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1. Meuse and Sambre, from the Gate of the Sambre

Meuse and Sambre, from the Gate of the Sambre
Creator:
Print made by George Arnald, 1763–1841
Date:
1822
Materials & Techniques:
Etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 8 9/16 × 10 15/16 inches (21.8 × 27.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

2. Merrick Abbey, Swaledale

Merrick Abbey, Swaledale
Creator:
Print made by J. C. Varrall, active 1815–1827
Date:
1822
Materials & Techniques:
Etching and engraving with chine collé on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 13/16 × 17 11/16 inches (30 × 44.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. Merrick Abbey, Swaledale

Merrick Abbey, Swaledale
Creator:
Print made by J. C. Varrall, active 1815–1827
Date:
1822
Materials & Techniques:
Etching and engraving, with graphite and scraping out; touched engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 8 9/16 × 11 13/16 inches (21.7 × 30 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. Hornby Castle from Tatham Church

Hornby Castle from Tatham Church
Creator:
Print made by William Radclyffe, 1780–1855
Date:
1822
Materials & Techniques:
Etching and engraving with chine collé; engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 15/16 × 18 3/4 inches (37.9 × 47.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. St. Agatha's Abbey, Easby

No cover image available
Creator:
Print made by John Le Keux, 1783–1846
Date:
1822
Materials & Techniques:
Etching and engraving, with graphite and chine collé; touched engraver's proof, unrecorded state between (a) and (b) on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 7/8 × 16 7/8 inches (30.2 × 42.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund