<< YCBA Home Yale Center for British Art Yale Center for British Art << YCBA Home

YCBA Collections Search

Search Constraints

Start Over
You searched for:

Date 1825

Remove constraint Date: 1825

Search Results

Alfred Diston Native of Tacocronte, Tenerife
Alfred Diston, active 1818–1829
Native of Tacocronte, Tenerife
1825
Alfred Diston Peasants of Ycod el alto, Tenerife
Alfred Diston, active 1818–1829
Peasants of Ycod el alto, Tenerife
1825
Alfred Diston Peasants of Hierro
Alfred Diston, active 1818–1829
Peasants of Hierro
1825
unknown artist Study for a composition: The Wreck of an East Indiaman
unknown artist
Study for a composition: The Wreck of an East Indiaman
ca. 1830
Charles Robert Cockerell Design for Approaches to London Bridge
Charles Robert Cockerell, 1788–1863
Design for Approaches to London Bridge
ca. 1830
unknown artist Hastings Castle
unknown artist
Hastings Castle
ca. 1830
unknown artist Sidmouth Cliffs
unknown artist
Sidmouth Cliffs
ca. 1830
Miles Edmund Cotman View of Norwich
Miles Edmund Cotman, 1810–1858
View of Norwich
undated
Miles Edmund Cotman Irmingland Hall, Norfolk
Miles Edmund Cotman, 1810–1858
Irmingland Hall, Norfolk
undated
Miles Edmund Cotman Cottage with Grazing Horses
Miles Edmund Cotman, 1810–1858
Cottage with Grazing Horses
undated
William Daniell Quay at Straddon Point Near Plymouth
Print made by William Daniell, 1769–1837
Quay at Straddon Point Near Plymouth
1825
David Cox London Bridge
David Cox, 1783–1859
London Bridge
before 1831
George Cressal Ellis Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 1, Scene 2
George Cressal Ellis, ca. 1810–1875
Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 1, Scene 2
undated
John Sell Cotman Château Navarre, near Evreux, Normandy
John Sell Cotman, 1782–1842
Château Navarre, near Evreux, Normandy
ca. 1830
John Sell Cotman Bridge in a Continental Town
John Sell Cotman, 1782–1842
Bridge in a Continental Town
ca. 1830
Thomas Cundy Design for Grosvenor House, London
Thomas Cundy, 1790–1867
Design for Grosvenor House, London
between 1825 and 1826
George Cressal Ellis Design for Setting of Charles Kean's Richard II at the Princess's Theatre, March 12, 1857 - Act 5, Scene 2
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre, March 12, 1857 - Act 5, Scene 2
undated
George Cressal Ellis Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 2, Scene 3
George Cressal Ellis, ca. 1810–1875
Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 2, Scene 3
undated
George Cressal Ellis Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 3
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 3
undated
George Cressal Ellis Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 4
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 4
undated
George Cressal Ellis Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857 - Act 4, Scene 2
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857 - Act 4, Scene 2
undated
George Cressal Ellis Design for the Setting of Charles Kean's Production of Richard II at the Princess's Theatre on March 12, 1857
George Cressal Ellis, ca. 1810–1875
Design for the Setting of Charles Kean's Production of Richard II at the Princess's Theatre on March 12, 1857
undated
Theodor von Holst Study of a Man Riding a Horse
Theodor von Holst, 1810–1844
Study of a Man Riding a Horse
undated
Joseph Michael Gandy A Scene in Ancient Rome: A Setting for Titus Andronicus, I, ii
Joseph Michael Gandy, 1771–1843
A Scene in Ancient Rome: A Setting for Titus Andronicus, I, ii
ca. 1830
I. H. Gascoigne Government House, Belize from Fort St. George, British Honduras
I. H. Gascoigne, active 1830s–1840s
Government House, Belize from Fort St. George, British Honduras
ca. 1830
Samuel Cousins Elizabeth Duchess of Rutland
Print made by Samuel Cousins, 1801–1887
Elizabeth Duchess of Rutland
1825
Theodore Henry Adolphus Fielding A Shipwreck
Print made by Theodore Henry Adolphus Fielding, 1781–1851
A Shipwreck
1825
Theodore Henry Adolphus Fielding A Shipwreck
Print made by Theodore Henry Adolphus Fielding, 1781–1851
A Shipwreck
1825
Samuel William Reynolds Garrick in the Character of Richard, third
Samuel William Reynolds, 1773–1835
Garrick in the Character of Richard, third
1825
unknown artist Macbeth as Performed at National Theatre
unknown artist
Macbeth as Performed at National Theatre
ca. 1830
Robert Isaac Cruikshank Wash proofs to accompany Westmacott's "The English Spy"
Robert Isaac Cruikshank, 1789–1856
Wash proofs to accompany Westmacott's "The English Spy"
1825-1826
Joshua Gleadah Bowling. North East View of the Sarecens [sic] Head Bowling Green, Worcester
Joshua Gleadah, active 1830s
Bowling. North East View of the Sarecens [sic] Head Bowling Green, Worcester
ca. 1830
George Hunt Coaching: Tandem
George Hunt, active 1820–1840
Coaching: Tandem
1825
James Pollard Doncaster Race for the Great St. Leger Stakes
James Pollard, 1792–1867
Doncaster Race for the Great St. Leger Stakes
1825
Charles Hunt Mail Coach by Moonlight
Charles Hunt, 1803–1877
Mail Coach by Moonlight
1825
Matthew Dubourg [Coaching] The Mail Guard
Matthew Dubourg, active 1786–1838
[Coaching] The Mail Guard
1825
Day & Co. Holford House, Regent's Park
Print made by Day & Co., 1824–1913
Holford House, Regent's Park
ca. 1830
Joseph Powell Six Views on Clapham Common, London
Joseph Powell, 1780–1834
Six Views on Clapham Common, London
1825
unknown artist The Banqueting-House, Whitehall
unknown artist
The Banqueting-House, Whitehall
1825
Richard Banks Harraden Jesus College from the Meadows, Cambridge
Richard Banks Harraden, 1778–1862
Jesus College from the Meadows, Cambridge
ca. 1830
Richard Banks Harraden Emanuel College from St. Andrews Street, Cambridge
Richard Banks Harraden, 1778–1862
Emanuel College from St. Andrews Street, Cambridge
ca. 1830
Richard Banks Harraden Jesus College, Cambridge
Richard Banks Harraden, 1778–1862
Jesus College, Cambridge
ca. 1830
Richard Banks Harraden New Building of St. John's from the Gardens, Cambridge
Richard Banks Harraden, 1778–1862
New Building of St. John's from the Gardens, Cambridge
ca. 1830
Richard Banks Harraden St. Peter's College, Cambridge
Richard Banks Harraden, 1778–1862
St. Peter's College, Cambridge
ca. 1830
unknown artist A View of Hyde Park from Ennismore Gardens
unknown artist
A View of Hyde Park from Ennismore Gardens
ca. 1830
Gideon Yates The Building of London Bridge
Attributed to Gideon Yates, active 1825–1837
The Building of London Bridge
undated
unknown artist Colmar, Chateau Wildenstein, Rue Plumer: Tombeau de General Rapp a Colmar
unknown artist
Colmar, Chateau Wildenstein, Rue Plumer: Tombeau de General Rapp a Colmar
1825
unknown artist The Vail of Llangedwyn / Oct 16, 1825
unknown artist
The Vail of Llangedwyn / Oct 16, 1825
1825
unknown artist Newbattle Abbey, Scotland
unknown artist
Newbattle Abbey, Scotland
ca. 1830
François-Séraphin Delpech Emmanuel Joseph Sieyès
Print made by François-Séraphin Delpech, 1778–1825
Emmanuel Joseph Sieyès
1825
Charles Cousen Tintern Abbey, Moonlight on the Wye
Print made by Charles Cousen, ca. 1819–1889
Tintern Abbey, Moonlight on the Wye
undated
Edward Duncan Set of four: 1. Partridge Shooting.
Edward Duncan, 1803–1882
Set of four: 1. Partridge Shooting
1825
George Hunt Coaching: Mail
George Hunt, active 1820–1840
Coaching: Mail
1825
M. Egerton Barouche
M. Egerton, active 1821–1828
Barouche
1825
Charles Jameson Grant Luminous Don Key
Charles Jameson Grant, active 1830–1852
Luminous Don Key
ca. 1830
Thomas A. Woolnoth Walter Fawkes Esqr.
Print made by Thomas A. Woolnoth, 1785–1857
Walter Fawkes Esqr
1825
Edward Duncan Set of four: 2. Woodcock Shooting.
Edward Duncan, 1803–1882
Set of four: 2. Woodcock Shooting
1825
Edward Duncan Set of four: 3. Pheasant Shooting.
Edward Duncan, 1803–1882
Set of four: 3. Pheasant Shooting
1825
Edward Duncan Set of four: 4. Wild Duck Shooting.
Edward Duncan, 1803–1882
Set of four: 4. Wild Duck Shooting
1825
Thomas Sidney Cooper View of a Cathedral at the End of a Street
Thomas Sidney Cooper, 1803–1902
View of a Cathedral at the End of a Street
ca. 1830
unknown artist Side and Rear Elevations of a Church
unknown artist
Side and Rear Elevations of a Church
ca. 1830
Alfred Henry Forrester Caricature Drawing
Alfred Henry Forrester, 1804–1872
Caricature Drawing
ca. 1850
Alfred Henry Forrester Caricature Drawing
Alfred Henry Forrester, 1804–1872
Caricature Drawing
ca. 1850
Perspectivische Ansicht des Tunnels unter der Themse.
Perspectivische Ansicht des Tunnels unter der Themse
ca. 1825]
Hakewill, James, 1778-1843. A picturesque tour of the island of Jamaica, from drawings made in the years 1820 and 1821 /
Hakewill, James, 1778–1843
A picturesque tour of the island of Jamaica, from drawings made in the years 1820 and 1821
1825
Dearest name thee happy time that I in truth may all you mine.
Dearest name thee happy time that I in truth may all you mine
mid-19th century
Glasgow looking glass.
Glasgow looking glass
[1825]
A heart that boasts a tender flame, sincere and constant too :
A heart that boasts a tender flame, sincere and constant too
mid-19th century
When the hearts feeling burns with concealing, oh, what an anguish silent to languish.
When the hearts feeling burns with concealing, oh, what an anguish silent to languish
mid-19th century
Cox, David, 1783-1859. The young artist's companion, or, Drawing-book of studies and landscape embellishments :
Cox, David, 1783–1859
The young artist's companion, or, Drawing-book of studies and landscape embellishments
1825
Valentine card.
Valentine card
mid-19th century
The majestic game of the Asiatic ostrich.
The majestic game of the Asiatic ostrich
[approximately 1825]
A faithful tribute of affection! To my love.
A faithful tribute of affection! To my love
mid-19th century
Constant as the sun in heaven above, this heart that thou has won will be to see in love.
Constant as the sun in heaven above, this heart that thou has won will be to see in love
mid-19th century
Sinclair, George, 1786-1834, author. Hortus ericaeus woburnensis, or, A catalogue of heaths, in the collection of the Duke of Bedford, at Woburn Abbey :
Sinclair, George, 1786–1834
Hortus ericaeus woburnensis, or, A catalogue of heaths, in the collection of the Duke of Bedford, at Woburn Abbey
MDCCCXXV [1825]
By penning these misc lines, to prove a pledge of my unceasing love ...
By penning these misc lines, to prove a pledge of my unceasing love ..
mid-19th century
May mutual loves count us blest.
May mutual loves count us blest
mid-19th century
I would these flowers had lips to tell that I do love thee true and well.
I would these flowers had lips to tell that I do love thee true and well
mid-19th century
How sweet upon the features of the one we hold most dear ...
How sweet upon the features of the one we hold most dear ..
mid-19th century
Can you keep a secret? If so open this.
Can you keep a secret? If so open this
mid-19th century
To my pretty Valentine!
To my pretty Valentine!
mid-19th century
Havell, Robert, 1769-1832. The natuorama; or Endless transposition of views on the Thames ... The drawings taken from nature,
Havell, Robert, 1769–1832
The natuorama; or Endless transposition of views on the Thames ... The drawings taken from nature,
[1825]
London manners and dandy fashions.
London manners and dandy fashions
[approximately 1825?]
I wait a return of thy love.
I wait a return of thy love
mid-19th century
This small tribute, dearest, take keep it for thy lovers sake ...
This small tribute, dearest, take keep it for thy lovers sake ..
mid-19th century
By nature formed to be the lover's flower ...
By nature formed to be the lover's flower ..
mid-19th century
My memory holds thy form in view ...
My memory holds thy form in view ..
mid-19th century
My heart is truly thine, dear Valentine.
My heart is truly thine, dear Valentine
mid-19th century
I live for thee only.
I live for thee only
mid-19th century
Happy is her most truly so for whom you heart does beat :
Happy is her most truly so for whom you heart does beat
mid-19th century
Musée des dames et des demoiselles :
Musée des dames et des demoiselles
[ca. 1825?]
If truest love can gain respect I may a mutual love expect ...
If truest love can gain respect I may a mutual love expect ..
mid-19th century
Accept these flowers thus gracefully combined ... thus in unison let our loves be twined.
Accept these flowers thus gracefully combined ... thus in unison let our loves be twined
mid-19th century
To her I love.
To her I love
mid-19th century
Thou art my life, my love my heart. Thou art the world. And if thy will show .... I'll do it or die for thee.
Thou art my life, my love my heart. Thou art the world. And if thy will show .... I'll do it or die for thee
mid-19th century
Engravings, to be sold by auction, by Mr. Gaskill :
Engravings, to be sold by auction, by Mr. Gaskill
[approximately 1825]
St. Valentine's Day at length is here to lovers still held dear
St. Valentine's Day at length is here to lovers still held dear
mid-19th century
Dearest name the happy time, that I in truth may call you mine.
Dearest name the happy time, that I in truth may call you mine
mid-19th century
Oh speed fair sun! Thy face divine and bring my love to me.
Oh speed fair sun! Thy face divine and bring my love to me
mid-19th century
A love, pure and ardent to thee I declare ...
A love, pure and ardent to thee I declare ..
mid-19th century