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201. Fall of the Tees

Fall of the Tees
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1827-1838
Materials & Techniques:
Line engraving, first published state
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

202. Barnard Castle, Durham

Barnard Castle, Durham
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1827-1838
Materials & Techniques:
Open etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

203. Colchester, Essex

Colchester, Essex
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1827-1838
Materials & Techniques:
Line engraving, engraver's proof (early)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

204. Colchester, Essex

Colchester, Essex
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1827-1838
Materials & Techniques:
Line engraving, engraver's proof (finished)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

205. Dartmouth Cove

Dartmouth Cove
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1827-1838
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

206. Dartmouth Cove

Dartmouth Cove
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1827-1838
Materials & Techniques:
Open etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

207. The Custom House

The Custom House
Creator:
Print made by James C. Allen, active 1821–1831
Date:
1827
Materials & Techniques:
Line engraving, engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 7/8 × 17 5/16 inches (30.2 × 44 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

208. The Custom House

The Custom House
Creator:
Print made by James C. Allen, active 1821–1831
Date:
1827
Materials & Techniques:
Line engraving, engraver's proof on thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 7/8 × 17 5/8 inches (30.2 × 44.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

209. Tivoli, a Composition

Tivoli, a Composition
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1827
Materials & Techniques:
Etching; open etched state (earlier than R.207 engraver's proof) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 23 3/8 × 34 7/8 inches (59.4 × 88.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

210. Tivoli, a Composition

Tivoli, a Composition
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1827
Materials & Techniques:
Etching and line engraving; first published state on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 24 1/2 × 33 7/8 inches (62.2 × 86 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

211. Rievaulx Abbey, Yorkshire

Rievaulx Abbey, Yorkshire
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1827-1838
Materials & Techniques:
Line engraving, first published state
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

212. Rievaulx Abbey, Yorkshire

Rievaulx Abbey, Yorkshire
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1827-1838
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

213. Rievaulx Abbey, Yorkshire

Rievaulx Abbey, Yorkshire
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1827-1838
Materials & Techniques:
Open etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

214. Lancaster from the Aqueduct Bridge

Lancaster from the Aqueduct Bridge
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1827-1838
Materials & Techniques:
Line engraving, engraver's proof (later)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

215. Lancaster from the Aqueduct Bridge

Lancaster from the Aqueduct Bridge
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1827-1838
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

216. Lancaster from the Aqueduct Bridge

Lancaster from the Aqueduct Bridge
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1827-1838
Materials & Techniques:
Line engraving, first published state
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

217. Lancaster from the Aqueduct Bridge

Lancaster from the Aqueduct Bridge
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1827-1838
Materials & Techniques:
Open etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

218. Shakspeare

Shakspeare
Creator:
after Abraham Wivell, 1786–1899
Date:
1827
Materials & Techniques:
Etching, stipple engraving and line engraving on wove paper
Dimensions:
Image: 5 3/8 x 4 1/2in. (13.7 x 11.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

219. Crakow

Crakow
Creator:
Alfred Gomersal Vickers, 1810–1837
Date:
1827
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 3/4 × 16 3/8 inches (27.3 × 41.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of John Russell

220. John Burnet, Author of "Practical Hints on Painting"

John Burnet, Author of "Practical Hints on Painting"
Creator:
Charles Fox, 1749–1809
Date:
1827
Materials & Techniques:
Etching and stipple engraving on moderately thick, slightly textured, beige wove paper with beige chine collé
Dimensions:
Sheet: 16 x 11 7/16 inches (40.6 x 29.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

221. John Flaxman

John Flaxman
Creator:
Charles Turner, 1774–1857
Date:
1827
Dimensions:
Sheet: 17 1/2 x 13in. (44.5 x 33cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

222. Nicholas Revett

Nicholas Revett
Creator:
William Camden Edwards, 1777–1855
Date:
1827
Materials & Techniques:
Line engraving and etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 14 3/4 x 10 1/2 inches (37.4 x 26.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

223. The Use of Tears

The Use of Tears
Creator:
Richard Parkes Bonington, 1802–1828
Date:
1827
Materials & Techniques:
Watercolor and white gouache over graphite on thick, smooth card
Dimensions:
Sheet: 9 x 7 inches (22.9 x 17.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

224. Isola Bella and Lago Maggiore

Isola Bella and Lago Maggiore
Creator:
Lady Mary Leighton, active 1832–1864
Date:
1827
Materials & Techniques:
Watercolor on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 8 5/8 x 14 3/8 inches (21.9 x 36.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

225. Kremlin from the Quay

Kremlin from the Quay
Creator:
Alfred Gomersal Vickers, 1810–1837
Date:
1827
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/2 × 16 1/2 inches (26.7 × 41.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of John Russell

226. Moscow from the Esplanade of the Kremlin

Moscow from the Esplanade of the Kremlin
Creator:
Alfred Gomersal Vickers, 1810–1837
Date:
1827
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 3/4 × 16 1/2 inches (27.3 × 41.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of John Russell

227. Red Square, Moscow

Red Square, Moscow
Creator:
Alfred Gomersal Vickers, 1810–1837
Date:
1827
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 × 16 3/4 inches (27.9 × 42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of John Russell

228. Cuirassiers

Cuirassiers
Creator:
James Pattison Cockburn, 1779–1847
Date:
ca. 1832
Materials & Techniques:
Pen and brown ink and brown wash with gouache on moderately thick, moderately textured, brown wove paper
Dimensions:
Sheet: 4 × 6 inches (10.2 × 15.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

229. Trotting Past

Trotting Past
Creator:
James Pattison Cockburn, 1779–1847
Date:
ca. 1832
Materials & Techniques:
Brown wash with pen and brown ink on moderately thick, moderately textured, gray wove paper
Dimensions:
Sheet: 4 1/8 × 6 inches (10.5 × 15.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

230. Windsor Castle from near Brocas Meadows

Windsor Castle from near Brocas Meadows
Creator:
William Daniell, 1769–1837
Date:
1827
Materials & Techniques:
Watercolor, pen and brown ink, gray ink, graphite, gouache, and scratching out on medium, slightly textured, cream wove paper
Dimensions:
Mount: 18 3/16 × 25 15/16 inches (46.2 × 65.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

231. In the Vaux, Jersey

In the Vaux, Jersey
Creator:
Robert Hills, 1769–1844
Date:
ca. 1832
Materials & Techniques:
Gray wash and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 3/8 x 7 1/2 inches (13.7 x 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

232. Farm Buildings in the Vaux, Jersey

Farm Buildings in the Vaux, Jersey
Creator:
Robert Hills, 1769–1844
Date:
ca. 1832
Materials & Techniques:
Gray wash, brown wash, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 3/8 x 9 1/4 inches (16.2 x 23.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

233. View of Guy Fawkes' Tower

View of Guy Fawkes' Tower
Creator:
George Birch, 1842–1904
Date:
1827
Materials & Techniques:
Graphite and brown wash on slightly textured, moderately thick, white wove paper
Dimensions:
Sheet: 11 × 8 1/4 inches (27.9 × 21 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

234. Sections of Room under Painted Chamber

Sections of Room under Painted Chamber
Creator:
George Birch, 1842–1904
Date:
1827
Materials & Techniques:
Graphite, pen and brown ink and watercolor on slightly textured, moderately thick, white wove paper
Dimensions:
Sheet: 10 3/4 × 8 3/8 inches (27.3 × 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

235. The Fatal Bellman

The Fatal Bellman
Creator:
Print made by George Richmond, 1809–1896
Date:
1827
Materials & Techniques:
Line engraving on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 6 13/16 x 5 3/8 inches (17.3 x 13.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

236. Blear-Eyed Moll

Blear-Eyed Moll
Creator:
Print made by George Cruikshank, 1792–1878
Date:
ca. 1832
Materials & Techniques:
Etching on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 9 7/16 × 5 11/16 inches (24 × 14.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

237. Going at a Rank of Hurdles with Temper and Resolution

Going at a Rank of Hurdles with Temper and Resolution
Creator:
Henry Thomas Alken, 1785–1851
Date:
1827
Materials & Techniques:
Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 × 10 1/2 inches (20.3 × 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

238. "Topping a Park fence and doing the thing easy"

"Topping a Park fence and doing the thing easy"
Creator:
Henry Thomas Alken, 1785–1851
Date:
1827
Materials & Techniques:
Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 × 10 1/2 inches (20.3 × 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

239. Fox Hunting: Leicestershire - The Meeting

Fox Hunting: Leicestershire - The Meeting
Creator:
Theodore Henry Adolphus Fielding, 1781–1851
Date:
1827
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 11 3/4 x 18 3/4in. (29.8 x 47.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

240. Windsor Castle from the South

Windsor Castle from the South
Creator:
William Daniell, 1769–1837
Date:
1827
Materials & Techniques:
Watercolor, graphite pen and brown ink, black ink, and white gouache on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 12 x 19 3/4 inches (30.5 x 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

241. Abraham Cooper, R.A.

Abraham Cooper, R.A.
Creator:
James Thomson, 1789–1850
Date:
1827
Materials & Techniques:
Stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

242. A Mare: Possibly a Study for "L'Amour de Cheval", Dated 1827, in the Tate Gallery

A Mare: Possibly a Study for "L'Amour de Cheval", Dated 1827, in the Tate Gallery
Creator:
James Ward, 1769–1859
Date:
1827
Materials & Techniques:
Black chalk and white chalk on medium, smooth, brown wove paper
Dimensions:
Sheet: 9 5/8 x 12 1/2 inches (24.4 x 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

243. Man Leading a Horse in Front of a Stable

Man Leading a Horse in Front of a Stable
Creator:
Possibly John West Giles, active 1827–1865
Date:
1827
Materials & Techniques:
Watercolor, pen and brown ink, graphite, and gum arabic on medium, slightly textured, cream wove paper, mounted on card
Dimensions:
Sheet: 11 5/8 × 15 3/4 inches (29.5 × 40 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

244. Plan and View of Room under the Painted Chamber

Plan and View of Room under the Painted Chamber
Creator:
George Birch, 1842–1904
Date:
1827
Materials & Techniques:
Graphite, pen and brown ink and watercolor on slightly textured, moderately thick, white wove paper
Dimensions:
Sheet: 10 13/16 × 8 3/16 inches (27.5 × 20.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

245. Sections of Room under Painted Chamber

Sections of Room under Painted Chamber
Creator:
Charles James Richardson, 1806–1871
Date:
1827
Materials & Techniques:
Graphite, pen and brown ink and watercolor on slightly textured, moderately thick, white wove paper
Dimensions:
Sheet: 11 × 8 1/4 inches (27.9 × 21 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

246. Perspective View of the North & East Fronts of the Building Connected with the Houses of Parliament and Courts of Law, &c. &c.

Perspective View of the North & East Fronts of the Building Connected with the Houses of Parliament and Courts of Law, &c. &c.
Creator:
Print made by R.C. Roffe, active in London 1806–1835
Date:
1827
Materials & Techniques:
Line engraving on slightly textured, medium, white wove paper
Dimensions:
Sheet: 6 13/16 × 17 3/16 inches (17.3 × 43.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

247. The Mail Coach in a Flood

The Mail Coach in a Flood
Creator:
Print made by Frederick Rosenberg, active 1816–1832
Date:
1827
Materials & Techniques:
Etching and aquatint with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

248. At Shanklin, Isle of Wight

At Shanklin, Isle of Wight
Creator:
Capt. Thomas Hastings, 1778–1854
Date:
1827
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/8 × 12 7/8 inches (23.2 × 32.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

249. Poodles preparing for an AQUATIC EXCURSION

Poodles preparing for an AQUATIC EXCURSION
Creator:
Henry Heath, active 1824–1835
Date:
1827
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

250. The Wits of Windsor, a Miltonian Pun

The Wits of Windsor, a Miltonian Pun
Creator:
unknown artist
Date:
1827
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

251. And did you not hear of a jolly young water man who at famd Westminster bridge used to ply

And did you not hear of a jolly young water man who at famd Westminster bridge used to ply
Creator:
Henry Heath, active 1824–1835
Date:
1827
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

252. Where the Carcase is, there will ... the Birds of Prey be gathered

Where the Carcase is, there will ... the Birds of Prey be gathered
Creator:
Henry Heath, active 1824–1835
Date:
1827
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

253. Greater Sulphur Crested Cockatoo

Greater Sulphur Crested Cockatoo
Creator:
unknown artist
Date:
ca. 1832
Materials & Techniques:
Watercolor, pen and black ink, and graphite on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 21 3/8 x 15 1/8 inches (54.3 x 38.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

254. William Shakspeare

William Shakspeare
Creator:
Charles Picart, c.1780–1837
Date:
1827
Materials & Techniques:
Stipple engraving and etching on wove paper
Dimensions:
Sheet: 9 3/8 x 6 15/16in. (23.8 x 17.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

255. Guglielm Shakspeare

Guglielm Shakspeare
Creator:
William Holl, 1807–1871
Date:
1827
Materials & Techniques:
Line engraving on wove paper
Dimensions:
Sheet: 9 × 5 5/8 inches (22.9 × 14.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

256. Shakspeare

Shakspeare
Date:
1827
Materials & Techniques:
Stipple engraving and etching on wove paper laid down on wove paper
Dimensions:
Image: 4 3/8 x 3 3/4in. (11.1 x 9.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

257. Shakspeare

Shakspeare
Creator:
Benjamin Holl, 1808–1884
Date:
1827
Materials & Techniques:
Stipple engraving on wove paper
Dimensions:
Sheet: 5 × 3 5/16 inches (12.7 × 8.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

258. Shakspeare

Shakspeare
Creator:
Benjamin Holl, 1808–1884
Date:
1827
Materials & Techniques:
Stipple engraving on wove paper
Dimensions:
Sheet: 11 5/8 x 9 1/8in. (29.5 x 23.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

259. Shakspeare

Shakspeare
Date:
1827
Materials & Techniques:
Etching, line engraving and stipple engraving on wove paper
Dimensions:
Sheet: 10 3/4 × 8 1/8 inches (27.3 × 20.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

260. Shakspeare

Shakspeare
Creator:
after Robert Cooper, ca. 1800–1836
Date:
1827
Materials & Techniques:
Stipple engraving on laid paper
Dimensions:
Sheet: 5 7/8 x 3 13/16in. (14.9 x 9.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

261. Will. Shakespere

Will. Shakespere
Creator:
after Abraham Wivell, 1786–1899
Date:
1827
Materials & Techniques:
Line engraving on wove paper
Dimensions:
Sheet: 8 3/4 x 5 3/4in. (22.2 x 14.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

262. Will. Shakespere

Will. Shakespere
Creator:
William Holl, 1807–1871
Date:
1827
Materials & Techniques:
Line engraving on wove paper
Dimensions:
Sheet: 8 1/2 x 6 3/8in. (21.6 x 16.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

263. Foxhunting: Full Cry

Foxhunting: Full Cry
Creator:
George Alken, 1794–active 1837
Date:
between 1827 and 1837
Materials & Techniques:
Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 9/16 × 10 3/16 inches (16.7 × 25.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

264. Turbaned Cavalryman, Right Arm with Curved Sword Upraised

Turbaned Cavalryman, Right Arm with Curved Sword Upraised
Creator:
Henry Thomas Alken, 1785–1851
Date:
between 1827 and 1851
Materials & Techniques:
Graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 6 5/16 × 4 13/16 inches (16 × 12.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

265. William Blake

William Blake
Creator:
Charles H. Jeens, 1827–1879
Date:
1827
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

266. A Cutter and Other Shipping in a Breeze

A Cutter and Other Shipping in a Breeze
Creator:
unknown artist
Date:
1827-1828
Materials & Techniques:
Watercolor, pen and brown ink, blue ink, gouache, and scratching out on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 13/16 × 7 3/4 inches (14.8 × 19.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

267. Coaching: The Mail Coach in a Thunder on Newmarket Heath

Coaching: The Mail Coach in a Thunder on Newmarket Heath
Creator:
Richard Gilson Reeve, 1803–1889
Date:
1827
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 11 3/16 x 15 15/16in. (28.4 x 40.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

268. Devonport and Dockyard, Devonshire

Devonport and Dockyard, Devonshire
Creator:
Print made by Thomas Jeavons, ca. 1800–1867
Date:
1827-1838
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

269. "The Cover Hack"

"The Cover Hack"
Creator:
Henry Thomas Alken, 1785–1851
Date:
1827
Materials & Techniques:
Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 × 10 1/2 inches (20.3 × 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

270. "By - he'll get to the Earth..."

"By - he'll get to the Earth..."
Creator:
Henry Thomas Alken, 1785–1851
Date:
1827
Materials & Techniques:
Graphite and watercolor on medium, slightly textured, beige laid paper mounted to card
Dimensions:
Sheet: 8 × 10 1/2 inches (20.3 × 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

271. Fox Hunting: Leicestershire - Full Cry

Fox Hunting: Leicestershire - Full Cry
Creator:
Theodore Henry Adolphus Fielding, 1781–1851
Date:
1827
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 11 3/4 x 18 3/4in. (29.8 x 47.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

272. Fox Hunting: Leicestershire - Getting Away

Fox Hunting: Leicestershire - Getting Away
Creator:
Theodore Henry Adolphus Fielding, 1781–1851
Date:
1827
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 11 3/4 x 18 3/4in. (29.8 x 47.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

273. Fox Hunting: Leicestershire - The Death

Fox Hunting: Leicestershire - The Death
Creator:
Theodore Henry Adolphus Fielding, 1781–1851
Date:
1827
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 11 3/4 x 18 3/4in. (29.8 x 47.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

274. Perspective View of the North & East Fronts of the Buildings Connected with the Houses of Parliament and Courts of Law &c. &c., and Showing the Alterations Suggested by Colonel Trench

Perspective View of the North & East Fronts of the Buildings Connected with the Houses of Parliament and Courts of Law &c. &c., and Showing the Alterations Suggested by Colonel Trench
Creator:
Print made by R.C. Roffe, active in London 1806–1835
Date:
1827
Materials & Techniques:
Line engraving on smooth, medium, white wove paper
Dimensions:
Sheet: 5 × 15 9/16 inches (12.7 × 39.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

275. A View of the Range of Building Adjoining Westminster Hall, and Fronting the River Thames; Including a Space of 750 Feet

A View of the Range of Building Adjoining Westminster Hall, and Fronting the River Thames; Including a Space of 750 Feet
Creator:
Print made by R.C. Roffe, active in London 1806–1835
Date:
1827
Materials & Techniques:
Line engraving on smooth, medium, white wove paper
Dimensions:
Sheet: 5 × 15 5/8 inches (12.7 × 39.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

276. Perridge House:The Seat of Henry Limbrey Toll, Esq.

Perridge House:The Seat of Henry Limbrey Toll, Esq.
Creator:
Print made by unknown artist
Date:
1827
Materials & Techniques:
Aquatint with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

277. Hookey Walker

Hookey Walker
Creator:
Print made by Thomas Landseer, 1795–1880
Date:
1827
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

278. Duke of Clarence

Duke of Clarence
Creator:
Print made by Henry Dawe, 1790–1848
Date:
1827
Materials & Techniques:
Mezzotint on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

279. The Duke of York Forcing His Way through the Enemy near Roubiax

The Duke of York Forcing His Way through the Enemy near Roubiax
Creator:
Published by Fisher, Son & Co., active 1821–1848
Date:
1827
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

280. The Limehouse Dock, Regent's Canal

The Limehouse Dock, Regent's Canal
Creator:
Print made by Frederick James Havell, 1801–1840
Date:
1827
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

281. Anastasia Gliddon Laurence

Anastasia Gliddon Laurence
Creator:
Samuel Laurence, 1812–1884
Date:
undated
Materials & Techniques:
Black chalk and white chalk on medium, slightly textured, brown wove paper
Dimensions:
Sheet: 20 5/8 × 14 1/4 inches (52.4 × 36.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Gordon S. Haight

282. St. Vincent's Rocks, and the Hotwells, from the Ashton Fields, Clifton

St. Vincent's Rocks, and the Hotwells, from the Ashton Fields, Clifton
Creator:
William Westall, 1781–1850
Date:
1827 or 1828
Materials & Techniques:
Lithograph
Dimensions:
Sheet: 7 x 10 1/4in. (17.8 x 26cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Brian and Linda Gracie

283. Canonbury House, Islington

Canonbury House, Islington
Creator:
Print made by George Cooke, 1781–1834
Date:
1827
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

284. Hanover Terrace, Regent's Park

Hanover Terrace, Regent's Park
Creator:
Print made by George Cooke, 1781–1834
Date:
1827
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

285. Hanover Terrace, Regent's Park

Hanover Terrace, Regent's Park
Creator:
Print made by George Cooke, 1781–1834
Date:
1827
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

286. A Complete Turn-Out among the Cabinet-Makers

A Complete Turn-Out among the Cabinet-Makers
Creator:
Print made by Henry Heath, active 1824–1835
Date:
1827
Materials & Techniques:
Etching with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/4 × 14 1/2 inches (28.6 × 36.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Godfrey Pearlson

287. A Parti Carré for a Crown

A Parti Carré for a Crown
Creator:
Print made by Henry Heath, active 1824–1835
Date:
1827
Materials & Techniques:
Etching with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/4 × 14 1/2 inches (28.6 × 36.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Godfrey Pearlson

288. Out of Court. Auspicium Melioris Devi

Out of Court. Auspicium Melioris Devi
Creator:
Print made by Henry Heath, active 1824–1835
Date:
1827
Materials & Techniques:
Etching with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/4 × 17 1/2 inches (28.6 × 44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Godfrey Pearlson

289. Diogenes in Search of an Honest Ministry

Diogenes in Search of an Honest Ministry
Creator:
Print made by Henry Heath, active 1824–1835
Date:
1827
Materials & Techniques:
Etching with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/2 × 17 inches (29.2 × 43.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Godfrey Pearlson

290. Chinese Father and Child with Dog

Chinese Father and Child with Dog
Creator:
George Chinnery, 1774–1852
Date:
1827
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 2 7/8 x 4 1/8in. (7.3 x 10.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

291. Hall in a Gothic Mansion

Hall in a Gothic Mansion
Creator:
James Pattison Cockburn, 1779–1847
Date:
ca. 1832
Materials & Techniques:
Pen and brown ink, brown wash and graphite on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 6 1/8 × 8 3/8 inches (15.6 × 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

292. Group of Figures Round a Distant Bonfire in a Wood

Group of Figures Round a Distant Bonfire in a Wood
Creator:
James Pattison Cockburn, 1779–1847
Date:
ca. 1832
Materials & Techniques:
Pen and brown ink with brown wash, gouache and graphite on medium, moderately textured, brown wove paper
Dimensions:
Sheet: 5 7/8 × 8 inches (14.9 × 20.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

293. Italianate Landscape

Italianate Landscape
Creator:
James Pattison Cockburn, 1779–1847
Date:
ca. 1832
Materials & Techniques:
Pen and black ink with brown ink, brown wash and gouache on medium, moderately textured, brown wove paper
Dimensions:
Sheet: 5 5/8 × 7 3/4 inches (14.3 × 19.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

294. The Buck-Basket. A scene from the Merry Wives of Windsor

The Buck-Basket. A scene from the Merry Wives of Windsor
Creator:
Print made by Henry Heath, active 1824–1835
Date:
1827
Materials & Techniques:
Etching with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/2 × 17 1/2 inches (29.2 × 44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Godfrey Pearlson

295. On the Wye

On the Wye
Creator:
David Cox, 1783–1859
Date:
ca. 1832
Materials & Techniques:
Watercolor and graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 7 3/4 x 11 5/8 inches (19.7 x 29.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

296. Design for Grosvenor House, London: Plan

Design for Grosvenor House, London: Plan
Creator:
Thomas Cundy, 1790–1867
Date:
1827
Materials & Techniques:
Watercolor with pen and black ink over graphite on slightly textured, moderately thick, cream wove paper
Dimensions:
Sheet: 20 3/4 × 28 7/8 inches (52.7 × 73.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

297. A Summer Day

A Summer Day
Creator:
John Sell Cotman, 1782–1842
Date:
1827 to 1837
Materials & Techniques:
Watercolor and graphite on Medium, moderately textured, cream wove paper
Dimensions:
Sheet: 12 1/2 x 18 3/8 inches (31.8 x 46.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

298. Design for Grosvenor House, London: Plan

Design for Grosvenor House, London: Plan
Creator:
Thomas Cundy, 1790–1867
Date:
1827
Materials & Techniques:
Graphite, pen and black ink and watercolor on slightly textured, moderately thick, cream wove paper
Dimensions:
Sheet: 12 × 9 7/8 inches (30.5 × 25.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

299. Design for Grosvenor House, London: Plan

Design for Grosvenor House, London: Plan
Creator:
Thomas Cundy, 1790–1867
Date:
1827
Materials & Techniques:
Graphite, pen and black ink and watercolor on slightly textured, moderately thick, cream wove paper
Dimensions:
Sheet: 12 13/16 × 11 5/8 inches (32.5 × 29.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

300. Design for Grosvenor House, London: Chamber Floor Plan

Design for Grosvenor House, London: Chamber Floor Plan
Creator:
Thomas Cundy, 1790–1867
Date:
1827
Materials & Techniques:
Graphite, pen and black ink and watercolor on slightly textured, moderately thick, cream wove paper
Dimensions:
Sheet: 18 5/8 × 24 inches (47.3 × 61 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection