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Date 1826

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The Ruins of Netley Abbey
Creator:
Print made by John Constable, 1776–1837
Date:
1826
Materials & Techniques:
Etching and drypoint on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 12 1/16 x 17 5/16 inches (30.7 x 44 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
For the Sexes: The Gates of Paradise, London, 1826
Creator:
William Blake, 1757–1827
Date:
1826
Materials & Techniques:
Bound volume of twenty engravings
Dimensions:
Spine: 13 3/4in. (34.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
For the Sexes: The Gates of Paradise, Plate 16, "The Traveller hasteth in the Evening"
Creator:
Print made by William Blake, 1757–1827
Date:
1826
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 13 3/4 inches (34.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
For the Sexes: The Gates of Paradise, Plate 19, "To The Accuser . . . ." (Bentley 21)
Creator:
Print made by William Blake, 1757–1827
Date:
1826
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 13 3/4 inches (34.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
For the Sexes: The Gates of Paradise, Plate 6, "Air"
Creator:
Print made by William Blake, 1757–1827
Date:
1826
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 13 3/4 inches (34.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
For the Sexes: The Gates of Paradise, Plate 7, "Fire"
Creator:
Print made by William Blake, 1757–1827
Date:
1826
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 13 3/4 inches (34.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
For the Sexes: The Gates of Paradise, Plate 8, "At length for hatching ripe he breaks the shell"
Creator:
Print made by William Blake, 1757–1827
Date:
1826
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 13 3/4 inches (34.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
For the Sexes: The Gates of Paradise, Plate 14, "Does thy God O Priest take such vengeance as this?"
Creator:
Print made by William Blake, 1757–1827
Date:
1826
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 13 3/4 inches (34.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
For the Sexes: The Gates of Paradise, Plate 17, "Death's Door"
Creator:
Print made by William Blake, 1757–1827
Date:
1826
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 13 3/4 inches (34.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
For the Sexes: The Gates of Paradise, Plate 18, "I have said to the Worm . . . ."
Creator:
Print made by William Blake, 1757–1827
Date:
1826
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 13 3/4 inches (34.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
For the Sexes: The Gates of Paradise, Plate 2, Frontispiece, "What is Man!"
Creator:
Print made by William Blake, 1757–1827
Date:
1826
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 13 3/4 inches (34.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
For the Sexes: The Gates of Paradise, Plate 20, "He meets his Saviour in the Grave . . . . "
Creator:
Print made by William Blake, 1757–1827
Date:
1826
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 13 3/4 inches (34.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
For the Sexes: The Gates of Paradise, Plate 3, "I found him beneath a Tree"
Creator:
Print made by William Blake, 1757–1827
Date:
1826
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 13 3/4 inches (34.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
For the Sexes: The Gates of Paradise, Plate 4, "Water"
Creator:
Print made by William Blake, 1757–1827
Date:
1826
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 13 3/4 inches (34.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
For the Sexes: The Gates of Paradise, Plate 5, "Earth"
Creator:
Print made by William Blake, 1757–1827
Date:
1826
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 13 3/4 inches (34.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
For the Sexes: The Gates of Paradise, Plate 9, "Alas!"
Creator:
Print made by William Blake, 1757–1827
Date:
1826
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 13 3/4 inches (34.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
For the Sexes: The Gates of Paradise, Plate 1, Title Page
Creator:
Print made by William Blake, 1757–1827
Date:
1826
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 13 3/4 inches (34.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
For the Sexes: The Gates of Paradise, Plate 10, "My son! my Son!"
Creator:
Print made by William Blake, 1757–1827
Date:
1826
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 13 3/4 inches (34.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
For the Sexes: The Gates of Paradise, Plate 11, "I want! I want!"
Creator:
Print made by William Blake, 1757–1827
Date:
1826
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 13 3/4 inches (34.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
For the Sexes: The Gates of Paradise, Plate 12, "Help! Help!"
Creator:
Print made by William Blake, 1757–1827
Date:
1826
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 13 3/4 inches (34.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
For the Sexes: The Gates of Paradise, Plate 13, "Aged Ignorance"
Creator:
Print made by William Blake, 1757–1827
Date:
1826
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 13 3/4 inches (34.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
For the Sexes: The Gates of Paradise, Plate 15, "Fear & hope are -- Vision"
Creator:
Print made by William Blake, 1757–1827
Date:
1826
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 13 3/4 inches (34.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
No cover image available
Creator:
William Blake, 1757–1827
Date:
1826
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
No cover image available
Creator:
William Blake, 1757–1827
Date:
1826
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
No cover image available
Creator:
William Blake, 1757–1827
Date:
1826
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
No cover image available
Creator:
William Blake, 1757–1827
Date:
1826
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
No cover image available
Creator:
William Blake, 1757–1827
Date:
1826
Materials & Techniques:
Engraving on chine-collé
Dimensions:
Binding: 17 1/4in. (43.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
No cover image available
Creator:
William Blake, 1757–1827
Date:
1826
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
No cover image available
Creator:
William Blake, 1757–1827
Date:
1826
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
No cover image available
Creator:
William Blake, 1757–1827
Date:
1826
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
No cover image available
Creator:
Print made by William Blake, 1757–1827
Date:
1826
Materials & Techniques:
Engraving on india proof paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
No cover image available
Creator:
William Blake, 1757–1827
Date:
1826
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
No cover image available
Creator:
William Blake, 1757–1827
Date:
1826
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
No cover image available
Creator:
William Blake, 1757–1827
Date:
1826
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
No cover image available
Creator:
William Blake, 1757–1827
Date:
1826
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
No cover image available
Creator:
William Blake, 1757–1827
Date:
1826
Materials & Techniques:
Engraving on chine-collé
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
No cover image available
Creator:
William Blake, 1757–1827
Date:
1826
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
No cover image available
Creator:
William Blake, 1757–1827
Date:
1826
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
No cover image available
Creator:
William Blake, 1757–1827
Date:
1826
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
No cover image available
Creator:
William Blake, 1757–1827
Date:
1826
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
No cover image available
Creator:
William Blake, 1757–1827
Date:
1826
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
No cover image available
Creator:
William Blake, 1757–1827
Date:
1826
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
No cover image available
Creator:
William Blake, 1757–1827
Date:
1826
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
No cover image available
Creator:
William Blake, 1757–1827
Date:
1826
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Scarborough
Creator:
Print made by Thomas Goff Lupton, 1791–1873
Date:
1826
Materials & Techniques:
Mezzotint, engraver's proof (c)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Scarborough
Creator:
Print made by Thomas Goff Lupton, 1791–1873
Date:
1826
Materials & Techniques:
Mezzotint, with scraping out and touched with graphite, engraver's proof (a)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

47. Whitby

Whitby
Creator:
Print made by Thomas Goff Lupton, 1791–1873
Date:
1826
Materials & Techniques:
Mezzotint, engraver's proof (c)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Folkstone, Kent
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1826
Materials & Techniques:
Etching and line engraving; first published state india paper on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 12 5/8 × 19 inches (32.1 × 48.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Dover from Shakespeare's Cliff
Creator:
Print made by George Cooke, 1781–1834
Date:
1826
Materials & Techniques:
Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 × 17 3/4 inches (27.9 × 45.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Dover from Shakespeare's Cliff
Creator:
Print made by George Cooke, 1781–1834
Date:
1826
Materials & Techniques:
Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 5/8 × 11 3/4 inches (21.9 × 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Dover from Shakespeare's Cliff
Creator:
Print made by George Cooke, 1781–1834
Date:
1826
Materials & Techniques:
Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 3/4 × 11 3/4 inches (22.2 × 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Dover from Shakespeare's Cliff
Creator:
Print made by George Cooke, 1781–1834
Date:
1826
Materials & Techniques:
Etching and line engraving; first published state on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 12 3/4 × 19 5/8 inches (32.4 × 49.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Edinburgh from Leith Harbour, Vignette Title to Vol. II
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1826
Materials & Techniques:
Line engraving, first published state on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 15 1/4 × 11 1/16 inches (38.7 × 28.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Deep-Dene, North West Front
Creator:
Thomas Barber, ca. 1768–1843
Date:
1826
Materials & Techniques:
Engraving / Plate 3 Proof
Dimensions:
Sheet: 6 1/8 × 7 13/16 inches (15.6 × 19.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Bolton Abbey, Wharfdale
Creator:
Print made by Edward Francis Finden, 1791–1857
Date:
1826
Materials & Techniques:
Line engraving, first published state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 1/16 × 15 1/8 inches (28.1 × 38.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Old Fulham or Putney Bridge
Creator:
John Harris, 1811–1865
Date:
undated
Materials & Techniques:
Photolithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
S.W. View of St. Mary's Church, Bryanston Square
Creator:
Philip Audinet, 1766–1837
Date:
1826
Materials & Techniques:
Engraving
Dimensions:
Sheet: 10 1/4 x 8 1/4in. (26 x 21cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Edinburgh Castle, Vignette Title to Vol. I
Creator:
Print made by George Cooke, 1781–1834
Date:
1826
Materials & Techniques:
Line engraving, first published state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 15 3/16 × 11 1/16 inches (38.6 × 28.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Edinburgh Castle, Vignette Title to Vol. I
Creator:
Print made by George Cooke, 1781–1834
Date:
1826
Materials & Techniques:
Line engraving, engraver's proof on thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 20 × 13 3/8 inches (50.8 × 34 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

60. Bass Rock

Bass Rock
Creator:
Print made by William Miller, 1796–1882
Date:
1826
Materials & Techniques:
Line engraving and etching, engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 14 1/2 × 19 3/4 inches (36.8 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

61. Bass Rock

Bass Rock
Creator:
Print made by William Miller, 1796–1882
Date:
1826
Materials & Techniques:
Line engraving and etching, 2nd state on thick, moderately textured, beige wove paper, with beige chine collé
Dimensions:
Sheet: 11 3/16 × 15 1/8 inches (28.4 × 38.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Deep-Dene. East or Carriage Front, Surrey
Creator:
William Wallis, 1794– active 1830
Date:
1826
Materials & Techniques:
Engraving / Plate 1 Proof
Dimensions:
Sheet: 6 1/8 × 7 13/16 inches (15.6 × 19.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Deep-Dene, South Front - Surrey
Creator:
Thomas Barber, ca. 1768–1843
Date:
1826
Materials & Techniques:
Engraving / Plate 2 Proof
Dimensions:
Sheet: 6 1/4 × 7 7/8 inches (15.9 × 20 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Deal, Kent
Creator:
Print made by William Radclyffe, 1780–1855
Date:
1826
Materials & Techniques:
Etching and line engraving; first published state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 3/8 × 16 3/4 inches (28.9 × 42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Dover from Shakespeare's Cliff
Creator:
Print made by George Cooke, 1781–1834
Date:
1826
Materials & Techniques:
Etching; open etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/4 × 15 1/2 inches (28.6 × 39.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Scarborough
Creator:
Print made by Thomas Goff Lupton, 1791–1873
Date:
1826
Materials & Techniques:
Mezzotint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
St. Germain-en-Laye
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1826-1837
Materials & Techniques:
Line engraving on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 4 3/4 × 7 3/8 inches (12.1 × 18.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Two of a set of four: The Royal Hunt. 2. Taking the Stag
Creator:
Thomas Sutherland, ca. 1785–1838
Date:
1826
Materials & Techniques:
Hand colored and color printed aquatint
Dimensions:
Sheet: 10 7/8 x 17 3/4in. (27.6 x 45.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Horses [set of six]: 2. Stanhope Horse
Creator:
Henry Thomas Alken, 1785–1851
Date:
1826
Materials & Techniques:
Hand colored soft-ground etching
Dimensions:
Sheet: 8 3/8 x 9 3/4in. (21.3 x 24.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Horses [set of six]: 4. Park Hack
Creator:
Henry Thomas Alken, 1785–1851
Date:
1826
Materials & Techniques:
Hand colored soft-ground etching
Dimensions:
Sheet: 8 3/8 x 9 3/4in. (21.3 x 24.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Horses [set of six]: 5. Charger
Creator:
Henry Thomas Alken, 1785–1851
Date:
1826
Materials & Techniques:
Hand colored soft-ground etching
Dimensions:
Sheet: 8 3/8 x 9 3/4in. (21.3 x 24.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
[Fox-Hunting] set of six: 3. A Leicestershire Burst
Creator:
Charles Loraine Smith, 1751–1835
Date:
1826
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 9 1/2 x 13in. (24.1 x 33cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
[Fox-Hunting] set of six: 2.The Redezvous of the Quor'n Hounds
Creator:
Charles Loraine Smith, 1751–1835
Date:
1826
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 9 1/2 x 13in. (24.1 x 33cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
[Fox-Hunting] set of six: 6. The Victory of obtaining the Brush
Creator:
Charles Loraine Smith, 1751–1835
Date:
1826
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 9 1/2 x 13in. (24.1 x 33cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
McLean's Scraps for Albums
Creator:
McLean, active 1820s
Date:
1826
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 9 3/4 x 9 1/4in. (24.8 x 23.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
McLean's Scraps for Albums
Creator:
McLean, active 1820s
Date:
1826
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 9 3/4 x 9 1/4in. (24.8 x 23.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
McLean's Scraps for Albums
Creator:
McLean, active 1820s
Date:
1826
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 9 3/4 x 9 1/4in. (24.8 x 23.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
McLean's Scraps for Albums
Creator:
McLean, active 1820s
Date:
1826
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 9 3/4 x 9 1/4in. (24.8 x 23.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
McLean's Scraps for Albums
Creator:
McLean, active 1820s
Date:
1826
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 9 3/4 x 9 1/4in. (24.8 x 23.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Integrity a Farce or Every Man tried by his actions
Creator:
Henry Heath, active 1824–1835
Date:
1826
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Adams's Visit to Parson Trulliber
Creator:
Print made by George Cruikshank, 1792–1878
Date:
ca. 1831
Materials & Techniques:
Etching on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 9 7/16 x 5 11/16 inches (24 x 14.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960
[Fox-Hunting] set of six: 1.The Rendezvous of the Smoking Hunt
Creator:
Charles Loraine Smith, 1751–1835
Date:
1826
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 9 1/2 x 13in. (24.1 x 33cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

83. A. More

A. More
Creator:
Print made by Robert Cooper, ca. 1800–1836
Date:
1826
Materials & Techniques:
Stipple engraving, line engraving, and etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 5 11/16 × 4 5/16 inches (14.4 × 11 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Nicholas Hilliard
Creator:
William Camden Edwards, 1777–1855
Date:
1826
Materials & Techniques:
Line engraving, stipple engraving, and etching on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 9 15/16 x 6 9/16 inches (25.3 x 16.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Title Page: Ports of England
Creator:
Print made by Thomas Goff Lupton, 1791–1873
Date:
1826 to 1828
Materials & Techniques:
Letterpress
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Mr. Benjamin Marshall
Creator:
unknown artist
Date:
1826
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Horses [set of six]: 3. Hunter
Creator:
Henry Thomas Alken, 1785–1851
Date:
1826
Materials & Techniques:
Hand colored soft-ground etching
Dimensions:
Sheet: 8 3/8 x 9 3/4in. (21.3 x 24.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Horses [set of six]: 6. Cabriolet Horse
Creator:
Henry Thomas Alken, 1785–1851
Date:
1826
Materials & Techniques:
Hand colored soft-ground etching
Dimensions:
Sheet: 8 3/8 x 9 3/4in. (21.3 x 24.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
[Fox-Hunting] set of six: 5.Bagging the Fox
Creator:
Charles Loraine Smith, 1751–1835
Date:
1826
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 9 1/2 x 13in. (24.1 x 33cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
[Fox-Hunting] set of six: 4.Loss of the Chaplain
Creator:
Charles Loraine Smith, 1751–1835
Date:
1826
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 9 1/2 x 13in. (24.1 x 33cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Horses [set of six]: 1. Cover Hack
Creator:
Henry Thomas Alken, 1785–1851
Date:
1826
Materials & Techniques:
Hand colored soft-ground etching
Dimensions:
Sheet: 8 3/8 x 9 3/4in. (21.3 x 24.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Ascot Heath Race for His Majesty's Gold Plate
Creator:
James Pollard, 1792–1867
Date:
1826
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 15 1/4 x 26 3/8in. (38.7 x 67cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Coaching: The Elephant and Castle on the Brighton Road
Creator:
Theodore Henry Adolphus Fielding, 1781–1851
Date:
1826
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 21 1/4 x 30 1/2in. (54 x 77.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Pencarrow: The Seat of Lady Molesworth
Creator:
Print made by unknown artist
Date:
1826
Materials & Techniques:
Aquatint with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
View of the City of Bristol
Creator:
Louis Haghe, 1806–1885
Date:
ca. 1831
Materials & Techniques:
Lithograph on moderately thick, slightly textured, beige wove paper with gray chine collé
Dimensions:
Sheet: 10 3/4 x 11 7/16 inches (27.3 x 29 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Brian and Linda Gracie
Session's House, Clerkenwell Green
Creator:
Print made by George Cooke, 1781–1834
Date:
1826
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
Midgham House, the Seat of W.S. Poyntz, Esq., M.P.
Creator:
Print made by Frederick W. L. Stockdale, active 1803–1848
Date:
1826
Materials & Techniques:
Aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 5/8 × 9 1/4 inches (14.3 × 23.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
Plans of Covent Garden and Drury Lane Theatres
Creator:
unknown artist
Date:
1826
Materials & Techniques:
Engraving, letterpress
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Opera House
Creator:
Daniel Havell, 1785–1826
Date:
1826
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

100. Nantes

Nantes
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1826-1837
Materials & Techniques:
Line engraving, 1st state on moderately thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 1/4 × 16 11/16 inches (28.6 × 42.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection