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Cader Idris
Creator:
Print made by John Sell Cotman, 1782–1842
Date:
between 1824 and 1830
Materials & Techniques:
Soft-ground etching on moderately thick, slightly textured, brown wove paper
Dimensions:
Sheet: 5 1/2 x 7 7/16 inches (13.9 x 18.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Georgiana, Duchess of Bedford
Creator:
Sir George Hayter, 1792–1871
Date:
1824
Materials & Techniques:
Pen and brown ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 8 3/4 × 7 inches (22.2 × 17.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Deepdene near Dorking
Creator:
Edward Radclyffe, 1809–1863
Date:
undated
Materials & Techniques:
Engraving on smooth, moderately thick, cream wove paper
Dimensions:
Image: 4 1/8 × 7 inches (10.5 × 17.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Merchantman Becalmed Offshore
Creator:
David Cox Jr., 1809–1885
Date:
undated
Materials & Techniques:
Watercolor, pen and gray ink, and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 5/8 × 7 1/16 inches (11.7 × 17.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Entrance to the Hudson Highlands
Creator:
William Henry Bartlett, 1809–1854
Date:
undated
Materials & Techniques:
Pen and brown ink and brown wash with white gouache over graphite with scraping out on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 × 7 inches (12.7 × 17.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. John Hill Morgan
Bergues - La Tour du Marché
Creator:
Print made by Richard Parkes Bonington, 1802–1828
Date:
1824
Materials & Techniques:
Lithograph on moderately thick, smooth, cream wove paper with beige chine collé
Dimensions:
Sheet: 10 1/4 x 7 1/4 inches (26.1 x 18.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund