Date: 1825 - YCBA Collections Search Search Results

201. Windsor Castle, Berkshire: South-Facing View of the Upper Ward

Creator:: Studio of Sir Jeffry Wyatville, 1766–1840
Date:: ca. 1830
Materials & Techniques:: Pen and black ink and watercolor on slightly textured, medium, white wove paper
Dimensions:: Sheet: 4 5/8 × 9 1/2 inches (11.7 × 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

202. Windsor Castle, Berkshire: North-Facing View of the Upper Ward

Creator:: Studio of Sir Jeffry Wyatville, 1766–1840
Date:: ca. 1830
Materials & Techniques:: Watercolor with pen and brown ink over graphite on slightly textured, medium, white wove paper
Dimensions:: Sheet: 3 × 6 1/2 inches (7.6 × 16.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

203. Windsor Castle, Berkshire: Distant View from the South

Creator:: Studio of Sir Jeffry Wyatville, 1766–1840
Date:: ca. 1830
Materials & Techniques:: Graphite, pen and black ink and watercolor on slightly textured, moderately thick, white wove paper
Dimensions:: Sheet: 3 × 8 1/4 inches (7.6 × 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

204. Brahmins at a Toolsee Altar

Creator:: Print made by Sir Charles D'Oyly, 1781–1845
Date:: ca. 1830
Materials & Techniques:: Lithograph with hand coloring in watercolor on medium, slightly textured, cream wove paper mounted on moderately thick, slightly textured, beige wove paper
Dimensions:: Mount: 9 5/8 x 6 5/16 inches (24.5 x 16 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

205. A Punca Bearer

Creator:: Print made by Sir Charles D'Oyly, 1781–1845
Date:: ca. 1830
Materials & Techniques:: Lithograph with hand coloring in watercolor on medium, slightly textured, cream wove paper mounted on moderately thick, slightly textured, beige wove paper
Dimensions:: Mount: 9 15/16 x 6 1/4 inches (25.2 x 15.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

206. A Samporea or Snake Catcher

Creator:: Print made by Sir Charles D'Oyly, 1781–1845
Date:: ca. 1830
Materials & Techniques:: Lithograph with hand coloring in watercolor on medium, slightly textured, cream wove paper mounted on moderately thick, slightly textured, beige wove paper
Dimensions:: Mount: 9 15/16 x 5 15/16 inches (25.3 x 15.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

207. Nuts or Indian Jugglers

Creator:: Print made by Sir Charles D'Oyly, 1781–1845
Date:: ca. 1830
Materials & Techniques:: Lithograph with hand coloring in watercolor on medium, slightly textured, cream wove paper mounted on moderately thick, slightly textured, beige wove paper
Dimensions:: Mount: 9 5/8 x 6 9/16 inches (24.5 x 16.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

208. A Syce or Groom

Creator:: Print made by Sir Charles D'Oyly, 1781–1845
Date:: ca. 1830
Materials & Techniques:: Chromolithograph on medium, slightly textured, cream wove paper mounted on moderately thick, slightly textured, beige wove paper
Dimensions:: Mount: 9 7/8 x 6 1/16 inches (25.1 x 15.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

209. Coursing [one of a pair]: Hampton Court Park. Plate 2. "Five to Four on the Red Dog"

Creator:: Edward Hull, 1810–1877
Date:: undated
Materials & Techniques:: Hand colored lithograph
Dimensions:: Sheet: 9 x 12 7/8in. (22.9 x 32.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

210. Fox Hunting [set of four]: Leicestershire 'Gaudet Equis Canisbusque'. No. 3. Symptoms of a Skurry in a Pewy Country ...

Creator:: Sir John Dean Paul, 1775–1852
Date:: 1825
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 8 7/8 x 22in. (22.5 x 55.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

211. Shooting [set of six]: 4. Wild Duck Shooting

Creator:: James Pollard, 1792–1867
Date:: 1825
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 7 1/4 x 18 1/4in. (18.4 x 46.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

212. Shooting [set of six]: 5. Snipe Shooting

Creator:: James Pollard, 1792–1867
Date:: 1825
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 7 1/4 x 18 1/4in. (18.4 x 46.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

213. Set of seven: The Seven Ages of the Horse

Creator:: Henry Thomas Alken, 1785–1851
Date:: 1825
Materials & Techniques:: Hand colored soft-ground etching
Dimensions:: Sheet: 8 7/8 x 10 3/4in. (22.5 x 27.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

214. Set of seven: The Seven Ages of the Horse

Creator:: Henry Thomas Alken, 1785–1851
Date:: 1825
Materials & Techniques:: Hand colored soft-ground etching
Dimensions:: Sheet: 8 7/8 x 10 3/4in. (22.5 x 27.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

215. Set of seven: The Seven Ages of the Horse

Creator:: Henry Thomas Alken, 1785–1851
Date:: 1825
Materials & Techniques:: Hand colored soft-ground etching
Dimensions:: Sheet: 8 7/8 x 10 3/4in. (22.5 x 27.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

216. Set of seven: The Seven Ages of the Horse

Creator:: Henry Thomas Alken, 1785–1851
Date:: 1825
Materials & Techniques:: Hand colored soft-ground etching
Dimensions:: Sheet: 8 7/8 x 10 3/4in. (22.5 x 27.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

217. Native of Tacocronte, Tenerife

Creator:: Alfred Diston, active 1818–1829
Date:: 1825
Materials & Techniques:: Watercolor, pen and black ink and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/2 × 7 3/8 inches (24.1 × 18.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

218. View of La Rambla de Castro near Port Orotava, Tenerife

Creator:: Alfred Diston, active 1818–1829
Date:: 1825
Materials & Techniques:: Watercolor over graphite with pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 3/4 × 8 1/4 inches (12.1 × 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

219. Peasants of Hierro

Creator:: Alfred Diston, active 1818–1829
Date:: 1825
Materials & Techniques:: Watercolor, pen and brown ink and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 5/8 × 6 1/8 inches (21.9 × 15.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

220. Peasants of Ycod el alto, Tenerife

Creator:: Alfred Diston, active 1818–1829
Date:: 1825
Materials & Techniques:: Watercolor, graphite and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 3/8 × 7 1/8 inches (23.8 × 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

221. Study for a composition: The Wreck of an East Indiaman

Creator:: unknown artist
Date:: ca. 1830
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 3/4 × 6 7/8 inches (12.1 × 17.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

222. Barcelona

Creator:: unknown artist
Date:: ca. 1830
Materials & Techniques:: Watercolor and pen and black ink over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 1/2 × 6 7/8 inches (11.4 × 17.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

223. Peasants of Chasna, Tenerife

Creator:: Alfred Diston, active 1818–1829
Date:: 1825
Materials & Techniques:: Watercolor, pen and black ink and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 7/8 × 6 5/8 inches (20 × 16.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

224. Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 1, Scene 2

Creator:: George Cressal Ellis, ca. 1810–1875
Date:: undated
Materials & Techniques:: Watercolor, graphite, and gouache on thin wove paper stained for tracing
Dimensions:: Mount: 7 3/8 × 9 5/8 inches (18.7 × 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

225. Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 4

Creator:: George Cressal Ellis, ca. 1810–1875
Date:: undated
Materials & Techniques:: Watercolor and graphite on wove paper, laid down on contemporary laid paper mount
Dimensions:: Sheet: 5 5/8 × 7 7/8 inches (14.3 × 20 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

226. Study of a Man Riding a Horse

Creator:: Theodor von Holst, 1810–1844
Date:: undated
Materials & Techniques:: Graphite and black chalk on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 1/8 × 8 1/4 inches (25.7 × 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

227. A Scene in Ancient Rome: A Setting for Titus Andronicus, I, ii

Creator:: Joseph Michael Gandy, 1771–1843
Date:: ca. 1830
Materials & Techniques:: Graphite, watercolor and gouache with pen and brown ink on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 x 11 1/2in. (18.4 x 29.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

228. Government House, Belize from Fort St. George, British Honduras

Creator:: I. H. Gascoigne, active 1830s–1840s
Date:: ca. 1830
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 9/16 x 14in. (24.3 x 35.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

229. Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 3

Creator:: George Cressal Ellis, ca. 1810–1875
Date:: undated
Materials & Techniques:: Watercolor and graphite on thin wove paper stained for tracing, laid down on contemporary wove paper mount
Dimensions:: Sheet: 6 9/16 × 8 3/4 inches (16.7 × 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

230. Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857 - Act 4, Scene 2

Creator:: George Cressal Ellis, ca. 1810–1875
Date:: undated
Materials & Techniques:: Watercolor, graphite, pen and brown ink on slightly textured, medium, gray wove paper laid down on contemporary laid paper mount
Dimensions:: Sheet: 5 5/8 × 8 1/16 inches (14.3 × 20.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

231. Design for Setting of Charles Kean's Richard II at the Princess's Theatre, March 12, 1857 - Act 5, Scene 2

Creator:: George Cressal Ellis, ca. 1810–1875
Date:: undated
Materials & Techniques:: Graphite, watercolor, heightened with gouache on thin wove paper stained for tracing, laid down on contemporary mount paper
Dimensions:: Sheet: 6 5/8 × 8 3/4 inches (16.8 × 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

232. Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 2, Scene 3

Creator:: George Cressal Ellis, ca. 1810–1875
Date:: undated
Materials & Techniques:: Graphite, watercolor, heightened with gouache on thin wove paper stained for tracing, laid down on contemporary wove paper mount
Dimensions:: Sheet: 6 3/4 × 8 3/4 inches (17.1 × 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

233. Design for the Setting of Charles Kean's Production of Richard II at the Princess's Theatre on March 12, 1857

Creator:: George Cressal Ellis, ca. 1810–1875
Date:: undated
Materials & Techniques:: Watercolor and gouache over graphite on thin, smooth, brown wove paper
Dimensions:: Sheet: 8 × 11 inches (20.3 × 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

234. Compartment on One Side, St Stephen's Chapel

Creator:: Print made by John Le Keux, 1783–1846
Date:: 1825
Materials & Techniques:: Line engraving on smooth, moderately thick, cream wove paper
Dimensions:: Sheet: 10 5/8 × 8 1/16 inches (27 × 20.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

235. Plate XXXV: Capital Carved in Stone of the Time of William Rufus; Part of the Ceiling of the Ancient Palace of Westminster

Creator:: Print made by John Woods, active 1836–1860
Date:: 1825
Materials & Techniques:: Line engraving on smooth, moderately thick, white wove paper
Dimensions:: Sheet: 7 5/16 × 4 13/16 inches (18.6 × 12.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

236. Pheasant Shooting

Creator:: Edward Duncan, 1803–1882
Date:: 1825
Materials & Techniques:: Watercolor, pen and brown ink, graphite, and gouache on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 5/8 × 10 5/16 inches (16.8 × 26.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

237. Wild Duck Shooting

Creator:: Edward Duncan, 1803–1882
Date:: 1825
Materials & Techniques:: Watercolor, pen and brown ink, gouache, graphite, and scratching out on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 5/8 × 10 5/16 inches (16.8 × 26.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

238. "The Poacher's Progress:" Poachers Before the Magistrates

Creator:: C. Blake, active 1825–1826
Date:: undated
Materials & Techniques:: Graphite, watercolor, and varnish on very thick, moderately textured, brown wove paper
Dimensions:: Sheet: 12 3/4 × 17 5/8 inches (32.4 × 44.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

239. The St. Leger, Doncaster: The Finish

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 1/4 × 16 7/8 inches (31.1 × 42.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

240. Wolverhampton Race Course

Creator:: Print made by Thomas Mann Baynes, 1794–1854
Date:: 1825
Materials & Techniques:: Hand colored lithograph
Dimensions:: Sheet: 15 1/8 x 24 1/8in. (38.4 x 61.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

241. Fox Hunting [set of four]: Leicestershire 'Gaudet Equis Canisbusque'. No. 1. A Struggle for the Start ...

Creator:: Sir John Dean Paul, 1775–1852
Date:: 1825
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 8 7/8 x 22in. (22.5 x 55.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

242. The Quakers in a Quandary or the Times Reporter Triumphant!!

Creator:: Henry Heath, active 1824–1835
Date:: 1825
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 1/2 x 12 3/4in. (21.6 x 32.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

243. View in Cuper's Gardens, Lambeth

Creator:: Bartholomew Howlett, 1767–1827
Date:: 1825
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

244. View of the Feathers Tavern, Cupers Bridge, Lambeth

Creator:: Bartholomew Howlett, 1767–1827
Date:: 1825
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

245. Foxhunting: The Death

Creator:: Henry Thomas Alken, 1785–1851
Date:: ca. 1830
Materials & Techniques:: Graphite and watercolor on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 9 9/16 × 26 15/16 inches (24.3 × 68.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

246. View of the Skin-Market in Leadenhall

Creator:: unknown artist
Date:: 1825
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

247. Vestiges of a Crypt in Leadenhall Street, and Houses on the North Side of Leadenhall Street

Creator:: Bartholomew Howlett, 1767–1827
Date:: 1825
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

248. North East View of the Chapel of the Holy Trinity, Leadenhall

Creator:: unknown artist
Date:: 1825
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

249. Hebiborough Sands

Creator:: Print made by James C. Allen, active 1821–1831
Date:: ca. 1830
Materials & Techniques:: Etching and engraving on thick, slightly textured, beige wove paper
Dimensions:: Sheet: 17 3/4 × 12 3/8 inches (45.1 × 31.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

250. View of the King's Entrance & etc., from the South-West

Creator:: Charles Burton, active 1830–1840
Date:: ca. 1830
Materials & Techniques:: Etching outline, hand colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

251. Henry Fuseli

Creator:: James Thomson, 1800–1883
Date:: 1825
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

252. Walter Fawkes, Esq. of Farnley Hall Yorkshire

Creator:: Thomas A. Woolnoth, 1785–1857
Date:: 1825
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

253. Foxhunting: Rider Approaching a Fence by a Pond, Hound Swimming Through

Creator:: Samuel Henry Gordon Alken, 1810–1894
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/8 × 11 3/8 inches (23.2 × 28.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

254. Foxhunting: Rider Jumping a Stile

Creator:: Samuel Henry Gordon Alken, 1810–1894
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/8 × 11 7/16 inches (23.2 × 29.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

255. Foxhunting: Hunt Servants Leading Out Hounds

Creator:: Samuel Henry Gordon Alken, 1810–1894
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 7/16 × 9 5/16 inches (21.4 × 23.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

256. "The Poacher's Progress:" Poachers Scuffling with the Constables in the Skittle Ground

Creator:: C. Blake, active 1825–1826
Date:: undated
Materials & Techniques:: Graphite, watercolor, and varnish on very thick, moderately textured, brown wove paper
Dimensions:: Sheet: 12 11/16 × 17 5/8 inches (32.2 × 44.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

257. "The Poacher's Progress:" Poachers in Prison (The Pardon)

Creator:: C. Blake, active 1825–1826
Date:: undated
Materials & Techniques:: Graphite, watercolor, and varnish on very thick, rough, brown wove paper
Dimensions:: Sheet: 13 1/16 × 17 1/4 inches (33.2 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

258. "The Poacher's Progress:" 'Poachers Stalking for Partridges'

Creator:: C. Blake, active 1825–1826
Date:: undated
Materials & Techniques:: Graphite, watercolor, and varnish on very thick, moderately textured, brown wove paper
Dimensions:: Sheet: 12 1/4 × 17 1/2 inches (31.1 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

259. "The Poacher's Progress:" 'Poachers Snaring Pheasants'

Creator:: C. Blake, active 1825–1826
Date:: undated
Materials & Techniques:: Graphite, watercolor, and varnish on very thick, moderately textured, brown wove paper
Dimensions:: Sheet: 12 1/8 × 17 7/16 inches (30.8 × 44.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

260. Hatchway's Eagerness to Meet Peregrine

Creator:: Print made by George Cruikshank, 1792–1878
Date:: ca. 1830
Materials & Techniques:: Etching on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 9 5/16 x 5 11/16 inches (23.7 x 14.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

261. West view of the Ruins of Cowdray House, Sussex

Creator:: John Buckler FSA, 1770–1851
Date:: 1825
Materials & Techniques:: Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:: Sheet: 13 × 19 3/4 inches (33 × 50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

262. West View of the Ruins of Cowdray House, Sussex; from the Court

Creator:: John Buckler FSA, 1770–1851
Date:: 1825
Materials & Techniques:: Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:: Sheet: 12 7/8 × 19 3/4 inches (32.7 × 50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

263. P. Turnerelli, Esq.

Creator:: James Robert Thompson, active 1807–1843
Date:: 1825
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

264. Illustrations for Scrap Books

Creator:: unknown artist
Date:: 1825
Materials & Techniques:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

265. A Carriage

Creator:: unknown artist
Date:: 1825
Materials & Techniques:: Pen and black ink and watercolor on medium, slightly textured, white laid paper
Dimensions:: Sheet: 5 3/8 × 6 3/4 inches (13.7 × 17.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

266. Foxhunting: Hunt Servants Returning Hounds to Kennels

Creator:: Samuel Henry Gordon Alken, 1810–1894
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/2 × 9 1/16 inches (21.6 × 23 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

267. Riders Taking a Fence

Creator:: Samuel Henry Gordon Alken, 1810–1894
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, black ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/4 × 11 3/4 inches (21 × 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

268. One of A Series of Sixty Sketches of Cottages. London, 1825.

Creator:: Print made by Frederick Calvert, ca. 1785–1845
Date:: 1825
Materials & Techniques:: Lithograph on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/8 × 10 3/8 inches (18.1 × 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

269. Set of seven: The Seven Ages of the Horse

Creator:: Henry Thomas Alken, 1785–1851
Date:: 1825
Materials & Techniques:: Hand colored soft-ground etching
Dimensions:: Sheet: 8 7/8 x 10 3/4in. (22.5 x 27.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

270. Set of seven: The Seven Ages of the Horse

Creator:: Henry Thomas Alken, 1785–1851
Date:: 1825
Materials & Techniques:: Hand colored soft-ground etching
Dimensions:: Sheet: 8 7/8 x 10 3/4in. (22.5 x 27.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

271. Fox Hunting [set of four]: Leicestershire 'Gaudet Equis Canisbusque'. No. 4. The Death ...

Creator:: Sir John Dean Paul, 1775–1852
Date:: 1825
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 8 7/8 x 22in. (22.5 x 55.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

272. Fox Hunting [set of four]: Leicestershire 'Gaudet Equis Canisbusque'. No. 2. The First Ten Minutes - Shaking Off the Cocktails ...

Creator:: Sir John Dean Paul, 1775–1852
Date:: 1825
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 8 7/8 x 22in. (22.5 x 55.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

273. Interior of the Chapel of the Holy Trinity

Creator:: Print made by Thomas Dale, active ca. 1921
Date:: 1825
Materials & Techniques:: Etching on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 12 5/8 × 9 5/8 inches (32 × 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald and Willi Holden

274. Samuel Johnson

Creator:: William Henry Worthington, ca. 1790–active 1839
Date:: 1825
Materials & Techniques:: Engraving
Dimensions:: Sheet: 11 3/4 x 9 1/4in. (29.8 x 23.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Herman W. Liebert

275. Samuel Johnson

Creator:: William Henry Worthington, ca. 1790–active 1839
Date:: 1825
Materials & Techniques:: Engraving
Dimensions:: Sheet: 11 1/2 x 9 1/2in. (29.2 x 24.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Herman W. Liebert

276. View in Cuper's Gardens, Lambeth

Creator:: unknown artist
Date:: 1825
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

277. View in Cuper's Gardens, Lambeth

Creator:: unknown artist
Date:: 1825
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

278. View of the Feathers Tavern, Cupers-Bridge, Lambeth

Creator:: Bartholomew Howlett, 1767–1827
Date:: 1825
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

279. View in Cuper's Gardens, Lambeth

Creator:: Bartholomew Howlett, 1767–1827
Date:: 1825
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

280. A View of the Skin-Market in Leadenhall

Creator:: unknown artist
Date:: 1825
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

281. View of the Skin-Market in Leadenhall

Creator:: unknown artist
Date:: 1825
Materials & Techniques:: Hand colored engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

282. Interior of the Chapel of the Holy Trinity, Leadenhall

Creator:: unknown artist
Date:: 1825
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

283. Lord Glamis and Stag Hounds

Creator:: Samuel William Reynolds, 1773–1835
Date:: 1825
Materials & Techniques:: Mezzotint, color by hand on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 24 9/16 × 31 3/4 inches (62.4 × 80.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

284. Foxhunting: Full Cry

Creator:: Henry Thomas Alken, 1785–1851
Date:: ca. 1830
Materials & Techniques:: Graphite and watercolor on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 9 3/8 × 26 15/16 inches (23.8 × 68.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

285. A Mussalmaum Schoolmaster

Creator:: Print made by Sir Charles D'Oyly, 1781–1845
Date:: ca. 1830
Materials & Techniques:: Lithograph with hand coloring in watercolor on medium, slightly textured, cream wove paper mounted on moderately thick, slightly textured, beige wove paper
Dimensions:: Mount: 9 15/16 x 6 9/16 inches (25.2 x 16.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

286. Ordbhawn or Hindoo Fakeer

Creator:: Print made by Sir Charles D'Oyly, 1781–1845
Date:: ca. 1830
Materials & Techniques:: Lithograph with hand coloring in watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

287. A Bheesty or Water Carrier

Creator:: Print made by Sir Charles D'Oyly, 1781–1845
Date:: ca. 1830
Materials & Techniques:: Lithograph with hand coloring in watercolor on medium, slightly textured, cream wove paper mounted on moderately thick, slightly textured, beige wove paper
Dimensions:: Mount: 9 13/16 x 6 1/2 inches (25 x 16.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

288. Female Attendants

Creator:: Print made by Sir Charles D'Oyly, 1781–1845
Date:: ca. 1830
Materials & Techniques:: Lithograph with hand coloring in watercolor on medium, smooth, beige wove paper mounted on medium, slightly textured, beige wove paper
Dimensions:: Mount: 9 5/8 x 6 5/16 inches (24.4 x 16 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

289. Castle of Montdragon, near Orange

Creator:: Print made by James C. Allen, active 1821–1831
Date:: 1825
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/2 × 17 3/8 inches (29.2 × 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

290. The Vine, Seat of Wm. John Chute Esq.

Creator:: Print made by Christopher Hewetson, 1737/38–1798
Date:: 1825
Materials & Techniques:: Aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 1/2 × 10 inches (16.5 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

291. Stag at the Edge of a Pond

Creator:: Print made by Edward Radclyffe, 1809–1863
Date:: undated
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

292. The Elevation of the Alms-Houses Endowed by Sir Andrew Judd Knight, Great St. Helen's Bishopsgate within London

Creator:: Print made by Maddocks, active 1825
Date:: 1825
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

293. Wash proofs to accompany Westmacott's "The English Spy": Morning and in Low Spirits - a Scene in a Lock up House, Vide Cary St. Chancery Lane

Creator:: Robert Isaac Cruikshank, 1789–1856
Date:: 1825
Materials & Techniques:: Etching and gray wash (proof)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

294. Windsor Castle, Berkshire: Distant View from the South

Creator:: Studio of Sir Jeffry Wyatville, 1766–1840
Date:: ca. 1830
Materials & Techniques:: Graphite, pen and black ink and watercolor on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 3 3/8 × 10 1/8 inches (8.6 × 25.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

295. Windsor Castle, Berkshire: East View

Creator:: Studio of Sir Jeffry Wyatville, 1766–1840
Date:: ca. 1830
Materials & Techniques:: Pen and black ink and watercolor on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 3 3/8 × 10 1/8 inches (8.6 × 25.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

296. Standing Female Nude

Creator:: William Edward Frost, 1810–1877
Date:: undated
Materials & Techniques:: Pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 × 4 1/2 inches (17.8 × 11.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

297. The Sea Walls, from the Leigh Wood Quarry, Clifton

Creator:: William Gauci, active 1825–1854
Date:: undated
Materials & Techniques:: Lithograph on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:: Sheet: 10 1/4 x 14 7/8 inches (26 x 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Brian and Linda Gracie

298. Mr. Nash's Castle Near Cowes

Creator:: Elizabeth Christiana Fanshawe, 1778–1856
Date:: ca. 1830
Materials & Techniques:: Watercolor on medium, slightly textured, cream wove paper
Dimensions:: Overall: 4 7/8 × 7 1/4 inches (12.4 × 18.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Rosemarie Haag Bletter and Martin Filler in memory of Paul Mellon, Yale College, Class of 1929

299. Palace of Justice, with Fine Carved Chimney, Bruges

Creator:: Print made by William Wallis, 1794– active 1830
Date:: ca. 1830
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

300. Palace of Justice, with Fine Carved Chimney, Bruges

Date:: ca. 1830
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

YCBA Collections Search

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Date 1825

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201. Windsor Castle, Berkshire: South-Facing View of the Upper Ward

202. Windsor Castle, Berkshire: North-Facing View of the Upper Ward

203. Windsor Castle, Berkshire: Distant View from the South

204. Brahmins at a Toolsee Altar

205. A Punca Bearer

206. A Samporea or Snake Catcher

207. Nuts or Indian Jugglers

208. A Syce or Groom

209. Coursing [one of a pair]: Hampton Court Park. Plate 2. "Five to Four on the Red Dog"

210. Fox Hunting [set of four]: Leicestershire 'Gaudet Equis Canisbusque'. No. 3. Symptoms of a Skurry in a Pewy Country ...

211. Shooting [set of six]: 4. Wild Duck Shooting

212. Shooting [set of six]: 5. Snipe Shooting

213. Set of seven: The Seven Ages of the Horse

214. Set of seven: The Seven Ages of the Horse

215. Set of seven: The Seven Ages of the Horse

216. Set of seven: The Seven Ages of the Horse

217. Native of Tacocronte, Tenerife

218. View of La Rambla de Castro near Port Orotava, Tenerife

219. Peasants of Hierro

220. Peasants of Ycod el alto, Tenerife

221. Study for a composition: The Wreck of an East Indiaman

222. Barcelona

223. Peasants of Chasna, Tenerife

224. Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 1, Scene 2

225. Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 4

226. Study of a Man Riding a Horse

227. A Scene in Ancient Rome: A Setting for Titus Andronicus, I, ii

228. Government House, Belize from Fort St. George, British Honduras

229. Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 3

230. Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857 - Act 4, Scene 2

231. Design for Setting of Charles Kean's Richard II at the Princess's Theatre, March 12, 1857 - Act 5, Scene 2

232. Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 2, Scene 3

233. Design for the Setting of Charles Kean's Production of Richard II at the Princess's Theatre on March 12, 1857

234. Compartment on One Side, St Stephen's Chapel

235. Plate XXXV: Capital Carved in Stone of the Time of William Rufus; Part of the Ceiling of the Ancient Palace of Westminster

236. Pheasant Shooting

237. Wild Duck Shooting

238. "The Poacher's Progress:" Poachers Before the Magistrates

239. The St. Leger, Doncaster: The Finish

240. Wolverhampton Race Course

241. Fox Hunting [set of four]: Leicestershire 'Gaudet Equis Canisbusque'. No. 1. A Struggle for the Start ...

242. The Quakers in a Quandary or the Times Reporter Triumphant!!

243. View in Cuper's Gardens, Lambeth

244. View of the Feathers Tavern, Cupers Bridge, Lambeth

245. Foxhunting: The Death

246. View of the Skin-Market in Leadenhall

247. Vestiges of a Crypt in Leadenhall Street, and Houses on the North Side of Leadenhall Street

248. North East View of the Chapel of the Holy Trinity, Leadenhall

249. Hebiborough Sands

250. View of the King's Entrance & etc., from the South-West

251. Henry Fuseli

252. Walter Fawkes, Esq. of Farnley Hall Yorkshire

253. Foxhunting: Rider Approaching a Fence by a Pond, Hound Swimming Through

254. Foxhunting: Rider Jumping a Stile

255. Foxhunting: Hunt Servants Leading Out Hounds

256. "The Poacher's Progress:" Poachers Scuffling with the Constables in the Skittle Ground

257. "The Poacher's Progress:" Poachers in Prison (The Pardon)

258. "The Poacher's Progress:" 'Poachers Stalking for Partridges'

259. "The Poacher's Progress:" 'Poachers Snaring Pheasants'

260. Hatchway's Eagerness to Meet Peregrine

261. West view of the Ruins of Cowdray House, Sussex

262. West View of the Ruins of Cowdray House, Sussex; from the Court

263. P. Turnerelli, Esq.

264. Illustrations for Scrap Books

265. A Carriage

266. Foxhunting: Hunt Servants Returning Hounds to Kennels

267. Riders Taking a Fence

268. One of A Series of Sixty Sketches of Cottages. London, 1825.

269. Set of seven: The Seven Ages of the Horse

270. Set of seven: The Seven Ages of the Horse

271. Fox Hunting [set of four]: Leicestershire 'Gaudet Equis Canisbusque'. No. 4. The Death ...

272. Fox Hunting [set of four]: Leicestershire 'Gaudet Equis Canisbusque'. No. 2. The First Ten Minutes - Shaking Off the Cocktails ...

273. Interior of the Chapel of the Holy Trinity

274. Samuel Johnson

275. Samuel Johnson