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101. Collection of Drawings Volume 3

Collection of Drawings Volume 3
Creator:
Anne Rushout, ca. 1768–1849
Date:
1824 to 1832
Materials & Techniques:
Watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 7 1/4 inches (18.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

102. Heads of Fisherman

Heads of Fisherman
Creator:
Joseph Stannard, 1797–1830
Date:
1824
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 5/8 × 5 1/2 inches (24.4 × 14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

103. A High Caste Woman Standing by a Wall

A High Caste Woman Standing by a Wall
Creator:
William Daniell, 1769–1837
Date:
ca. 1829
Materials & Techniques:
Watercolor with black ink and gouache over graphite on medium, slightly textured, cream wove paper
Dimensions:
Contemporary drawn border: 5 7/8 x 4 1/4 inches (14.9 x 10.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

104. Wash proofs to accompany Westmacott's "The English Spy": First Bow to Alma Mater or Bernard Blackmantle's introduction to the Big Wig

Wash proofs to accompany Westmacott's "The English Spy": First Bow to Alma Mater or Bernard Blackmantle's introduction to the Big Wig
Creator:
Robert Isaac Cruikshank, 1789–1856
Date:
1824
Materials & Techniques:
Etching and gray wash (proof)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

105. Wash proofs to accompany Westmacott's "The English Spy": The Royal Saloon Piccadilly

Wash proofs to accompany Westmacott's "The English Spy": The Royal Saloon Piccadilly
Creator:
Robert Isaac Cruikshank, 1789–1856
Date:
1824
Materials & Techniques:
Etching and gray wash (proof)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

106. Wash proofs to accompany Westmacott's "The English Spy": Black Matins, or the Effect of Late Drinking upon Early Risers

Wash proofs to accompany Westmacott's "The English Spy": Black Matins, or the Effect of Late Drinking upon Early Risers
Creator:
Robert Isaac Cruikshank, 1789–1856
Date:
1824
Materials & Techniques:
Etching and gray wash (proof)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

107. Wash proofs to accompany Westmacott's "The English Spy": Town and Gown or the Battle of the Togate and the Town Raff in the High Street Oxford

Wash proofs to accompany Westmacott's "The English Spy": Town and Gown or the Battle of the Togate and the Town Raff in the High Street Oxford
Creator:
Robert Isaac Cruikshank, 1789–1856
Date:
1824
Materials & Techniques:
Etching and gray wash (proof)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

108. Wash proofs to accompany Westmacott's "The English Spy": The Great Subscription Room at Brooks's or Opposition Members engaged upon Hazardous Points

Wash proofs to accompany Westmacott's "The English Spy": The Great Subscription Room at Brooks's or Opposition Members engaged upon Hazardous Points
Creator:
Robert Isaac Cruikshank, 1789–1856
Date:
1824
Materials & Techniques:
Etching and gray wash (proof)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

109. The Gothic Bridge of Eudes, Tours

The Gothic Bridge of Eudes, Tours
Creator:
Print made by Henry Adlard, active 19th century
Date:
between 1824 and 1848
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale University Art Gallery Collection

110. Sydney, New South Wales, S. View

Sydney, New South Wales, S. View
Creator:
Print made by unknown artist
Date:
1824
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

111. Untitled Images of Livestock, Plate 15

Untitled Images of Livestock, Plate 15
Creator:
Print made by Henry Walter, 1786–1849
Date:
1824
Materials & Techniques:
Lithograph on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

112. Untitled Images of Livestock, Plate 16

Untitled Images of Livestock, Plate 16
Creator:
Print made by Henry Walter, 1786–1849
Date:
1824
Materials & Techniques:
Lithograph on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

113. Untitled Images of Livestock, Plate 5

Untitled Images of Livestock, Plate 5
Creator:
Print made by Henry Walter, 1786–1849
Date:
1824
Materials & Techniques:
Lithograph on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

114. Untitled Images of Livestock, Plate 9

Untitled Images of Livestock, Plate 9
Creator:
Print made by Henry Walter, 1786–1849
Date:
1824
Materials & Techniques:
Lithograph on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

115. Untitled Images of Livestock, Plate 8

Untitled Images of Livestock, Plate 8
Creator:
Print made by Henry Walter, 1786–1849
Date:
1824
Materials & Techniques:
Lithograph on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

116. Untitled Images of Livestock

Untitled Images of Livestock
Creator:
Print made by Henry Walter, 1786–1849
Date:
1824
Materials & Techniques:
Lithograph on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

117. Mausoleum, at Trentham (the Seat of the Marquis of Stratford)

Mausoleum, at Trentham (the Seat of the Marquis of Stratford)
Creator:
Print made by John Gendall, 1790–1865
Date:
1824
Materials & Techniques:
Aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 7/8 × 9 3/8 inches (14.9 × 23.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

118. Collection of Drawings Volume 1

Collection of Drawings Volume 1
Creator:
Anne Rushout, ca. 1768–1849
Date:
1824 to 1832
Materials & Techniques:
watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 7 1/4 inches (18.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

119. Sir Thomas Lawrence's Painting Room in 1824

Sir Thomas Lawrence's Painting Room in 1824
Creator:
Emily Calmady, 19th century
Date:
1824
Materials & Techniques:
Graphite and white gouache on medium, moderately textured, beige wove paper
Dimensions:
Mount: 11 1/2 × 19 3/8 inches (29.2 × 49.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

120. Shakspeare's Desk

Shakspeare's Desk
Creator:
James Fahey, 1804–1885
Date:
1824
Materials & Techniques:
Print
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

121. The Footbridge

The Footbridge
Creator:
Joseph Stannard, 1797–1830
Date:
1824 to 1827
Materials & Techniques:
Etching, engraver's proof
Dimensions:
Sheet: 4 5/16 x 10 3/8in. (11 x 26.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

122. Thatched Cottage with a Gable End

Thatched Cottage with a Gable End
Creator:
Joseph Stannard, 1797–1830
Date:
1824
Materials & Techniques:
Etching
Dimensions:
Sheet: 5 3/4 x 8 1/4in. (14.6 x 21cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

123. Old Whittlingham Church

Old Whittlingham Church
Creator:
Joseph Stannard, 1797–1830
Date:
1824
Materials & Techniques:
Etching
Dimensions:
Sheet: 4 1/8 x 6in. (10.5 x 15.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

124. Hammersmith Church (Middlesex)

Hammersmith Church (Middlesex)
Creator:
unknown artist
Date:
1824
Materials & Techniques:
Aquatint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

125. The King seated in St. Edward's Chair, Crowned by the Archbishop of Canterbury, 19th July 1821

The King seated in St. Edward's Chair, Crowned by the Archbishop of Canterbury, 19th July 1821
Creator:
Frederick Christian Lewis the Elder, 1779–1856
Date:
1824
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

126. The Royal Banquet, the Bringing Up of the First Course, 19th July 1821

The Royal Banquet, the Bringing Up of the First Course, 19th July 1821
Creator:
Robert Havell II, 1793–1878
Date:
1824
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

127. The Royal Banquet - 19th July 1821

The Royal Banquet - 19th July 1821
Creator:
William James Bennett, 1787–1844
Date:
1824
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

128. Church at Highgate, Middlesex

Church at Highgate, Middlesex
Creator:
unknown artist
Date:
1824
Materials & Techniques:
Aquatint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

129. L'Eglise de St. Gervais et St. Protais

L'Eglise de St. Gervais et St. Protais
Creator:
Print made by Richard Parkes Bonington, 1802–1828
Date:
1824
Materials & Techniques:
Lithograph on moderately thick, smooth, cream wove paper with beige chine collé
Dimensions:
Sheet: 11 7/8 x 15 3/16 inches (30.2 x 38.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Anonymous Gift, The Frederick Benjamin Kaye Memorial Collection, transfer from the Yale University Art Gallery

130. Entrance to the Hudson Highlands

Entrance to the Hudson Highlands
Creator:
William Henry Bartlett, 1809–1854
Date:
undated
Materials & Techniques:
Pen and brown ink and brown wash with white gouache over graphite with scraping out on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 × 7 inches (12.7 × 17.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. John Hill Morgan

131. The Lover

The Lover
Creator:
Print made by Henry Thomas Alken, 1785–1851
Date:
1824
Materials & Techniques:
Soft-ground etching with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 5/16 × 11 1/4 inches (23.7 × 28.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

132. The School-Boy

The School-Boy
Creator:
Print made by Henry Thomas Alken, 1785–1851
Date:
1824
Materials & Techniques:
Soft-ground etching with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 8 7/8 × 11 1/4 inches (22.6 × 28.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

133. The Justice

The Justice
Creator:
Print made by Henry Thomas Alken, 1785–1851
Date:
1824
Materials & Techniques:
Soft-ground etching with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/16 × 11 1/4 inches (23 × 28.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

134. The Infant

The Infant
Creator:
Print made by Henry Thomas Alken, 1785–1851
Date:
1824
Materials & Techniques:
Soft-ground etching with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 × 10 7/8 inches (22.8 × 27.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

135. Stratford-on-Avon

Stratford-on-Avon
Creator:
Charles Heath, 1785–1848
Date:
1824
Materials & Techniques:
Line engraving on wove paper
Dimensions:
Sheet: 6 1/4 x 5in. (15.9 x 12.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

136. Miss-Ann-Thropy

Miss-Ann-Thropy
Creator:
Print made by Henry Heath, active 1824–1835
Date:
undated
Materials & Techniques:
Etching, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 13 7/8 × 9 11/16 inches (35.3 × 24.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

137. Stratford-on-Avon

Stratford-on-Avon
Creator:
Charles Heath, 1785–1848
Date:
1824
Materials & Techniques:
Line engraving on wove paper
Dimensions:
Sheet: 8 1/2 x 5 1/2in. (21.6 x 14cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

138. Dust O.

Dust O.
Creator:
William Heath, 1795–1840
Date:
1824
Materials & Techniques:
Hand-colored etching
Dimensions:
Sheet: 9 1/2 x 15 9/16in. (24.2 x 39.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

139. The Summer Room in the Artist's House at Patna

The Summer Room in the Artist's House at Patna
Creator:
Sir Charles D'Oyly, 1781–1845
Date:
1824
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 × 13 1/2 inches (17.8 × 34.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

140. Peat-Gatherers

Peat-Gatherers
Creator:
Print made by Edward Radclyffe, 1809–1863
Date:
undated
Materials & Techniques:
Etching on medium, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 19 1/2 inches (34.3 x 49.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

141. Set of Seven: Shakespeare's Seven Ages of Man

Set of Seven: Shakespeare's Seven Ages of Man
Creator:
Henry Thomas Alken, 1785–1851
Date:
1824
Materials & Techniques:
Soft-ground etching, 1 leaf of letterpress and the original wrappers
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

142. Changing Pasture

Changing Pasture
Creator:
Print made by Edward Radclyffe, 1809–1863
Date:
undated
Materials & Techniques:
Etching on medium, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 19 3/8 inches (34.3 x 49.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

143. Lancaster Sands

Lancaster Sands
Creator:
Print made by Edward Radclyffe, 1809–1863
Date:
undated
Materials & Techniques:
Etching on medium, smooth, cream wove paper
Dimensions:
Sheet: 13 5/8 x 19 1/2 inches (34.6 x 49.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

144. Outskirts of the Forest

Outskirts of the Forest
Creator:
Print made by Edward Radclyffe, 1809–1863
Date:
undated
Materials & Techniques:
Etching on medium, smooth, cream wove paper
Dimensions:
Sheet: 13 5/8 x 19 1/2 inches (34.6 x 49.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

145. A Welsh Funeral

A Welsh Funeral
Creator:
Print made by Edward Radclyffe, 1809–1863
Date:
undated
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 13 5/8 x 19 3/8 inches (34.6 x 49.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

146. One of a set of 6: A Day's Journal of a Sponge

One of a set of 6: A Day's Journal of a Sponge
Creator:
Peter Pasquin, active 1824–1826
Date:
1824
Materials & Techniques:
Hand-colored aquatint
Dimensions:
Sheet: 9 x 6 1/4in. (22.9 x 15.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

147. The Winter Room in the Artist's House at Patna

The Winter Room in the Artist's House at Patna
Creator:
Sir Charles D'Oyly, 1781–1845
Date:
1824
Materials & Techniques:
Watercolor, gouache, pen and ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 3/4 × 13 1/2 inches (19.7 × 34.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

148. Mount Honey, Fonthill, Wiltshire

Mount Honey, Fonthill, Wiltshire
Creator:
William Rider, active 1824–1849
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/4 × 7 5/8 inches (13.3 × 19.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

149. One of a set of 6 (2): A Day's Journal of a Sponge

One of a set of 6 (2): A Day's Journal of a Sponge
Creator:
Peter Pasquin, active 1824–1826
Date:
1824
Materials & Techniques:
Hand-colored aquatint
Dimensions:
Sheet: 9 x 6 1/4in. (22.9 x 15.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

150. One of a set of 6 (4): A Day's Journal of a Sponge

One of a set of 6 (4): A Day's Journal of a Sponge
Creator:
Peter Pasquin, active 1824–1826
Date:
1824
Materials & Techniques:
Hand-colored aquatint
Dimensions:
Sheet: 9 x 6 1/4in. (22.9 x 15.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

151. One of a set of 6 (5): A Day's Journal of a Sponge

One of a set of 6 (5): A Day's Journal of a Sponge
Creator:
Peter Pasquin, active 1824–1826
Date:
1824
Materials & Techniques:
Hand-colored aquatint
Dimensions:
Sheet: 9 x 6 1/4in. (22.9 x 15.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

152. One of a set of 6 (6): A Day's Journal of a Sponge

One of a set of 6 (6): A Day's Journal of a Sponge
Creator:
Peter Pasquin, active 1824–1826
Date:
1824
Materials & Techniques:
Hand-colored aquatint
Dimensions:
Sheet: 9 x 6 1/4in. (22.9 x 15.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

153. Fashionable Bores, or Coolers in High Life

Fashionable Bores, or Coolers in High Life
Creator:
Daniel Thomas Egerton, c.1800–1842
Date:
1824
Materials & Techniques:
Aquatint, colored by hand
Dimensions:
Sheet: 8 1/2 x 10 3/4in. (21.6 x 27.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

154. Fashionable Bores, or Coolers in High Life

Fashionable Bores, or Coolers in High Life
Creator:
Daniel Thomas Egerton, c.1800–1842
Date:
1824
Materials & Techniques:
Aquatint, colored by hand
Dimensions:
Sheet: 8 1/2 x 10 3/4in. (21.6 x 27.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

155. Fashionable Bores, or Coolers in High Life

Fashionable Bores, or Coolers in High Life
Creator:
Daniel Thomas Egerton, c.1800–1842
Date:
1824
Materials & Techniques:
Aquatint, colored by hand
Dimensions:
Sheet: 8 1/2 x 10 3/4in. (21.6 x 27.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

156. Fashionable Bores, or Coolers in High Life

Fashionable Bores, or Coolers in High Life
Creator:
Daniel Thomas Egerton, c.1800–1842
Date:
1824
Materials & Techniques:
Aquatint, colored by hand
Dimensions:
Sheet: 8 1/2 x 10 3/4in. (21.6 x 27.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

157. Fashionable Bores, or Coolers in High Life

Fashionable Bores, or Coolers in High Life
Creator:
Daniel Thomas Egerton, c.1800–1842
Date:
1824
Materials & Techniques:
Aquatint, colored by hand
Dimensions:
Sheet: 8 1/2 x 10 3/4in. (21.6 x 27.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

158. Fashionable Bores, or Coolers in High Life

Fashionable Bores, or Coolers in High Life
Creator:
Daniel Thomas Egerton, c.1800–1842
Date:
1824
Materials & Techniques:
Aquatint, colored by hand
Dimensions:
Sheet: 8 1/2 x 10 3/4in. (21.6 x 27.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

159. Fashionable Bores, or Coolers in High Life

Fashionable Bores, or Coolers in High Life
Creator:
Daniel Thomas Egerton, c.1800–1842
Date:
1824
Materials & Techniques:
Aquatint, colored by hand
Dimensions:
Sheet: 8 1/2 x 10 3/4in. (21.6 x 27.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

160. Fashionable Bores, or Coolers in High Life

Fashionable Bores, or Coolers in High Life
Creator:
Daniel Thomas Egerton, c.1800–1842
Date:
1824
Materials & Techniques:
Aquatint, colored by hand
Dimensions:
Sheet: 8 1/2 x 10 3/4in. (21.6 x 27.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

161. Fashionable Bores, or Coolers in High Life

Fashionable Bores, or Coolers in High Life
Creator:
Daniel Thomas Egerton, c.1800–1842
Date:
1824
Materials & Techniques:
Aquatint, colored by hand
Dimensions:
Sheet: 8 1/2 x 10 3/4in. (21.6 x 27.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

162. Fashionable Bores, or Coolers in High Life

Fashionable Bores, or Coolers in High Life
Creator:
Daniel Thomas Egerton, c.1800–1842
Date:
1824
Materials & Techniques:
Aquatint, colored by hand
Dimensions:
Sheet: 8 1/2 x 10 3/4in. (21.6 x 27.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

163. One of a set of 6 (3): A Day's Journal of a Sponge

One of a set of 6 (3): A Day's Journal of a Sponge
Creator:
Peter Pasquin, active 1824–1826
Date:
1824
Materials & Techniques:
Hand-colored aquatint
Dimensions:
Sheet: 9 x 6 1/4in. (22.9 x 15.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

164. Fashionable Bores, or Coolers in High Life

Fashionable Bores, or Coolers in High Life
Creator:
Daniel Thomas Egerton, c.1800–1842
Date:
1824
Materials & Techniques:
Aquatint, colored by hand
Dimensions:
Sheet: 8 1/2 x 10 3/4in. (21.6 x 27.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

165. Fashionable Bores, or Coolers in High Life

Fashionable Bores, or Coolers in High Life
Creator:
Daniel Thomas Egerton, c.1800–1842
Date:
1824
Materials & Techniques:
Aquatint, colored by hand
Dimensions:
Sheet: 8 1/2 x 10 3/4in. (21.6 x 27.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

166. Fashionable Bores, or Coolers in High Life

Fashionable Bores, or Coolers in High Life
Creator:
Daniel Thomas Egerton, c.1800–1842
Date:
1824
Materials & Techniques:
Aquatint, colored by hand
Dimensions:
Sheet: 8 1/2 x 10 3/4in. (21.6 x 27.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

167. Lillebonne - Château d'Harcourt

Lillebonne - Château d'Harcourt
Creator:
Print made by Richard Parkes Bonington, 1802–1828
Date:
1824
Materials & Techniques:
Lithograph with yellow tint on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 12 1/2 x 9 11/16 inches (31.8 x 24.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

168. Rochester, on the River Medway

Rochester, on the River Medway
Creator:
Print made by Thomas Goff Lupton, 1791–1873
Date:
1824
Materials & Techniques:
Mezzotint; engraver's proof (b); completed on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 13 1/4 × 20 1/4 inches (33.7 × 51.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

169. Norham Castle, on the River Tweed

Norham Castle, on the River Tweed
Creator:
Print made by Charles Turner, 1774–1857
Date:
1824
Materials & Techniques:
Mezzotint; engraver's proof (c) (touched) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 1/4 × 11 5/8 inches (23.5 × 29.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

170. Norham Castle, on the River Tweed

Norham Castle, on the River Tweed
Creator:
Print made by Charles Turner, 1774–1857
Date:
1824
Materials & Techniques:
Mezzotint; engraver's proof (b) (touched) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 3/4 × 13 1/4 inches (24.8 × 33.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

171. Norham Castle, on the River Tweed

Norham Castle, on the River Tweed
Creator:
Print made by Charles Turner, 1774–1857
Date:
1824
Materials & Techniques:
Mezzotint; engraver's proof (cd) (touched) on medium, slightly textured, cream laid paper
Dimensions:
Plate: 8 5/8 × 10 1/8 inches (21.9 × 25.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

172. Norham Castle, on the River Tweed

Norham Castle, on the River Tweed
Creator:
Print made by Charles Turner, 1774–1857
Date:
1824
Materials & Techniques:
Mezzotint; engraver's proof (d) (touched) on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 3/8 × 16 3/8 inches (28.9 × 41.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

173. Norham Castle, on the River Tweed

Norham Castle, on the River Tweed
Creator:
Print made by Charles Turner, 1774–1857
Date:
1824
Materials & Techniques:
Mezzotint; engraver's proof (g) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 13 × 19 3/8 inches (33 × 49.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

174. Dartmouth Castle, on the River Dart

Dartmouth Castle, on the River Dart
Creator:
Print made by Thomas Goff Lupton, 1791–1873
Date:
1824
Materials & Techniques:
Mezzotint; engraver's proof (a) (touched) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 1/4 × 12 3/8 inches (23.5 × 31.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

175. Bergues - La Tour du Marché

Bergues - La Tour du Marché
Creator:
Print made by Richard Parkes Bonington, 1802–1828
Date:
1824
Materials & Techniques:
Lithograph on moderately thick, smooth, cream wove paper with beige chine collé
Dimensions:
Sheet: 10 1/4 x 7 1/4 inches (26.1 x 18.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

176. Caen - Eglise Saint-Sauveur

Caen - Eglise Saint-Sauveur
Creator:
Print made by Richard Parkes Bonington, 1802–1828
Date:
1824
Materials & Techniques:
Lithograph with yellow tint on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 14 1/16 x 11 5/16 inches (35.7 x 28.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

177. Neptune's Trident (vignette on wrapper)

Neptune's Trident (vignette on wrapper)
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1824 to 1825
Materials & Techniques:
Line engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

178. The Eddystone Lighthouse

The Eddystone Lighthouse
Creator:
Print made by Thomas Goff Lupton, 1791–1873
Date:
1824-1825
Materials & Techniques:
Mezzotint; engraver's proof (Turner's copy)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

179. The Eddystone Lighthouse

The Eddystone Lighthouse
Creator:
Print made by Thomas Goff Lupton, 1791–1873
Date:
1824-1825
Materials & Techniques:
Mezzotint; engraver's proof (a)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

180. Sunrise, Whiting Fishing at Margate

Sunrise, Whiting Fishing at Margate
Creator:
Print made by Thomas Goff Lupton, 1791–1873
Date:
1824 to 1825
Materials & Techniques:
Mezzotint; earliest engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

181. Sunrise, Whiting Fishing at Margate

Sunrise, Whiting Fishing at Margate
Creator:
Print made by Thomas Goff Lupton, 1791–1873
Date:
1824-1827
Materials & Techniques:
Mezzotint; engraver's proof (b)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

182. Landscape with Bridge

Landscape with Bridge
Creator:
Joseph Stannard, 1797–1830
Date:
1824 to 1827
Materials & Techniques:
Etching, engraver's proof
Dimensions:
Sheet: 17 x 10 3/4in. (43.2 x 27.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

183. A Favorite Poodle Hatching Poultry!! - or A Present of Feather Breeches from the Sandwich Isles

A Favorite Poodle Hatching Poultry!! - or A Present of Feather Breeches from the Sandwich Isles
Creator:
Print made by Robert Isaac Cruikshank, 1789–1856
Date:
1824
Materials & Techniques:
Etching, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 10 3/8 x 14 1/2 inches (26.4 x 36.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

184. Alexander Morison M.D.

Alexander Morison M.D.
Creator:
M. Gauci, 1810–1846
Date:
ca.1829
Materials & Techniques:
Lithograph on moderately thick, slightly textured, cream wove paper, with cream chine-collé
Dimensions:
Sheet: 13 7/16 × 9 5/8 inches (34.1 × 24.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

185. Chelsea - Albert Bridge

Chelsea - Albert Bridge
Creator:
Thomas Abiel Prior, 1809–1886
Date:
undated
Materials & Techniques:
Engraving
Dimensions:
Sheet: 11 5/8 x 19 9/16in. (29.5 x 49.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

186. H. M. George IV Proclaimed King at Carlton House

H. M. George IV Proclaimed King at Carlton House
Creator:
Robert Havell, 1769–1832
Date:
1824
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 18 1/2 x 14 1/4in. (47 x 36.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

187. Members of a Society of Artists that Existed About 1730

Members of a Society of Artists that Existed About 1730
Creator:
Richard Sawyer, active 1820–1830
Date:
ca. 1829
Materials & Techniques:
Etching
Dimensions:
Sheet: 11 3/8 x 13 1/2in. (28.9 x 34.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

188. Advertisement for 'List of New Prints and Engraved Works published by W.B. Cooke 9 Soho Square'

Advertisement for 'List of New Prints and Engraved Works published by W.B. Cooke 9 Soho Square'
Creator:
Print made by unknown artist
Date:
1824 to 1825
Materials & Techniques:
Letterpress
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

189. Kensington Church

Kensington Church
Creator:
William Dorset Fellows, 1807–1878
Date:
1824
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

190. A set of four: Full Cry. London, pub. by Thos. McLean, 1824

A set of four: Full Cry. London, pub. by Thos. McLean, 1824
Creator:
Thomas Sutherland, ca. 1785–1838
Date:
1824
Materials & Techniques:
Aquatint, colored by hand
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

191. Set of 6 with the printed wrapper: British Proverbs

Set of 6 with the printed wrapper: British Proverbs
Creator:
Henry Thomas Alken, 1785–1851
Date:
1824
Materials & Techniques:
Hand colored soft-ground etchings
Dimensions:
Sheet: 8 3/4 x 11 1/8in. (22.2 x 28.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

192. A set of four: Meeting at Cover. London, pub. by Thos. McLean, 1824

A set of four: Meeting at Cover. London, pub. by Thos. McLean, 1824
Creator:
Thomas Sutherland, ca. 1785–1838
Date:
1824
Materials & Techniques:
Aquatint, colored by hand
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

193. A set of four: Breaking Cover. London, pub. by Thos. McLean, 1824

A set of four: Breaking Cover. London, pub. by Thos. McLean, 1824
Creator:
Thomas Sutherland, ca. 1785–1838
Date:
1824
Materials & Techniques:
Aquatint, colored by hand
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

194. A set of four: The Death. London, pub. by Thos. McLean, 1824

A set of four: The Death. London, pub. by Thos. McLean, 1824
Creator:
Thomas Sutherland, ca. 1785–1838
Date:
1824
Materials & Techniques:
Aquatint, colored by hand
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

195. Gurney's New Steam Carriage

Gurney's New Steam Carriage
Creator:
unknown artist
Date:
ca. 1829
Materials & Techniques:
Engraving, colored by hand
Dimensions:
Sheet: 8 3/4 x 13in. (22.2 x 33cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

196. Coaching: The Reading Coaches

Coaching: The Reading Coaches
Creator:
Robert Havell, 1769–1832
Date:
1824
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 10 11/16 x 15 5/8in. (27.1 x 39.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

197. No Shoe's!

No Shoe's!
Creator:
Henry Heath, active 1824–1835
Date:
1824
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 3 5/8 x 5 1/8in. (9.2 x 13cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

198. Basin at Blackwell

Basin at Blackwell
Creator:
Henry Moses, ca. 1782–1870
Date:
1824
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

199. Rue du Gros Horloge

Rue du Gros Horloge
Creator:
Print made by Richard Parkes Bonington, 1802–1828
Date:
1824
Materials & Techniques:
Lithograph on moderately thick, smooth, cream wove paper with beige chine collé
Dimensions:
Sheet: 13 x 13 15/16 inches (33 x 35.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

200. Tour du Gros Horloge, Batie Souis la Domination des Anglais en 1417

Tour du Gros Horloge, Batie Souis la Domination des Anglais en 1417
Creator:
Print made by Richard Parkes Bonington, 1802–1828
Date:
1824
Materials & Techniques:
Lithograph on moderately thick, smooth, cream wove paper with gray chine collé
Dimensions:
Sheet: 20 7/8 x 13 3/4 inches (53 x 35 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection