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1. New Weir on the Wye

New Weir on the Wye
Creator:
Print made by Frederick Christian Lewis the Elder, 1779–1856
Date:
1825
Materials & Techniques:
Mezzotint; engraver's proof (b) on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/2 × 7 3/4 inches (14 × 19.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. Storm Coming On off Portsmouth

Storm Coming On off Portsmouth
Creator:
Print made by William Richardson, active 1842–1877
Date:
between 1825 and 1860
Materials & Techniques:
Mezzotint with chine collé; engraver's proof on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 3/8 × 13 3/4 inches (26.4 × 34.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. The Sea Walls, from the Leigh Wood Quarry, Clifton

The Sea Walls, from the Leigh Wood Quarry, Clifton
Creator:
William Gauci, active 1825–1854
Date:
undated
Materials & Techniques:
Lithograph with chine collé on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/4 x 14 7/8 inches (26 x 37.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Brian and Linda Gracie

4. Hastings Castle

Hastings Castle
Creator:
unknown artist
Date:
ca. 1830
Materials & Techniques:
Watercolor, graphite and black chalk on medium, slightly textured, cream wove paper
Dimensions:
Mount: 9 × 11 inches (22.9 × 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. Design for the Setting of Charles Kean's Production of Richard II at the Princess's Theatre on March 12, 1857

Design for the Setting of Charles Kean's Production of Richard II at the Princess's Theatre on March 12, 1857
Creator:
George Cressal Ellis, ca. 1810–1875
Date:
undated
Materials & Techniques:
Watercolor and gouache over graphite on thin, smooth, brown wove paper
Dimensions:
Sheet: 8 × 11 inches (20.3 × 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund