Ehenbreitstein, During the Demolition of the Fortress in 1817 from the Quay at Coblentz
1824
23
Print made by Edward Goodall, 1795–1870
Cologne
1824
24
Print made by Edward Goodall, 1795–1870
Cologne
1824
25
Print made by Edward Goodall, 1795–1870
Cologne
1824
26
Print made by Edward Goodall, 1795–1870
Cologne
1824
27
Print made by James Thompson, 1790–1850
W. Sharp
1824
28
Henry Thomson, 1773–1843
Martin Archer Shee
1824
29
Print made by James C. Allen, active 1821–1831
Dunbar
1824
30
Robert Isaac Cruikshank, 1789–1856
Wash proofs to accompany Westmacott's "The English Spy": The Daffy Club, or a Musical Muster of the Fancy
1824
31
Print made by unknown artist
Elevations and Plans of the Court of Kings Bench
ca. 1827
32
George Maile, active 1824–1840
[Shooting] The Sportsman (four lines of verse by J. Emery)
1824
33
George Hunt, active 1820–1840
The Toast
1824
34
Frederick Christian Lewis the Elder, 1779–1856
H. Bone, Esqr., R.A
1824
35
Frederick Christian Lewis the Elder, 1779–1856
James Northcote
1824
36
unknown artist
Wilson Lowry
1824
37
Henry Heath, active 1824–1835
An Irish Tilting Match, or the Poissardes against the Poignards
1824
38
Print made by Henry Walter, 1786–1849
Untitled Images of Livestock, Plate 13
1824
39
Print made by Henry Walter, 1786–1849
Untitled Images of Livestock, Plate 12
1824
40
Print made by Henry Walter, 1786–1849
Untitled Images of Livestock, Plate 6
1824
41
Print made by Henry Walter, 1786–1849
Untitled Images of Livestock, Plate 14
1824
42
Print made by Henry Walter, 1786–1849
Untitled Images of Livestock, Plate 3
1824
43
Print made by Robert Scott, 1771–1841
View from the Cowgate of the Buildings on the South of the Parliament Close
1824
44
Print made by James C. Allen, active 1821–1831
Covent Garden Market
1824
45
Print made by John Young, 1755–1825
Cuyp
1824
46
Robert Isaac Cruikshank, 1789–1856
Wash proofs to accompany Westmacott's "The English Spy": The Oppidan's Museum or Eton Court of Claims at the Christopher
1824
47
Robert Isaac Cruikshank, 1789–1856
Wash proofs to accompany Westmacott's "The English Spy": The Opera Green Room, or Noble Amateurs viewing Foreign Curiosities
1824
48
Robert Isaac Cruikshank, 1789–1856
Wash proofs to accompany Westmacott's "The English Spy": College Comforts, A Freshman taking possession of his Rooms
1824
49
Robert Isaac Cruikshank, 1789–1856
Wash proofs to accompany Westmacott's "The English Spy": Flooring of Mercury or Burning the Oaks, a Scene in Tom Quadrangle
1824
50
Robert Isaac Cruikshank, 1789–1856
Wash proofs to accompany Westmacott's "The English Spy": [The Vice Chancellor in the Divinity School - Golgotha or the Place of Skulls - Sentance of Rustication]
1824
51
Robert Isaac Cruikshank, 1789–1856
Wash proofs to accompany Westmacott's "The English Spy": Oxford Transports or Albanians doing Penance for Past Offences
1824
52
Robert Isaac Cruikshank, 1789–1856
Wash proofs to accompany Westmacott's "The English Spy": Tom Echo laid up with the Headington fever or an Oxonion very near the Wall
1824
53
Robert Isaac Cruikshank, 1789–1856
Wash proofs to accompany Westmacott's "The English Spy": A Frolic in High Life, or a Visit to Billingsgate
1824
54
Robert Isaac Cruikshank, 1789–1856
Wash proofs to accompany Westmacott's "The English Spy": The Maiden Brief, Dick Gradus's first appearance among the Worthies of Westminster Hall
1824
55
Robert Isaac Cruikshank, 1789–1856
Wash proofs to accompany Westmacott's "The English Spy": [Portraits from Life by J. R. Cruikshank] pub. as Bernard Blackmantle reading his Play in the Green Room of Covent Garden Theatre
1824
56
Robert Isaac Cruikshank, 1789–1856
Wash proofs to accompany Westmacott's "The English Spy": [The House of Lords in High Debate. The Duke of York, making his speech upon the Catholic Question] pub. as The House of Lords
1824
57
J. W. Wageman, active 1824
Wash proofs to accompany Westmacott's "The English Spy":: Bernard Blackmantle reading his Farce in the Green Room of the Theatre Royal Drury Lane
1824
58
Robert Isaac Cruikshank, 1789–1856
Wash proofs to accompany Westmacott's "The English Spy": First Bow to Alma Mater or Bernard Blackmantle's introduction to the Big Wig
1824
59
Robert Isaac Cruikshank, 1789–1856
Wash proofs to accompany Westmacott's "The English Spy": The Royal Saloon Piccadilly
1824
60
Robert Isaac Cruikshank, 1789–1856
Wash proofs to accompany Westmacott's "The English Spy": Black Matins, or the Effect of Late Drinking upon Early Risers
1824
61
Robert Isaac Cruikshank, 1789–1856
Wash proofs to accompany Westmacott's "The English Spy": Town and Gown or the Battle of the Togate and the Town Raff in the High Street Oxford
1824
62
Robert Isaac Cruikshank, 1789–1856
Wash proofs to accompany Westmacott's "The English Spy": The Great Subscription Room at Brooks's or Opposition Members engaged upon Hazardous Points
1824
63
Print made by Henry Adlard, active 19th century
The Gothic Bridge of Eudes, Tours
between 1824 and 1848
64
Print made by unknown artist
Sydney, New South Wales, S. View
1824
65
Print made by Henry Walter, 1786–1849
Untitled Images of Livestock, Plate 15
1824
66
Print made by Henry Walter, 1786–1849
Untitled Images of Livestock, Plate 16
1824
67
Print made by Henry Walter, 1786–1849
Untitled Images of Livestock, Plate 5
1824
68
Print made by Henry Walter, 1786–1849
Untitled Images of Livestock, Plate 9
1824
69
Print made by Henry Walter, 1786–1849
Untitled Images of Livestock, Plate 8
1824
70
Print made by Henry Walter, 1786–1849
Untitled Images of Livestock
1824
71
Print made by John Gendall, 1790–1865
Mausoleum, at Trentham (the Seat of the Marquis of Stratford)
1824
72
James Fahey, 1804–1885
Shakspeare's Desk
1824
73
Joseph Stannard, 1797–1830
The Footbridge
1824 to 1827
74
Joseph Stannard, 1797–1830
Thatched Cottage with a Gable End
1824
75
Joseph Stannard, 1797–1830
Old Whittlingham Church
1824
76
unknown artist
Hammersmith Church (Middlesex)
1824
77
Frederick Christian Lewis the Elder, 1779–1856
The King seated in St. Edward's Chair, Crowned by the Archbishop of Canterbury, 19th July 1821
1824
78
Robert Havell II, 1793–1878
The Royal Banquet, the Bringing Up of the First Course, 19th July 1821
1824
79
William James Bennett, 1787–1844
The Royal Banquet - 19th July 1821
1824
80
unknown artist
Church at Highgate, Middlesex
1824
81
Print made by Richard Parkes Bonington, 1802–1828
L'Eglise de St. Gervais et St. Protais
1824
82
Print made by Henry Thomas Alken, 1785–1851
The Lover
1824
83
Print made by Henry Thomas Alken, 1785–1851
The School-Boy
1824
84
Print made by Henry Thomas Alken, 1785–1851
The Justice
1824
85
Print made by Henry Thomas Alken, 1785–1851
The Infant
1824
86
Charles Heath, 1785–1848
Stratford-on-Avon
1824
87
Print made by Henry Heath, active 1824–1835
Miss-Ann-Thropy
undated
88
Charles Heath, 1785–1848
Stratford-on-Avon
1824
89
William Heath, 1795–1840
Dust O
1824
90
Print made by Edward Radclyffe, 1809–1863
Peat-Gatherers
undated
91
Henry Thomas Alken, 1785–1851
Set of Seven: Shakespeare's Seven Ages of Man
1824
92
Print made by Edward Radclyffe, 1809–1863
Changing Pasture
undated
93
Print made by Edward Radclyffe, 1809–1863
Lancaster Sands
undated
94
Print made by Edward Radclyffe, 1809–1863
Outskirts of the Forest
undated
95
Print made by Edward Radclyffe, 1809–1863
A Welsh Funeral
undated
96
Peter Pasquin, active 1824–1826
One of a set of 6: A Day's Journal of a Sponge
1824
97
Peter Pasquin, active 1824–1826
One of a set of 6 (2): A Day's Journal of a Sponge
1824
98
Peter Pasquin, active 1824–1826
One of a set of 6 (4): A Day's Journal of a Sponge
1824
99
Peter Pasquin, active 1824–1826
One of a set of 6 (5): A Day's Journal of a Sponge
1824
100
Peter Pasquin, active 1824–1826
One of a set of 6 (6): A Day's Journal of a Sponge