Date: 1825 - YCBA Collections Search Search Results

401. London Bridge

Creator:: David Cox, 1783–1859
Date:: before 1831
Materials & Techniques:: Watercolor, gouache, and graphite on thick, smooth, cream wove paper
Dimensions:: Sheet: 8 x 11 7/8in. (20.3 x 30.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

402. Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 1, Scene 2

Creator:: George Cressal Ellis, ca. 1810–1875
Date:: undated
Materials & Techniques:: Watercolor, graphite, and gouache on thin wove paper stained for tracing
Dimensions:: Mount: 7 3/8 × 9 5/8 inches (18.7 × 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

403. Château Navarre, near Evreux, Normandy

Creator:: John Sell Cotman, 1782–1842
Date:: ca. 1830
Materials & Techniques:: Watercolor and graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 9 5/8 x 13 3/4 inches (24.4 x 34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

404. Bridge in a Continental Town

Creator:: John Sell Cotman, 1782–1842
Date:: ca. 1830
Materials & Techniques:: Watercolor and gouache over graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 13 5/8 x 20 1/2 inches (34.6 x 52.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

405. Design for Grosvenor House, London

Creator:: Thomas Cundy, 1790–1867
Date:: between 1825 and 1826
Materials & Techniques:: Graphite, pen and black ink and watercolor on slightly textured, moderately thick, white wove paper
Dimensions:: Sheet: 25 15/16 × 18 15/16 inches (65.9 × 48.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

406. Design for Setting of Charles Kean's Richard II at the Princess's Theatre, March 12, 1857 - Act 5, Scene 2

Creator:: George Cressal Ellis, ca. 1810–1875
Date:: undated
Materials & Techniques:: Graphite, watercolor, heightened with gouache on thin wove paper stained for tracing, laid down on contemporary mount paper
Dimensions:: Sheet: 6 5/8 × 8 3/4 inches (16.8 × 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

407. Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 2, Scene 3

Creator:: George Cressal Ellis, ca. 1810–1875
Date:: undated
Materials & Techniques:: Graphite, watercolor, heightened with gouache on thin wove paper stained for tracing, laid down on contemporary wove paper mount
Dimensions:: Sheet: 6 3/4 × 8 3/4 inches (17.1 × 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

408. Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 3

Creator:: George Cressal Ellis, ca. 1810–1875
Date:: undated
Materials & Techniques:: Watercolor and graphite on thin wove paper stained for tracing, laid down on contemporary wove paper mount
Dimensions:: Sheet: 6 9/16 × 8 3/4 inches (16.7 × 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

409. Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 4

Creator:: George Cressal Ellis, ca. 1810–1875
Date:: undated
Materials & Techniques:: Watercolor and graphite on wove paper, laid down on contemporary laid paper mount
Dimensions:: Sheet: 5 5/8 × 7 7/8 inches (14.3 × 20 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

410. Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857 - Act 4, Scene 2

Creator:: George Cressal Ellis, ca. 1810–1875
Date:: undated
Materials & Techniques:: Watercolor, graphite, pen and brown ink on slightly textured, medium, gray wove paper laid down on contemporary laid paper mount
Dimensions:: Sheet: 5 5/8 × 8 1/16 inches (14.3 × 20.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

411. Design for the Setting of Charles Kean's Production of Richard II at the Princess's Theatre on March 12, 1857

Creator:: George Cressal Ellis, ca. 1810–1875
Date:: undated
Materials & Techniques:: Watercolor and gouache over graphite on thin, smooth, brown wove paper
Dimensions:: Sheet: 8 × 11 inches (20.3 × 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

412. Study of a Man Riding a Horse

Creator:: Theodor von Holst, 1810–1844
Date:: undated
Materials & Techniques:: Graphite and black chalk on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 1/8 × 8 1/4 inches (25.7 × 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

413. A Scene in Ancient Rome: A Setting for Titus Andronicus, I, ii

Creator:: Joseph Michael Gandy, 1771–1843
Date:: ca. 1830
Materials & Techniques:: Graphite, watercolor and gouache with pen and brown ink on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 x 11 1/2in. (18.4 x 29.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

414. Government House, Belize from Fort St. George, British Honduras

Creator:: I. H. Gascoigne, active 1830s–1840s
Date:: ca. 1830
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 9/16 x 14in. (24.3 x 35.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

415. Elizabeth Duchess of Rutland

Creator:: Print made by Samuel Cousins, 1801–1887
Date:: 1825
Materials & Techniques:: Mezzotint on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 27 1/2 × 17 1/4 inches (69.9 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

416. A Shipwreck

Creator:: Print made by Theodore Henry Adolphus Fielding, 1781–1851
Date:: 1825
Materials & Techniques:: Etching and aquatint with chine collé; first published state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 21 × 27 1/2 inches (53.3 × 69.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

417. A Shipwreck

Creator:: Print made by Theodore Henry Adolphus Fielding, 1781–1851
Date:: 1825
Materials & Techniques:: Etching and aquatint, with hand coloring in watercolor; later state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 21 3/8 × 31 1/8 inches (54.3 × 79.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

418. Garrick in the Character of Richard, third

Creator:: Samuel William Reynolds, 1773–1835
Date:: 1825
Materials & Techniques:: Mezzotint
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

419. Macbeth as Performed at National Theatre

Creator:: unknown artist
Date:: ca. 1830
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

420. Wash proofs to accompany Westmacott's "The English Spy"

Creator:: Robert Isaac Cruikshank, 1789–1856
Date:: 1825-1826
Materials & Techniques:: Etching and gray wash (proof)
Dimensions:: Spine: 8 1/4 inches (21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

421. Bowling. North East View of the Sarecens [sic] Head Bowling Green, Worcester

Creator:: Joshua Gleadah, active 1830s
Date:: ca. 1830
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 10 1/8 x 17 3/4in. (25.7 x 45.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

422. Coaching: Tandem

Creator:: George Hunt, active 1820–1840
Date:: 1825
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 12 3/4 x 19 7/8in. (32.4 x 50.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

423. Doncaster Race for the Great St. Leger Stakes

Creator:: James Pollard, 1792–1867
Date:: 1825
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 12 1/2 x 25 3/8in. (31.8 x 64.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

424. Mail Coach by Moonlight

Creator:: Charles Hunt, 1803–1877
Date:: 1825
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 8 1/2 x 12 1/4in. (21.6 x 31.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

425. [Coaching] The Mail Guard

Creator:: Matthew Dubourg, active 1786–1838
Date:: 1825
Materials & Techniques:: Aquatint, colored by hand
Dimensions:: Sheet: 15 7/8 x 12 7/8in. (40.3 x 32.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

426. Holford House, Regent's Park

Creator:: Print made by Day & Co., 1824–1913
Date:: ca. 1830
Materials & Techniques:: Lithograph with hand coloring on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 14 1/4 x 19 5/8 inches (36.2 x 49.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

427. Six Views on Clapham Common, London

Creator:: Joseph Powell, 1780–1834
Date:: 1825
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

428. The Banqueting-House, Whitehall

Creator:: unknown artist
Date:: 1825
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

429. A View of Hyde Park from Ennismore Gardens

Creator:: unknown artist
Date:: ca. 1830
Materials & Techniques:: Watercolor, white gouache, pen and black ink, pen and brown ink, and graphite on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 16 1/2 × 37 1/2 inches (41.9 × 95.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

430. The Building of London Bridge

Creator:: Attributed to Gideon Yates, active 1825–1837
Date:: undated
Materials & Techniques:: Watercolor over graphite on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 1/2 × 23 7/8 inches (34.3 × 60.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

431. Colmar, Chateau Wildenstein, Rue Plumer: Tombeau de General Rapp a Colmar

Creator:: unknown artist
Date:: 1825
Materials & Techniques:: Graphite and chalk on smooth, medium, cream wove paper
Dimensions:: Sheet: 9 15/16 × 13 3/8 inches (25.2 × 34 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

432. The Vail of Llangedwyn / Oct 16, 1825

Creator:: unknown artist
Date:: 1825
Materials & Techniques:: Graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 5 3/4 × 9 1/8 inches (14.6 × 23.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

433. Newbattle Abbey, Scotland

Creator:: unknown artist
Date:: ca. 1830
Materials & Techniques:: Brown wash and graphite on smooth, medium, white laid paper
Dimensions:: Sheet: 9 × 12 7/8 inches (22.9 × 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

434. Emmanuel Joseph Sieyès

Creator:: Print made by François-Séraphin Delpech, 1778–1825
Date:: 1825
Materials & Techniques:: Lithograph on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

435. Tintern Abbey, Moonlight on the Wye

Creator:: Print made by Charles Cousen, ca. 1819–1889
Date:: undated
Materials & Techniques:: Etching with line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/4 × 10 3/8 inches (21 × 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of James Wilson, YCBA Docent

436. Set of four: 1. Partridge Shooting.

Creator:: Edward Duncan, 1803–1882
Date:: 1825
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 8 1/4 x 11 7/8in. (21 x 30.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

437. Coaching: Mail

Creator:: George Hunt, active 1820–1840
Date:: 1825
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 12 3/4 x 19 7/8in. (32.4 x 50.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

438. Barouche

Creator:: M. Egerton, active 1821–1828
Date:: 1825
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 12 5/8 x 19 3/4in. (32.1 x 50.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

439. Luminous Don Key

Creator:: Charles Jameson Grant, active 1830–1852
Date:: ca. 1830
Materials & Techniques:: Line engraving with etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/4 x 16 1/4 inches (28.5 x 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Brian and Linda Gracie

440. Walter Fawkes Esqr.

Creator:: Print made by Thomas A. Woolnoth, 1785–1857
Date:: 1825
Materials & Techniques:: Stipple engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 19 1/4 × 13 1/2 inches (48.9 × 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

441. Set of four: 2. Woodcock Shooting.

Creator:: Edward Duncan, 1803–1882
Date:: 1825
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 8 1/4 x 11 7/8in. (21 x 30.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

442. Set of four: 3. Pheasant Shooting.

Creator:: Edward Duncan, 1803–1882
Date:: 1825
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 8 1/4 x 11 7/8in. (21 x 30.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

443. Set of four: 4. Wild Duck Shooting.

Creator:: Edward Duncan, 1803–1882
Date:: 1825
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 8 1/4 x 11 7/8in. (21 x 30.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

444. View of a Cathedral at the End of a Street

Creator:: Thomas Sidney Cooper, 1803–1902
Date:: ca. 1830
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/4 × 9 1/4 inches (36.2 × 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of David Schaff, Yale BA 1965

445. Side and Rear Elevations of a Church

Creator:: unknown artist
Date:: ca. 1830
Materials & Techniques:: Watercolor, pen and ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 1/4 × 19 3/4 inches (33.7 × 50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift from the Estate of Christopher P. Monkhouse

446. Caricature Drawing

Creator:: Alfred Henry Forrester, 1804–1872
Date:: ca. 1850
Materials & Techniques:: Watercolor, pen and black ink, and collaged albumen print on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 4 × 2 1/2 inches (10.2 × 6.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift from the Collection of Matthew Rutenberg

447. Caricature Drawing

Creator:: Alfred Henry Forrester, 1804–1872
Date:: ca. 1850
Materials & Techniques:: Watercolor, pen and black ink, and collaged albumen print on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 4 × 2 1/2 inches (10.2 × 6.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift from the Collection of Matthew Rutenberg

448. Perspectivische Ansicht des Tunnels unter der Themse. Vue perspective du tunnel sous la Tamise.

Date:: ca. 1825]
Physical Description:: 7 col. plates. 23 x 16 cm.
Collection:: Rare Books and Manuscripts

449. A picturesque tour of the island of Jamaica, from drawings made in the years 1820 and 1821 / by James Hakewill ...

Creator:: Hakewill, James, 1778–1843
Date:: 1825
Physical Description:: 1 p.l., 16, [41] p., 21 col. pl. ; fol. 32 cm.
Collection:: Rare Books and Manuscripts

450. Dearest name thee happy time that I in truth may all you mine.

Date:: mid-19th century
Physical Description:: 1 card ; 22 x 19 cm
Collection:: Rare Books and Manuscripts

451. Glasgow looking glass.

Date:: [1825]
Physical Description:: 1 v. : ill. ; 45 cm.
Collection:: Rare Books and Manuscripts

452. A heart that boasts a tender flame, sincere and constant too : long has tried your love to claim and vows twill e'er be true. They say at once you will incline to be my faithful Valentine.

A heart that boasts a tender flame, sincere and constant too : long has tried your love to claim and vows twill e'er be true. They say at once you will incline to be my faithful Valentine.

Date:: mid-19th century
Physical Description:: 1 card ; 22 x 18 cm
Collection:: Rare Books and Manuscripts

453. When the hearts feeling burns with concealing, oh, what an anguish silent to languish.

Date:: mid-19th century
Physical Description:: 1 card ; 17 x 12 cm
Collection:: Rare Books and Manuscripts

454. The young artist's companion, or, Drawing-book of studies and landscape embellishments : comprising a great variety of the most picturesque objects required in the various compositions of landscape scenery, arranged as progressive lessons / by David Cox , author of 'A treatise on landscape-painting and effect in water-colours,' &c. &c.

The young artist's companion, or, Drawing-book of studies and landscape embellishments : comprising a great variety of the most picturesque objects required in the various compositions of landscape scenery, arranged as progressive lessons / by David Cox , author of 'A treatise on landscape-painting and effect in water-colours,' &c. &c.

Creator:: Cox, David, 1783–1859
Date:: 1825
Physical Description:: [2], 15 p., 64 leaves of plates : ill. ; 23 x 28 cm.
Collection:: Rare Books and Manuscripts

455. Valentine card.

Date:: mid-19th century
Physical Description:: 1 card ; 18 x 12 cm
Collection:: Rare Books and Manuscripts

456. The majestic game of the Asiatic ostrich.

Date:: [approximately 1825]
Physical Description:: 1 folded sheet : hand-colored engraving, on linen ; 51 x 41 cm, folded (in slipcase) to 17 x 13 cm
Collection:: Rare Books and Manuscripts
Credit Line:: Yale Center for British Art, Gift of Ellen and Arthur Liman, Yale JD 1957

457. A faithful tribute of affection! To my love.

Date:: mid-19th century
Physical Description:: 1 card ; 22 x 19 cm
Collection:: Rare Books and Manuscripts

458. Constant as the sun in heaven above, this heart that thou has won will be to see in love.

Date:: mid-19th century
Physical Description:: 1 card ; 17 x 12 cm
Collection:: Rare Books and Manuscripts

459. Hortus ericaeus woburnensis, or, A catalogue of heaths, in the collection of the Duke of Bedford, at Woburn Abbey : alphabetically and systematically arranged.

Hortus ericaeus woburnensis, or, A catalogue of heaths, in the collection of the Duke of Bedford, at Woburn Abbey : alphabetically and systematically arranged.

Creator:: Sinclair, George, 1786–1834
Date:: MDCCCXXV [1825]
Physical Description:: xiv, [2], 42 p., [8] leaves of plates : ill., plans ; 32 cm.
Collection:: Rare Books and Manuscripts

460. By penning these misc lines, to prove a pledge of my unceasing love ...

Date:: mid-19th century
Physical Description:: 1 card ; 22 x 19 cm
Collection:: Rare Books and Manuscripts

461. May mutual loves count us blest.

Date:: mid-19th century
Physical Description:: 1 card ; 22 x 19 cm
Collection:: Rare Books and Manuscripts

462. I would these flowers had lips to tell that I do love thee true and well.

Date:: mid-19th century
Physical Description:: 1 card ; 22 x 19 cm
Collection:: Rare Books and Manuscripts

463. How sweet upon the features of the one we hold most dear ...

Date:: mid-19th century
Physical Description:: 1 card ; 18 x 12 cm
Collection:: Rare Books and Manuscripts

464. Can you keep a secret? If so open this.

Date:: mid-19th century
Physical Description:: 1 card ; 12 x 18 cm
Collection:: Rare Books and Manuscripts

465. To my pretty Valentine!

Date:: mid-19th century
Physical Description:: 1 card ; 22 x 19 cm
Collection:: Rare Books and Manuscripts

466. The natuorama; or Endless transposition of views on the Thames ... The drawings taken from nature, by R. Havell, jun.

Creator:: Havell, Robert, 1769–1832
Date:: [1825]
Physical Description:: 18 col. plates. 20 cm.
Collection:: Rare Books and Manuscripts

467. London manners and dandy fashions.

Date:: [approximately 1825?]
Physical Description:: 1 sheet (1 unnumbered page) ; 24 x 9 cm
Collection:: Rare Books and Manuscripts

468. I wait a return of thy love.

Date:: mid-19th century
Physical Description:: 1 card ; 18 x 12 cm
Collection:: Rare Books and Manuscripts

469. This small tribute, dearest, take keep it for thy lovers sake ...

Date:: mid-19th century
Physical Description:: 1 card ; 22 x 19 cm
Collection:: Rare Books and Manuscripts

470. By nature formed to be the lover's flower ...

Date:: mid-19th century
Physical Description:: 1 card ; 18 x 13 cm
Collection:: Rare Books and Manuscripts

471. My memory holds thy form in view ...

Date:: mid-19th century
Physical Description:: 1 card ; 17 x 11 cm
Collection:: Rare Books and Manuscripts

472. My heart is truly thine, dear Valentine.

Date:: mid-19th century
Physical Description:: 1 card ; 17 x 12 cm
Collection:: Rare Books and Manuscripts

473. I live for thee only.

Date:: mid-19th century
Physical Description:: 1 card ; 22 x 19 cm
Collection:: Rare Books and Manuscripts

474. Happy is her most truly so for whom you heart does beat : a wife is so modest and so fair must render bliss complete.

Date:: mid-19th century
Physical Description:: 1 card ; 22 x 19 cm
Collection:: Rare Books and Manuscripts

475. Musée des dames et des demoiselles : règne animal [--règne minéral--règne végétal].

Date:: [ca. 1825?]
Physical Description:: 6 v. : ill. ; 16 cm.
Collection:: Rare Books and Manuscripts

476. If truest love can gain respect I may a mutual love expect ...

Date:: mid-19th century
Physical Description:: 1 card ; 22 x 18 cm
Collection:: Rare Books and Manuscripts

477. Accept these flowers thus gracefully combined ... thus in unison let our loves be twined.

Date:: mid-19th century
Physical Description:: 1 card ; 22 x 19 cm
Collection:: Rare Books and Manuscripts

478. To her I love.

Date:: mid-19th century
Physical Description:: 1 card ; 25 x 20 cm
Collection:: Rare Books and Manuscripts

479. Thou art my life, my love my heart. Thou art the world. And if thy will show .... I'll do it or die for thee.

Date:: mid-19th century
Physical Description:: 1 card ; 22 x 19 cm
Collection:: Rare Books and Manuscripts

480. Engravings, to be sold by auction, by Mr. Gaskill : on the premises adjoining the College Gate, High Street, Rochester, on Thursday March 27, and following evenings.

Engravings, to be sold by auction, by Mr. Gaskill : on the premises adjoining the College Gate, High Street, Rochester, on Thursday March 27, and following evenings.

Date:: [approximately 1825]
Physical Description:: 1 sheet ; 14 x 22 cm
Collection:: Rare Books and Manuscripts

481. St. Valentine's Day at length is here to lovers still held dear

Date:: mid-19th century
Physical Description:: 1 card ; 22 x 19 cm
Collection:: Rare Books and Manuscripts

482. Dearest name the happy time, that I in truth may call you mine.

Date:: mid-19th century
Physical Description:: 1 card ; 22 x 19 cm
Collection:: Rare Books and Manuscripts

483. Oh speed fair sun! Thy face divine and bring my love to me.

Date:: mid-19th century
Physical Description:: 1 card ; 22 x 19 cm
Collection:: Rare Books and Manuscripts

484. A love, pure and ardent to thee I declare ...

Date:: mid-19th century
Physical Description:: 1 card ; 18 x 12 cm
Collection:: Rare Books and Manuscripts

485. A token of faithful love! To my dearest Valentine!

Date:: mid-19th century
Physical Description:: 1 card ; 22 x 19 cm
Collection:: Rare Books and Manuscripts

486. London illustrated : in a series of twenty-one views : with a description of each plate.

Date:: [1825]
Physical Description:: 4 p., [21] leaves of plates : ill. ; 27 cm.
Collection:: Rare Books and Manuscripts

487. The Chinese sensitive leaf : discovered by a celebrated physician and eminent Professor of Botany and chemistry, named Zaphrintra, of China : afterwards introduced into other parts of the continent, and into England by a very learned and sensible foreigner.

The Chinese sensitive leaf : discovered by a celebrated physician and eminent Professor of Botany and chemistry, named Zaphrintra, of China : afterwards introduced into other parts of the continent, and into England by a very learned and sensible foreigner.

Date:: [approximately 1825?]
Physical Description:: 1 sheet ([1] page) ; 22 x 14 cm + 1 printed 'sensitive' leaf.
Collection:: Rare Books and Manuscripts

488. I would these flowers had lips to tell that I do love thee true and well.

Date:: mid-19th century
Physical Description:: 1 card ; 22 x 19 cm
Collection:: Rare Books and Manuscripts

489. We must be united!

Date:: mid-19th century
Physical Description:: 1 card ; 14 x 19 cm
Collection:: Rare Books and Manuscripts

490. T'is happiness we have in view, and mine is in possessing you.

Date:: mid-19th century
Physical Description:: 1 card ; 22 x 19 cm
Collection:: Rare Books and Manuscripts

491. Catharine Muriel commonplace book : manuscript.

Creator:: Muriel, Catharine
Date:: 1825-circa 1840
Physical Description:: 1 volume (228 pages, some blank) : illustrations ; 23 x 17 cm
Collection:: Rare Books and Manuscripts

492. Love has triumphed.

Date:: mid-19th century
Physical Description:: 1 card ; 14 x 10 cm
Collection:: Rare Books and Manuscripts

493. The gift receive the deed approved ...

Date:: mid-19th century
Physical Description:: 1 card ; 22 x 19 cm
Collection:: Rare Books and Manuscripts

494. What gives us comfort in this world of woe? ...

Date:: mid-19th century
Physical Description:: 1 card ; 18 x 12 cm
Collection:: Rare Books and Manuscripts

495. Valentine card.

Date:: mid-19th century
Physical Description:: 1 card ; 17 x 11 cm
Collection:: Rare Books and Manuscripts

496. Vues choisies d'Amsterdam et ses environs / dessinées d'après nature par C. de Kruyf et autres artistes.

Creator:: Kruyff, Cornelis de, 1771–1854
Date:: [1825?]
Physical Description:: [2] p., [46] leaves of plates : ill. ; 36 cm.
Collection:: Rare Books and Manuscripts

497. Billhead recording purchases by Mrs. Davenport from Wimpory & Son, ladies shoe makers, Manchester.

Creator:: Wimpory & Son (Firm : Manchester, England)
Date:: approximately 1825
Physical Description:: 1 sheet ; 12 x 20 cm
Collection:: Rare Books and Manuscripts

498. I am thine love.

Date:: mid-19th century
Physical Description:: 1 card ; 22 x 19 cm
Collection:: Rare Books and Manuscripts

499. My heart is where thou art!

Date:: mid-19th century
Physical Description:: 1 card ; 22 x 19 cm
Collection:: Rare Books and Manuscripts

500. Billhead of Silver & Co., clothiers, London, recording clothing purchased by Mrs. Lambert.

Creator:: Silver & Co. (London, England)
Date:: 1825
Physical Description:: 1 sheet ; 26 x 21 cm
Collection:: Rare Books and Manuscripts

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Date 1825

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401. London Bridge

402. Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 1, Scene 2

403. Château Navarre, near Evreux, Normandy

404. Bridge in a Continental Town

405. Design for Grosvenor House, London

406. Design for Setting of Charles Kean's Richard II at the Princess's Theatre, March 12, 1857 - Act 5, Scene 2

407. Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 2, Scene 3

408. Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 3

409. Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 4

410. Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857 - Act 4, Scene 2

411. Design for the Setting of Charles Kean's Production of Richard II at the Princess's Theatre on March 12, 1857

412. Study of a Man Riding a Horse

413. A Scene in Ancient Rome: A Setting for Titus Andronicus, I, ii

414. Government House, Belize from Fort St. George, British Honduras

415. Elizabeth Duchess of Rutland

416. A Shipwreck

417. A Shipwreck

418. Garrick in the Character of Richard, third

419. Macbeth as Performed at National Theatre

420. Wash proofs to accompany Westmacott's "The English Spy"

421. Bowling. North East View of the Sarecens [sic] Head Bowling Green, Worcester

422. Coaching: Tandem

423. Doncaster Race for the Great St. Leger Stakes

424. Mail Coach by Moonlight

425. [Coaching] The Mail Guard

426. Holford House, Regent's Park

427. Six Views on Clapham Common, London

428. The Banqueting-House, Whitehall

429. A View of Hyde Park from Ennismore Gardens

430. The Building of London Bridge

431. Colmar, Chateau Wildenstein, Rue Plumer: Tombeau de General Rapp a Colmar

432. The Vail of Llangedwyn / Oct 16, 1825

433. Newbattle Abbey, Scotland

434. Emmanuel Joseph Sieyès

435. Tintern Abbey, Moonlight on the Wye

436. Set of four: 1. Partridge Shooting.

437. Coaching: Mail

438. Barouche

439. Luminous Don Key

440. Walter Fawkes Esqr.

441. Set of four: 2. Woodcock Shooting.

442. Set of four: 3. Pheasant Shooting.

443. Set of four: 4. Wild Duck Shooting.

444. View of a Cathedral at the End of a Street

445. Side and Rear Elevations of a Church

446. Caricature Drawing

447. Caricature Drawing

448. Perspectivische Ansicht des Tunnels unter der Themse. Vue perspective du tunnel sous la Tamise.

449. A picturesque tour of the island of Jamaica, from drawings made in the years 1820 and 1821 / by James Hakewill ...

450. Dearest name thee happy time that I in truth may all you mine.

451. Glasgow looking glass.

452. A heart that boasts a tender flame, sincere and constant too : long has tried your love to claim and vows twill e'er be true. They say at once you will incline to be my faithful Valentine.

453. When the hearts feeling burns with concealing, oh, what an anguish silent to languish.

455. Valentine card.

456. The majestic game of the Asiatic ostrich.

457. A faithful tribute of affection! To my love.

458. Constant as the sun in heaven above, this heart that thou has won will be to see in love.

459. Hortus ericaeus woburnensis, or, A catalogue of heaths, in the collection of the Duke of Bedford, at Woburn Abbey : alphabetically and systematically arranged.

460. By penning these misc lines, to prove a pledge of my unceasing love ...

461. May mutual loves count us blest.

462. I would these flowers had lips to tell that I do love thee true and well.

463. How sweet upon the features of the one we hold most dear ...

464. Can you keep a secret? If so open this.

465. To my pretty Valentine!

466. The natuorama; or Endless transposition of views on the Thames ... The drawings taken from nature, by R. Havell, jun.

467. London manners and dandy fashions.

468. I wait a return of thy love.

469. This small tribute, dearest, take keep it for thy lovers sake ...

470. By nature formed to be the lover's flower ...

471. My memory holds thy form in view ...

472. My heart is truly thine, dear Valentine.

473. I live for thee only.

474. Happy is her most truly so for whom you heart does beat : a wife is so modest and so fair must render bliss complete.

475. Musée des dames et des demoiselles : règne animal [--règne minéral--règne végétal].

476. If truest love can gain respect I may a mutual love expect ...