Date: 1821 / Image Available: Unavailable / Classification: Prints

1. The Pastorals of Virgil, London, 1821

Creator:: William Blake, 1757–1827
Date:: 1821, reprinted 1977
Materials & Techniques:: 17 wood engravings reprinted from the original blocks
Dimensions:: Sheet: 4 3/4 x 6in. (12.1 x 15.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 5: Colinet: 'My piteous plight in yonder naked tree,/ which bears the thunder-scar too plain, I see:'

Creator:: William Blake, 1757–1827
Date:: 1821, reprinted 1977
Materials & Techniques:: Wood engraving
Dimensions:: Sheet: 4 3/4 x 6in. (12.1 x 15.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 7: Thenot: 'Nor fox, nor wolf, nor rot among our sheep:/ from these good shepherd's care his flock may keep/ against ill luck,'

Creator:: William Blake, 1757–1827
Date:: 1821, reprinted 1977
Materials & Techniques:: Wood engraving
Dimensions:: Sheet: 4 3/4 x 6in. (12.1 x 15.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 13: Thenot: 'for him our yearly wakes and feasts we hold,/ and choose the fairest firstlings from the fold;'

Creator:: William Blake, 1757–1827
Date:: 1821, reprinted 1977
Materials & Techniques:: Wood engraving
Dimensions:: Sheet: 4 3/4 x 6in. (12.1 x 15.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 14: Thenot: 'This night thy care with me forget, and fold/ thy flock with mine, to ward th' injurious cold.'

Creator:: William Blake, 1757–1827
Date:: 1821, reprinted 1977
Materials & Techniques:: Wood engraving
Dimensions:: Sheet: 4 3/4 x 6in. (12.1 x 15.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 15: Thenot: 'New milk, and clouted cream, mild cheese and curd,/ with some remaining fruit of last year's hoard,/ shall be our ev'ning fare.'

Creator:: William Blake, 1757–1827
Date:: 1821, reprinted 1977
Materials & Techniques:: Wood engraving
Dimensions:: Sheet: 4 3/4 x 6in. (12.1 x 15.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 1: Frontispiece: Thenot: 'Is it not Colinet I lonesome see,/ leaning with folded arms against the tree?'

Creator:: William Blake, 1757–1827
Date:: 1821, reprinted 1977
Materials & Techniques:: Wood engraving
Dimensions:: Sheet: 4 3/4 x 6in. (12.1 x 15.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 12: Colinet: 'In vain, O Colinet, thy pipe, so shrill,/ charms every vale, and gladdens every hill:'

Creator:: William Blake, 1757–1827
Date:: 1821, reprinted 1977
Materials & Techniques:: Wood engraving
Dimensions:: Sheet: 4 3/4 x 6in. (12.1 x 15.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. Each creature, Thenot, to his task is born

Creator:: William Blake, 1757–1827
Date:: 1821, reprinted 1977
Materials & Techniques:: Wood-engraving
Dimensions:: Sheet: 4 3/4 x 6in. (12.1 x 15.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 3: Thenot: 'Yet though with years my body downward tend,/ as trees beneath their fruit in autumn bend,'

Creator:: William Blake, 1757–1827
Date:: 1821, reprinted 1977
Materials & Techniques:: Wood engraving
Dimensions:: Sheet: 4 3/4 x 6in. (12.1 x 15.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 4: Colinet: 'Thine ewes will wander; and their heedless lambs,/ in loud complaints, require their absent dams.'

Creator:: William Blake, 1757–1827
Date:: 1821, reprinted 1977
Materials & Techniques:: Wood engraving
Dimensions:: Sheet: 4 3/4 x 6in. (12.1 x 15.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. Or blasting winds o'er blossom'd hedge-rows pass

Creator:: William Blake, 1757–1827
Date:: 1821, reprinted 1977
Materials & Techniques:: Wood engraving
Dimensions:: Sheet: 4 3/4 x 6in. (12.1 x 15.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 8: Colinet: 'Ah silly I! more silly than my sheep,/ which on thy flow'ry banks I wont to keep.'

Creator:: William Blake, 1757–1827
Date:: 1821, reprinted 1977
Materials & Techniques:: Wood engraving
Dimensions:: Sheet: 4 3/4 x 6in. (12.1 x 15.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 9: Colinet: 'A fond desire strange lands and swains to know./ Ah me! that ever I should covet wo.'

Creator:: William Blake, 1757–1827
Date:: 1821, reprinted 1977
Materials & Techniques:: Wood engraving
Dimensions:: Sheet: 4 3/4 x 6in. (12.1 x 15.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 10: Thenot: 'A rolling stone is ever bare of moss;/ and, to their cost, green years old proverbs cross.'

Creator:: William Blake, 1757–1827
Date:: 1821, reprinted 1977
Materials & Techniques:: Wood engraving
Dimensions:: Sheet: 4 3/4 x 6in. (12.1 x 15.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. My sheep quite spent through travel and ill fare

Creator:: William Blake, 1757–1827
Date:: 1821, reprinted 1977
Materials & Techniques:: Wood-engraving
Dimensions:: Sheet: 4 3/4 x 6in. (12.1 x 15.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. And now behold the sun's departing ray

Creator:: William Blake, 1757–1827
Date:: 1821, reprinted 1977
Materials & Techniques:: Wood-engraving
Dimensions:: Sheet: 4 3/4 x 6in. (12.1 x 15.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 17: Thenot: '

Creator:: William Blake, 1757–1827
Date:: 1821, reprinted 1977
Materials & Techniques:: Wood engraving
Dimensions:: Sheet: 4 3/4 x 6in. (12.1 x 15.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. The Pavilion at Brighton, The Marine Palace of His Majesty George the IVth

Creator:: Thomas Sutherland, ca. 1785–1838
Date:: 1821
Materials & Techniques:: Colored aquatint
Dimensions:: Sheet: 11 1/4 x 13 3/4in. (28.6 x 34.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. Alter in the Chapel of St. Blase at Westminster Abbey

Creator:: unknown artist
Date:: 1821
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art

21. Set of six: The High Mettled Racer

Creator:: Henry Thomas Alken, 1785–1851
Date:: 1821
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 13 3/4 x 16 7/8in. (34.9 x 42.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. Set of six: The High Mettled Racer

Creator:: Henry Thomas Alken, 1785–1851
Date:: 1821
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 13 3/4 x 16 7/8in. (34.9 x 42.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. Set of six: The High Mettled Racer

Creator:: Henry Thomas Alken, 1785–1851
Date:: 1821
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 13 3/4 x 16 7/8in. (34.9 x 42.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. Samuel Johnson

Creator:: unknown artist
Date:: 1821
Materials & Techniques:: Engraving
Dimensions:: Sheet: 11 1/4 x 8in. (28.6 x 20.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Herman W. Liebert

25. Racing [set of four]: Coursing. Plate 4. View near Epsom

Creator:: James Pollard, 1792–1867
Date:: 1821
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 17 3/4 x 21 1/2in. (45.1 x 54.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. Set of six: The High Mettled Racer

Creator:: Henry Thomas Alken, 1785–1851
Date:: 1821
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 13 3/4 x 16 7/8in. (34.9 x 42.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. Set of six: The High Mettled Racer

Creator:: Henry Thomas Alken, 1785–1851
Date:: 1821
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 13 3/4 x 16 7/8in. (34.9 x 42.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. Set of eight, printed wrappers, two sheets of text: 'Drawings from Original pictures of Philip Reinangle Esq. by an Amateur.

Creator:: unknown artist
Date:: ca. 1826
Materials & Techniques:: Hand colored lithograph
Dimensions:: Sheet: 14 x 21 1/2in. (35.6 x 54.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. Racing [set of four]: Coursing. Plate 1. View of the Warren, Epsom

Creator:: James Pollard, 1792–1867
Date:: 1821
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 17 3/4 x 21 1/2in. (45.1 x 54.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. Racing [set of four]: Coursing. Plate 2. View of Epsom Race Course

Creator:: James Pollard, 1792–1867
Date:: 1821
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 17 3/4 x 21 1/2in. (45.1 x 54.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. Racing [set of four]: Coursing. Plate 3. View of Lord Arden's, Epsom

Creator:: James Pollard, 1792–1867
Date:: 1821
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 17 3/4 x 21 1/2in. (45.1 x 54.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. Sheerness & the Isle of Sheppey, with the Junction of the Thames & Medway from the Nore

Creator:: Print made by Samuel Fisher, 1806–1851
Date:: between 1821 and 1851
Materials & Techniques:: Etching and line engraving, with graphite and white chalk; touched engraver's proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 5/8 × 16 1/8 inches (29.5 × 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

33. Maternal Affection (Volume of 102 lithographs)

Creator:: Print made by William Sharp, active 1819–ca. 1837
Date:: between 1821 and 1838
Materials & Techniques:: Lithograph
Dimensions:: Sheet: 16 1/2 x 12 3/4in. (41.9 x 32.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Mr. George L. Green

34. Dogs of the Dalmatian Breed - from an original picture in the possession of Sir John Fleming Leicester Baronet &, &

Creator:: James Ward, 1769–1859
Date:: 1821
Materials & Techniques:: Lithograph
Dimensions:: Sheet: 14 9/16 x 20in. (37 x 50.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. Set of six: The High Mettled Racer

Creator:: Henry Thomas Alken, 1785–1851
Date:: 1821
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 13 3/4 x 16 7/8in. (34.9 x 42.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. The Interior of the Fives Court with Randall and Turner Sparring

Creator:: Charles Turner, 1774–1857
Date:: 1821
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 21 1/8 x 27 3/8in. (53.7 x 69.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. The Forbidden City : pure silk and long-scroll painting.

Creator:: Liu, Hongkuan, 1938–
Date:: [2015?]
Physical Description:: 1 printed scroll : silk ; 26 x 305 cm, rolled to 26 x 6 cm
Collection:: Rare Books and Manuscripts

38. Madras [graphic].

Creator:: Havell, Robert, -1832
Date:: 1821
Physical Description:: 1 print on 4 joined sheets : hand-colored aquatint : sheets end-to-end 13 x 285 cm, rolled (in wooden drum) to 13 x 5 cm (scroll format)
Collection:: Rare Books and Manuscripts

39. Panoramic sketch of Prince of Wale's Island and the opposite Malayan Shore, viewed from mid-channel / drawn by Capt. R. Smith of Engineers ; engraved by W. Daniell.

Creator:: Daniell, William, 1769–1837
Date:: Jany. 1, 1821
Physical Description:: 11 prints in one volume : aquatint and etching ; sheets 53 x 76 cm, or smaller, in volume 55 x 79 cm
Collection:: Rare Books and Manuscripts

40. Architectural ornaments, or, A collection of capitals, friezes, roses, entablatures, mouldings, &c. : drawn on stone, from the antique.

Creator:: Aglio, Agostino, 1777–1857
Date:: [1821?]
Physical Description:: [1], 100 prints in 1 volume : lithography ; 36 cm
Collection:: Rare Books and Manuscripts

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Date 1821

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1. The Pastorals of Virgil, London, 1821

2. The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 5: Colinet: 'My piteous plight in yonder naked tree,/ which bears the thunder-scar too plain, I see:'

3. The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 7: Thenot: 'Nor fox, nor wolf, nor rot among our sheep:/ from these good shepherd's care his flock may keep/ against ill luck,'

4. The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 13: Thenot: 'for him our yearly wakes and feasts we hold,/ and choose the fairest firstlings from the fold;'

5. The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 14: Thenot: 'This night thy care with me forget, and fold/ thy flock with mine, to ward th' injurious cold.'

6. The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 15: Thenot: 'New milk, and clouted cream, mild cheese and curd,/ with some remaining fruit of last year's hoard,/ shall be our ev'ning fare.'

7. The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 1: Frontispiece: Thenot: 'Is it not Colinet I lonesome see,/ leaning with folded arms against the tree?'

8. The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 12: Colinet: 'In vain, O Colinet, thy pipe, so shrill,/ charms every vale, and gladdens every hill:'

9. Each creature, Thenot, to his task is born

10. The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 3: Thenot: 'Yet though with years my body downward tend,/ as trees beneath their fruit in autumn bend,'

11. The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 4: Colinet: 'Thine ewes will wander; and their heedless lambs,/ in loud complaints, require their absent dams.'

12. Or blasting winds o'er blossom'd hedge-rows pass

13. The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 8: Colinet: 'Ah silly I! more silly than my sheep,/ which on thy flow'ry banks I wont to keep.'

14. The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 9: Colinet: 'A fond desire strange lands and swains to know./ Ah me! that ever I should covet wo.'

15. The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 10: Thenot: 'A rolling stone is ever bare of moss;/ and, to their cost, green years old proverbs cross.'

16. My sheep quite spent through travel and ill fare

17. And now behold the sun's departing ray

18. The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 17: Thenot: '

19. The Pavilion at Brighton, The Marine Palace of His Majesty George the IVth

20. Alter in the Chapel of St. Blase at Westminster Abbey

21. Set of six: The High Mettled Racer

22. Set of six: The High Mettled Racer

23. Set of six: The High Mettled Racer

24. Samuel Johnson

25. Racing [set of four]: Coursing. Plate 4. View near Epsom

26. Set of six: The High Mettled Racer

27. Set of six: The High Mettled Racer

28. Set of eight, printed wrappers, two sheets of text: 'Drawings from Original pictures of Philip Reinangle Esq. by an Amateur.

29. Racing [set of four]: Coursing. Plate 1. View of the Warren, Epsom

30. Racing [set of four]: Coursing. Plate 2. View of Epsom Race Course

31. Racing [set of four]: Coursing. Plate 3. View of Lord Arden's, Epsom

32. Sheerness & the Isle of Sheppey, with the Junction of the Thames & Medway from the Nore

33. Maternal Affection (Volume of 102 lithographs)

34. Dogs of the Dalmatian Breed - from an original picture in the possession of Sir John Fleming Leicester Baronet &, &

35. Set of six: The High Mettled Racer

36. The Interior of the Fives Court with Randall and Turner Sparring

37. The Forbidden City : pure silk and long-scroll painting.

38. Madras [graphic].

39. Panoramic sketch of Prince of Wale's Island and the opposite Malayan Shore, viewed from mid-channel / drawn by Capt. R. Smith of Engineers ; engraved by W. Daniell.

40. Architectural ornaments, or, A collection of capitals, friezes, roses, entablatures, mouldings, &c. : drawn on stone, from the antique.