Date: 1825 - YCBA Collections Search Search Results

201. Orfordness

Creator:: Print made by James C. Allen, active 1821–1831
Date:: ca. 1830
Materials & Techniques:: Etching and engraving with chine collé; engraver's proof on thick, smooth, cream wove paper
Dimensions:: Sheet: 14 1/8 × 20 9/16 inches (35.9 × 52.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

202. The Pont Neuf

Creator:: William Henry Lake Price, ca. 1810–ca. 1896
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 6 1/2 × 9 3/4 inches (16.5 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

203. View from the Pont Neuf

Creator:: William Henry Lake Price, ca. 1810–ca. 1896
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, rough, cream wove paper
Dimensions:: Sheet: 6 1/2 × 9 1/2 inches (16.5 × 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

204. Aldborough

Creator:: Print made by James C. Allen, active 1821–1831
Date:: ca. 1830
Materials & Techniques:: Etching and engraving with chine collé; engraver's proof (a) on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 × 17 1/4 inches (30.2 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

205. Orford Castle and Church

Creator:: Print made by James C. Allen, active 1821–1831
Date:: ca. 1830
Materials & Techniques:: Etching with chine collé on thick, slightly textured, beige wove paper
Dimensions:: Sheet: 17 1/16 × 11 13/16 inches (43.3 × 30 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

206. Whitby

Creator:: Print made by James C. Allen, active 1821–1831
Date:: ca. 1830
Materials & Techniques:: Etching with chine collé on thick, slightly textured, beige wove paper
Dimensions:: Sheet: 14 3/8 × 20 1/2 inches (36.5 × 52.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

207. Lowestoffe

Creator:: Print made by James C. Allen, active 1821–1831
Date:: ca. 1830
Materials & Techniques:: Etching with chine collé on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 7/8 × 20 3/4 inches (37.8 × 52.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

208. Sheet of Sketches

Creator:: Theodor von Holst, 1810–1844
Date:: undated
Materials & Techniques:: Graphite; verso: pen and brown ink and graphite on thin, moderately textured, cream laid paper
Dimensions:: Sheet: 9 1/2 × 14 3/8 inches (24.1 × 36.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

209. Ferdinand Riding the Waves

Creator:: Theodor von Holst, 1810–1844
Date:: ca. 1830
Materials & Techniques:: Watercolor with gray wash and gouache over graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 9 3/4 × 7 1/4 inches (24.8 × 18.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

210. Faust and Margaret

Creator:: Theodor von Holst, 1810–1844
Date:: undated
Materials & Techniques:: Graphite, watercolor and black chalk on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 3/4 × 6 1/2 inches (24.8 × 16.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

211. Theatrical Group

Creator:: Theodor von Holst, 1810–1844
Date:: undated
Materials & Techniques:: Watercolor, gouache and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 1/4 × 5 1/2 inches (21 × 14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

212. Romantic Landscape

Creator:: Samuel Jackson, 1794–1869
Date:: ca. 1830
Materials & Techniques:: Watercolor, gouache, and graphite, with scraping out on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 5/8 × 11 3/4 inches (21.9 × 29.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

213. View of Old London Bridge

Creator:: William Henry Hunt, 1790–1864
Date:: 1825
Materials & Techniques:: Watercolor, and pen and brown ink on moderately thick, textured, beige wove paper
Dimensions:: Sheet: 13 1/4 x 21 1/8 inches (33.7 x 53.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

214. Study of a Young Girl, with Ringlets, in a Black Evening Dress

Creator:: William Henry Hunt, 1790–1864
Date:: ca. 1830
Materials & Techniques:: Watercolor over graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Contemporary drawn border: 8 3/4 x 4 7/8 inches (22.2 x 12.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

215. A Boy Writing

Creator:: William Henry Hunt, 1790–1864
Date:: ca. 1830
Materials & Techniques:: Watercolor and graphite on moderately thick, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 4 1/8 x 4 inches (10.5 x 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

216. Girl in a Red Belt

Creator:: William Henry Hunt, 1790–1864
Date:: ca. 1830
Materials & Techniques:: Watercolor and graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Contemporary drawn border: 4 5/8 x 3 3/4 inches (11.7 x 9.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

217. Sophy Steadman Reading

Creator:: William Henry Hunt, 1790–1864
Date:: ca. 1830
Materials & Techniques:: Graphite on moderately thick, slightly textured, gray laid paper
Dimensions:: Sheet: 7 3/4 x 4 5/8 inches (19.7 x 11.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

218. Falstaff Dragging the Body of Hotspur

Creator:: Robert Smirke, 1752–1845
Date:: 1825
Materials & Techniques:: Pen and brown ink with brown wash and gouache over graphite with gum on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 3/8 x 4 15/16 inches (16.2 x 12.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

219. Falstaff Instructing Bardolph

Creator:: Robert Smirke, 1752–1845
Date:: 1825
Materials & Techniques:: Pen and brown ink with brown wash and gouache over graphite with gum on moderately thick, slightly textured, cream wove paper pasted on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 x 4 1/2 inches (15.2 x 11.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

220. Lysander Awakening to See Helena

Creator:: Robert Smirke, 1752–1845
Date:: 1825
Materials & Techniques:: Pen and brown ink with brown wash and gouache over graphite with gum on moderately thick, slightly textured, cream wove paper pasted on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 1/2 x 4 1/4 inches (16.5 x 10.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

221. Weymouth Castle

Creator:: unknown artist
Date:: ca. 1830
Materials & Techniques:: Watercolor and black chalk on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 3/4 × 13 1/2 inches (24.8 × 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

222. The Keep, Arundel Castle

Creator:: unknown artist
Date:: ca. 1830
Materials & Techniques:: Watercolor, pen, brown ink, and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/8 × 10 1/4 inches (23.2 × 26 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

223. Near Ambleside

Creator:: unknown artist
Date:: ca. 1830
Materials & Techniques:: Watercolor and black chalk on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 7/8 × 12 1/8 inches (20 × 30.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

224. Studies for Shylock

Creator:: Richard Parkes Bonington, 1802–1828
Date:: 1825
Materials & Techniques:: Pen and brown ink on thin, slightly textured, cream laid paper joined to thin, slightly textured, cream laid paper, mounted on card
Dimensions:: Mount: 15 × 18 7/8 inches (38.1 × 47.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

225. Portsmouth, Hampshire

Creator:: Print made by William Miller, 1796–1882
Date:: 1825
Materials & Techniques:: Etching and engraving, with graphite and chine collé; touched engraver's proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/4 × 17 1/4 inches (29.8 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

226. Brighton

Creator:: Print made by George Cooke, 1781–1834
Date:: 1825
Materials & Techniques:: Etching and engraving with chine collé; first published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 × 14 1/4 inches (27.9 × 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

227. Folkstone, Kent

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1825
Materials & Techniques:: Etching and engraving with chine collé; engraver's proof (2) on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 3/8 × 12 inches (23.8 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

228. Folkstone, Kent

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1825
Materials & Techniques:: Etching; open etched state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 1/2 × 17 1/4 inches (29.2 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

229. Boots, Etc. Cromwell's Time, Haddon Hall, Jan. 9, 1825

Creator:: James Ward, 1769–1859
Date:: 1825
Materials & Techniques:: Graphite and watercolor on medium, slightly textured, cream wove paper mounted on medium, smooth, cream wove paper
Dimensions:: Sheet: 7 x 10 3/8 inches (17.8 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

230. Kirkstall Abbey, Yorkshire

Creator:: Harvey Wood, active 1825
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 15/16 × 10 inches (25.2 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

231. Illustration for The New Doll: The Doll brought Home

Creator:: Edward Francis Burney, 1760–1848
Date:: 1825
Materials & Techniques:: Graphite, pen and brown ink, brown wash, and gray wash on medium, slightly textured, cream wove paper mounted to card
Dimensions:: Sheet: 4 1/2 × 3 3/4 inches (11.4 × 9.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

232. Ilustration for The New Doll: Untitled

Creator:: Edward Francis Burney, 1760–1848
Date:: 1825
Materials & Techniques:: Pen and brown ink, gray wash and red chalk on medium, slightly textured, cream wove paper mounted to card
Dimensions:: Sheet: 3 7/8 x 4 1/2in. (9.8 x 11.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

233. Illustration for The New Doll: Sewing Clothes for the Doll

Creator:: Edward Francis Burney, 1760–1848
Date:: 1825
Materials & Techniques:: Pen and brown ink, gray wash, and red chalk on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 3 3/4 × 4 3/8 inches (9.5 × 11.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

234. Illustration for The New Doll: Untitled

Creator:: Edward Francis Burney, 1760–1848
Date:: 1825
Materials & Techniques:: Pen and brown ink and brown wash and gray wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 1/2 × 3 7/8 inches (11.4 × 9.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

235. Illustration for The New Doll: Untitled

Creator:: Edward Francis Burney, 1760–1848
Date:: 1825
Materials & Techniques:: Graphite, pen and brown ink, brown wash, and gray wash on medium, slightly textured, cream wove paper mounted to card
Dimensions:: Sheet: 4 1/2 × 4 inches (11.4 × 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

236. Opening of the Liverpool and Manchester Railway

Creator:: Isaac Shaw, active 1830
Date:: ca. 1830
Materials & Techniques:: Brown wash, brown ink, and graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 6 3/16 × 8 1/2 inches (15.7 × 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

237. Railway Office, Liverpool

Creator:: Isaac Shaw, active 1830
Date:: ca. 1830
Materials & Techniques:: Brown wash, brown ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 1/16 × 8 5/8 inches (15.4 × 21.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

238. The Viaduct over the Sankey Canal

Creator:: Isaac Shaw, active 1830
Date:: ca. 1830
Materials & Techniques:: Brown wash, brown ink, and graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 6 1/8 × 8 7/16 inches (15.6 × 21.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

239. View on the Liverpool and Manchester Railway with the Locomotive "Twin Sisters" in a Siding

Creator:: Isaac Shaw, active 1830
Date:: ca. 1830
Materials & Techniques:: Brown wash, brown ink, and graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 6 1/8 × 8 11/16 inches (15.6 × 22.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

240. Bridge over the Irwell and Entrance into Manchester

Creator:: Isaac Shaw, active 1830
Date:: ca. 1830
Materials & Techniques:: Brown wash, brown ink, and graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 6 1/2 × 8 5/8 inches (16.5 × 21.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

241. View on the Line of the Liverpool and Manchester Railway

Creator:: Isaac Shaw, active 1830
Date:: ca. 1830
Materials & Techniques:: Brown wash, brown ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 1/8 × 8 5/8 inches (15.6 × 21.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

242. Shipping in an Estuary, Probably near Quilleboeuf

Creator:: Richard Parkes Bonington, 1802–1828
Date:: 1825 to 1826
Materials & Techniques:: Watercolor over graphite with scratching out on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 3/4 x 9 inches (14.6 x 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

243. Paddle Steamer Near Weymouth

Creator:: unknown artist
Date:: ca. 1830
Materials & Techniques:: Watercolor, graphite, and pen and black ink on medium, rough, cream wove paper
Dimensions:: Sheet: 8 3/8 × 10 1/2 inches (21.3 × 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

244. Harbour, Hamburg from the Elbe

Creator:: Alfred Gomersal Vickers, 1810–1837
Date:: undated
Materials & Techniques:: Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 3/8 × 14 3/8 inches (21.3 × 36.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

245. The Town Hall, Danzig

Creator:: Alfred Gomersal Vickers, 1810–1837
Date:: undated
Materials & Techniques:: Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 5/8 × 10 1/2 inches (37.1 × 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

246. A Cave in Sunlight, with Figures

Creator:: William Payne, active 1850s
Date:: 1825
Materials & Techniques:: Watercolor, gouache, and pen and black ink on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 3/8 × 12 1/4 inches (21.3 × 31.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

247. Studies after Anthony van Dyck's Portrait of Arthur Goodwin

Creator:: James Ward, 1769–1859
Date:: 1825
Materials & Techniques:: Graphite and brown wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 x 10 3/8 inches (17.8 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

248. The Murder of Banquo

Creator:: George Fennell Robson, 1788–1833
Date:: ca. 1830
Materials & Techniques:: Watercolor and gouache with pen and brown ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 3/16 × 10 1/2 inches (18.2 × 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

249. Group of Figures, with a Man Painting in Watercolors and a Girl Handing Cups of Tea

Creator:: unknown artist
Date:: ca. 1830
Materials & Techniques:: Graphite and black chalk on medium, slightly textured, gray wove paper
Dimensions:: Sheet: 7 1/4 × 10 5/8 inches (18.4 × 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

250. A Sheet of Sketches - Theatrical Studies

Creator:: Theodor von Holst, 1810–1844
Date:: undated
Materials & Techniques:: Graphite with brown wash and gray wash on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 6 7/8 × 7 inches (17.5 × 17.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

251. Wash proofs to accompany Westmacott's "The English Spy": Morning and in Low Spirits - a Scene in a Lock up House, Vide Cary St. Chancery Lane

Creator:: Robert Isaac Cruikshank, 1789–1856
Date:: 1825
Materials & Techniques:: Etching and gray wash (proof)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

252. Windsor Castle, Berkshire: South-Facing View of the Upper Ward

Creator:: Studio of Sir Jeffry Wyatville, 1766–1840
Date:: ca. 1830
Materials & Techniques:: Pen and black ink and watercolor on slightly textured, medium, white wove paper
Dimensions:: Sheet: 4 5/8 × 9 1/2 inches (11.7 × 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

253. Windsor Castle, Berkshire: North-Facing View of the Upper Ward

Creator:: Studio of Sir Jeffry Wyatville, 1766–1840
Date:: ca. 1830
Materials & Techniques:: Watercolor with pen and brown ink over graphite on slightly textured, medium, white wove paper
Dimensions:: Sheet: 3 × 6 1/2 inches (7.6 × 16.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

254. Windsor Castle, Berkshire: Distant View from the South

Creator:: Studio of Sir Jeffry Wyatville, 1766–1840
Date:: ca. 1830
Materials & Techniques:: Graphite, pen and black ink and watercolor on slightly textured, moderately thick, white wove paper
Dimensions:: Sheet: 3 × 8 1/4 inches (7.6 × 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

255. Windsor Castle, Berkshire: East View

Creator:: Studio of Sir Jeffry Wyatville, 1766–1840
Date:: ca. 1830
Materials & Techniques:: Pen and black ink and watercolor on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 3 3/8 × 10 1/8 inches (8.6 × 25.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

256. Windsor Castle, Berkshire: Distant View from the South

Creator:: Studio of Sir Jeffry Wyatville, 1766–1840
Date:: ca. 1830
Materials & Techniques:: Graphite, pen and black ink and watercolor on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 3 3/8 × 10 1/8 inches (8.6 × 25.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

257. Standing Female Nude

Creator:: William Edward Frost, 1810–1877
Date:: undated
Materials & Techniques:: Pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 × 4 1/2 inches (17.8 × 11.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

258. Castle of Montdragon, near Orange

Creator:: Print made by James C. Allen, active 1821–1831
Date:: 1825
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/2 × 17 3/8 inches (29.2 × 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

259. The Vine, Seat of Wm. John Chute Esq.

Creator:: Print made by Christopher Hewetson, 1737/38–1798
Date:: 1825
Materials & Techniques:: Aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 1/2 × 10 inches (16.5 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

260. Hôtel de Villes, Brussels

Creator:: Print made by William Woolnoth, active 1806–1830
Date:: 1825
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 × 10 1/8 inches (18.4 × 25.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

261. Burghley House: Seat of the Marquis of Exeter

Creator:: Print made by unknown artist
Date:: 1825
Materials & Techniques:: Aquatint with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

262. The Study

Creator:: Print made by J. Rogers, active ca.1825–ca.1842
Date:: undated
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

263. Battersea Bridge, from Cheyne Walk, Chelsea

Creator:: Print made by Charles Heath, 1785–1848
Date:: 1825
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

264. Stag at the Edge of a Pond

Creator:: Print made by Edward Radclyffe, 1809–1863
Date:: undated
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

265. Palace of Justice, with Fine Carved Chimney, Bruges

Creator:: Print made by William Wallis, 1794– active 1830
Date:: ca. 1830
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

266. Palace of Justice, with Fine Carved Chimney, Bruges

Date:: ca. 1830
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

267. The Rat Catcher, or Symptons of Love: Illustration's of Harriette Wilson's Memoir's (Plate I)

Creator:: Henry Heath, active 1824–1835
Date:: 1825
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 4 1/4 x 5 1/8in. (10.8 x 13cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

268. The Rival Dukes, or the Conqueror, Beating a Retreat: Illustration of Harriette Wilson's Memoir's (Plate 7)

Creator:: Henry Heath, active 1824–1835
Date:: 1825
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 5 1/2 x 4 3/8in. (14 x 11.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

269. La Coterie Debouché

Creator:: Henry Heath, active 1824–1835
Date:: 1825
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 1/4 x 14 3/4in. (21 x 37.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

270. Personal Security

Creator:: Henry Heath, active 1824–1835
Date:: 1825
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 4 5/8 x 5 7/8in. (11.7 x 14.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

271. Fresh, Fish

Creator:: Henry Heath, active 1824–1835
Date:: 1825
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 4 3/8 x 5 7/8in. (11.1 x 14.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

272. Within a Foot of It!! - There is Many a Slip 'Tween the Cup and the Lip!

Creator:: Henry Heath, active 1824–1835
Date:: 1825
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 7 7/8 x 12 1/8in. (20 x 30.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

273. The Naughty Quaker in Elbow Lane!! Oh! Fie - Oh! Fie!!!

Creator:: Henry Heath, active 1824–1835
Date:: 1825
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 1/4 x 12 3/4in. (21 x 32.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

274. An Exposé, or Princely Economy in Love: Illustration for Harriette Wilson's "Memoir's"

Creator:: Henry Heath, active 1824–1835
Date:: 1825
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 4 3/8 x 5 15/16in. (11.1 x 15.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

275. View in Cuper's Gardens, Lambeth

Creator:: unknown artist
Date:: 1825
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

276. View in Cuper's Gardens, Lambeth

Creator:: Bartholomew Howlett, 1767–1827
Date:: 1825
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

277. View of the Feathers Tavern, Cupers Bridge, Lambeth

Creator:: Bartholomew Howlett, 1767–1827
Date:: 1825
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

278. View of the Feathers Tavern, Cupers-Bridge, Lambeth

Creator:: Bartholomew Howlett, 1767–1827
Date:: 1825
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

279. View in Cuper's Gardens, Lambeth

Creator:: unknown artist
Date:: 1825
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

280. View in Cuper's Gardens, Lambeth

Creator:: Bartholomew Howlett, 1767–1827
Date:: 1825
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

281. A View of the Skin-Market in Leadenhall

Creator:: unknown artist
Date:: 1825
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

282. View of the Skin-Market in Leadenhall

Creator:: unknown artist
Date:: 1825
Materials & Techniques:: Hand colored engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

283. View of the Skin-Market in Leadenhall

Creator:: unknown artist
Date:: 1825
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

284. Vestiges of a Crypt in Leadenhall Street, and Houses on the North Side of Leadenhall Street

Creator:: Bartholomew Howlett, 1767–1827
Date:: 1825
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

285. The Sea Walls, from the Leigh Wood Quarry, Clifton

Creator:: William Gauci, active 1825–1854
Date:: undated
Materials & Techniques:: Lithograph with chine collé on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/4 x 14 7/8 inches (26 x 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Brian and Linda Gracie

286. Mr. Nash's Castle Near Cowes

Creator:: Elizabeth Christiana Fanshawe, 1778–1856
Date:: ca. 1830
Materials & Techniques:: Watercolor on medium, slightly textured, cream wove paper
Dimensions:: Overall: 4 7/8 × 7 1/4 inches (12.4 × 18.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Rosemarie Haag Bletter and Martin Filler in memory of Paul Mellon, Yale College, Class of 1929

287. Compartment on One Side, St Stephen's Chapel

Creator:: Print made by John Le Keux, 1783–1846
Date:: 1825
Materials & Techniques:: Line engraving on smooth, moderately thick, cream wove paper
Dimensions:: Sheet: 10 5/8 × 8 1/16 inches (27 × 20.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

288. Hatchway's Eagerness to Meet Peregrine

Creator:: Print made by George Cruikshank, 1792–1878
Date:: ca. 1830
Materials & Techniques:: Etching on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 9 5/16 x 5 11/16 inches (23.7 x 14.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

289. Brahmins at a Toolsee Altar

Creator:: Print made by Sir Charles D'Oyly, 1781–1845
Date:: ca. 1830
Materials & Techniques:: Lithograph with hand coloring in watercolor on medium, slightly textured, cream wove paper mounted on moderately thick, slightly textured, beige wove paper
Dimensions:: Mount: 9 5/8 x 6 5/16 inches (24.5 x 16 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

290. Harborough Sands

Creator:: Print made by James C. Allen, active 1821–1831
Date:: ca. 1830
Materials & Techniques:: Etching and engraving on thick, slightly textured, beige wove paper
Dimensions:: Sheet: 17 3/4 × 12 3/8 inches (45.1 × 31.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

291. Coursing [one of a pair]: Hampton Court Park. Plate 2. "Five to Four on the Red Dog"

Creator:: Edward Hull, 1810–1877
Date:: undated
Materials & Techniques:: Hand colored lithograph
Dimensions:: Sheet: 9 x 12 7/8in. (22.9 x 32.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

292. West View of the Ruins of Cowdray House, Sussex; from the Court

Creator:: John Buckler FSA, 1770–1851
Date:: 1825
Materials & Techniques:: Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:: Sheet: 12 7/8 × 19 3/4 inches (32.7 × 50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

293. West view of the Ruins of Cowdray House, Sussex

Creator:: John Buckler FSA, 1770–1851
Date:: 1825
Materials & Techniques:: Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:: Sheet: 13 × 19 3/4 inches (33 × 50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

294. P. Turnerelli, Esq.

Creator:: James Robert Thompson, active 1807–1843
Date:: 1825
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

295. A Bheesty or Water Carrier

Creator:: Print made by Sir Charles D'Oyly, 1781–1845
Date:: ca. 1830
Materials & Techniques:: Lithograph with hand coloring in watercolor on medium, slightly textured, cream wove paper mounted on moderately thick, slightly textured, beige wove paper
Dimensions:: Mount: 9 13/16 x 6 1/2 inches (25 x 16.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

296. Female Attendants

Creator:: Print made by Sir Charles D'Oyly, 1781–1845
Date:: ca. 1830
Materials & Techniques:: Lithograph with hand coloring in watercolor on medium, smooth, beige wove paper mounted on medium, slightly textured, beige wove paper
Dimensions:: Mount: 9 5/8 x 6 5/16 inches (24.4 x 16 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

297. A Mussalmaum Schoolmaster

Creator:: Print made by Sir Charles D'Oyly, 1781–1845
Date:: ca. 1830
Materials & Techniques:: Lithograph with hand coloring in watercolor on medium, slightly textured, cream wove paper mounted on moderately thick, slightly textured, beige wove paper
Dimensions:: Mount: 9 15/16 x 6 9/16 inches (25.2 x 16.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

298. Ordbhawn or Hindoo Fakeer

Creator:: Print made by Sir Charles D'Oyly, 1781–1845
Date:: ca. 1830
Materials & Techniques:: Lithograph with hand coloring in watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

299. Nuts or Indian Jugglers

Creator:: Print made by Sir Charles D'Oyly, 1781–1845
Date:: ca. 1830
Materials & Techniques:: Lithograph with hand coloring in watercolor on medium, slightly textured, cream wove paper mounted on moderately thick, slightly textured, beige wove paper
Dimensions:: Mount: 9 5/8 x 6 9/16 inches (24.5 x 16.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

300. A Syce or Groom

Creator:: Print made by Sir Charles D'Oyly, 1781–1845
Date:: ca. 1830
Materials & Techniques:: Chromolithograph on medium, slightly textured, cream wove paper mounted on moderately thick, slightly textured, beige wove paper
Dimensions:: Mount: 9 7/8 x 6 1/16 inches (25.1 x 15.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Date 1825

Search Results

201. Orfordness

202. The Pont Neuf

203. View from the Pont Neuf

204. Aldborough

205. Orford Castle and Church

206. Whitby

207. Lowestoffe

208. Sheet of Sketches

209. Ferdinand Riding the Waves

210. Faust and Margaret

211. Theatrical Group

212. Romantic Landscape

213. View of Old London Bridge

214. Study of a Young Girl, with Ringlets, in a Black Evening Dress

215. A Boy Writing

216. Girl in a Red Belt

217. Sophy Steadman Reading

218. Falstaff Dragging the Body of Hotspur

219. Falstaff Instructing Bardolph

220. Lysander Awakening to See Helena

221. Weymouth Castle

222. The Keep, Arundel Castle

223. Near Ambleside

224. Studies for Shylock

225. Portsmouth, Hampshire

226. Brighton

227. Folkstone, Kent

228. Folkstone, Kent

229. Boots, Etc. Cromwell's Time, Haddon Hall, Jan. 9, 1825

230. Kirkstall Abbey, Yorkshire

231. Illustration for The New Doll: The Doll brought Home

232. Ilustration for The New Doll: Untitled

233. Illustration for The New Doll: Sewing Clothes for the Doll

234. Illustration for The New Doll: Untitled

235. Illustration for The New Doll: Untitled

236. Opening of the Liverpool and Manchester Railway

237. Railway Office, Liverpool

238. The Viaduct over the Sankey Canal

239. View on the Liverpool and Manchester Railway with the Locomotive "Twin Sisters" in a Siding

240. Bridge over the Irwell and Entrance into Manchester

241. View on the Line of the Liverpool and Manchester Railway

242. Shipping in an Estuary, Probably near Quilleboeuf

243. Paddle Steamer Near Weymouth

244. Harbour, Hamburg from the Elbe

245. The Town Hall, Danzig

246. A Cave in Sunlight, with Figures

247. Studies after Anthony van Dyck's Portrait of Arthur Goodwin

248. The Murder of Banquo

249. Group of Figures, with a Man Painting in Watercolors and a Girl Handing Cups of Tea

250. A Sheet of Sketches - Theatrical Studies

251. Wash proofs to accompany Westmacott's "The English Spy": Morning and in Low Spirits - a Scene in a Lock up House, Vide Cary St. Chancery Lane

252. Windsor Castle, Berkshire: South-Facing View of the Upper Ward

253. Windsor Castle, Berkshire: North-Facing View of the Upper Ward

254. Windsor Castle, Berkshire: Distant View from the South

255. Windsor Castle, Berkshire: East View

256. Windsor Castle, Berkshire: Distant View from the South

257. Standing Female Nude

258. Castle of Montdragon, near Orange

259. The Vine, Seat of Wm. John Chute Esq.

260. Hôtel de Villes, Brussels

261. Burghley House: Seat of the Marquis of Exeter

262. The Study

263. Battersea Bridge, from Cheyne Walk, Chelsea

264. Stag at the Edge of a Pond

265. Palace of Justice, with Fine Carved Chimney, Bruges

266. Palace of Justice, with Fine Carved Chimney, Bruges

267. The Rat Catcher, or Symptons of Love: Illustration's of Harriette Wilson's Memoir's (Plate I)

268. The Rival Dukes, or the Conqueror, Beating a Retreat: Illustration of Harriette Wilson's Memoir's (Plate 7)

269. La Coterie Debouché

270. Personal Security

271. Fresh, Fish

272. Within a Foot of It!! - There is Many a Slip 'Tween the Cup and the Lip!

273. The Naughty Quaker in Elbow Lane!! Oh! Fie - Oh! Fie!!!

274. An Exposé, or Princely Economy in Love: Illustration for Harriette Wilson's "Memoir's"

275. View in Cuper's Gardens, Lambeth