Techniques:: Mezzotint
Dimensions:: Sheet: 18 x 24in. (45.7 x 61cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

226. The Four-in- Hunt Club-Hyde Park.

Creator:: John Harris, 1811–1865
Date:: 1820
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 14 x 21 3/4in. (35.6 x 55.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

227. Lambeth Marsh, 1670

Creator:: unknown artist
Date:: 1820
Materials & Techniques:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

228. [Fox-hunting] Full Cry

Creator:: Thomas Sutherland, ca. 1785–1838
Date:: 1820-1821
Materials & Techniques:: Aquatint, printed in color and by hand
Dimensions:: Sheet: 13 3/4 x 22in. (34.9 x 55.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

229. Steeplechasing: Three Riders Taking a Brook

Creator:: Henry Thomas Alken, 1785–1851
Date:: ca. 1825
Materials & Techniques:: Graphite and watercolor on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 10 1/4 × 14 3/8 inches (26 × 36.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

230. Doctor Syntax loses his Money on the Race Ground at York

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1820
Materials & Techniques:: Watercolor and graphite with pen and black ink, pen and gray ink, and pen and red-brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 5/16 x 6 13/16 inches (11 x 17.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

231. Dr. Syntax Bound to a Tree by Highwaymen

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1820
Materials & Techniques:: Watercolor with pen and brown and red ink over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/4 x 7 1/4 inches (13.3 x 18.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

232. Dr Syntax Meditating on the Tombstones

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1820
Materials & Techniques:: Watercolor and graphite with pen and red ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 7/16 x 7 7/16 inches (11.3 x 18.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

233. Dr. Syntax Attends the Execution

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1820
Materials & Techniques:: Watercolor with pen and red-brown ink, over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 7/16 x 8 1/2 inches (13.8 x 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

234. "Some Do and Some Don't: It is All a Notion:" Getting Home

Creator:: Henry Thomas Alken, 1785–1851
Date:: between 1820 and 1821
Materials & Techniques:: Graphite, watercolor and gouache on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 7 9/16 × 10 5/8 inches (19.2 × 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

235. The London-Dover Royal Mail, c. 1830-1840

Creator:: Charles B. Newhouse, fl. c.1820–1836
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, black ink, red ink, gum arabic, gouache, and graphite on moderately thick, slightly textured, gray wove paper
Dimensions:: Sheet: 10 13/16 × 15 1/4 inches (27.5 × 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

236. South West View of Cobham hall Kent, the Seat of the Right Honourable the Earl of Darnley

Creator:: John Buckler FSA, 1770–1851
Date:: 1820
Materials & Techniques:: Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:: Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

237. North East View of Blickling Hall, Norfolk; the Seat of the Right Hon'ble Lord Suffield

Creator:: John Buckler FSA, 1770–1851
Date:: 1820
Materials & Techniques:: Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:: Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

238. South Front of Blickling Hall, Norfolk; the Seat of the Right Hon'ble Lord Suffield

Creator:: John Buckler FSA, 1770–1851
Date:: 1820
Materials & Techniques:: Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:: Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

239. The Staircase at Blickling, Norfolk; the Seat of the Right honourable Lord Suffield

Creator:: John Buckler FSA, 1770–1851
Date:: 1820
Materials & Techniques:: Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:: Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

240. Principal Entrance of Westwood house, Worcestershire; the Seat of Sir John Packington Bart.

Creator:: John Buckler FSA, 1770–1851
Date:: 1820
Materials & Techniques:: Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:: Sheet: 19 3/4 × 14 inches (50.2 × 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

241. Westwood Park near Droitwich, Worcestershire, the Seat of Sir John Packington Bart.

Creator:: John Buckler FSA, 1770–1851
Date:: 1820
Materials & Techniques:: Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:: Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

242. Humphry Repton, Esq.

Creator:: Print made by George Cooke, 1781–1834
Date:: 1820
Materials & Techniques:: Stipple engraving, etching, and line engraving on moderately thick, slightly textured, cream wove paper; page in book
Dimensions:: Sheet: 6 9/16 × 3 3/4 inches (16.6 × 9.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

243. Benjamin Robert Haydon

Creator:: James Thomson, 1789–1850
Date:: 1820
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

244. Morning of the Gale, November 23 1824 in Catwater at Plymouth

Creator:: Thomas Sutherland, ca. 1785–1838
Date:: ca. 1825
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 19 x 24 1/2in. (48.3 x 62.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

245. Church of L'Ery, near Pont-de-l'Arche

Creator:: Print made by John Sell Cotman, 1782–1842
Date:: 1820
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 x 19 15/16 inches (35.6 x 50.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of John Russell

246. Easter Monday. 2. A View of Fair Mead Bottom Epping Forest.

Creator:: James Pollard, 1792–1867
Date:: 1820
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 12 3/8 x 24 1/2in. (31.4 x 62.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

247. Royal Hunt in Windsor Park

Creator:: James Pollard, 1792–1867
Date:: 1820
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 15 7/8 x 21 1/4in. (40.3 x 54cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

248. Easter Monday. 1. Turning out the Stag at Buckits Hill, Epping Forest

Creator:: James Pollard, 1792–1867
Date:: 1820
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 12 3/8 x 24 1/2in. (31.4 x 62.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

249. Sir Hildebrand Oakes

Creator:: Print made by unknown artist
Date:: 1820s
Materials & Techniques:: Mezzotint
Dimensions:: Sheet: 21 1/2in. (54.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Mrs. Thomas F. Oakes

250. Finding things not exactly what he expected - Plate 2

Creator:: Print made by George Cruikshank, 1792–1878
Date:: 1820
Materials & Techniques:: Aquatint and etching, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 9 15/16 x 14 inches (25.3 x 35.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

251. Mr. B. Mastheaded -or, enjoying the fresh air for the 304th time - Plate 4

Creator:: Print made by George Cruikshank, 1792–1878
Date:: 1820
Materials & Techniques:: Aquatint and etching, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 10 1/16 x 14 inches (25.5 x 35.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

252. Frontispiece: The Progress of a Midshipman

Creator:: Print made by George Cruikshank, 1792–1878
Date:: 1820
Materials & Techniques:: Aquatint and etching, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 8 1/2 x 11 3/8in. (21.6 x 28.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

253. Mr. B. on the Middle Watch--"Cold blows the wind & rain's coming on's - Plate 3

Creator:: Print made by George Cruikshank, 1792–1878
Date:: 1820
Materials & Techniques:: Aquatint and etching, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 10 1/16 x 13 15/16 inches (25.5 x 35.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

254. Unknown Wed Couple, possibly Newcastle

Creator:: Print made by unknown artist
Date:: 1820
Materials & Techniques:: Stipple engraving and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

255. The Vulture Landing Despatches at Dantzic

Creator:: Print made by James T. Willmore, 1800–1863
Date:: undated
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

256. Fisherman by a Boat with a Dog

Creator:: Sir Edwin Henry Landseer, 1802–1873
Date:: undated
Materials & Techniques:: Pen and ink and brown wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 × 8 3/4 inches (15.2 × 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The William K. Rose and Eugene A. Carroll Collection

257. Saint Lo

Creator:: David Roberts, 1796–1864
Date:: ca. 1825
Materials & Techniques:: Watercolor with some gouache over graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 10 x 13 1/2in. (25.4 x 34.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

258. Traders and a Warship in Coastal Waters

Creator:: George Chambers, 1803–1840
Date:: between 1820 and 1840
Materials & Techniques:: Watercolor and graphite on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 9 x 12 1/4 inches (22.9 x 31.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The U Collection. In appreciation of Choh Shiu and Man Foo U, loving parents, and Dorothea and Frank Cockett, dear friends

259. An Album of 17 Views of Erlestoke House, Park and Surroundings

Creator:: unknown artist
Date:: ca. 1825
Materials & Techniques:: Graphite and wash, or graphite and watercolor, or graphite, pen and ink and watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

260. Warwick Castle, The Seat of the Rt. Honble. the Earl of Warwick

Creator:: Print made by John J. Hinchliff, 1805–1875
Date:: undated
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

261. Panorama Old London Bridge

Creator:: David Cox, 1783–1859
Date:: 1820s
Materials & Techniques:: Graphite with red chalk on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 3/4 × 30 1/8 inches (19.7 × 76.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

262. Young Woman with Coral Necklace and Crucifix

Creator:: Anne Mee, ca. 1760–1851
Date:: ca. 1825
Materials & Techniques:: Watercolor on ivory
Dimensions:: Overall: 3 1/8 × 2 1/2 × 1/4 inches (7.9 × 6.4 × 0.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Ann and Kenneth Rapoport

263. Seated Girl Holding a Stick

Creator:: Joshua Cristall, 1768–1847
Date:: 1820
Materials & Techniques:: Graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 5 7/8 x 3 5/8 inches (14.9 x 9.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

264. Hamlet and the Ghost

Creator:: George Cruikshank, 1792–1878
Date:: ca. 1825
Materials & Techniques:: Watercolor with black ink and graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 6 7/8 x 8 5/16 inches (17.4 x 21.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

265. West Front of the Church of Oyestraham [Ouistreham], near Caen, Normandy

Creator:: John Sell Cotman, 1782–1842
Date:: 1820
Materials & Techniques:: Graphite and brown wash on medium, smooth, cream wove paper
Dimensions:: Sheet: 13 1/8 x 10 3/8 inches (33.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

266. View of Lambeth Palace on Thames

Creator:: David Cox, 1783–1859
Date:: between 1820 and 1829
Materials & Techniques:: Watercolor, gouache, and graphite, with scratching out on thick, slightly textured, white wove paper
Dimensions:: Sheet: 9 5/8 x 13 inches (24.4 x 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

267. Summer Landscape

Creator:: Lionel Constable, 1828–1887
Date:: ca. 1825
Materials & Techniques:: Watercolor and graphite on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 4 7/8 x 6 3/4 inches (12.4 x 17.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

268. Fort Candelaria, Tenerife

Creator:: Alfred Diston, active 1818–1829
Date:: 1820
Materials & Techniques:: Pen and black ink and gray wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/4 × 6 1/8 inches (13.3 × 15.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

269. Gil Blas, While Practising Medicine under Dr. Sangrado, Encounters Dr. Cuchillo at the Bedside of the Grocer

Creator:: Joshua Cristall, 1768–1847
Date:: between 1820 and 1822
Materials & Techniques:: Brown wash and brown ink over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 x 15 1/2 inches (33 x 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

270. The Barons' Hall, Mont Saint Michel

Creator:: John Sell Cotman, 1782–1842
Date:: 1820
Materials & Techniques:: Graphite and brown wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 3/8 × 16 1/4 inches (23.8 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

271. Douvres Church, Normandy

Creator:: John Sell Cotman, 1782–1842
Date:: 1820
Materials & Techniques:: Graphite and brown wash on medium, smooth, cream wove paper
Dimensions:: Sheet: 14 1/2 x 9 3/8 inches (36.8 x 23.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

272. Notre Dame sur l'Eau, Domfront, Normandy

Creator:: John Sell Cotman, 1782–1842
Date:: 1820
Materials & Techniques:: Graphite and brown wash on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/4 x 16 1/4 inches (26 x 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

273. Yarmouth Sands, Norfolk

Creator:: John Sell Cotman, 1782–1842
Date:: 1820 to 1830
Materials & Techniques:: Watercolor, gouache, graphite, and scraping out on medium smooth cream wove paper
Dimensions:: Sheet: 11 3/4 x 16 1/2 inches (29.8 x 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

274. Ruin of a Norman Church

Creator:: after John Sell Cotman, 1782–1842
Date:: ca. 1825
Materials & Techniques:: Watercolor, brown ink and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 5/8 x 8 7/8 inches (32.1 x 22.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

275. Albany Street, Regents Park

Creator:: unknown artist
Date:: ca. 1825
Materials & Techniques:: Watercolor, pen and black ink, brown ink, green ink, graphite, and gouache on very thick, slightly textured, beige card
Dimensions:: Sheet: 14 1/8 × 18 inches (35.9 × 45.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

276. Domfront, Looking to the South East

Creator:: John Sell Cotman, 1782–1842
Date:: 1820
Materials & Techniques:: Graphite and brown wash on medium, smooth, cream wove paper
Dimensions:: Sheet: 11 1/8 x 16 1/2 inches (28.3 x 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

277. Errand Boy Asleep in a Church

Creator:: circle of John Sell Cotman, 1782–1842
Date:: ca. 1825
Materials & Techniques:: Watercolor over graphite on medium slightly textured cream wove paper
Dimensions:: Sheet: 9 3/8 x 11 3/8 inches (23.8 x 28.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

278. Study for Quay at Straddon Point Near Plymouth

Creator:: William Daniell, 1769–1837
Date:: ca. 1825
Materials & Techniques:: Brown wash, white gouache, and graphite on medium, slightly textured, beige wove paper mounted on card
Dimensions:: Sheet: 6 3/8 × 9 3/8 inches (16.2 × 23.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Robert Storr in honor of Amy Meyers

279. The New Square, Crescent & Terrace, Intended to Be Built at Warrior's Gate, in the Valley of Gensing, Hastings

Creator:: Print made by Alfred Adlard, 1803–1869
Date:: 1820
Materials & Techniques:: Lithograph on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/2 × 19 3/4 inches (26.7 × 50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift from the Estate of Christopher P. Monkhouse

280. Clifden, Connemara

Creator:: Print made by Robert Brandard, 1805–1862
Date:: undated
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

281. The Monument

Creator:: Print made by unknown artist
Date:: undated
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

282. View of the Site of the Monastery of the Simplon, & of Mount Rosa

Creator:: Print made by unknown artist
Date:: 1820
Materials & Techniques:: Color-printed aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

283. Sèvres

Creator:: Print made by Edward Francis Finden, 1791–1857
Date:: 1820
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

284. Rouen, from la Haute Vieille Tour

Creator:: Print made by Edward Francis Finden, 1791–1857
Date:: 1820
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

285. Provincial Actors on their Route

Date:: ca. 1825
Materials & Techniques:: Etching and aquatint with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

286. Rouen, from Mont Sainte Catherine

Creator:: Print made by Charles Heath, 1785–1848
Date:: 1820
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

287. On the Canal, Regent's Park

Creator:: Print made by George Harley, 1791–1871
Date:: undated
Materials & Techniques:: Lithograph on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

288. Dieppe

Creator:: Print made by Charles Heath, 1785–1848
Date:: 1820
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

289. Dr. Syntax and his Counterpart

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1820
Materials & Techniques:: Aquatint and etching with hand coloring in watercolor on medium, slightly texture, cream wove paper
Dimensions:: Frame: 23 11/16 × 30 inches (60.2 × 76.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Eugene Galleries, Inc.

290. Seran Raja's Palace

Creator:: Print made by Robert Havell, 1769–1832
Date:: 1820
Materials & Techniques:: Aquatint with hand coloring on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 21 1/4 x 29 inches (54 x 73.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Renée and Geoffrey Hartman, Yale PhD 1953

291. William Shakspeare. From the Monumental Effigy in the Church at Stratford upon Avon.

Creator:: William Finden, 1787–1852
Date:: 1820
Materials & Techniques:: Engraving on wove paper with chine-collé
Dimensions:: Image: 3 7/8 x 3 1/8in. (9.8 x 7.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

292. Interior of the Late Theatre Royal, Drury Lane

Creator:: unknown artist
Date:: 1820
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

293. The King's Theatre, Haymarket

Creator:: Bartholomew Howlett, 1767–1827
Date:: 1820
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

294. The Painted Ceiling over the Picture of the Old Theatre in Aliff Street

Creator:: James Stow, ca. 1770–after 1820
Date:: 1820
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

295. Map of the Parish and Prehendal Manor of Stoke Newington

Creator:: unknown artist
Date:: 1820
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

296. The Rialto, Venice

Creator:: Print made by John Pye, 1782–1874
Date:: 1820
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 11/16 × 15 3/16 inches (27.1 × 38.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

297. The Forum Romanum

Creator:: Print made by James Mitan, 1776–1822
Date:: 1820
Materials & Techniques:: Etching and engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/2 × 15 1/8 inches (26.7 × 38.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

298. Florence, from Chiesa al Monte

Creator:: Print made by George Cooke, 1781–1834
Date:: 1820
Materials & Techniques:: Etching and engraving on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 8 9/16 × 12 3/4 inches (21.7 × 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

299. Florence, from Chiesa al Monte

Creator:: Print made by George Cooke, 1781–1834
Date:: 1820
Materials & Techniques:: Etching and engraving on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 10 3/8 × 15 3/16 inches (26.4 × 38.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

300. Benjamin West, late President of the Royal Academy

Creator:: James Thomson, 1789–1850
Date:: 1820
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Date 1820

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201. Samuel Johnson

202. Rasselas, Prince of Abyssinia

203. A View of London taken from Greenwich Park

204. The Convent and Part of the Town of Candelaria, on the south side of Tenerife

205. View in the Barranco de Martianez, Port Orotava, Tenerife, looking Southward

206. Huckster of Port Orotava, Tenerife

207. View in the Barracano de Martianez, Port Orotava, Tenerife, looking Northward

208. Mademoiselle Rose Nue, Vue de Dos

209. Upnor Lodge

210. View of the Coronation Procession of George IV

211. Plan of the Old Parliament Houses, Westminster

212. Angling [a pair]: 1. Fly Fishing

213. Angling [a pair]: 1. Fly Fishing

214. "The Bedford Times" / This print of the Bedford Times Coach, is respectfully dedicated / by permission, to William Henry Whitbread Esq're. / by his most obedient & obliged Servant / J. Matthew Crispin

215. [Fox-hunting] Some Do and Some Don't: It is All a Notion. Getting into a difficulty

216. [Fox-hunting] Some Do and Some Don't: It is All a Notion. Getting over a difficulty

217. [Fox-hunting] Some Do and Some Don't: It is All a Notion. Getting Dead Beat

218. [Fox-hunting] Some Do and Some Don't: It is All a Notion. Getting a fall

219. [Fox-hunting] Some Do and Some Don't: It is All a Notion. Getting into a Bog

220. [Fox-hunting] Some Do and Some Don't: It is All a Notion. Getting Home.

221. [Fox-hunting] Some Do and Some Don't: It is All a Notion. Getting a Dive

222. [Fox-hunting] Going to Cover

223. [Fox-hunting] Breaking Cover

224. [Fox-hunting] Tree-ing the Fox

225. Fox Hunting: [Tom Oldaker on Pickle...]

226. The Four-in- Hunt Club-Hyde Park.

227. Lambeth Marsh, 1670

228. [Fox-hunting] Full Cry

229. Steeplechasing: Three Riders Taking a Brook

230. Doctor Syntax loses his Money on the Race Ground at York

231. Dr. Syntax Bound to a Tree by Highwaymen

232. Dr Syntax Meditating on the Tombstones

233. Dr. Syntax Attends the Execution

234. "Some Do and Some Don't: It is All a Notion:" Getting Home

235. The London-Dover Royal Mail, c. 1830-1840

236. South West View of Cobham hall Kent, the Seat of the Right Honourable the Earl of Darnley

237. North East View of Blickling Hall, Norfolk; the Seat of the Right Hon'ble Lord Suffield

238. South Front of Blickling Hall, Norfolk; the Seat of the Right Hon'ble Lord Suffield

239. The Staircase at Blickling, Norfolk; the Seat of the Right honourable Lord Suffield

240. Principal Entrance of Westwood house, Worcestershire; the Seat of Sir John Packington Bart.

241. Westwood Park near Droitwich, Worcestershire, the Seat of Sir John Packington Bart.

242. Humphry Repton, Esq.

243. Benjamin Robert Haydon

244. Morning of the Gale, November 23 1824 in Catwater at Plymouth

245. Church of L'Ery, near Pont-de-l'Arche

246. Easter Monday. 2. A View of Fair Mead Bottom Epping Forest.

247. Royal Hunt in Windsor Park

248. Easter Monday. 1. Turning out the Stag at Buckits Hill, Epping Forest

249. Sir Hildebrand Oakes

250. Finding things not exactly what he expected - Plate 2

251. Mr. B. Mastheaded -or, enjoying the fresh air for the 304th time - Plate 4

252. Frontispiece: The Progress of a Midshipman

253. Mr. B. on the Middle Watch--"Cold blows the wind & rain's coming on's - Plate 3

254. Unknown Wed Couple, possibly Newcastle

255. The Vulture Landing Despatches at Dantzic

256. Fisherman by a Boat with a Dog

257. Saint Lo

258. Traders and a Warship in Coastal Waters

259. An Album of 17 Views of Erlestoke House, Park and Surroundings

260. Warwick Castle, The Seat of the Rt. Honble. the Earl of Warwick

261. Panorama Old London Bridge

262. Young Woman with Coral Necklace and Crucifix

263. Seated Girl Holding a Stick

264. Hamlet and the Ghost

265. West Front of the Church of Oyestraham [Ouistreham], near Caen, Normandy

266. View of Lambeth Palace on Thames

267. Summer Landscape

268. Fort Candelaria, Tenerife

269. Gil Blas, While Practising Medicine under Dr. Sangrado, Encounters Dr. Cuchillo at the Bedside of the Grocer

270. The Barons' Hall, Mont Saint Michel

271. Douvres Church, Normandy

272. Notre Dame sur l'Eau, Domfront, Normandy

273. Yarmouth Sands, Norfolk

274. Ruin of a Norman Church

275. Albany Street, Regents Park